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From Now On
Baritone voice, Piano
Sheetmusic to print
8 sheet music found
<
1
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Baritone voice, Piano
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ADVANCED
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Cent...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Stopping by Woods on a Snowy Evening from Winter Windows
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Baritone voice, Piano
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Juliana Hall
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Stopping by Woods on a Snowy E
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Baritone voice and piano - Medium - Digital Download SKU: MQ.8595-7E Composed by Juliana Hall. Secular, 21st century. 15 pages. E. C. Schirmer Music Comp...
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Baritone voice and piano - Medium - Digital Download SKU: MQ.8595-7E Composed by Juliana Hall. Secular, 21st century. 15 pages. E. C. Schirmer Music Company - Digital #8595-7E. Published by E. C. Schirmer Music Company - Digital (MQ.8595-7E). English.Winter Windows is a cycle of songs that each offer a.
$6.75
Jump Right In! (Downloadable)
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Baritone voice, Piano
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Gospel/Spiritual
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Gwyneth W
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Jump Right In!
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-3E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Sc...
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Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-3E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Company - Digital #8826-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-3E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$4.00
My Soul has Grown Deep (Downloadable)
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Baritone voice, Piano
#
Gospel/Spiritual
#
Gwyneth W
#
My Soul has Grown Deep
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-1E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Sc...
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Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-1E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Company - Digital #8826-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-1E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$4.00
Troubled Water (Downloadable)
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Baritone voice, Piano
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EASY
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Gospel/Spiritual
#
Gwyneth W
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Troubled Water
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-2E Composed by Gwyneth W. Walker. African American Heritage. 5 pages. E. C. Sc...
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Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-2E Composed by Gwyneth W. Walker. African American Heritage. 5 pages. E. C. Schirmer Music Company - Digital #8826-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-2E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$3.00
October 1974, Cohoes (Confrontation and Finale)
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Baritone voice, Piano
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INTERMEDIATE/ADVANCED
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Brett L
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October 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publishing #5792331. Published by Sonata Grendel Publishing (A0.837499). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 4. October 1974, Cohoes (duration – 4:56) Confrontation and Finale The stage manager finally confronts the ghost residing in the hall. Your innocence was stolen but your youth was yours to lose. The croaking raven doth bellow for revenge,And so I stand for sacrifice.
$9.99
June 1974, Cohoes (Wish List Fundraising)
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Baritone voice, Piano
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INTERMEDIATE/ADVANCED
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Brett L
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June 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Pu...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #5770249. Published by Sonata Grendel Publishing (A0.837497). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 3. June 1974, Cohoes (duration – 2:15) Wish List Fundraising The new stage manager writes a letter to the producers asking for funds to equip the shop. All I need is some money for a hammer and nails, some duct tape, and a circular saw. That's all I need, and a C clamp, maybe two.
$7.99
Shall I Compare Thee To A Summer's Day? - Baritone Solo
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Baritone voice, Piano
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INTERMEDIATE
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Phil Rawle
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Shall I Compare Thee To A Summ
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Phillip Rawle
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.824563 Composed by Phil Rawle. Concert,Contemporary. 4 pages. Phillip Rawle #47308...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.824563 Composed by Phil Rawle. Concert,Contemporary. 4 pages. Phillip Rawle #4730843. Published by Phillip Rawle (A0.824563). Shall I Compare Thee To A Summer's Day? Sonnet No. 18 by William Shakespeare.Sonnet 18 is perhaps the best known of all sonnets. ... Their depth and range set Shakespeare apart from all other sonneteers. His sonnet 18 focuses on the loveliness of a friend or lover, the speaker initially asking a rhetorical question comparing them to a summer's day.
$3.00
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