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Gregory is Here
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You've selected:
Gregory is Here
Piano solo
Sheetmusic to print
14 sheet music found
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1
Out Of Nowhere
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Piano solo
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INTERMEDIATE
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Contemporary
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Gregory Hugh
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MICHAEL TARRO
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Out Of Nowhere
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michael Tarro
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.902667 Composed by Gregory Hugh (Do Not Use) Becker and Joshua Stevens. Arranged by MICHAEL TARRO. Contem...
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Piano Solo - Level 3 - Digital Download SKU: A0.902667 Composed by Gregory Hugh (Do Not Use) Becker and Joshua Stevens. Arranged by MICHAEL TARRO. Contemporary. Score. 2 pages. Michael Tarro #6073053. Published by michael Tarro (A0.902667). This arrangement of the popular classic tune features lush harmonic movement above an active left hand. It also emphatically establishes the quarter note triplet as a solid rhythmical mechanism in both left and right hands. It is arranged for the intermediate/advanced player. Michael Tarro is currently an author for Hal Leonard, and Santorella Publications.Additional piano music by Michael Tarro: https://www.sheetmusicplus.com/search?Ntt=Michael+Tarro+music
$4.99
Dies Irae Dodecaphonic
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Piano solo
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ADVANCED
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Contemporary
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Peter Daniel Klein
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Dies Irae Dodecaphonic
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Peter Daniel Klein
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6...
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Piano Solo - Level 5 - Digital Download SKU: A0.1029561 Composed by Peter Daniel Klein. 20th Century,Contemporary. Score. 13 pages. Peter Daniel Klein #6401141. Published by Peter Daniel Klein (A0.1029561). This musical piece is comprised of two twelve-tone rows, atonal music based on synthetic scales unique to each composition, which are based on medieval plainsong chants whose systemization was begun by Pope Gregory I during the sixth century AD. A simple explanation of this composition is that it is the world's oldest notated music combined with modern 20th-century music theory that eschews traditional melody and harmony for synthetic scales unique to each composition. The music is complex and dissonant, although the conversion of the two plainsong chants to twelve-tone rows retains a semblance of a tonal center at given points throughout. Still, the entire piece of music is that same melody utilized harmonically: just forward, backward, upside-down, backward and upside-down, rhythmically altered, transposed, displaced up or down, or split into smaller cells and then reprocessed in the same way mentioned above. I have also borrowed the Baroque Period techniques of the two-part invention and four-voice fugue combined with serial musical techniques that may offend the average listener's traditional musical sensibilities but make logical structural sense. I used the Dies Irae (The Day of Wrath) and Tuba Mirum (The Last Trumpet Call). The authorship of the chants has been attributed to many saints from Gregory to Thomas of Celano but probably evolved from early Jewish psalmody carried forward by the earliest Jewish converts to Christianity, which further developed into trochaic metered poetry by successive monks. It was set to memorized plainsong heralding back, in part, to Jewish worship. The text of the Dies Irae is very similar to Zephaniah 1:16​. The last trumpet call that raises the dead in Christ is comparable to the Apostle Paul's account written in his first epistle to the Corinthians Chapter 15 and first epistle to the Thessalonians Chapter 4. The two epistles may, or may not, be related to the Final of the Seven Trumpets bringing God's Judgement on the earth spoken of in Revelation 11. The relationship of the trumpet mentioned in the epistles to those written about in Revelation divides theologians, but I digress into unrelated matters. Despite the modern theory, the music is still movingly visceral because of its conceptually descriptive nature. It is full of aural symbolism following the Dies Irae and the Tuba Mirum, making it a type of program music ala Hector Berlioz of the Romantic Period. The music is, therefore, genuinely eclectic because it has blended qualities of several musical periods. The final section of the video explains the symbolism. The music difficulty is virtuosic, extremely taxing to play.
$5.99
Flowers
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Piano solo
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INTERMEDIATE
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Pop music
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Miley Cyrus
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Julian Callard
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Flowers
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Julian Callard
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1240770 By Miley Cyrus. By Gregory Hein, Michael Pollack, and Miley Cyrus. Arranged by Julian Callard. 21...
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Piano Solo - Level 3 - Digital Download SKU: A0.1240770 By Miley Cyrus. By Gregory Hein, Michael Pollack, and Miley Cyrus. Arranged by Julian Callard. 21st Century,New Age,Pop. Score. 3 pages. Julian Callard #836159. Published by Julian Callard (A0.1240770). Hi everyone!I can't say that I have broken up recently, but this song hits home nonetheless. I like the melancholy of it. Therefore, without further ado: Here is my arrangement of Miley Cyrus' Flowers! Another one of those songs that seems sad at first, but is somehow upbeat later on. I tried to capture those elements for the piano sheet music of this one. If you enjoy this song, please leave like and subscribe on YouTube :) The difficulty of this arrangement is intermediate.------------------------------------------------------------------- Song: Flowers Artist: Miley Cyrus ------------------------------------------------------------------- I really enjoy this song, I hope you will too! About my channel: I arrange songs that I like for the piano. I am open to collaborations and other projects! Send me an e-mail @ piano.juliancallard@gmail.com I am Julian, an engineer from Germany who loves modern music and piano arrangements thereof! _________________________________________________ Follow me on social media: Instagram: https://www.instagram.com/juliancallard Piano: Yamaha CLP 675_________________________________________________ Any inquiries under: piano.juliancallard@gmail.com
$6.99
I Only Have Eyes For You
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Piano solo
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INTERMEDIATE/ADVANCED
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Al
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Timothy Stapay
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I Only Have Eyes For You
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1458082 Composed by Al (dp) Dubin, Andrea Martin, Gregory Darryl Smith, and Harry Warren. Arranged by Tim...
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Piano Solo - Level 4 - Digital Download SKU: A0.1458082 Composed by Al (dp) Dubin, Andrea Martin, Gregory Darryl Smith, and Harry Warren. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #1037052. Published by Timothy Stapay (A0.1458082). I Only Have Eyes For You is a romantic love song by composer Harry Warren and lyricist Al Dubins; here arranged for piano solo and as a tribute to my favorite actress, Bette Davis. Who can ever forget those fabulous eyes. A recording of the song by Art Garfunkel was a number-one hit on the UK Singles Chart in October 1975 for two weeks. In the US, the song reached number 18 on the U.S. Billboard Hot 100.Lyrics:My love must be a kind of blind loveI can't see anyone but youAnd dear, I wonder if you find loveAn optical illusion, too?Are the stars out tonight?I don't know if it's cloudy or bright'Cause I only have eyes for you, dearThe moon may be highBut I can't see a thing in the sky'Cause I only have eyes for youI don't know if we're in a gardenOr on a crowded avenueYou are here, so am IMaybe millions of people go byBut they all disappear from viewAnd I only have eyes for you.
$7.99
Pennsylvania Polka
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Piano solo
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INTERMEDIATE/ADVANCED
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Frankie Yankovic
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Debra E
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Pennsylvania Polka
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Standard Time
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SheetMusicPlus
Piano - Level 4 - Digital Download SKU: A0.1509073 By Frankie Yankovic. By Lester Lee and Zeke Manners. Arranged by Debra E. Stempien, Gregory H. Turner....
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Piano - Level 4 - Digital Download SKU: A0.1509073 By Frankie Yankovic. By Lester Lee and Zeke Manners. Arranged by Debra E. Stempien, Gregory H. Turner. Folk,Multicultural,Pop,Standards,Traditional,World. Score (Chords/Lyrics). 13 pages. Standard Time #1084324. Published by Standard Time (A0.1509073). The polka is arranged here for voice, piano, and flute, including a jaunty instrumental solo over the trio section on the second round. Individual parts are provided for voice, piano, and solo instrument, with the vocal part including chords for the singing pianist, making this arrangement good for 2 or 3 players depending on your needs. The difficulty level is based on the instrumental solo. A recording is forthcoming.
$12.99
Pennsylvania Polka
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Piano solo
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INTERMEDIATE/ADVANCED
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Frankie Yankovic
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Debra E
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Pennsylvania Polka
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Standard Time
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SheetMusicPlus
Piano - Level 4 - Digital Download SKU: A0.1509065 By Frankie Yankovic. By Lester Lee and Zeke Manners. Arranged by Debra E. Stempien, Gregory H. Turner....
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Piano - Level 4 - Digital Download SKU: A0.1509065 By Frankie Yankovic. By Lester Lee and Zeke Manners. Arranged by Debra E. Stempien, Gregory H. Turner. Folk,Multicultural,Pop,Standards,Traditional,World. Score (Chords/Lyrics). 13 pages. Standard Time #1084316. Published by Standard Time (A0.1509065). The polka is arranged here for voice, piano, and violin, including a jaunty instrumental solo over the trio section on the second round. Individual parts are provided for voice, piano, and solo instrument, with the vocal part including chords for the singing pianist, making this arrangement good for 2 or 3 players depending on your needs. The difficulty level is based on the instrumental solo. A recording is forthcoming.
$12.99
Pennsylvania Polka
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Piano solo
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INTERMEDIATE/ADVANCED
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Frankie Yankovic
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Debra E
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Pennsylvania Polka
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Standard Time
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SheetMusicPlus
Piano - Level 4 - Digital Download SKU: A0.1509056 By Frankie Yankovic. By Lester Lee and Zeke Manners. Arranged by Debra E. Stempien, Gregory H. Turner....
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Piano - Level 4 - Digital Download SKU: A0.1509056 By Frankie Yankovic. By Lester Lee and Zeke Manners. Arranged by Debra E. Stempien, Gregory H. Turner. Folk,Multicultural,Pop,Standards,Traditional,World. Score (Chords/Lyrics). 13 pages. Standard Time #1084307. Published by Standard Time (A0.1509056). The polka is arranged here for voice, piano, and clarinet, including a jaunty instrumental solo over the trio section on the second round. Individual parts are provided for voice, piano, and solo instrument, with the vocal part including chords for the singing pianist, making this arrangement good for 2 or 3 players depending on your needs. The difficulty level is based on the instrumental solo. A recording is forthcoming.
$12.99
Pennsylvania Polka
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Piano solo
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INTERMEDIATE/ADVANCED
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Frankie Yankovic
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Debra E
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Pennsylvania Polka
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Standard Time
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SheetMusicPlus
Piano - Level 4 - Digital Download SKU: A0.1509048 By Frankie Yankovic. By Lester Lee and Zeke Manners. Arranged by Debra E. Stempien, Gregory H. Turner....
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Piano - Level 4 - Digital Download SKU: A0.1509048 By Frankie Yankovic. By Lester Lee and Zeke Manners. Arranged by Debra E. Stempien, Gregory H. Turner. Folk,Multicultural,Pop,Standards,Traditional,World. Score (Chords/Lyrics). 13 pages. Standard Time #1084299. Published by Standard Time (A0.1509048). The polka is arranged here for voice, piano, and soprano saxophone, including a jaunty instrumental solo over the trio section on the second round. Individual parts are provided for voice, piano, and solo instrument, with the vocal part including chords for the singing pianist, making this arrangement good for 2 or 3 players depending on your needs. The difficulty level is based on the instrumental solo. A recording is forthcoming.
$12.99
33 Tears (for piano solo)
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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Paul SanGregory
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33 Tears
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Distant Engraver Music
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.977039 Composed by Paul SanGregory. Contemporary. Score. 6 pages. Distant Engraver Music #3539857. Publis...
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Piano Solo - Level 4 - Digital Download SKU: A0.977039 Composed by Paul SanGregory. Contemporary. Score. 6 pages. Distant Engraver Music #3539857. Published by Distant Engraver Music (A0.977039). This quiet, sparse and beautiful music was composed in memory of the composer’s late wife. Because her ‘English’ name, Sansan, sounds like the number 33 in Mandarin Chinese, the piece is based on the numbers 3, 33 and various multiples of them. The numbers were used to shape all aspects of the music, but in performance the piece still flows simply and naturally. It is technically not difficult for performers, but they do need good ears for color, balance, phrasing and creating a sense of natural open space. There are also places where listening to and coordinating balance and phrasing between competing rhythmic layers needs careful attention. (Performance time ca. 4 minutes, or longer.)
$2.50
Capricious Fantasy (for solo piano)
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Piano solo
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ADVANCED
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Contemporary
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Paul SanGregory
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Capricious Fantasy
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Distant Engraver Music
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.977032 Composed by Paul SanGregory. Contemporary. Score. 10 pages. Distant Engraver Music #3534595. Publi...
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Piano Solo - Level 5 - Digital Download SKU: A0.977032 Composed by Paul SanGregory. Contemporary. Score. 10 pages. Distant Engraver Music #3534595. Published by Distant Engraver Music (A0.977032). Capricious FantasyAs per the request of pianist Michael Tsalka, this flowing, expressive and lyrical piece is based on motives from the music of Classical Bohemian composer Johann Baptist Wanhal. Motives from his Capriccio No. 3, for piano, are used as fundamental building blocks, but the style of their expression and development is radically different. Because motives from different sections or movements of Wanhal’s piece all appear in this single movement, the character and expression here is more changeable, less stable and some might even say more romantic than Wanhal’s capriccio. Technically, this piece borrows ideas of repetition and continuous flow from recent minimalist music, but the effect is more lyrical, flexible and dramatic than classic minimalism. It begins with the repetition of four chords that were derived from notes used in one of Wanhal’s melodic motives. New melodies based on that motive then enter with different phrase lengths, creating a gentle dialogue of independent voices. Eventually, a faster idea from the same capriccio is introduced, but it is first played slowly and freely before its tempo increases. The entire piece then continues unfolding as a freely flowing dialogue of moods, tempos and characters based on these three simple ideas and it culminates with fast notes and strong declarations before subsiding into a gentle ending that includes all three motives.Performance duration ca. 6 minutes.
$6.00
Étude (2013)
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Piano solo
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ADVANCED
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Contemporary
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Paul SanGregory
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Étude
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Distant Engraver Music
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.977029 Composed by Paul SanGregory. Contemporary. Score. 9 pages. Distant Engraver Music #3534581. Publis...
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Piano Solo - Level 5 - Digital Download SKU: A0.977029 Composed by Paul SanGregory. Contemporary. Score. 9 pages. Distant Engraver Music #3534581. Published by Distant Engraver Music (A0.977029). This colorful and harmonically rich composition has been well-received by many audiences around the word. It was composed for Michael Tsalka, who enjoys playing early keyboards, and for that reason the quiet finger techniques of 18th-century keyboard music was its starting point. So unlike many etudes, the point here is not the development of difficult modern piano technique, but the parameters of harmony, rhythm and phrasing instead. In particular, the clear phrasing of contrasting and overlapping note groups is of special importance. It may sound more subtle and less flashy than a typical etude, but it can actually present a real challenge. My hope is that if one listens carefully, either as player or audience member, the various metric, harmonic and phrasing ambiguities contained in the steady gentle flow of eighth-notes will become a delightful etude for the musical mind. (duration ca. 4 minutes)
$5.00
Time Preludes (for solo piano)
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Piano solo
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ADVANCED
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Contemporary
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Paul SanGregory
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Time Preludes
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Distant Engraver Music
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.977035 Composed by Paul SanGregory. Contemporary. Score. 32 pages. Distant Engraver Music #3537985. Publi...
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Piano Solo - Level 5 - Digital Download SKU: A0.977035 Composed by Paul SanGregory. Contemporary. Score. 32 pages. Distant Engraver Music #3537985. Published by Distant Engraver Music (A0.977035). Four of these six preludes have been recorded on CD and samples of them can be heard here:http://www.capstonerecords.org/CPS-8765.htmlThese imaginative pieces are quasi-poetic musings that develop various colors, moods and atmospheres. They are called time preludes because each one focuses on a different way of handling the progress of musical time. For example, some contrast different lengths of note groupings while maintaining a consistent tempo, while others rely on changing tempos, on the use of accelerating and decelerating figures, or on the use of much rubato. The result is that they flow naturally, without the rigidity or predictability of traditional meters, while their imagery inspires pianists and audience members to let their imaginations roam.
$10.00
You Call It Madness (But I Call It Love)
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Piano solo
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EASY
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Jazz
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Claudia Thompson
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PianoDigitalScores
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You Call It Madness
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PianoDigitalScores
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1424368 By Claudia Thompson. By Con Conrad, Gladys DuBois, Paul Gregory, and Russ Columbo. Arranged by Pi...
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Piano Solo - Level 2 - Digital Download SKU: A0.1424368 By Claudia Thompson. By Con Conrad, Gladys DuBois, Paul Gregory, and Russ Columbo. Arranged by PianoDigitalScores. Jazz,Standards. Score. 3 pages. PianoDigitalScores #1005559. Published by PianoDigitalScores (A0.1424368). The purpose of this arrangement is to offer an easy way into the Jazz world for beginners or pianists who don't know where to start when studying Jazz. The chord voicings are simple and follow roughly the same principle. After you get them under your fingers you will be able to easily play more and more Jazz repertoire. Have fun learning and playing this arrangement!
$5.00
Prelude Impressions (for solo piano)
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Piano solo
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ADVANCED
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Contemporary
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Paul SanGregory
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Prelude Impressions
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Distant Engraver Music
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.977031 Composed by Paul SanGregory. Contemporary. Score. 20 pages. Distant Engraver Music #3534597. Publi...
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Piano Solo - Level 5 - Digital Download SKU: A0.977031 Composed by Paul SanGregory. Contemporary. Score. 20 pages. Distant Engraver Music #3534597. Published by Distant Engraver Music (A0.977031). This set of three pieces is well-suited for advanced students or professional performers who enjoy creating and shaping mood, atmosphere and color on the piano. They were composed to commemorate the 150th anniversary of Claude Debussy’s birth. For that reason, they are based on various composing techniques and aesthetic ideas that he developed. Even so, there was no attempt to make them actually sound like Debussy’s music. In fact, while composing them I often felt like I was looking at Debussy’s techniques through the distorting lenses of music that came after him, but that he had influenced.I - Drifting Through ChangeOne sort of change in this piece comes from the interaction of two repeated rhythmic patterns of different lengths. Episodes of contrasting character then drift in and out of the piece creating more changes. The effect is as if one is floating quietly through empty space, but occasionally drifting past various objects or situations.II - Building CloudsTo me, the opening of this movement sounds like an idea from Debussy’s Nuages that has been turned inside out. Unlike Debussy’s more delicate clouds, however, the clouds of this piece grow turbulent and dramatic. III - Moonless HeathFor this movement, I imagine walking through an open untamed field on a dark moonless night and not being sure what I might be passing by. In terms of color and technique, this piece shows a more obvious relationship to Debussy’s music that the first two. It begins with a simple melody similar to that of his Bruyére, after which a Debussy-inspired ostinato gently moves the music forward. Structurally, the whole piece is an inverted palindrome so that a melody from the beginning returns in retrograde-inversion at the end, becoming a brief quote of Debussy’s music. Performance duration ca. 11 minutes.
$8.00
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