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Rap Fantasy 1
Piano solo
Sheetmusic to print
2 sheet music found
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1
The Etherea Suite, Volume 1 for Solo Piano (Complete)
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Piano solo
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INTERMEDIATE
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JohnWillard Utuk
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The Etherea Suite, Volume 1 fo
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JohnWillard Utuk
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1135733 Composed by JohnWillard Utuk. Contemporary,Contest,Festival,Film/TV,Instructional,Video Game. Sco...
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Piano Solo - Level 3 - Digital Download SKU: A0.1135733 Composed by JohnWillard Utuk. Contemporary,Contest,Festival,Film/TV,Instructional,Video Game. Score. 18 pages. JohnWillard Utuk #735794. Published by JohnWillard Utuk (A0.1135733). The Etherea Suite, Volume 1 is for intermediate to advanced players who enjoy lyrical, exciting, and showy repertoire, while expressing their imagination through their playing. Players get to musically explore the mountains, the desert, volcanoes, time travel to ancient times, and fight in battle! Volume I of the suite represents three main characters from the sci-fi, fantasy book Trials of the Innermost (release date May 26, 2023). Each movement has a distinct feel and reflects each character's personality. This edition features performance notes written by the composer, including musical elements unique to each movement, fun facts, and personal influences JohnWillard had in mind when creating the work. A graphic of the musical cryptogram system used to make the melodies for each character is featured at the end of the notes. The three movements imitate a sonata, with the overall order of the suite is slow, slow, fast. Some teaching elements in the first movement I. Vayriel: Protector of the Mountains, include: scalar passages (A natural minor scale), shifting hands position, rolled chords, repeated left hand patterns, ornaments, and pedaling. II. Zinvar: Peacemaker of the Volcanic Rifts is more challenging, but has more room for musicality, expression, exploring different touches on the piano, and ethereal use of pedaling, like the sostenuto pedal (if you have one!) The movement opens with a mysterious, wave-like arpeggiated left hand pattern, similar to pieces of Chopin or Rachmaninoff. The B section is practice in using the sostenuto (middle) pedal while playing softly, imitating Gregorian Chant. Best of all the ending sounds harder than it actually is and you get to play as loud as possible! III. Idrilia: Warrior of the Desert is fast paced, rhythmic, and inspired by video games. This piece is a nice supplement for students learning techniques found in toccatas, nocturnes, and pieces that require a big, full sound. The longest and most advanced movement, players can enjoy using all the things: pedaling, accents, quick changes in dynamic contrast, and a lyrical B section. Technique requires comfort with arpeggios, chord inversions, octaves, and sensitivity to voicing. Once mastered, this movement can be both fun to play as a stand-alone recital piece or an exciting treat to play for friends and family. You'll find yourself humming the simple melody as it transforms throughout the work, and the ending is a chance to play big chords by using the full range of the keyboard.
$15.00
Rondo Scherzando for Piano Solo
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Piano solo
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ADVANCED
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Contemporary
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James Domine
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Rondo Scherzando for Piano Sol
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Earth Music, Ltd.
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.976513 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 22 pages. Earth Music, Ltd. #2...
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Piano Solo - Level 5 - Digital Download SKU: A0.976513 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 22 pages. Earth Music, Ltd. #2081805. Published by Earth Music, Ltd. (A0.976513). The Rondo Scherzando opens with a fanfare that leads directly to principal theme. This somewhat unruly passage with cinematographic overtones leads to a post-modern fantasy that feels like latter-day jazz meditation. The reverie unfolds, leading us to a quasi-humorous semi-bizarre circus-like rendering of the scherzando theme, presented as an episode in a pantheon of unlikely, unexpected and unanticipated circumstances, that dwindles away quietly into a deceptively calm serenity. Subsequent passages turn the main theme over in a variety of different permutations until finally it returns in full regalia to the opening fanfare, this time presented as a final coda that concludes the piece. Originally written with orchestral accompaniment as the third movement of the Piano Concerto #1 in Bb minor, this arrangement for solo piano was made at the request of Joanna Ezrin, pianist and pedagogue, and has been recognized at the MTAC annual convention.
$8.95
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