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Lady A
Not classified
574
Piano & keyboards
Piano solo
390
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355
Easy Piano
226
Piano, Voice
208
C Instruments
49
Big Note Piano
40
Accordion
35
Organ
30
1 Piano, 4 hands
22
Piano Accompaniment
8
Piano Quintet: piano, 2 violins, viola, cello
3
2 Pianos, 4 hands
3
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3
Piano (band part)
2
Piano Trio: piano, violin, cello
2
Fake Book
1
Melody line, Piano
1
Organ, Trumpet (duet)
1
+ 13 instrumentations
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Guitars
Guitar
76
Melody line, (Lyrics) and Chords
72
Guitar notes and tablatures
68
Ukulele
52
Bass guitar
43
Lyrics and Chords
26
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6
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5
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2
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2
Guitar Ensemble
1
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1
Electric Bass (band part)
1
Banjo
1
Mandolin, Guitar (duet)
1
+ 10 instrumentations
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Voice
Choral SATB
179
Choral 3-part
82
Choral 2-part
53
Choral TTBB
50
Choral SSAA
46
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24
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19
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14
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13
Choral Unison
11
High voice
11
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5
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4
Baritone voice, Piano
3
Tenor voice, Piano
2
Medium voice, Piano
1
Alto voice, Piano
1
Mezzo-Soprano voice, Piano
1
+ 13 instrumentations
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Woodwind
Saxophone (band part)
85
Flute
80
Tenor Saxophone
69
Clarinet
68
Alto Saxophone
65
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64
Flute, Oboe, Clarinet, Bassoon
41
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33
Saxophone
29
Flute and Piano
28
Clarinet and Piano
27
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25
Oboe (band part)
25
Alto Saxophone and Piano
24
Tenor Saxophone and Piano
22
2 Saxophones (duet)
20
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18
2 Flutes (duet)
17
Soprano Saxophone and Piano
15
Flute Quartet: 4 flutes
15
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13
Baritone Saxophone, Piano
13
3 Saxophones (trio)
13
Saxophone Quintet: 5 Saxophones
12
2 Clarinets (duet)
11
Clarinet Ensemble
10
3 Clarinets (trio)
10
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10
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9
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8
Flute, Oboe, Clarinet (trio)
7
Saxophone ensemble
7
Clarinet, Guitar (duet)
7
English Horn
6
Flute ensemble
5
Descant (Soprano) Recorder
5
Flute, Violin, Piano
4
Flute (band part)
4
Ocarina
4
Baritone Saxophone
3
Recorder
3
Harmonica
3
Treble (Alto) Recorder
3
English horn, Piano
3
Flute, Violin
3
2 Recorders (duet)
3
Flute Trio: 3 flutes
3
Flute, Clarinet and Bassoon.
3
Bass Clarinet, Piano
3
Clarinet, Violin (duet)
3
Pennywhistle
2
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2
English Horn, Guitar (duet)
2
Flute, Oboe, Violin
2
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2
Oboe
2
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2
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2
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1
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1
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1
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1
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1
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1
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1
Flute, harp and violin
1
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69
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58
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48
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42
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35
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30
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28
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24
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20
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16
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12
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10
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9
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9
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7
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6
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6
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4
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4
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4
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3
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3
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3
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
French Horn and Harp
1
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190
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115
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95
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90
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69
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39
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36
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34
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32
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30
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27
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19
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14
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14
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12
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8
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7
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6
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6
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6
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6
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4
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3
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2
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2
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2
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2
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2
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1
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1
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1
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114
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75
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37
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6
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2
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You've selected:
Lady A
Baritone voice, Piano
Sheetmusic to print
3 sheet music found
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1
June 1974, Cohoes (Wish List Fundraising)
#
Baritone voice, Piano
#
INTERMEDIATE/ADVANCED
#
Brett L
#
#
June 1974, Cohoes
#
Sonata Grendel Publishing
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Pu...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #5770249. Published by Sonata Grendel Publishing (A0.837497). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 3. June 1974, Cohoes (duration – 2:15) Wish List Fundraising The new stage manager writes a letter to the producers asking for funds to equip the shop. All I need is some money for a hammer and nails, some duct tape, and a circular saw. That's all I need, and a C clamp, maybe two.
$7.99
October 1974, Cohoes (Confrontation and Finale)
#
Baritone voice, Piano
#
INTERMEDIATE/ADVANCED
#
Brett L
#
#
October 1974, Cohoes
#
Sonata Grendel Publishing
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publishing #5792331. Published by Sonata Grendel Publishing (A0.837499). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 4. October 1974, Cohoes (duration – 4:56) Confrontation and Finale The stage manager finally confronts the ghost residing in the hall. Your innocence was stolen but your youth was yours to lose. The croaking raven doth bellow for revenge,And so I stand for sacrifice.
$9.99
So Let Us Live - Really Live! for baritone and piano
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Baritone voice, Piano
#
ADVANCED
#
Robert M
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So Let Us Live - Really Live!
#
Robert M. Greenberg
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Rober...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Robert M. Greenberg #115411. Published by Robert M. Greenberg (A0.987855). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 11 minutes Year of composition: 2009 Program Note: I. When I Was One-and-Twenty (A. E. Housman) II. For An Amorous Lady (Theodore Roethke) III. Love Me Not for Comely Grace (John Wilbye) IV. So Let Us Live - Really Live! (Gaius Valerius Catullus) The four love songs that that constitute So Let Us Live – Really Live! were commissioned by John Goodman in honor of his wife Kerry King’s fiftieth birthday. The set – with its (relatively) light poetry and (excessively) tonal settings - was originally intended as Hausmusik (house music), music to be performed privately among (semi-inebriated) friends. However, certain personal events that occurred during their composition have compelled me to go public with them, and thus, with John and Kerry’s indulgence, they are receiving their premiere here, rather than in a living room. A thousand-and-one thanks to Allen Shearer’s wonderful voice and Lino Rivera’s exquisite hands, which were constantly in my mind’s ear during the composition of the songs. With love to Kerry, from John and Bob. All poems used by permission.
$28.00
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