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5 sheet music found
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Feu follet
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Piano solo
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ADVANCED
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Contemporary
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1909, Landowska and her husban
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Wanda Landowska
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Zellev
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Feu follet
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age...
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Piano Solo - Level 5 - Digital Download SKU: A0.1281191 Composed by Wanda Landowska. Arranged by Zellev. 20th Century,Classical,Contemporary,Folk,New Age. Score. 7 pages. Zellev Music #872533. Published by Zellev Music (A0.1281191). Key Signature: Fâ?¯ minorTime Signature: 3/4Tempo: Allegro vivace (143)Difficulty: AdvancedWanda Landowska (July 5, 1879 - August 16, 1959) was a Polish harpsichordist and composer who led the revival of the popularity of the harpsichord in the early 1900s. She was one of the earliest advocates and scholars on historically informed performance practices, and she made the first-ever recording of J.S. Bach's Goldberg Variations on the harpsichord.Landowska was born in Warsaw in 1879 and started playing the piano when she was four years old. As a child, she studied with Jan KleczyÅ?ski and then Aleksander Michalowski. Kleczynski noticed in her lessons that she had an affinity for older Baroque music, and he didn't want to impose his sensibilities onto the already apparent musical prodigy. Consequently, her mother decided that Kleczynski was too lenient of a teacher and sent her to study with the stricter Michalowski, who was a Chopin specialist. When she was 16 years old, Landowska moved to Berlin to study composition with Heinrich Urban, but was discouraged by the rigid curriculum. However, while in Berlin she composed songs and orchestral works, and she met her future husband, Henry Lew. In 1900, the young couple moved to Paris and got married. There she became associated with the Schola Cantorum, and was introduced to Vincent D'Indy, Albert Schweitzer, and other prominent performers and musicologists of the era.Throughout the next ten years, Landowska toured Europe and Russia, and dedicated herself to researching the authentic performance practices of older music. Her husband assisted her in this research, and they often utilized libraries that they encountered while touring. She concluded that it's more appropriate to play Baroque keyboard music on the harpsichord rather than on the piano. By 1909, Landowska and her husband published the book Musique Ancienne, which was the culmination of all of their research regarding the performance practices of Baroque music. She also started teaching harpsichord classes in 1913 at the Hochschule für Musik in Berlin.Ten years later, Landowska made her debut in the United States, performing with the Philadelphia Orchestra conducted by Stokowski. Also in 1923, she performed in the world premiere of Manuel de Falla's El retablo de maese Pedro, where she met Francis Poulenc and asked him to write a harpsichord concerto for her. She also commissioned a concerto from Falla in 1925, which would prove to be a modern masterpiece. In 1929, Landowska performed the premiere of Poulenc's Concert champêtre in Paris. By this time, she had settled in a town north of Paris, and was teaching from her school L'Ã?cole de Musique Ancienne, which she established in 1925. She offered private and group courses and an annual summer concert series that was very popular. Landowska taught and performed in this capacity until 1940, when she had to abandon the school, her extensive library, and her home because of World War II. With the assistance of her student Denise Restout, she escaped to Portugal and then sailed to the United States, and eventually settled in Lakeville, Connecticut. She continued to perform and teach in the U.S., and at the age of 70 she recorded the complete Well-Tempered Clavier, which was highly acclaimed. Landowska was 80 years old when she passed away in Lakeville in 1959.
$3.79
Miscellany, 7 Short Movements For Piano Solo
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Piano solo
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ADVANCED
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PIano - Sebastian Kurz
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Miscellany, 7 Short Movements
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Geraldine
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1314290 By PIano - Sebastian Kurz. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporar...
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Piano Solo - Level 5 - Digital Download SKU: A0.1314290 By PIano - Sebastian Kurz. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary,Romantic Period. Score. 27 pages. Geraldine (Denny) Green at Oakmountmusic #903031. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314290). Written in 2008, Miscellany, 7 short movements for solo piano, was Commissioned by conductor/pianist Anthony Davie.Duration: approx 15 minutes in total.Inspired by friends, family and general life experiences, this set of short pieces encompasses a range of moods; from Romantic and melodic to comical and dissonant.Movement 1. Didi – Didi was a very unique and special friend for many years. She gave out great spiritual strength and insight into this very confusing world in which we all live. She was a real tower of quiet, gentle strength.Movement 2. Brew! – This movement was inspired directly by the Brewing Industry. It strives to depict the hustle and bustle of a busy, working brewery and the the many hilarious, fabulous people I met during my three years in the beer-making industry.Movement 3 – Convent Cherub – This little piece began life as the opening title music of a film score I worked on while at college. The film itself, entitled My Brother Rob, was made by Alison Hilder, a student director at the Harrow School of Film. The story told of a young boy traumatised by a convent boarding school up-bringing. I have felt for many years that this little main theme has needed an alternative home, as much film music is never played again.Movement 4 – Megan – This movement comes directly from my wonderful and beautiful daughter, who was 5 years old at the time of the writing of this piece. It seeks to express her wild vibrance, eternal cheekiness, infinite energy, sparkle and the utter fearlessness of youth.Movement 5 – Edward – This music is for my gorgeous little son, who has Down’s Syndrome, and was only 3 at the time of the writing of this piece. The opening came to me moments after the doctor had confirmed Edward had Down’s, when he was only 6 hours old. The music tries to convey the fear of the unknown, huge unconditional love and moments of uncertainty alternated by washes of strength. And yet, all through the fear the resolve to forever love and stay strong always wins.Movement 6 – Indifference – The opening 4 notes are the core of this movement, and the piece is built around and from them. This music is an observation of deep, rumbling frustration at the indifference growing in our fast moving, modern society.Movement 7 – “Wee Us†– This movement expresses family triumph, the gifts of life and love, and the glory of boundless, wild, youthful energy. This tune has not yet run its course. It will be back!
$12.00
Etude de Concert Op.24
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Piano solo
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ADVANCED
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Felix Blumenfeld
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Zellev
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Etude de Concert Op.24
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1494322 Composed by Felix Blumenfeld. Arranged by Zellev. 19th Century,Classical,Contemporary,Contest,Fes...
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Piano Solo - Level 5 - Digital Download SKU: A0.1494322 Composed by Felix Blumenfeld. Arranged by Zellev. 19th Century,Classical,Contemporary,Contest,Festival,Romantic Period. Score. 11 pages. Zellev Music #1070918. Published by Zellev Music (A0.1494322). Key Signature: F♯ MinorTime Signature: 3/4Tempo: Allegro non troppo (not too much, also mind the sustained/connected stacc. melody)Difficulty: Advanced (very)Felix Mikhailovich Blumenfeld (19 April 1863 [O.S. 7 April] – 21 January 1931) was a Russian composer, conductor, pianist, and teacher.He was born in Kovalevka, Kherson Governorate, Russian Empire (today - part of Kropyvnytskyi, Ukraine), the son of Mikhail Frantsevich Blumenfeld and the Polish Marie Szymanowska, and studied composition at the St. Petersburg Conservatory under Nikolai Rimsky-Korsakov and piano under Fedor Stein between 1881 and 1885. He then taught piano there himself from 1885 until 1918, whilst also serving as conductor of the Mariinsky Theatre until 1911.This theatre saw the premieres of the operas composed by his teacher and mentor Rimsky-Korsakov, and he was also the conductor at the Russian premiere of Wagner's opera Tristan und Isolde.In 1908, he conducted the Paris premiere of Modest Mussorgsky's opera Boris Godunov.From 1918 to 1922, he was the director of the Music-drama school of Mykola Lysenko in Kiev, where, amongst others, Vladimir Horowitz was a pupil in his masterclasses. He returned to the Moscow Conservatory in 1922, teaching there until his death. Other famous pupils of his include Simon Barere, Maria Yudina and Maria Grinberg. He died in Moscow.As a pianist, he played many of the compositions of his Russian contemporaries. His compositions, which showed the influence of Frédéric Chopin and Pyotr Ilyich Tchaikovsky, include a symphony, pieces for solo piano, an Allegro de Concert for piano and orchestra, and lieder. His virtuoso pieces for piano in particular are enjoying something of a renaissance in recent years.He was the uncle of Heinrich Neuhaus and first cousin, once removed of Karol Szymanowski (Felix and Karol's father, Stanislaw Szymanowski, were cousins).(Wikipedia).
$6.00
Ich hatte viel Bekümmernis (from Cantata BWV 21) As played by Víkingur Ólafsson
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Piano solo
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ADVANCED
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Johann Sebastian Bach and Vík
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Flavio Regis Cunha
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Ich hatte viel Bekümmernis
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FRC Music
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1499366 By Johann Sebastian Bach and Víkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Re...
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Piano Solo - Level 5 - Digital Download SKU: A0.1499366 By Johann Sebastian Bach and Víkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Sacred. Score. 4 pages. FRC Music #1075421. Published by FRC Music (A0.1499366). Discover the Soul of Bach with Ich hatte viel BekümmernisFor pianists who live and breathe the profound beauty of music, this is an invitation to transcend the ordinary and step into the sublime. Presenting the sheet music for J. S. Bach: Ich hatte viel Bekümmernis from Cantata BWV 21, as interpreted by the masterful Víkingur Ólafsson.This arrangement isn’t just notes on a page—it’s a conversation with the divine, a journey through the depths of human emotion, brought to life through Bach’s timeless genius. Víkingur Ólafsson’s interpretation has captured the hearts of audiences worldwide, and now, you have the chance to bring this exquisite piece to your own fingertips.Whether you're performing in the grandeur of a concert hall, the intimate setting of a church, or the creative environment of a school, this sheet music offers a gateway to the profound. Each phrase, each nuance, crafted with care, allows you to channel Bach’s intricate emotions and touch the hearts of your listeners.Let your piano become the voice of a story centuries old, yet eternally relevant. Embrace the challenge, the beauty, and the emotional depth of this masterpiece.Bring Bach’s soul to life with your performance. Secure your copy today.Advanced Level4 pagesDuration: 3 min.
$7.99
Aria for Piano
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Piano solo
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ADVANCED
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Rocco Di Pietro
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Aria for Piano
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Rocco Di Pietro
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1311946 Composed by Rocco Di Pietro. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. S...
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Piano Solo - Level 5 - Digital Download SKU: A0.1311946 Composed by Rocco Di Pietro. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 25 pages. Rocco Di Pietro #900839. Published by Rocco Di Pietro (A0.1311946). The Left hand plays the note first, while the right hand bounces off the same note in a ricochet.Use the right-forte pedal lightly and constantly, but do not blur, the pedal must be used in accordance with each rubato and phrase, as in Chopin but subtly enough to render Molto Cantabile e Brilliante. Constantly, means up and down frequently, do not hold pedal down, a cluster blur is not desired, in this first part of the score. Later on, pedal markings will indicate a blend of the sound, when  wanted.The first performance was by the composer at The Darmstadt Ferienkurse für Neue Musik in 1978. The work was part of the piano seminar of Herbrt Hencke and was considered unplayable by one pianist.The American premire took place by the composer in 1979 on Julius Eastman's Festival at the The Third Street Music School in New York.The local premiere took place once again by the composer on a Creative Associates concert in Baird Hall at SUNY Buffalo in 1979 on a program of works by Giacinto Scelsi.The Ohio premeire took place in 1995 at the Wexner Center for the Arts at The Ohio State University played by the composer for the last time where it was danced by the Vicki Uris Dance Company.
$16.00
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