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Don't Speak
intermediate
Piano solo
Sheetmusic to print
7 sheet music found
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1
No Doubt - Don't Speak (Piano Arrangement)
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Piano solo
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INTERMEDIATE
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Pop music
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No Doubt
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Piano Go Life
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No Doubt - Don't Speak
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Piano Go Life
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SheetMusicPlus
By No Doubt. Arranged by Piano Go Life. Lead Sheet, Score. 4 pages. Published by Piano Go Life...
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By No Doubt. Arranged by Piano Go Life. Lead Sheet, Score. 4 pages. Published by Piano Go Life
$9.99
Seven Pieces in Twentieth-Century Styles
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Piano solo
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INTERMEDIATE
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James Siddons
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Seven Pieces in Twentieth-Cent
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Sid...
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Piano Solo - Level 3 - Digital Download SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00
Abuelita
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Piano solo
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INTERMEDIATE
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Faith Angelina
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Abuelita
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Faith Angelina Music
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1003944 Composed by Faith Angelina. Contemporary,Sacred,Spiritual. Score. 5 pages. Faith Angelina Music #...
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Piano Solo - Level 3 - Digital Download SKU: A0.1003944 Composed by Faith Angelina. Contemporary,Sacred,Spiritual. Score. 5 pages. Faith Angelina Music #3141411. Published by Faith Angelina Music (A0.1003944). From the debut album Reaching 12 by Faith Angelina, (available at FaithAngelina.com), comes this beautiful original waltz like composition about her Grandma. Last summer my Abuelita came and spent time with our family from Guatemala. She is so sweet and loving. She doesn’t speak English and I don’t speak Spanish, but we communicate in a way through signs, gestures, hugs, and google translate. - Faith Angelina.
$3.50
Jacques Leguerney: Impromptu for piano
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Piano solo
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INTERMEDIATE
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Jacques Leguerney
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Jacques Leguerney: Impromptu f
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.533319 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score. 12 pages. Musik Fabrik Music...
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Piano Solo - Level 3 - Digital Download SKU: A0.533319 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score. 12 pages. Musik Fabrik Music Publishing #2343097. Published by Musik Fabrik Music Publishing (A0.533319). This charming piano solo was first performed by its dedicatee, Jacques Leguerney’s good friend and muse Thérèse Cahen (1897-1944), in the Salle Debussy-Pleyel. They met around 1925. Cahen was the first person outside of his family to encourage his musical aspirations. For years, they met every Saturday to read through and discuss his music. She not only helped him with piano and harmony, but also performed his early chamber works, recruiting from her entourage to help him find high level interpreters for his music. Other early Leguerney works that she premiered included the Trio pour violon, violoncello et piano; the Sonatine pour flûte et piano; and two vocal chamber works presented by the Société Musicale Indépendente (S. M. I.), Epitaphe guerrière and Clair de lune for voice, flute and piano. Their friendship lasted until Cahen was deported from Paris on July 31, 1944, only a few weeks prior to the Liberation of Paris. Working with the Center of the Union Générale des Israélites de France in Saint-Mandé (a Parisian suburb), Thérèse Cahen had dedicated herself to the care of children of deported French parents. She left Paris with these children in the Convoy 77, and was taken to the gas chamber of Auschwitz. She left a letter for him, along with her grand piano, which remained in his apartment until his death.My dear Jacques,It is impossible to write on this little page how much I have appreciated your kindness toward me for years and years, and how much happiness this has given me: there have been thousands of Saturdays, and I thought of them every day of the week. Probably you didn’t realize the influence you have had on me: it seems that my whole personality, my way of thinking and feeling has been transformed by you; it is a very deep imprint. If I am taken and in consequence you read this letter, tell yourself that I will continue to count the Saturdays in order to have an idea of the number of songs composed during my absence and that I will be delighted to hear them when I return. If I don’t return, I definitely want you to keep my piano but I don’t think it will happen and I say that I will see you soon.Very tenderly,ThérèsePS Speaking of tenderness, I think with emotion about the little passage concerning tenderness in your latest song.[La Fontaine d’Hélène]
$10.35
Night Bird
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Piano solo
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INTERMEDIATE
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Josiah Austin
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Night Bird
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Josiah C. Austin
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1031889 Composed by Josiah Austin. 20th Century,Children. Score. 4 pages. Josiah C. Austin #3683991. Publ...
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Piano Solo - Level 3 - Digital Download SKU: A0.1031889 Composed by Josiah Austin. 20th Century,Children. Score. 4 pages. Josiah C. Austin #3683991. Published by Josiah C. Austin (A0.1031889). Night Bird is an imaginative, melancholic piano solo by composer Josiah Austin.Good for airports, coffee shops, rainy days, and contemplative nights.DurationApprox 2:30Performance practice suggestions -Think of a lone bird fluttering its wings, dodging and dipping through the treetops of a lamp-lit park on a quiet night. -Try practicing the repetitive descending left-hand line first to establish the off-kilter foundation of the piece.-Don't let the key signature intimidate you. The piece is quite comfortable in Eb minor.Please interpret this piece how you will. I believe all art speaks to people in different ways, sometimes even contrary to what the artist intended. The articulations and markings in the piece show how I imagine it to be played, but I don't expect it to be played that way. However, I would like to hear someone perform Night Bird in a more graceful manner than my performance. Go do it!
$3.99
Gwen Stefani: Don't Speak for piano solo
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Piano solo
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INTERMEDIATE
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Rock
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Gwen Stefani
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Virtualsheetmusic
Instantly printable sheet music by No Doubt for piano solo (chords, lyrics, melody) of MEDIUM skill level. / pop,rock
Instantly printable sheet music by No Doubt for piano solo (chords, lyrics, melody) of MEDIUM skill level. / pop,rock
$3.97
Bálsamo de Ferrabrás / Balm of Fierabras (Piano)
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Piano solo
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INTERMEDIATE
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Contemporary
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Rudesindo Soutelo
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Bálsamo de Ferrabrás / Balm
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1207067 Composed by Rudesindo Soutelo. 20th Century,Classical,Contemporary. Score. 12 pages. Publisher by...
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Piano Solo - Level 3 - Digital Download SKU: A0.1207067 Composed by Rudesindo Soutelo. 20th Century,Classical,Contemporary. Score. 12 pages. Publisher by Rudesindo Soutelo #805243. Published by Publisher by Rudesindo Soutelo (A0.1207067). To Karen BeaumontBálsamo de Ferrabrás / Balm of Fierabras (2023) for Piano [ca. 6']A medicina mágica de D. Quixote / The magical medicine of D. QuixoteISWC: T-316.150.247-8ISMN: 979-0-707704-12-7---In Miguel de Cervantes’ masterpiece, chapter X of the first Book, Don Quixote de la Mancha speaks to Sancho Panza about a magical medicine, the balm of Fierabras, “It is taken and people are spared from being afraid of dying or getting hurtâ€. This fearlessness becomes a ritual that permeates the intrepid adventures of the ill-fated knight of the sad figure.The work is built upon the complexes [7 (3, 2, 2), 2, 9 (2, 3, 2, 2)] and [5 (2, 3), 8 (2, 2, 4)], and the original version was composed for organ.---Na obra magna de Miguel e Cervantes, capÃtulo X do primeiro Livro, D. Quixote de la Mancha fala a Sancho Pança duma medicina mágica, o bálsamo de Ferrabrás, “Toma-se e escusa a gente de ter medo de morrer ou de ficar feridoâ€. Esse destemor transforma-se num ritual que permeia as intrépidas aventuras do infortunado cavaleiro da triste figura.A obra está construÃda sobre os complexos [7 (3, 2, 2), 2, 9 (2, 3, 2, 2)] e [5 (2, 3), 8 (2, 2, 4)], e a versão original foi composta para órgão.
$5.00
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