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Surfaces
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5 sheet music found
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Surfaces: Sunday Best - piano solo
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Piano solo
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BEGINNER
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Children
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Surfaces
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Virtualsheetmusic
Instantly printable sheet music by Surfaces for piano solo of VERY EASY skill level. / children,pop
Instantly printable sheet music by Surfaces for piano solo of VERY EASY skill level. / children,pop
$5.97
Surfaces: Sunday Best - piano solo
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Piano solo
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EASY
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Pop music
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Surfaces
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Virtualsheetmusic
Instantly printable sheet music by Surfaces for piano solo of EASY skill level. / pop,children
Instantly printable sheet music by Surfaces for piano solo of EASY skill level. / pop,children
$6.97
Sunday Best
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Piano solo
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INTERMEDIATE
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Contemporary
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Surfaces
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Anthony Williams
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Sunday Best
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Anthony Williams
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.915022 By Surfaces. By Colin Padalecki and Forrest Frank. Arranged by Anthony Williams. Contemporary. Sco...
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Piano Solo - Level 3 - Digital Download SKU: A0.915022 By Surfaces. By Colin Padalecki and Forrest Frank. Arranged by Anthony Williams. Contemporary. Score. 5 pages. Anthony Williams #5358925. Published by Anthony Williams (A0.915022). A fun, intermediate solo piano version of Surfaces' hit song Sunday Best. A great modern pop song to add to an intermediate pianists repertoire!
$4.99
De La Chica: Silencios Fatuos, Op. 16
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Piano solo
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Film/TV
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Julián De La Chica
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De La Chica: Silencios Fatuos,
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Vagabundo Music Publishing
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1178488 Composed by Julián De La Chica. Classical,Contemporary,Film/TV. Score. 25 pages. Vagabundo Music Publish...
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Piano Solo - Digital Download SKU: A0.1178488 Composed by Julián De La Chica. Classical,Contemporary,Film/TV. Score. 25 pages. Vagabundo Music Publishing #778453. Published by Vagabundo Music Publishing (A0.1178488). The current pianistic postminimalism draws heavily from Ambient music, this is how it tries to build surfaces. We hear it in popular figures such as Max Richter, Hania Arani, Olafur Arnalds or Nils Frahm. In the Silencios Fatuos (2021) by Colombian composer Julián De La Chica, this search seems to find threads that weave with the phosphorescent and radioactive shadows left by the twentieth century, and to which we return when listening to the flashes of sonorities that refer us to Ryuichi Sakamoto or David Sylvian. In previous productions, such as the  Preludes Op. 8, and his Voyeuristic Images Op. 10, De La Chica's pianism shows a constant exploration and research. The composer-pianist urges within the parameters of the new simplicity, challenging himself in a kind of minimal eroticism. In Silencios fatuos the artist gradually sheds his skins, confronting the very fatuity of postminimalism. And in this way, he seems to sprout abstaining from any violent rebellion, in a kind of superfluity, allowing the passage of time, building surfaces with curved lines that twist on themselves without noise, without groans, contemplating the absurd with an unsettling serenity.— Susan Campos-Fonseca, PhDMusicologist & composer
$45.00
On the keys (Inmanencia III)
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Piano solo
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INTERMEDIATE/ADVANCED
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Francisco MartÃn-Quintero
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On the keys
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Francisco MartÃn-Quintero
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1031907 Composed by Francisco MartÃn-Quintero. Contemporary,Instructional,Standards. Score. 27 pages. ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1031907 Composed by Francisco MartÃn-Quintero. Contemporary,Instructional,Standards. Score. 27 pages. Francisco MartÃn-Quintero #3685863. Published by Francisco MartÃn-Quintero (A0.1031907). ON THE KEYS (INMANENCIA III) Chords that tremble because their notes trill, tremble, move fast to not perish, complex arpeggios rising and falling as sound blasts, brief but wide melodies, just three or four notes, dissonant, quasi solemn, apparent scales ascending, descend, without getting anywhere, textures at last with a static vocation, looking for its instant, its present... Every texture wants to stay. The horizontal occurs only because time passes, not because the sound aspires to happen, it seeks its moment by recreating itself, renouncing what will come for what it is, the transcendent for the immanent ... On the Keys occurs from the instrument's keyboard. That title, a frequent indication in the current scores to return to the interpretation on the keyboard, is my way of protesting the over-exploitation of the interpretation of the harp and other surfaces of the piano, my way of being bold in this 21st century. The work is dedicated to the italian maestro Cosimo Colazzo.
$15.00
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