Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
So I
Sheetmusicplus
Not classified
2,289
Piano & keyboards
Piano solo
1,480
Piano, Voice
565
Piano, Vocal and Guitar
340
Easy Piano
321
C Instruments
284
Organ
85
1 Piano, 4 hands
34
Piano Accompaniment
25
2 Pianos, 4 hands
22
Piano Trio: piano, violin, cello
13
Accordion
9
Piano Quartet: piano, 2 violins, cello
7
Piano Quartet: piano, violin, viola, cello
6
Piano Quintet: piano, 2 violins, viola, cello
5
Big Note Piano
5
Organ, Piano (duet)
4
Piano (band part)
3
Organ, Trumpet (duet)
2
Harpsichord
2
2 Pianos, 8 hands
1
1 Piano, 6 hands
1
+ 16 instrumentations
-
Retract
Guitars
Guitar
151
Guitar notes and tablatures
141
Piano, Guitar (duet)
111
Melody line, (Lyrics) and Chords
62
Ukulele
46
Bass guitar
32
2 Guitars (duet)
24
Lyrics and Chords
22
4 Guitars (Quartet)
15
3 Guitars (trio)
12
Guitar (band part)
6
Guitar Ensemble
5
Mandolin
4
Dulcimer
3
Banjo
2
Lap Steel Guitar
1
Guitar, Violin, Cello (trio)
1
Dobro
1
Mandolin, Guitar (duet)
1
Baritone Ukulele
1
+ 15 instrumentations
-
Retract
Voice
Choral SATB
492
Choral 3-part
127
Choral 2-part
93
Choral TTBB
69
Choral SSAA
62
Choral Unison
27
Soprano voice, Piano
22
Vocal duet
18
Alto voice, Piano
12
Voice solo
12
Vocal duet, Piano
10
Baritone voice, Piano
9
Tenor voice, Piano
8
High voice
5
Choral
3
Tenor voice
2
Mezzo-Soprano voice, Piano
2
Low voice, Piano
2
Choral SSAB, Piano
1
Low voice
1
Choral SSAATB
1
Choral SSATTB
1
Choral SSAB a cappella
1
+ 18 instrumentations
-
Retract
Woodwind
Flute and Piano
247
Oboe, Piano (duet)
223
Clarinet and Piano
218
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
183
Alto Saxophone and Piano
159
Tenor Saxophone and Piano
153
Saxophone Quintet: 5 Saxophones
140
Saxophone Quartet: 4 saxophones
118
Flute, Oboe, Clarinet, Bassoon
102
2 Saxophones (duet)
97
Flute
91
Clarinet
74
Saxophone ensemble
58
Oboe (band part)
55
Clarinet Quartet: 4 clarinets
47
Alto Saxophone
43
2 Clarinets (duet)
42
Clarinet Ensemble
42
Saxophone (band part)
38
Tenor Saxophone
37
Flute ensemble
28
2 Flutes (duet)
23
Flute and Guitar
23
Flute Quartet: 4 flutes
21
Flute, Clarinet (duet)
16
Soprano Saxophone and Piano
14
3 Clarinets (trio)
13
Baritone Saxophone, Piano
12
3 Saxophones (trio)
11
Clarinet, Guitar (duet)
11
Clarinet, Violin (duet)
10
Flute, Violin
10
Flute Quintet : 5 flutes
10
Descant (Soprano) Recorder
9
Clarinet Quintet: 5 clarinets
9
Flute, Clarinet, Horn and Bassoon (Quartet)
8
Oboe, Guitar (duet)
7
English horn, Piano
7
Recorder Quartet
7
Bass Clarinet, Piano
7
2 Oboes (duet)
6
Pennywhistle
5
Flute, Violin, Piano
5
Flute Trio: 3 flutes
5
Clarinet, Bassoon (duet)
4
Flute, Violoncello
4
Oboe, Clarinet, Bassoon (trio)
4
Oboe
4
Flute (band part)
4
Recorder Ensemble
3
Flute, Trombone (duet)
3
Clarinet and Viola
3
Treble (Alto) Recorder, Piano
3
Oboe, Bassoon (duet)
3
Clarinet (band part)
3
Saxophone and Guitar
3
Clarinet, Cello (duet)
2
Clarinet, Trombone (duet)
2
Flute, Cello, Piano (trio)
2
2 Recorders (duet)
2
Recorder
2
Flute, Oboe, Bassoon
2
Soprano Saxophone
2
Tenor Recorder
2
Treble (Alto) Recorder
2
Flute, Oboe (duet)
2
Wind ensemble
2
Saxophone, Clarinet (duet)
2
Saxophone, Violin (duet)
2
Flute, Violin and Violoncello
1
Flute, Viola and Piano
1
Flute, Viola (duet)
1
3 Oboes
1
Clarinet, Double bass (duet)
1
Oboe, Clarinet (duet)
1
2 Clarinets, Piano
1
Flute, harp and violin
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
English Horn, Guitar (duet)
1
Clarinet, Tuba
1
Saxophone
1
Piccolo, Piano
1
Clarinet, Organ
1
2 Flutes, Piano
1
Flute, Oboe, Clarinet (trio)
1
Saxophone and Organ
1
Ocarina
1
Flute, Clarinet and Bassoon.
1
Clarinet, Cello, Piano (trio)
1
Oboe, Flute
1
Flute, Oboe, Piano (trio)
1
2 English horns and Pianoforte
1
Descent (Soprano) Recorder, Piano
1
English Horn
1
Flute, Harp and Cello
1
Flute and String Quartet
1
2 Saxophones, Piano
1
Bagpipe
1
+ 93 instrumentations
-
Retract
Woodbrass
Trombone and Piano
167
Brass Quintet: 2 trumpets, horn, trombone, tuba
147
Trumpet
146
Brass quartet : 2 trumpets, trombone, tuba
91
Trumpet, Piano
87
Brass Quartet
84
Trombone
64
French horn
27
French Horn and Piano
24
Trumpet (band part)
22
Trombone ensemble
22
Brass Quartet: 2 trumpets, horn, trombone
16
Trombone (band part)
15
Trumpet ensemble
14
Tuba
13
Trumpet, Saxophone (duet)
11
Euphonium, Piano (duet)
11
Trumpet, Trombone (duet)
10
2 Trombones (duet)
10
Euphonium
10
2 French horns (duet)
7
2 Trumpets (duet)
7
Horn Ensemble
7
English horn, Piano
7
Tuba and Piano
6
2 Tubas (duet)
6
Trumpet, Horn (duert)
5
Brass Trio
4
Brass Quartet: 4 trombones
4
Brass Quartet: 4 horns
4
Brass Quartet: 4 trumpets
3
Bass Trombone and Piano
3
3 Trombones (trio)
3
French horn (band part)
2
Trumpet, violin (duet)
2
3 Trumpets (trio)
2
Tuba and Organ
2
Trumpet, Cello (duet)
2
Tuba (band part)
2
Bass Clef Instruments
2
Trumpet, Tuba (duet)
1
English Horn, Guitar (duet)
1
Trombone, Horn (duet)
1
Tuba ensemble
1
4 Tubas
1
Brass Quartet: 2 trumpets, 2 trombones
1
2 English horns and Pianoforte
1
2 Euphoniums and 2 Tubas
1
English Horn
1
+ 44 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
371
Violin and Piano
249
Viola, Piano
202
Violin
189
Cello, Piano
177
2 Harps (duet)
120
Cello
114
Harp
84
String Quintet: 2 violins, viola, cello, bass
74
String Trio: violin, viola, cello
59
Viola
53
Violin, Cello (duet)
51
2 Violins (duet)
44
Double Bass
29
Viola (band part)
22
Violin, Viola (duet)
21
2 Cellos (duet)
19
String Trio: 2 violins, cello
15
Violin, Guitar (duet)
11
Violin ensemble
11
Cello, Guitar (duet)
9
Viola ensemble
9
String quartet: 4 violins
8
Viola, Cello (duet)
7
2 Violas (duet)
7
4 Cellos
6
Cello, String Bass (duet)
4
Piano Trio: Violin, Viola, Piano
4
Harp, Voice
4
Doublebass (band part)
4
Double bass, Piano (duet)
4
String Quintet: 2 violins, 2 violas, cello
4
String Trio: 3 violas
3
Violin (band part)
3
Viola, Guitar (duet)
3
String Trio: 3 violins
3
4 Double Basses
3
Flute, Doublebass (duet)
2
Cello, Organ
2
String Quartet : 4 violas
2
String Trio: 3 cellos
2
Violin, Tuba (duet)
1
String Trio: 2 violins, viola
1
Harp and Piano
1
3 Harps
1
Harp, Flute (duet)
1
Violin, Clarinet, Piano (trio)
1
Harp, Violin (duet)
1
Cello Ensemble
1
+ 44 instrumentations
-
Retract
Orchestra & Percussion
Jazz combo
335
Concert band
262
Orchestra
111
Jazz Ensemble
108
String Orchestra
107
Brass ensemble
70
Chamber Orchestra
49
Percussion Ensemble
36
Marching band
33
Drums
32
Marimba
19
Handbells
15
Drum (band part)
3
Vibraphone
3
Xylophone or Marimba or Vibraphone
2
2 Xylophones
1
Brass Quintet: other combinaisons
1
Xylophone, Piano
1
School Ensemble
1
Percussion
1
Marimba, Piano (duet)
1
Percussion (band part)
1
Piano and Orchestra
1
Woodwind Quintet
1
+ 19 instrumentations
-
Retract
Others
Free Sheet Music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
9
Digital Sheet Music
9
Sheet Music Books
0
Music Equipment
10
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
So I
SheetMusicPlus
Baritone voice, Piano
Sheetmusic to print
9 sheet music found
<
1
So Let Us Live - Really Live! for baritone and piano
#
Baritone voice, Piano
#
ADVANCED
#
Robert M
#
So Let Us Live - Really Live!
#
Robert M. Greenberg
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Rober...
(+)
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.987855 Composed by Robert M. Greenberg. 20th Century,Contemporary. 26 pages. Robert M. Greenberg #115411. Published by Robert M. Greenberg (A0.987855). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 11 minutes Year of composition: 2009 Program Note: I. When I Was One-and-Twenty (A. E. Housman) II. For An Amorous Lady (Theodore Roethke) III. Love Me Not for Comely Grace (John Wilbye) IV. So Let Us Live - Really Live! (Gaius Valerius Catullus) The four love songs that that constitute So Let Us Live – Really Live! were commissioned by John Goodman in honor of his wife Kerry King’s fiftieth birthday. The set – with its (relatively) light poetry and (excessively) tonal settings - was originally intended as Hausmusik (house music), music to be performed privately among (semi-inebriated) friends. However, certain personal events that occurred during their composition have compelled me to go public with them, and thus, with John and Kerry’s indulgence, they are receiving their premiere here, rather than in a living room. A thousand-and-one thanks to Allen Shearer’s wonderful voice and Lino Rivera’s exquisite hands, which were constantly in my mind’s ear during the composition of the songs. With love to Kerry, from John and Bob. All poems used by permission.
$28.00
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
#
Baritone voice, Piano
#
Gregory Sullivan Isaacs
#
Gregory Sullivan Isaacs: Songs
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabri...
(+)
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
Fire In My Soul-- In E-flat 1st Version
#
Baritone voice, Piano
#
INTERMEDIATE
#
Cody Weinmann
#
Fire In My Soul-- In E-flat 1s
#
Cody Weinmann
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.835113 Composed by Cody Weinmann. Contemporary,Folk. 12 pages. Cody Weinmann #4640...
(+)
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.835113 Composed by Cody Weinmann. Contemporary,Folk. 12 pages. Cody Weinmann #4640627. Published by Cody Weinmann (A0.835113). This song was originally composed in 2008. It was largely based out of depression. I felt like I was going nowhere. So, I wrote this in all my angst and sadness. The song is meant to have almost a happy ending in the second chorus as the singer clings to hope in Jesus. Little did I know that six years later, I would be transformed by a relationship with Christ, the Savior Himself.I hope this song could bring comfort to all those who mourn and are down.
$4.99
Bundeslied
#
Baritone voice, Piano
#
INTERMEDIATE
#
Danny Cabrera
#
Bundeslied
#
Danny Cabrera
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.1031675 Composed by Danny Cabrera. Contemporary,Romantic Period. 11 pages. Danny C...
(+)
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.1031675 Composed by Danny Cabrera. Contemporary,Romantic Period. 11 pages. Danny Cabrera #3508755. Published by Danny Cabrera (A0.1031675). This is a composition in the style of a Schubert art song. It talks about friendship the lyrics so I tried to make the melody as catchy as possible so people can join is as well. .
$4.99
October 1974, Cohoes (Confrontation and Finale)
#
Baritone voice, Piano
#
INTERMEDIATE/ADVANCED
#
Brett L
#
#
October 1974, Cohoes
#
Sonata Grendel Publishing
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata...
(+)
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publishing #5792331. Published by Sonata Grendel Publishing (A0.837499). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 4. October 1974, Cohoes (duration – 4:56) Confrontation and Finale The stage manager finally confronts the ghost residing in the hall. Your innocence was stolen but your youth was yours to lose. The croaking raven doth bellow for revenge,And so I stand for sacrifice.
$9.99
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
#
Baritone voice, Piano
#
ADVANCED
#
Gioachino Rossini
#
Nicole Elyse DiPaolo
#
Largo al factotum
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Cent...
(+)
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Jump Right In! (Downloadable)
#
Baritone voice, Piano
#
Gospel/Spiritual
#
Gwyneth W
#
Jump Right In!
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-3E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Sc...
(+)
Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-3E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Company - Digital #8826-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-3E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$4.00
My Soul has Grown Deep (Downloadable)
#
Baritone voice, Piano
#
Gospel/Spiritual
#
Gwyneth W
#
My Soul has Grown Deep
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-1E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Sc...
(+)
Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-1E Composed by Gwyneth W. Walker. African American Heritage. 6 pages. E. C. Schirmer Music Company - Digital #8826-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-1E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$4.00
Troubled Water (Downloadable)
#
Baritone voice, Piano
#
EASY
#
Gospel/Spiritual
#
Gwyneth W
#
Troubled Water
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-2E Composed by Gwyneth W. Walker. African American Heritage. 5 pages. E. C. Sc...
(+)
Baritone voice and piano - Moderately Easy - Digital Download SKU: MQ.8826-2E Composed by Gwyneth W. Walker. African American Heritage. 5 pages. E. C. Schirmer Music Company - Digital #8826-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8826-2E). English.I’ve Known Rivers is a multi-movement work, comprised of songs based on four different poems by Langston Hughes (1902–1967). Though he lived much of his life in the Harlem neighborhood of New York City, Hughes was born in Missouri and raised in Kansas, Illinois, and Ohio. At age seventeen, he traveled to Mexico to live with his estranged father. As he crossed the Mississippi River, he was inspired to write The Negro Speaks of Rivers, which begins “I’ve known rivers….,†and is the text for the first movement, “My Soul Has Grown Deep.†It reflects upon rivers of historic and geographical importance—the Euphrates, Congo, Nile, and Mississippi. As the rivers have endured over time, so has the human soul. The waters—the blood—runs deep.In contrast to the universal message of the first song, “Troubled Water,†which uses the poetry of the same title, is contemporary and personal. Water becomes an image of the unsettled and uncertain nature of love. The journey of love is a journey of troubled water. There is no resolution.Undaunted by the elusive nature of love, the poet, heard via the chorus, turns flippant, displaying a persevering and humorous outlook in “Jump Right In!†(to the river) from Hughes’ poem Life is Fine. Romantic misadventures will not conquer the spirit. “I could’ve died for love, but for livin’ I was born.â€â€œIn time of silver rain,†once more using the poem of the same title, is a song of healing. With the regeneration of spring, the poet marvels at the wonder of life.Though intended to be performed as the complete multi-movement work I’ve Known Rivers, each song may be performed separately. Duration: 12:00.Contents:My Soul has Grown DeepTroubled WaterJump Right In!In Time of Silver Rain.
$3.00
<
1
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
