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Still Still Stil
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2,641
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925
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637
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163
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63
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62
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53
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27
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27
2 Pianos, 4 hands
20
Piano (band part)
15
Piano Quartet: piano, 2 violins, cello
9
Melody line, Piano
4
Organ, Piano (duet)
4
Piano Quartet: piano, violin, viola, cello
3
Piano Quintet: piano, 2 violins, viola, cello
3
Keyboard
3
Harpsichord
2
1 Piano, 6 hands
1
Solo instrument and Organ
1
+ 17 instrumentations
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481
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242
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178
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167
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137
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22
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16
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8
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Guitar Tab, Voice, Bass, Drum
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1
2 Dulcimers (duet)
1
2 Ukuleles
1
+ 16 instrumentations
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Voice
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972
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365
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251
Choral TTBB
239
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141
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129
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73
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66
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51
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37
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25
High voice
14
Soprano voice, Piano
12
Medium voice, Piano
12
Low voice, Piano
11
Alto voice, Piano
7
Baritone voice, Piano
7
Choral SSATTB
6
Tenor voice, Piano
5
Choral SSAATTBB
4
Low voice
2
Choral SSAB, Piano
1
Choral SSAB a cappella
1
Choral SSATB
1
Tenor voice
1
High voice, Piano
1
Choral SSAATB
1
Soli, Mixted choir and accompaniment
1
Choral, Organ
1
+ 24 instrumentations
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Retract
Woodwind
Saxophone Quartet: 4 saxophones
268
Flute and Piano
202
Flute, Oboe, Clarinet, Bassoon
164
Flute
145
Clarinet
145
Saxophone (band part)
143
Clarinet and Piano
141
Alto Saxophone and Piano
135
Oboe, Piano (duet)
116
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
109
2 Flutes (duet)
94
Clarinet Quartet: 4 clarinets
90
Saxophone
85
Tenor Saxophone and Piano
80
2 Saxophones (duet)
77
Soprano Saxophone and Piano
70
Alto Saxophone
65
Tenor Saxophone
59
Flute Quartet: 4 flutes
55
Saxophone Quintet: 5 Saxophones
54
2 Clarinets (duet)
48
3 Saxophones (trio)
45
3 Clarinets (trio)
42
Oboe (band part)
41
Clarinet (band part)
38
Clarinet Ensemble
35
Flute Trio: 3 flutes
33
Flute (band part)
31
Flute ensemble
30
Clarinet Quintet: 5 clarinets
25
Flute, Clarinet and Bassoon.
24
Flute, Clarinet (duet)
24
Saxophone ensemble
24
Baritone Saxophone, Piano
23
2 Clarinets, Bassoon
20
Flute, Oboe, Bassoon
20
Flute, Oboe, Clarinet (trio)
19
Flute and Guitar
19
Clarinet, Violin (duet)
17
Saxophone, Clarinet (duet)
16
Flute, Violin and Violoncello
16
2 Oboes (duet)
15
Oboe, Clarinet, Bassoon (trio)
15
English horn, Piano
14
Recorder Quartet
12
Flute, Violin
12
Descant (Soprano) Recorder
12
Oboe, Bassoon (duet)
11
Bass Clarinet, Piano
11
Clarinet, Trumpet (duet)
11
Clarinet, Cello (duet)
10
Flute Quintet : 5 flutes
10
Treble (Alto) Recorder
9
Treble (Alto) Recorder, Piano
8
Flute, Saxophone (duet)
7
Oboe
7
Flute, Cello, Piano (trio)
7
Recorder
7
Clarinet, Guitar (duet)
7
Clarinet and Viola
6
Oboe, Flute
6
Oboe, Clarinet (duet)
6
Flute, Viola (duet)
6
Flute, Violoncello
6
Clarinet, Bassoon (duet)
6
Ocarina
6
2 Recorders (duet)
6
Oboe, Cello
5
Flute, Trumpet (duet)
5
Eb Instruments
5
2 Clarinets, Piano
5
Descent (Soprano) Recorder, Piano
5
Clarinet, Harp (duet)
5
Piccolo, Piano
4
Flute, Clarinet, Piano (trio)
4
2 Flutes, Piano
4
2 Oboes and Basson
3
Bass Clarinet
3
Saxophone and Guitar
3
Wind ensemble
3
Recorder, Piano
3
English Horn, Guitar (duet)
3
Flute, Violin, Piano
3
Flute, harp and violin
3
Flute, Oboe (duet)
3
Flute, trombone and piano
2
2 Saxophones, Piano
2
3 Recorders (trio)
2
Soprano Saxophone
2
Clarinet, Cello, Piano (trio)
2
Flute, Oboe, Piano (trio)
2
Harmonica
2
Tenor Recorder
2
Flute, Organ (duet)
2
3 Oboes
2
Saxophone and Organ
1
Baritone Saxophone
1
Flute, Viola and Piano
1
Flute, Violin, Violoncello and Piano
1
2 English horns and Pianoforte
1
Oboe, Harp
1
Oboe and viola (duet)
1
Saxophone, Bassoon (duet)
1
Flute, Bassoon, and Piano
1
2 Recorders, Piano
1
5 Recorders
1
Oboe, Violin (duet)
1
Pennywhistle
1
Saxophone and cello
1
Clarinet, Trombone (duet)
1
Clarinet, Organ
1
Oboe, Bassoon and Piano
1
Oboe, Guitar (duet)
1
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1
Clarinet, Orchestra
1
Flute, Viola and Cello
1
Flute, Trombone (duet)
1
Recorder Ensemble
1
Flute, Harp and Cello
1
4 Oboes
1
+ 115 instrumentations
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Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
154
Trumpet
153
Brass quartet : 2 trumpets, trombone, tuba
143
Trombone
120
Trumpet (band part)
115
Trumpet, Piano
104
Trombone and Piano
104
Trombone (band part)
103
French Horn and Piano
70
French horn
60
Brass Quartet
54
Brass Quartet: 4 trombones
41
2 Trumpets (duet)
40
2 Trombones (duet)
34
Trumpet ensemble
30
French horn (band part)
30
Brass Quartet: 2 trumpets, horn, trombone
29
Euphonium, Piano (duet)
26
Trombone ensemble
21
Brass Quartet: 4 horns
18
Tuba (band part)
18
Tuba
16
Tuba and Piano
16
Brass Trio
15
2 French horns (duet)
15
Trumpet, Saxophone (duet)
14
English horn, Piano
14
Trumpet, Trombone (duet)
12
2 Euphoniums and 2 Tubas
7
Euphonium, Tuba (duet)
7
3 Trombones (trio)
7
4 Tubas
7
Horn Ensemble
7
2 Tubas (duet)
7
Bass Clef Instruments
6
Bb Instruments
6
Brass Quartet: 4 trumpets
5
Trumpet, Horn (duert)
5
Euphonium
5
Tuba and Organ
4
3 Trumpets (trio)
4
2 Trumpets, Keyboard (piano or organ)
3
Trumpet, Bassoon (duet)
3
English Horn, Guitar (duet)
3
Horn, Cello (duet)
3
Brass Quartet: 2 trumpets, 2 trombones
2
Bass Trombone and Piano
2
Trombone, Tuba (duet)
2
2 English horns and Pianoforte
1
2 Euphoniums (duet)
1
Trumpet, Tuba (duet)
1
French horn and Basson (duet)
1
Trombone, Violin (duet)
1
Bass Trombone
1
3 French horns (trio)
1
Trumpet, Cello, Piano
1
Trumpet, Cello (duet)
1
Trumpet and Guitar
1
Trumpet, Trombone, Piano
1
F Instruments
1
Clarinet, Horn (duet)
1
+ 56 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
489
Violin and Piano
223
Cello, Piano
159
Viola, Piano
133
Violin
118
Cello
103
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97
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78
2 Violins (duet)
76
String Trio: violin, viola, cello
71
Viola
63
2 Cellos (duet)
46
Violin (band part)
40
Doublebass (band part)
35
Violin, Viola (duet)
30
String Quintet: 2 violins, viola, cello, bass
26
Double bass, Piano (duet)
26
String Trio: 2 violins, cello
25
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22
4 Cellos
19
Cello (band part)
15
2 Violas (duet)
15
Viola, Cello (duet)
15
Double Bass
14
Harp, Flute (duet)
13
Violin, Guitar (duet)
13
2 Harps (duet)
13
Piano Trio: Violin, Viola, Piano
11
String Trio: 3 cellos
8
Cello, Guitar (duet)
7
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6
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6
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5
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4
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4
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4
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4
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3
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3
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3
Viola ensemble
3
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3
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3
String Quintet: 2 violins, 2 violas, cello
2
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2
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2
String Trio: 2 violins, viola
1
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1
Cello, String Bass (duet)
1
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1
2 Double basses (duet)
1
Violin, Clarinet, Piano (trio)
1
Cello Ensemble
1
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1
+ 49 instrumentations
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Retract
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538
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300
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229
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205
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169
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166
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78
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60
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19
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10
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8
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8
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3
Piano and Orchestra
2
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2
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1
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1
Marimba, Piano (duet)
1
Snare drums
1
Xylophone (band part)
1
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1
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1
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You've selected:
Still Still Stil
Baritone voice, Piano
Sheetmusic to print
7 sheet music found
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1
Stille
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Baritone voice, Piano
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Viktor Ullmann
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Stille
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Schott Music - Digital
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SheetMusicPlus
Baritone voice and piano - Digital Download SKU: S9.Q7527 From: Der Mensch und sein Tag. Composed by Viktor Ullmann. This edition: Sheet music. Do...
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Baritone voice and piano - Digital Download SKU: S9.Q7527 From: Der Mensch und sein Tag. Composed by Viktor Ullmann. This edition: Sheet music. Downloadable. Volume op. 47/12. Schott Music - Digital #Q7527. Published by Schott Music - Digital (S9.Q7527). German • English • French.
$3.99
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Baritone voice, Piano
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ADVANCED
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Cent...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Si yo nunca desapareciera (LOW VOICE)
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Baritone voice, Piano
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INTERMEDIATE/ADVANCED
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Kristian S Rodriguez
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Si yo nunca desapareciera
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Kristian S. Rodriguez
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.1023338 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 page...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.1023338 Composed by Kristian S Rodriguez. 20th Century,Contemporary,Latin. 10 pages. Kristian S. Rodriguez #5191599. Published by Kristian S. Rodriguez (A0.1023338). I composed this piece as part of a larger song cycle, Colores mexicanos, which I wrote as part of an undergraduate thesis, Colores mexicanos: The Mexican Art Song and Setting Mexican Texts to Music (2016). This cycle explores various texts from various perspectives throughout Mexican history, culture, and society, while reflecting influences from Mexican folk and academic music within the composition. Si yo nunca... is the second piece in the cycle, and like the first, it features text from the Cantares mexicanos, written by Mexica authors during the beginning of the Spanish viceroyalty period in the 16th century. This text uses vague, abstract language to emphasize the idea that human culture never truly disappears, and it’s fitting for a state freshly defeated by another civilization. The musical setting features the Andulusian cadence, a compositional device frequently used in Latin American music, distorted across various octaves and in various figures, as the singer suggests that there is more after death, a fitting metaphor for an ancient yet very active culture that still pervades Mexican society today.
$3.99
All That I Ask Of You Is Love (A Wedding Solo for Baritone Voice)
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Baritone voice, Piano
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EASY
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Lyrics by Edgar Seldon and Mel
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Joanna Mills
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All That I Ask Of You Is Love
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Joanna Mills Music
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 2 - Digital Download SKU: A0.781336 Composed by Lyrics by Edgar Seldon and Melody by Herbert Ingraham. Arranged...
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Baritone Horn TC,Vocal Solo,Voice - Level 2 - Digital Download SKU: A0.781336 Composed by Lyrics by Edgar Seldon and Melody by Herbert Ingraham. Arranged by Joanna Mills. Holiday,Jazz,Standards,Wedding. 6 pages. Joanna Mills Music #4608037. Published by Joanna Mills Music (A0.781336). This lovely vintage love song from 1910 is updated for the modern singer, but still retains the slightly jazzy ballad feel of the times. Written for a baritone soloist (B2 - B3) and piano accompanist; approximate performance time is 3:20. Perfect for weddings, engagements, or concerts and recitals.
$7.99
October 1974, Cohoes (Confrontation and Finale)
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Baritone voice, Piano
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INTERMEDIATE/ADVANCED
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Brett L
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October 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publishing #5792331. Published by Sonata Grendel Publishing (A0.837499). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 4. October 1974, Cohoes (duration – 4:56) Confrontation and Finale The stage manager finally confronts the ghost residing in the hall. Your innocence was stolen but your youth was yours to lose. The croaking raven doth bellow for revenge,And so I stand for sacrifice.
$9.99
Somewhere Along the Way (Samuel the Prophet) from "The Kings" - ACT 1:Song 7
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Baritone voice, Piano
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INTERMEDIATE
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McCorkle, Dennis F
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Somewhere Along the Way
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.784820 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.784820 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11729. Published by DF McCorkle Music and eBook Publications (A0.784820). ACT ONE: Song 7 The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 10:18-19… - And he said to the children of Israel: Thus says Yahweh, the God of Israel: ‘I brought up Israel out of Egypt, and I delivered you out of the hand of the Egyptians, and out of the hand of all the kingdoms that oppressed you.’ 19 But you have this day rejected your God, who Himself saves you out of all your calamities and your distresses; and you have said unto Him: Nay, but set a king over us…] [1 Samuel 12:24-25 - Only fear Yahweh, and serve him in truth with all your heart; for consider how great things he hath done for you. But if you shall still do wickedly, you shall be consumed, both you and your king.] SAMUEL warns Saul and the people that if they follow God all will go well for them. If they do not, there will be severe repercussions [Somewhere Along the Way – Samuel]. As SAMUEL walks off, thunder and lightning start and the people scatter. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
June 1974, Cohoes (Wish List Fundraising)
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Baritone voice, Piano
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INTERMEDIATE/ADVANCED
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Brett L
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June 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Pu...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #5770249. Published by Sonata Grendel Publishing (A0.837497). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 3. June 1974, Cohoes (duration – 2:15) Wish List Fundraising The new stage manager writes a letter to the producers asking for funds to equip the shop. All I need is some money for a hammer and nails, some duct tape, and a circular saw. That's all I need, and a C clamp, maybe two.
$7.99
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