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SINFONIA
SheetMusicPlus
Flute ensemble
Sheetmusic to print
6 sheet music found
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1
The Marriage of Figaro for Flute Choir:2 Duettino No. 1
#
Flute ensemble
#
INTERMEDIATE/ADVANCED
#
Classical
#
Wolfgang Amadeus Mozart
#
Darrell Goforth
#
The Marriage of Figaro for Flu
#
Darrell Harrison Goforth
#
SheetMusicPlus
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.747384 Composed by Wolfgang Amadeus Mozart. Arranged by Darrell Goforth. Classical,Instructional. ...
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.747384 Composed by Wolfgang Amadeus Mozart. Arranged by Darrell Goforth. Classical,Instructional. 17 pages. Darrell Harrison Goforth #455695. Published by Darrell Harrison Goforth (A0.747384). This arrangement is part of a series for Flute Choir which will encompass Mozart's opera The Marriage of Figaro. The series will include the Overture (Sinfonia) and many of the arias, duets and ensembles from the opera. The work can be presented as a complete performance or as standalone pieces. In each of the vocal selections the solo voices will rotate among the entire group, making it ideal for student recitals and to build confidence among the players. The Duettino No. 1 is the opening scene of the opera featuring Figaro (Alto Flute 3) and Susanna (Flute 4) and sets the mood for the entire opera. It is a conversation between Figaro and Susanna, each opening with their own concerns and coming together as a couple. Contact me with questions or comments at dgoforth2@comcast.net My facebook page is: GoForth Music (https://www.facebook.com/goforthmusic?fref=ts) and my YouTube Channel is https://www.youtube.com/user/dgoforth2.
$19.99
The Marriage of Figaro for Flute Choir 3 Cavatina
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Flute ensemble
#
INTERMEDIATE/ADVANCED
#
Classical
#
Wolfgang Amadeus Mozart
#
Darrell Goforth
#
The Marriage of Figaro for Flu
#
Darrell Harrison Goforth
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.747386 Composed by Wolfgang Amadeus Mozart. Arranged by Darrell Goforth. Classical,Instructi...
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Woodwind Ensemble Flute - Level 4 - Digital Download SKU: A0.747386 Composed by Wolfgang Amadeus Mozart. Arranged by Darrell Goforth. Classical,Instructional. 15 pages. Darrell Harrison Goforth #484313. Published by Darrell Harrison Goforth (A0.747386). This arrangement is part of a series for Flute Choir which will encompass Mozart's opera The Marriage of Figaro. The series will include the Overture (Sinfonia) and many of the arias, duets and ensembles from the opera. The work can be presented as a complete performance or as standalone pieces. In each of the vocal selections the solo voices will rotate among the entire group, making it ideal for student recitals and to build confidence among the players. In this Cavatina, Figaro is imagining what he will do foil Count Almaviva in his plot to send Figaro on a tour and force himself on the new bride, Susanna. Contact me with questions or comments at: dgoforth2@comcast.net My facebook page is: GoForth Music (https://www.facebook.com/goforthmusic?fref=ts) and my YouTube Channel is https://www.youtube.com/user/dgoforth2.
$15.99
The Marriage of Figaro for Flute Choir 4 Duettino No. 2
#
Flute ensemble
#
INTERMEDIATE/ADVANCED
#
Classical
#
Wolfgang Amadeus Mozart
#
Darrell Goforth
#
The Marriage of Figaro for Flu
#
Darrell Harrison Goforth
#
SheetMusicPlus
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.747387 Composed by Wolfgang Amadeus Mozart. Arranged by Darrell Goforth. Classical,Instructional. ...
(+)
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.747387 Composed by Wolfgang Amadeus Mozart. Arranged by Darrell Goforth. Classical,Instructional. 16 pages. Darrell Harrison Goforth #506605. Published by Darrell Harrison Goforth (A0.747387). This arrangement is part of a series for Flute Choir which will encompass Mozart's opera The Marriage of Figaro. The series will include the Overture (Sinfonia) and many of the arias, duets and ensembles from the opera. The work can be presented as a complete performance or as standalone pieces. In each of the vocal selections the solo voices will rotate among the entire group, making it ideal for student recitals and to build confidence among the players. In this Duettino, Marcellina, the maid of honor, and Susanna engage in a rather catty conversation, revealing their mutual disdain. Contact me with questions or comments at: dgoforth2@comcast.net My facebook page is: GoForth Music (https://www.facebook.com/goforthmusic?fref=ts) and my YouTube Channel is https://www.youtube.com/user/dgoforth2.
$12.99
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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Flute ensemble
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 ...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
#
Flute ensemble
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 ...
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Selected Choruses from MESSIAH for Flute Choir
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Flute ensemble
#
INTERMEDIATE/ADVANCED
#
Classical
#
George Frideric Handel
#
Ralph Raymond Hays
#
Selected Choruses from MESSIAH
#
Ralph Raymond Hays
#
SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.720685 Composed by George Frideric Handel. Arranged by R...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 4 - Digital Download SKU: A0.720685 Composed by George Frideric Handel. Arranged by Ralph Raymond Hays. Christmas,Contemporary,Easter,Praise & Worship,Wedding. 111 pages. Ralph Raymond Hays #6012509. Published by Ralph Raymond Hays (A0.720685). This exquisite collection curated from one of Western Music's most cherished masterpieces is a must-have for ensembles of varying ability. Superbly edited and crafted by one of SMP's top arrangers, these particular selections are appropriate for a variety of occasions: Christmas or Easter/Holy Week services, funerals, weddings, recitals, and more. Each individual movement can also serve as accompaniment to a chamber choir performing from an original octavo. This compilation consists of the following:00:00 No. 1 - SINFONIA (OVERTURE)03:43 No. 4 Chorus - AND THE GLORY OF THE LORD06:25 No. 12 Chorus - FOR UNTO US A CHILD IS BORN10:27 No.13 - PASTORAL SYMPHONY12:28 No.17 - Chorus - GLORY TO GOD14:30 No.22 Chorus - BEHOLD THE LAMB OF GOD17:08 No.44 Chorus - HALLELUJAH20:55 No.46 Chorus - SINCE MY MAN CAME DEATH
$22.50
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