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Baritone voice, Piano
Sheetmusic to print
5 sheet music found
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1
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Baritone voice, Piano
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ADVANCED
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Cent...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Ange Flégier: Ma coupe for baritone voice and piano
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Baritone voice, Piano
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INTERMEDIATE
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Ange Flégier
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Ange Flégier: Ma coupe for ba
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533421 Composed by Ange Flégier. Concert,Romantic Period,Standards. 11 pages. M...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533421 Composed by Ange Flégier. Concert,Romantic Period,Standards. 11 pages. Musik Fabrik Music Publishing #2913647. Published by Musik Fabrik Music Publishing (A0.533421). A setting of a poem by René de Saint-Prest. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In Eb major Duration: aprox. 3 minutes 30 secondsHolà ! qu’on m’apporte ma coupe,Et qu’on appelle mes amis!Si vous m’en croyez, de tous nos soucisNous allons chasser la hideuse troupe!Il faut nous égayer morbleu!Que dites-vous du vin d’Espagne?Réchauffons vite à son doux feuNos coeurs que le froid gagne!Refrain:À moi, ma coupe, à moi, chère maîtresse!Au nectar qui jaillit de ton sein généreuxLaisse-moi noyer la tristesse,Ah! donne-moi l’ivresseQui rend heureux!Jadis, oui, j'ai fait la folieDe croire à de tendres serments!Quels rêves deçus! quels affreux tourments!Par bonheur, un jour, tout cela s’oublie.Hein? qui donc parle ici d’amour?Au diable! la trompeuse flamme!Ma coupe m’aime, et sans détourC’est une rude femme!
$10.35
Speaking Silence
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Baritone voice, Piano
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Michael Berkeley
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Speaking Silence
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Oxford University Press Digital
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SheetMusicPlus
Baritone voice and piano - Digital Download SKU: OX.9780193201422 Composed by Michael Berkeley. Score. 28 pages. Oxford University Press Digital #9780193...
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Baritone voice and piano - Digital Download SKU: OX.9780193201422 Composed by Michael Berkeley. Score. 28 pages. Oxford University Press Digital #9780193201422. Published by Oxford University Press Digital (OX.9780193201422). ISBN 9780193201422.For baritone and piano. A beautifully constructed song-cycle set to poems from Christina Rosetti to WB Yeats and the sixteenth century French poet Pontus de Tyard. Exploring the themes of yearning and longing at the end of a love affair, the subject of the texts focus largely on a desire for rest and even oblivion. The music responds accordingly, ranging from the bright and chromatic to simple, poignant settings of folk-inspired tunes.
$19.99
The Lord's Prayer
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Baritone voice, Piano
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INTERMEDIATE
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Contemporary
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Albert Hay Malotte
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James F
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Key of Bb
https://youtu
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The Lord's Prayer
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WayWordBound
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.729471 Composed by Albert Hay Malotte. Arranged by James F. Rickley. 20th Century....
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.729471 Composed by Albert Hay Malotte. Arranged by James F. Rickley. 20th Century. 5 pages. WayWordBound #3514311. Published by WayWordBound (A0.729471). For Baritone and Piano, Religious - Utilizing Text Forgive us our Trespasses and Notating the New Translation as proposed by Pope Francis And do not let us fall into temptation; Key of Bbhttps://youtu.be/kjWp5kHmG_o
$6.00
The Torn Fields
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Baritone voice, Piano
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Contemporary
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Mark- Anthony Turnage
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The Torn Fields
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Schott Music - Digital
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SheetMusicPlus
Baritone and ensemble - difficult - Digital Download For baritone and large ensemble. Composed by Mark- Anthony Turnage (1960-). This edition: vocal/pia...
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Baritone and ensemble - difficult - Digital Download For baritone and large ensemble. Composed by Mark- Anthony Turnage (1960-). This edition: vocal/piano score. Downloadable. Duration 26 minutes. Schott Music - Digital #Q5954. Published by Schott Music - Digital
English.
Emotions from intense anger to morbid despair are conveyed through this powerful vocal work depicting the viewpoints of poets from the Great War. . Mark-Anthony Turnage's 'The Torn Fields' sets the words of Rudyard Kipling, Wilfred Owen, Isaac Rosenberg and Charles Sorley. the latter two of whom were killed in the trenches. .Despite the dark nature of the work, it concludes with a symbol of humanity and hope, the music from the prologue returns with the poem Everyone Sang to creating a unified transcendence away from the fears and desolation of the torn fields.
$33.99
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