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Baritone voice, Piano
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4 sheet music found
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1
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
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Baritone voice, Piano
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ADVANCED
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Cent...
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Were You There - for piano and baritone in E major
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Baritone voice, Piano
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BEGINNER
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Gospel/Spiritual
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Sacred music
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African-American Spiritual
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Alex Nunes Rodrigues
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Were You There - for piano and
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Alex Rodrigues
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.1367147 Composed by African-American Spiritual. Arranged by Alex Nunes Rodrigues. ...
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Baritone Horn TC,Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.1367147 Composed by African-American Spiritual. Arranged by Alex Nunes Rodrigues. Christian,Spiritual,Traditional. 4 pages. Alex Rodrigues #951502. Published by Alex Rodrigues (A0.1367147). Were You There (When They Crucified My Lord) is an African American spiritual song that tells the story of the crucifixion of Jesus Christ. The song is a reflection on the suffering of Jesus and his death on the cross, but it is also an expression of faith and hope.
$1.99
Song of the Guardian
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Baritone voice, Piano
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INTERMEDIATE
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Donnalynn Grunewald
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Song of the Guardian
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Donnalynn Grunewald
#
SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.1008171 Composed by Donnalynn Grunewald. Christian,Christmas,Sacred. 9 pages. Donn...
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Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.1008171 Composed by Donnalynn Grunewald. Christian,Christmas,Sacred. 9 pages. Donnalynn Grunewald #6454795. Published by Donnalynn Grunewald (A0.1008171). A touching tribute to the man who acted as the guardian of the young Jesus. This piece is sung from his point of view as he holds the baby while Mary rests. Jesus, can you feel these hands caress you through your swaddling bands? Do you know they'll work to teach you right? Can you feel inside my heart and know I'll strive to play the part that God has given me - a guardian for Thee? Keep your tissues handy! Also available for TTB.
$4.99
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