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Baritone voice, Piano
Sheetmusic to print
9 sheet music found
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1
The Answer
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Baritone voice, Piano
#
ADVANCED
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Contemporary
#
Brett L
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The Answer
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Sonata Grendel Publishing
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1120812 Composed by Brett L. Wery. Classical,Contemporary. 12 pages. Sonata Grende...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1120812 Composed by Brett L. Wery. Classical,Contemporary. 12 pages. Sonata Grendel Publishing #722023. Published by Sonata Grendel Publishing (A0.1120812). The Answer is a science-fiction song set in a universe where myriapods—a subphylum of arthropods containing millipedes and centipedes—are sentient and sapient. The song is the third song in The Pedesterra Cycle including The Calculus of Division and Interlude and the Cleansing. The songs center on a plot by the more advanced centipedes to dominate the millipedes in order to sow doubt in math and thereby divide them into factions. While the millipedes distracted, the carnivorous centipedes will eat the detritivorous—eating organic waste such as rotting wood—millipedes’ young. The Answer is a soliloquy by the charlatan leader of the Brown on Black faction described in the first song as “sustained by fear and vindication.†In the song, the sham politician betrays their allegiance to the centipedes who have aided their rise to power. The song is the third in a trilogy of songs set in this unforgiving universe of Pedesterra.
$7.60
What A Wonderful World
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Baritone voice, Piano
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INTERMEDIATE/ADVANCED
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Jazz
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Louis Armstrong With Kenny G
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Thomas J
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What A Wonderful World
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John P. Redmon Music
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.975465 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arra...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.975465 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Thomas J. Dawson, Jr. Jazz. 5 pages. John P. Redmon Music (ASCAP)/adm. by Reaching Records #6247649. Published by John P. Redmon Music (ASCAP)/adm. by Reaching Records (A0.975465). No Armstrong collection would be complete without What A Wonderful World, and here it’s as stirring as ever amid sublime sax prowess... (TakeEffectReviews.com)John Redmon and Thomas Dawson Jr. beautifully contemporizes one of the world’s most beloved songs made popular by the incomparable Louis Armstrong; the heart-warming classic What a Wonderful World.This piano/vocal arrangement as the original recording adds a sultry splash to the Armstrong signature tune. A jazz-infused musical flare reinvents this 70s hit bringing a regenerative power to our hopes and dreams. A black and white concept video accompanied the single release of this tune back in 2018 and has collectively reached over 250k views. It was Redmon’s second most popular video...second to only his 1M viewer Imagine.What a Wonderful World appears on the album Honoring Louis Armstrong featuring Louis Armstrong Impressionist John Redmon and accompanied by The Thomas J. Dawson, Jr. iOrchestra.This version of What a Wonderful World has been popular at funerals, bars, sing-alongs, concerts, festivals and parties.The recorded version is just a little over 3 1/2 minutes.John Redmon and Thomas Dawson, Jr. are both ASCAP affiliates.You can follow John Redmon on the following social media sites:Facebook: https://m.facebook.com/johnredmonmusic/Instagram: https://www.instagram.com/johnredmonmusic/Twitter: https://twitter.com/johnredmonmusicFor more album information, visit: https://www.honoringlouisarmstrong.com/Record Label: https://www.reachingrecords.com/
$4.99
Rembrandt Dying
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Baritone voice, Piano
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Anthony Powers
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Rembrandt Dying
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Oxford University Press Digital
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SheetMusicPlus
Bass-baritone voice and piano to a text from Seeing the World, a book of poety by Dick Davies - Digital Download SKU: OX.9780193202658 Composed by Anthon...
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Bass-baritone voice and piano to a text from Seeing the World, a book of poety by Dick Davies - Digital Download SKU: OX.9780193202658 Composed by Anthony Powers. Vocal score. 12 pages. Oxford University Press Digital #9780193202658. Published by Oxford University Press Digital (OX.9780193202658). ISBN 9780193202658.For bass-baritone and piano to a text from Seeing the World, a book of poety by Dick Davies.
$15.99
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Baritone voice, Piano
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ADVANCED
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Cent...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
I Want Jesus to Walk With Me (baritone voice and piano)
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Baritone voice, Piano
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ADVANCED
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Maria Thompson Corley
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I Want Jesus to Walk With Me
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Maria Thompson Corley
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.845925 Arranged by Maria Thompson Corley. 20th Century,Concert,Sacred,Spiritual. 5...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.845925 Arranged by Maria Thompson Corley. 20th Century,Concert,Sacred,Spiritual. 5 pages. Maria Thompson Corley #4631479. Published by Maria Thompson Corley (A0.845925). This powerful arrangement, originally commissioned by soprano Randye Jones, incorporates Jesus Walked That Lonesome Valley..
$9.99
Beloved, Let Us Love (baritone and piano)
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Baritone voice, Piano
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INTERMEDIATE/ADVANCED
#
Jane K
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Beloved, Let Us Love
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Evgeniya Kozhevnikova
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.806731 Composed by Jane K (Evgeniya Kozhevnikova). Christian,Contemporary,Holiday,...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.806731 Composed by Jane K (Evgeniya Kozhevnikova). Christian,Contemporary,Holiday,Religious,Wedding. 5 pages. Evgeniya Kozhevnikova #6104319. Published by Evgeniya Kozhevnikova (A0.806731). Written by Jane K (Evgeniya Kozhevnikova) in 2020, Beloved, Let Us Love is a setting of the text by Christina Rossetti for baritone and piano. The text is a powerful reminder that we are loved and, therefore, should love. The SATB version of this piece was premiered on October 24, 2020 by Celebris Ensemble (Kalamazoo, Michigan) under the direction of Joel Snyder.Â
$4.99
Fulbert's Awakening
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Baritone voice, Piano
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EASY
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Stephen DeCesare
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Fulbert's Awakening
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Exultet Music
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 2 - Digital Download SKU: A0.618442 Composed by Stephen DeCesare. Broadway,Film/TV,Musical/Show,Rock. 12 pages....
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Baritone Horn TC,Vocal Solo,Voice - Level 2 - Digital Download SKU: A0.618442 Composed by Stephen DeCesare. Broadway,Film/TV,Musical/Show,Rock. 12 pages. Exultet Music #2023767. Published by Exultet Music (A0.618442). Powerful musical-theatre song that is featured in Abelard and Heloise: the musical which is available on this site. Song is about a man who just realized he has been betrayed by people he really cared about. Scored for a Baritone solo and Piano. A rehearsal and an accompaniment track are also available. .
$3.99
What power art thou
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Baritone voice, Piano
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Henry Purcell
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Wolfgang Birtel
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What power art thou
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Schott Music
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SheetMusicPlus
'Air of Cold Genius' from 'King Arthur or The British Worthy'. Composed by Henry Purcell (1659-1695). Edited by Claudia Eder. Arranged by Wolfgang Birtel...
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'Air of Cold Genius' from 'King Arthur or The British Worthy'. Composed by Henry Purcell (1659-1695). Edited by Claudia Eder. Arranged by Wolfgang Birtel. Copyright 2015 Schott Music GmbH & Co. KG, Mainz. 2 pages. Published by Schott Music (S9.Q252 - - - Schott Music
$3.99
The Torn Fields
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Baritone voice, Piano
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Contemporary
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Mark- Anthony Turnage
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The Torn Fields
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Schott Music - Digital
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SheetMusicPlus
Baritone and ensemble - difficult - Digital Download For baritone and large ensemble. Composed by Mark- Anthony Turnage (1960-). This edition: vocal/pia...
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Baritone and ensemble - difficult - Digital Download For baritone and large ensemble. Composed by Mark- Anthony Turnage (1960-). This edition: vocal/piano score. Downloadable. Duration 26 minutes. Schott Music - Digital #Q5954. Published by Schott Music - Digital
English.
Emotions from intense anger to morbid despair are conveyed through this powerful vocal work depicting the viewpoints of poets from the Great War. . Mark-Anthony Turnage's 'The Torn Fields' sets the words of Rudyard Kipling, Wilfred Owen, Isaac Rosenberg and Charles Sorley. the latter two of whom were killed in the trenches. .Despite the dark nature of the work, it concludes with a symbol of humanity and hope, the music from the prologue returns with the poem Everyone Sang to creating a unified transcendence away from the fears and desolation of the torn fields.
$33.99
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