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5 Major Scales
Piano solo
Sheetmusic to print
28 sheet music found
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1
26
Prelude 5 in Bb Major Lydian
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Piano solo
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ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 5 in Bb Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 page...
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Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #791032. Published by Brian Golden (A0.1191533). Prelude 5 in Bb Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 13 in F# Major Ionian
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Piano solo
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ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 13 in F# Major Ionian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 page...
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Piano Solo - Level 5 - Digital Download SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843062. Published by Brian Golden (A0.1248571). Prelude 13 in F# Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Major Scale Paper Keys, Fits on the keyboard and piano, For beginners
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Piano solo
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BEGINNER
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Instructional
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Joy Gilmore, Hsin Hui Gilmore
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2
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Major Scale Paper Keys, Fits o
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Joyful Sound Music
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SheetMusicPlus
Piano Solo - Level 1 - Digital Download SKU: A0.906751 Composed by Joy Gilmore, Hsin Hui Gilmore. Instructional. Score. 10 pages. Joyful Sound Music #386...
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Piano Solo - Level 1 - Digital Download SKU: A0.906751 Composed by Joy Gilmore, Hsin Hui Gilmore. Instructional. Score. 10 pages. Joyful Sound Music #3860577. Published by Joyful Sound Music (A0.906751). Teachers and Students, Thank you for downloading this chart. On the keys, there are two different types of numbers. The regular numbers, like 1 2 3 4 5, are for the right hand. The numbers with the circles, like 1 2 3 4 5, are for the left hand. (Sheet music plus don't have the special font to display this) About the (*) marking If the (*) is before a number like *1 or *1, it means that it is in the 1st octave of the scale. If the (*) is after a number like 1* or 1*, it means that it is in the last octave of the scale. The numbers with underline, it means that is the 2nd and the 3rd octave of the scale. The dotted lines indicate that you can attach two key scales together to make one longer scale. Because of the limitations of the paper setup, there are only three octaves on each key. The paper key might have a slightly difference on the key size. It is because different manufacture have their own different key sized width. This paper keys should fit most keyboards or piano. This paper scale keyboard can help piano beginners start lessons and helps make practice easier. However, it is NOT RECOMMENDED for long term use. How to Print This pdf is designed for two sided (duplex) printers. Both sides on the same paper supposed to be in up side down format. Make sure you enable the two sided print function. You should be able to have a paper scale for three octaves on both sides. If you used duplex printing and your printer didn’t line up the scales, please use hand feed. Because every printers have different settings. You just need to try it in a different ways a couple times. Materials: I used the card stock from Sam’s club. It is 110lb greeting card paper. It is the cheapest one on the market. It cost $7.98 for 275 sheets. All of the papers are laminated.
$2.99
Scales for fast minor ii V i's
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Piano solo
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ADVANCED
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Jazz
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W
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Scales for fast minor ii V i's
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Swing State
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SheetMusicPlus
Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1261676 Composed by W.P. Harvey. This edition: Interactive Download. Jazz. Score. 3 pages. Du...
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Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1261676 Composed by W.P. Harvey. This edition: Interactive Download. Jazz. Score. 3 pages. Duration 40. Swing State #2N9U6Q8uzIlnhujEyCvAkg. Published by Swing State (A0.1261676). Key: C major.Advanced scales for improvisation applied to minor ii V i progressions in all 12 keys. See how well the harmonic minor works over minor ii V's and how to add colors to by playing the minor bebop scale over the minor i chord.
$2.99
TomScales - No. 5 C major (Easy Level)
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Piano solo
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BEGINNER
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TomSkills
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TomScales
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Tomplay
Téléchargez la partition Piano TomScales - N° 5 Do majeur (niveau facile) de TomSkills. Partition pour Piano avec accomp. orchestre -- Exercices et gammes...
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Téléchargez la partition Piano TomScales - N° 5 Do majeur (niveau facile) de TomSkills. Partition pour Piano avec accomp. orchestre -- Exercices et gammes
1.99€
Etude in C major, op. 23
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Piano solo
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ADVANCED
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Michael A Yenny
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Etude in C major, op. 23
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Michael A Yenny
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.938817 Composed by Michael A Yenny. Concert,Contemporary,Instructional,Standards. Score. 3 pages. Michael...
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Piano Solo - Level 5 - Digital Download SKU: A0.938817 Composed by Michael A Yenny. Concert,Contemporary,Instructional,Standards. Score. 3 pages. Michael A Yenny #63339. Published by Michael A Yenny (A0.938817). A short and boisterous technical study for the developing pianist. Features dyad motion in both hands, double thirds and sixths, scales, octaves, large chords, and chromaticism. Duration: 45 seconds. C) 1999. Level: Advanced.
$1.99
Winter Fun Suite, I. Downhill Skiing II. Ice Fishing on a Cold and Windy Day III. A Snowmobile Rid
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Piano solo
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BEGINNER
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Kim S
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Winter Fun Suite, I. Downhill
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Kim S. Bean
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SheetMusicPlus
Piano Solo - Level 1 - Digital Download SKU: A0.961667 Composed by Kim S. Bean. Contemporary,Instructional,Standards. Score. 2 pages. Kim S. Bean #602772...
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Piano Solo - Level 1 - Digital Download SKU: A0.961667 Composed by Kim S. Bean. Contemporary,Instructional,Standards. Score. 2 pages. Kim S. Bean #6027721. Published by Kim S. Bean (A0.961667). Winter Fun Suite, a 2 page piece in the key of C major at the late elementary level, is the 10th piece from a set of 12 pieces entitled Something For Every Season There are 3 pieces for each of the four seasons. The first piece in each season is at the mid to late elementary level, the second piece is at the early intermediate level and the third piece is at the intermediate level. Winter Fun Suite, for the winter season, has 3 short pieces: I. Downhill skiing II. Ice Fishing on a Cold and Windy Day III. A Snowmobile Ride! Downhill Skiing uses rapidly descending 8th note C major scales, followed by tonic and dominant bass notes with a stepwise five finger notes in the melody. Ice Fishing on a Cold and Windy Day uses the A minor position, alternating hands and stepwise 5 finger 16th notes. A Snowmobile Ride! uses primary chords in the bass clef and broken tonic chords in the right hand. The suite ends with a descending C major scale.Other titles available in this set entitled Something for Every Season are: Spring Time Minuet, Fishing in the Brook, April Showers and May Flowers, Trampoline Tango, Reflection on the Water, Lazy Days, Harvest Time Minuet, Family Gathering, Crunchy Leaves, The Glistening Woodland Waltz and The Blizzard.
$3.99
Theme from Piano Concerto - Level 1 piano arrangement
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Piano solo
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BEGINNER
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Amy Beach
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Cameron Smith
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Theme from Piano Concerto - Le
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Cameron E Smith
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.902458 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Instructional,Romantic Peri...
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Easy Piano - Level 1 - Digital Download SKU: A0.902458 Composed by Amy Beach (1867-1944). Arranged by Cameron Smith. Children,Instructional,Romantic Period,Standards. Score. 1 pages. Cameron E Smith #5996573. Published by Cameron E Smith (A0.902458). Basic Info:Piano Solo Sheet Music, digital downloadLevel: Level 1 Early ElementaryDetailed Description:Piano Concerto for piano and orchestra in c# minor, composed by Romantic composer Amy Beach. Opus 45, first movement, Allegro Moderato. 19th century. American Romantic. Historic Women Composers. Classical Piano Repertoire for the earliest beginner.This is an early elementary level arrangement in the key of C Major and serves as an introduction to historic women composers of the Romantic period. 4/4 time signature. 14 measures. Right hand is in a 5-finger, middle C position. Left hand is in a 5-finger position, one note below middle C. Eighth-notes, quarter-notes, half-notes and dotted half-notes.Technique: 5th finger stretch in the right hand is introduced. 5-finger scales. No accidentals. There are also level 2-4 arrangements of this piece available.History: This arrangement provides a long-awaited opportunity to introduce the very youngest pianist to melodies composed by women in the time period usually associated with the music of Brahms or Tchaikovsky. Amy Beach was the best-known woman composer of her time and the first in the United States to become world famous. She was the first American woman to write a symphony and was a well-respected pianist in her time. Beach fought hard throughout her life to change the common perception that women's music would always be lesser than men's. Looking for more easy piano versions of works by historical women composers? In the search bar above, type PLPS. This arrangement was commissioned by Penny Lazarus Piano Studio as part of an effort to expand the early piano repertoire with pieces by women composers of the last 900 years. Learn more about the project at PennyLazarusPianoStudio.com.
$1.99
River Flow
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Piano solo
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Jen Tanner
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River Flow
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Jennie Stone Music
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1099373 Composed by Jen Tanner. Children,Classical,Contemporary. Score. 1 pages. Jennie Stone Music #703258. Publis...
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Piano Solo - Digital Download SKU: A0.1099373 Composed by Jen Tanner. Children,Classical,Contemporary. Score. 1 pages. Jennie Stone Music #703258. Published by Jennie Stone Music (A0.1099373). Late elementary-level piano solo in E minor. Features eighth notes, frequently changing LH position (E minor and D Major 5-finger scales), and a basic RH position change.
$3.00
Prelude 12 in Bb Minor Dorian
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Piano solo
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ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 12 in Bb Minor Dorian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 page...
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Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
Prelude 2 in A Minor Aolian
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Piano solo
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ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 2 in A Minor Aolian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pag...
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Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 18 in C# Minor Dorian
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 18 in C# Minor Dorian
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Brian Golden
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #843078. Published by Brian Golden (A0.1248586). Prelude 18 in C# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 4 in D Minor Phrygian
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Piano solo
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ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 4 in D Minor Phrygian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 page...
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Piano Solo - Level 5 - Digital Download SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden #790596. Published by Brian Golden (A0.1191080). Prelude 4 in D Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 8 in C Minor Aolian
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Piano solo
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ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 8 in C Minor Aolian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 page...
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Piano Solo - Level 5 - Digital Download SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden #812802. Published by Brian Golden (A0.1216191). Prelude 8 in C Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
Rondo in C
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Piano solo
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EASY
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Ric Price
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Rondo in C
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Richard J Price
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1264703 Composed by Ric Price. 20th Century,Classical,Instructional. Score. 5 pages. Richard J Price #857...
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Piano Solo - Level 2 - Digital Download SKU: A0.1264703 Composed by Ric Price. 20th Century,Classical,Instructional. Score. 5 pages. Richard J Price #857533. Published by Richard J Price (A0.1264703). Music NotesThis is a piece I wrote to shape some concepts for my first/second year pianostudent daughter. I had the idea while listening to her practice by brute force –meaning the keys are repeated hit continuously at same tempo, same strength – almost as a pounding exercise. I thought nuance was not getting into her playing yet (as with most beginning students).  I wanted her to be aware of the musicality innate in a piece of music.Therefore, I loaded this piece up with all kinds of tempo changes, dynamics, etc. A little overkill, but printed music does suggest these things although it might not be written in.Concepts I was going for: Form: In this case a Rondo. Using classic ABACA. Key Relationships: C Major / A Minor. Sections B and C are in A minor, although written in key of C with the addition of sharps (leading tone G ♯). Hand Independence: Scales in one hand punctuated in the other. Scales: Scales found in both hands and the value of scales fingering in a real piece. Phrasing: How different notes are placed together to make a complete thought. Dynamics: Lots of changes written in there and how it relates to phrasing helping make the ‘complete thought.’ Articulation: Staccato vs Legato, voices opposing each other; again helping with the ‘complete thought.’ Tempo: That such a thing as flexible tempo helps with phrasing and completing that ‘complete thought’ we talked about. Pounding beat vs a larger beat: as interpretation such as dance (emphasizing the first beat instead of pounding by each beat. Notice by the tempo markings that a larger beat is called for by the markings (one beat per measure embracing the dance aspect.) Her former teacher is very talented, holds his Doctor's degree in Piano Performance and was absolutely terrific with her. That being said, Kara soon found out there were boys, and from that moment on the instructor never had a chance. She’s 38 now, loves to play this piece and still -- pounds it out. ☺.
$9.00
Carol of the Holy Night
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Piano solo
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ADVANCED
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Christmas
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Adolphe-Charles Adam, Mykola L
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Yitzak Nance
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Carol of the Holy Night
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Yitzak Nance
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1114708 Composed by Adolphe-Charles Adam, Mykola Leontovych, and Peter Wilhousky. Arranged by Yitzak Nanc...
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Piano Solo - Level 5 - Digital Download SKU: A0.1114708 Composed by Adolphe-Charles Adam, Mykola Leontovych, and Peter Wilhousky. Arranged by Yitzak Nance. Christmas,Holiday. Score. 10 pages. Yitzak Nance #716571. Published by Yitzak Nance (A0.1114708). An arrangement of Oh Holy Night with Carol of the Bells embedded as the middle voice. The Carol of the Bells embedded as the middle voice throughout the O Holy Night portion should be a consistently joyous ringing that provides the background and foundation of the majestic O Holy Night melody. The chromatic scales took inspiration from Liszt, wherein he frequently embeds arpeggios or scales of some sort within a surrounding outer melody. The violent nature of the left hand arpeggios with the chromatic scales reminds me of Sturm und Drang, reminiscent of Liszt and also Beethoven, my two favorite composers other than Gershwin. You can sense a little bit of Gershwin even in the dense chords before the free cadenza that leads to the clear and ringing open F Major chord that restarts the carol of the bells at the a tempo (after the cadenza).
$14.99
Piano Sonata
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Piano solo
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ADVANCED
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Ho Jie Rong
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Piano Sonata
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Ho Jie Rong
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1011291 Composed by Ho Jie Rong. Contemporary,Standards. Score. 26 pages. Ho Jie Rong #5794101. Published...
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Piano Solo - Level 5 - Digital Download SKU: A0.1011291 Composed by Ho Jie Rong. Contemporary,Standards. Score. 26 pages. Ho Jie Rong #5794101. Published by Ho Jie Rong (A0.1011291). I am a Singaporean pianist and composer. I have studied the piano since 5 years old under Mr Joseph Toh and I graduated from LASALLE College of the Arts with a Diploma in Music in 2013, majoring in Music Composition under Malaysian composer Mr Chong Kee Yong and Singaporean composer Mrs Joyce Koh Bee Tuan. About Piano Sonata I started working on my Piano Sonata in 2013 and completed in 2020. 1st movement (Allegretto): This movement is based on the chromatic and whole tone scales. The agitato sections should be played in an even manner and if possible, Presto. Use the pedal sparingly. 2nd movement (Largo e espressivo): This movement is in a romantic setting. Make sure to bring out the melody in the slow sections (2 outer ones) and pianist should judge which voicing is the main melody in the middle section. Take your time to play the last 2 measures of this movement, and end off with a very silent trill. 3rd movement (Vivo): This Rondo is Toccata-like, and performer again should use the pedal sparingly. Piano Sonata is dedicated to my friends Mr James Oh Ju Young and Mr Matthias Oh.
$12.00
Toccata (for piano solo)
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Piano solo
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INTERMEDIATE/ADVANCED
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Ho Jie Rong
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Toccata
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Ho Jie Rong
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1011290 Composed by Ho Jie Rong. Contemporary,Standards. Score. 11 pages. Ho Jie Rong #5794103. Published...
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Piano Solo - Level 4 - Digital Download SKU: A0.1011290 Composed by Ho Jie Rong. Contemporary,Standards. Score. 11 pages. Ho Jie Rong #5794103. Published by Ho Jie Rong (A0.1011290). I am a Singaporean pianist and composer. I have studied the piano since 5 years old under Mr Joseph Toh and I graduated from LASALLE College of the Arts with a Diploma in Music in 2013, majoring in Music Composition under Malaysian composer Mr Chong Kee Yong and Singaporean composer Mrs Joyce Koh Bee Tuan.About Toccata (for piano solo)The Toccata was originally composed in 2013 for Vibraphone solo and dedicated to percussionist Miss Tan Lee Ying. It was transcribed for piano solo in 2014. This piece is a study of finger techniques such as 2nds, 4ths, daring leaps and accentuation on the off-beats. I was inspired by Sergei Prokofiev's Toccata, Op. 11 and his 7th Piano Sonata 3rd movement, Op. 83. I use the chromatic and whole tone scales extensively. Some of the parts are modifications from my Toccata-rhapsody composed in 2013. Toccata (for piano solo) is dedicated to my friends Miss Tan Yi Han and Mrs Sarah Lim.
$5.00
Impromptu in c sharp minor
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Piano solo
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INTERMEDIATE/ADVANCED
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Jesús Rubén Navarrete Ro
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Impromptu in c sharp minor
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Jesus Ruben Navarrete Rodriguez
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1016018 Composed by Jesús Rubén Navarrete RodrÃguez. 20th Century,Concert,Contemporary,Instructi...
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Piano Solo - Level 4 - Digital Download SKU: A0.1016018 Composed by Jesús Rubén Navarrete RodrÃguez. 20th Century,Concert,Contemporary,Instructional,Standards. Score. 12 pages. Jesus Ruben Navarrete Rodriguez #5198253. Published by Jesus Ruben Navarrete Rodriguez (A0.1016018). This is a piece written in the XIX century style,it may work for professional musicians, students and music lovers as well in some technical aspects as the overlap of binary and ternary rythms, scales, octaves, arpeggios.It beggins with a furious and full of charachter allegro, which, after a transitional series of sequences establishes a slower and pacefull middle section in D flat major with a song-like theme followed by a modulatory progression that leads to a variation of the preceding theme, by the use of some mixtures the music recapitulates the c sharp major section, then a coda with a little reminiscence of the d flat major theme ends with an abrupt irruption of the main motive in c sharp minor. I hope all of you enjoy my music, I'm looking forward to share with the musical community a little more of my work. General description of the piece: *Approximate duration: 5-6 minutes. * Composition date: January 2, 2020. * Copyright owner: Jesús Rubén Navarrete RodrÃguez.Social Media and contact: https://www.instagram.com/jesusrubennavarrete https://twitter.com/jsrnnavarrete jsrnnavarrete@hotmail.comjsrnnavarrete@gmail.com
$2.99
Hommages and Prelude No. 1
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Piano solo
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ADVANCED
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Classical
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99
Piano Sonata No. 1 Movement 2 "A Saunter"
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Piano solo
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BEGINNER
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Contemporary
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Samuel Warren Hatch
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Piano Sonata No. 1 Movement 2
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Samuel Warren Hatch
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SheetMusicPlus
Piano Solo - Level 1 - Digital Download SKU: A0.1025432 Composed by Samuel Warren Hatch. 20th Century,Contemporary. Score. 5 pages. Samuel Warren Hatch #...
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Piano Solo - Level 1 - Digital Download SKU: A0.1025432 Composed by Samuel Warren Hatch. 20th Century,Contemporary. Score. 5 pages. Samuel Warren Hatch #4764151. Published by Samuel Warren Hatch (A0.1025432). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. II. A Saunter is a piano work based on the thoughts/feelings gained from a somber walk through a beautiful city. It embraces the duality of the abstract and the concrete, mirroring how a walk can be one admiring his/her surroundings and reflecting on life’s sufferings, simultaneously.
$3.99
Boogie & Blues 9 Intermediate Piano Solos
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Piano solo
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INTERMEDIATE
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Yvonne Johnson
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Boogie & Blues 9 Intermediate
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Yvonne Johnson
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1490896 Composed by Yvonne Johnson. Blues,Instructional. Score. 25 pages. Yvonne Johnson #1067680. Publis...
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Piano Solo - Level 3 - Digital Download SKU: A0.1490896 Composed by Yvonne Johnson. Blues,Instructional. Score. 25 pages. Yvonne Johnson #1067680. Published by Yvonne Johnson (A0.1490896). A collection of Grade 3 & 4 pieces covering a variety of rhythms commonly encountered in the Boogie & Blues genre.Saturday Night BoogieAn upbeat, fun to play Grade 3 piano boogie with swing (jazz) eighths over a walking bass. This boogie needs to be played in a relaxed manner with good rhythm and accents in the syncopated bars.Rocking The BluesThis upbeat Grade 3 blues piece has an eighth note (quaver) LH walking bass pattern, with some staccato articulations in the RH. Eighth notes (quavers) should be played straight. Jitterbug BoogieThis lively Grade 3 boogie was inspired by the swing dancers of the early 20th C. LH provides a driving walking bass while the RH plays syncopated rhythms and piano stabs.Train Ride BoogieThis Grade 3 boogie has a familiar, popular chugging train style LH. The RH playsblues scale patterns and syncopated rhythms. Eighth notes (quavers) should be swung.Boogie 1-4-5A lively Grade 3 boogie rock focusing on Primary Triads in root position. This piece requires well coordinated hands, a neat staccato touch and quick chord changes. Eighth notes (quavers) are best played straight.Boogie TrainA lively, fun to play Grade 4 piano boogie with a typical LH boogie bass. The LH bass is a common but difficult pattern requiring flexibility. Students should be able to span octaves comfortably before playing this piece.1st Inversion BoogieAn upbeat Grade 3 piano boogie in the key of C Major. RH focuses on 1st inversion triads and is played over a steady walking bass. Attention to articulations and accents is needed to convey the jaunty character of this piece.Chameleon BoogieInspired by the chameleons' unusual rocking movements when walking, this fairly lively Grade 3 boogie blues is based on a typical I IV V progression. Standard fingering for chromatic scales has been used for the turns. Eighth notes (quavers) should be lightly swung.Jingle Bell BoogieA lively, fun to play Grade 4 boogie arrangement of this popular Christmas carol. LH plays a fairly easy walking bass in the verse, before breaking into a well known boogie pattern for the chorus. LH needs to be relaxed, have flexibility and the ability to span the broken octaves comfortably.
$9.95
Up Jumped Spring
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Piano solo
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INTERMEDIATE
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Jazz
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Freddie Hubbard
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Swing State
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Up Jumped Spring
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Swing State
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SheetMusicPlus
Instrumental Solo,Piano and Keyboard - Level 3 - Interactive Download SKU: A0.1086858 By Freddie Hubbard. By Freddie Hubbard. Arranged by Swing State. Th...
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Instrumental Solo,Piano and Keyboard - Level 3 - Interactive Download SKU: A0.1086858 By Freddie Hubbard. By Freddie Hubbard. Arranged by Swing State. This edition: Interactive Download. Jazz,Standards. Individual part. 5 pages. Duration 170. Swing State #6MbpUp7UOP9B3fhSJi9kqC. Published by Swing State (A0.1086858). Key: C major.This arrangement includes melody, two note chord voicings, and a solo section with suggested scales for improvisation.
$4.99
Windows
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Piano solo
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ADVANCED
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Jazz
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Chick Corea Elektric Band
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Swing State
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Windows
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Swing State
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SheetMusicPlus
Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1085853 By Chick Corea Elektric Band. By Chick Corea. Arranged by Swing Sta...
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Instrumental Solo,Piano and Keyboard - Level 5 - Interactive Download SKU: A0.1085853 By Chick Corea Elektric Band. By Chick Corea. Arranged by Swing State. This edition: Interactive Download. Jazz,Standards. Individual part. 8 pages. Duration 205. Swing State #23XQn26fBfQV3wQzWuXZZn. Published by Swing State (A0.1085853). Key: C major.Includes two versions, one with intermediate voicings and one with advanced chord voicings. On the solo section suggested scales are provided.
$4.99
Emily
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Piano solo
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INTERMEDIATE
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Jazz
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Johnny Mandel
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Swing State
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Emily
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Swing State
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SheetMusicPlus
Instrumental Solo,Piano and Keyboard - Level 3 - Interactive Download SKU: A0.1085989 Composed by Johnny Mandel. Arranged by Swing State. This edition: I...
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Instrumental Solo,Piano and Keyboard - Level 3 - Interactive Download SKU: A0.1085989 Composed by Johnny Mandel. Arranged by Swing State. This edition: Interactive Download. Jazz,Standards. Individual part. 5 pages. Duration 197. Swing State #XR3dE8TY1Ucfa67qUwz4f. Published by Swing State (A0.1085989). Key: C major.Melody with chord symbols and two note voicings. The solo section includes suggested scales for improvisation.
$4.99
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