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You've selected:
Night Hawks
Piano solo
Sheetmusic to print
2 sheet music found
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1
I Need Thee Every Hour
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Piano solo
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1872, Music – Robert Lo
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Pat Holmberg
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I Need Thee Every Hour
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Patricia Tanttila Holmberg
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SheetMusicPlus
Piano - Digital Download SKU: A0.1068495 Composed by 1872, Music – Robert Lowry, and Words – Annie S. Hawks. Arranged by Pat Holmberg. Chri...
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Piano - Digital Download SKU: A0.1068495 Composed by 1872, Music – Robert Lowry, and Words – Annie S. Hawks. Arranged by Pat Holmberg. Christian,Gospel. Full Performance. Duration 98. Patricia Tanttila Holmberg #1984693. Published by Patricia Tanttila Holmberg (A0.1068495). This is a piano improvisation on this familiar Christian hymn tune. Either enjoy listening to it, or sing along with the following words: I Need Thee Every Hour, most gracious Lord; No tender voice like Thine can peace afford. Chorus: I need Thee, O I need Thee, Ev’ry hour I need Thee; O bless me now, my Saviour, I come to Thee. I Need Thee Every Hour, Stay Thou nearby. Temptations lose their pow’r When Thou are night. Repeat Chorus. I Need Thee Every Hour, In joy or pain; Come quickly and abide, Or life is vain, Repeat Chorus I Need Thee Every Hour, Most Holy One. O make me Thine indeed, Thou blessed Song! Repeat Chorus BMI www.patholmberg.com.
$1.99
Three Hopper Paintings
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Piano solo
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ADVANCED
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Contemporary
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Geoffrey Peterson
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Three Hopper Paintings
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Geoffrey Peterson
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.942951 Composed by Geoffrey Peterson. Contemporary. Score. 8 pages. Geoffrey Peterson #3915779. Published...
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Piano Solo - Level 5 - Digital Download SKU: A0.942951 Composed by Geoffrey Peterson. Contemporary. Score. 8 pages. Geoffrey Peterson #3915779. Published by Geoffrey Peterson (A0.942951). Three Hopper Paintings was written in the early 1990s. The three movements are connected by a ten-note theme. Much of the music, both melodic and harmonic, is derived from this. In my early twenties at the time, and having recently spent some months in Vienna studying the atonal and twelve-tone works of Arnold Schoenberg, I was greatly influenced by the music and compositional techniques of the Second Viennese School. The first movement, Nighthawks, is brooding and mysterious attempting to capture those qualities depicted in the painting. The music takes its cue from the early atonal piano works of Schoenberg. Rooms by the Sea has an impressionistic quality. With some exceptions, the music is predominantly in the sound world of Debussy. Some artistic license is taken with the last two chords to portray a sudden sea breeze closing the door shut. House by the Railroad is musically the most literal representation of the three paintings. The sustain pedal is left down for almost the entire movement to simulate the rumbling of an oncoming train. Allegedly, the house in Alfred Hitchcock's Psycho was inspired by it. Ironically, I lived in a small carriage house a few hundred feet from an active railroad when I composed the work.
$5.99
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