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End Credits from Cast Away - Piano Solo
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Piano solo
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INTERMEDIATE
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Film/TV
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Alan Silvestri
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End Credits from Cast Away - P
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SheetMusicPlus
Piano Solo, Easy Piano - Intermediate - Digital Download By Alan Silvestri. Arranged by JoLaYo. Individual Part, Solo Part. 5 pages. Published by Jos...
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Piano Solo, Easy Piano - Intermediate - Digital Download By Alan Silvestri. Arranged by JoLaYo. Individual Part, Solo Part. 5 pages. Published by Josiah Yowell
This is a Solo Piano arrangement of the song "End Credits" from the movie Cast Away composed by Alan Silvestri. Even though this song is labeled as a Piano Solo, it is definitely much easier to play than the average advanced solo, which is why I put it as an intermediate level. I have included musical directional guidance such as finger numbers, dynamics, etc. These help give an accurate interpretation of the song. It also helps the performer play it with as much ease as possible.
As an arranger/transcriber, I strive to make my arrangements/sheets as high-quality and performer-friendly as possible. If you enjoy this arrangement, please feel free to contact me to make requests for future arrangements! Also, if there is anything you dislike about the arrangement, or edits you believe are necessary, I will definitely consider adding them/updating the arrangement if you contact me!
Email me at: josiah.yowell@abc.edu
$4.99
Rondino in C
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Piano solo
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INTERMEDIATE
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Classical
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Anton Diabelli
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Jose Valladares
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Rondino in C
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Circlesquare Music
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1368469 Composed by Anton Diabelli. Arranged by Jose Valladares. Baroque. Score. 3 pages. Circlesquare Mu...
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Piano Solo - Level 3 - Digital Download SKU: A0.1368469 Composed by Anton Diabelli. Arranged by Jose Valladares. Baroque. Score. 3 pages. Circlesquare Music #952816. Published by Circlesquare Music (A0.1368469). Rondino in C by Antonio Diabelli is a composition that exemplifies Diabelli's skill in creating charming and approachable music for the piano. Diabelli, an Austrian music publisher, editor, and composer, was active during the late Classical and early Romantic periods. His work is characterized by its melodic appeal, clear structure, and pedagogical value.Here are some aspects you might expect from Diabelli's Rondino in C:Rondino Form: A Rondino is a musical form similar to a rondo. It typically features a recurring main theme (the refrain) that alternates with one or more contrasting themes (the episodes). The structure of a rondino promotes a sense of familiarity and unity throughout the piece, as the main theme returns several times, creating a cyclical effect.C Major Key: The key of C Major is known for its clear, bright, and open sound. In the context of a rondino, this key would lend the piece a cheerful and uplifting character, making it appealing and accessible to a wide audience.Melodic Charm: Diabelli's compositions are noted for their tuneful and catchy melodies. Rondino in C would likely feature memorable and engaging themes that are both enjoyable to play and pleasant to listen to.Technical Accessibility: Diabelli's music often caters to pianists of varying skill levels, including students and amateur musicians. Rondino in C is expected to be technically approachable, focusing on musicality and expression rather than virtuosic technical challenges.Pedagogical Value: Given Diabelli's contributions to piano pedagogy, Rondino in C may serve as an excellent teaching piece, helping students to develop their sense of form, melody, and phrasing. It might also provide opportunities to practice balance between the hands and control of dynamics.
$9.99
Marie-Agnès Nataf: IL FUOCO RUBATO Anamorphoses III for piano
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Piano solo
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INTERMEDIATE
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Marie-Agnès Nataf
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Marie-Agnès Nataf: IL FUOCO R
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.533330 Composed by Marie-Agnès Nataf. Concert,Contemporary. Score. 7 pages. Musik Fabrik Music Publish...
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Piano Solo - Level 3 - Digital Download SKU: A0.533330 Composed by Marie-Agnès Nataf. Concert,Contemporary. Score. 7 pages. Musik Fabrik Music Publishing #2344341. Published by Musik Fabrik Music Publishing (A0.533330). Il fuoco rubato is one of the 3 pieces for piano solo Anamorphoses whose titles areBartoquade I, Bartoquade II b and Il fuoco rubato. These pieces can be linked together as awhole, in that order. The duration is of 5 minutes. They can also be played separately, orgrouped by two (Bartoquades I et II b, duration 3’). The same approach governs the writing ofthese compositions : taking model on works of the repertoire and transforming them as muchas possible while keeping a lot of important parameters.There are many cautionary accidentals. They are not enclosed in brackets to avoidoverloading writing. They are not systematically mentionned. In case of doubt, one willconsider the logic of the composition. When useful, one can distribute differently notesbetween the 2 hands on the condition of respecting the balance between voices. The sign *[on measure 80 means chromatic cluster (F-F#-G). Marie-Agnès NATAF was born on March 2, 1952 at Issy-les-Moulineaux, in the suburbs of Paris, Before deciding to devote herself completely to music, she began by studying both mathematics and musics at the same time. She had a varied base in her musical training, which allowed her to understand the teaching of her main teacher Narcis BONET. She studied the piano, chamber music, musical analysis, harmony and also to a lesser degree the flute, counterpoint and conducting. As a pianist, she received a First Prize in Piano and in Chamber Music at the Orsay Conservatory, the Gold Medla at the National Music School of Cahcan and the Artist Diploma at the Ecole Normale de Musique de Paris – in the class of Germaine MOUNIER. For composition, she studied with Narcis BONET (who later invited her to the Conservatoire Américain of Fontainebleau as accompanist and teacher of French Diction), Yoshihisa TAÃRA, and Edith CANAT de CHIZY. Having taught for a time at the Ecole Normale de Musique de Paris, she is currently professor of piano at the Conservatoire Erik Satie of Villebon-sur-Yvette, Marie-Agnès Nataf has a double career of performer and composer. In both areas, she is especially attracted to chamber music, for the rich musical and human exchanges that this type of music permits. She has written her works Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, Révolte sans paroles and Elan brisé for her colleagues the mezzo-soprano Nicole PARAMYTHIOTTI and the flutiste Isabelle MARCHAL with whom he has given concerts for many years. As a performer, she has premiered works by composers such as Gian-Paolo CHITI, Gloria COATES, Jean-Marie MACHADO, Yoshifumi UMEZAWA, Miao Wen WANG, without speaking of her own compositions. She also tries to discover high quality works of music which are rarely performed, especially works by women composers such as Thérèse BRENET, Dianne GOOLKASIAN-RAHBEE, Ruth LOMON. Her principal works are Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, for mezzo-soprano and piano, 8'30, 1981-83-86. Bartoquade I - Anamorphoses I, 1', et Bartoquade II b - Anamorphoses II, 2', for piano, 1990 revised in 2012. Il fuoco rubato - Anamorphoses III for piano, 2', 1991 revised in 2012. Révolte sans paroles for mezzo-soprano, flute and piano, 16'30, 2000. and Elan brisé and flute and piano, 6'30, 2005. In 2001, on the ocassion of the premier of Révolte sans paroles at the Centre Culturel Jacques Brel of of Villebon-sur-Yvette, she was invited to give a conference on her works at the Conservatoire Erik Satie. In April 2002, her songs were selected by the ensemble North /South Consonance directed by Max LIFCHITZ in a competition. In 2012, the Bartoquades were chosen to be on the list of works proposed by the FFEM for their examination list for intermediate pianists. On the su.
$7.95
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