Home page
Browse Sheet Music Books
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
September 24 - Peace at Last
Not classified
1
Piano & keyboards
Piano solo
1
Guitars
Voice
Woodwind
Woodbrass
Tuba ensemble
1
Strings
Orchestra & Percussion
Others
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Instrumentations
Publishers
Artists
Classroom
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
2
Digital Sheet Music
1
Sheet Music Books
2
Music Equipment
4
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
September 24 - Peace at Last
Piano solo
Sheetmusic to print
1 sheet music found
Hommage an Ursula [piano solo]
#
Piano solo
#
ADVANCED
#
Juan MarÃa Solare
#
thus, there are 25 sections
#
Hommage an Ursula [piano solo]
#
Juan Maria Solare
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festiv...
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pages. Juan Maria Solare #921371. Published by Juan Maria Solare (A0.1335536). Hommage to Ursula is a piano piece in memory of Ursula Görsch (1932-2023). The piece is based on the six sounding letters of her last name (GERSCH, where the O is omitted, the R represents RE - the D note in Spanish, Italian, or Turkish - and the S represents the E flat, 'Es' in German), as well as on the remaining six notes of the total chromatic scale (C#, F, F#, Ab, A, B). Both Pitch Class Sets are identical from an intervallic perspective - transposed by a tritone. Such coincidences confirm to me that I am on the right path, at least musically.The reference to Turkey is not coincidental, as Ursula taught in Istanbul for many years.The initial texture of the piece - a kind of toccata with many repeated notes - is a purely musical homage to Ursula: she used this texture in some passages of her compositions. Besides that, this piece contains no direct quotation from Ursula's music.The work Hommage an Ursula is based on a series of 12 notes. The original version (Prime) and the inverted version (Inversed) alternate. From these 24 versions of the series, 24 sections result. I add a final section based on the original series ('Das Ende im Anfange'*); thus, there are 25 sections.To order the 5 motivic elements, I generate a Latin square. The 5 elements do not rotate, but, in each of the 5 main sections, the initial motive is always the same (A), and the order of the other four (BCDE) changes, permutating according to the following Latin square:A BCDEA CEBDA DBECA EDCBA BCDEThis work can then be considered as a derivation of the 'theme and variations' structure, with the peculiarity that there are five sub-themes that are rearranged in each of the variations.This piece lasts about 11 minutes. The premiere, performed by the composer (that is, by myself), took place on November 26, 2023, at the Konzertsaal of the Hochschule für Künste in Bremen, during the concert 'Gedenkkonzert Ursula Görsch und Harald Kruse', as part of the 73rd Hausmusikwoche, organized by the DTKV (German Association of Sound Artists) in cooperation with the ABK (Circle of Composers in Bremen).This is not an easy piece to listen to. It is absolutely consistent but perhaps monotonous. During the premiere, the yawns of someone in the audience prompted me to briefly interrupt the performance to inform them that the end was near. After the concert, one of the organizers suggested to me that the piece was too 'anstrengend' (demanding, exhausting). It is up to the gentle pianists to risk experiencing the same as me.* 'Das Ende im Anfange' reads the legend that can be read in the circle of tonalities reproduced by Johann Friedrich Michael Wiedeburg in his treatise Der sich selbst informirende Clavierspieler (Leipzig and Halle, 1765-1775, Verlag der Buchhandlung des Waisenhauses).Juan MarÃa SolareBremen, September & December 2023.
$4.00
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
