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Piano solo
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8 sheet music found
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1
Scenes from Literature: The Infernal Whirlwind
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Piano solo
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ADVANCED
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Christian Robert Hendricks
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Scenes from Literature: The In
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C.R. Hendricks
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1028659 Composed by Christian Robert Hendricks. 20th Century,Concert,Contemporary. Score. 14 pages. C.R. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1028659 Composed by Christian Robert Hendricks. 20th Century,Concert,Contemporary. Score. 14 pages. C.R. Hendricks #3664869. Published by C.R. Hendricks (A0.1028659). The first in a series of solo piano works inspired by scenes from literature, The Infernal Whirlwind is both a representation of and reaction to Canto V in Dante's Inferno. Dante and his guide Virgil enter the second level of Hell, where the souls of people who gave into lust are condemned. At first Dante hears but a faint sound of commotion, but upon fully entering the level he encounters a massive tempest of souls being buffeted about. He recognizes some famous figures here and there. Eventually, his attention is drawn to two figures, the primary one being Francesca da Rimini. She tells of how, after reading of Sir Lancelot, she and her brother-in-law allowed themselves to love each other. Dante, deeply moved by the pathos of Francesca's story and disturbed by the continuous whirlwind, faints.Composers such as Rachmaninov and Tchaikovsky have been inspired by Francesca da Rimini specifically, but The Infernal Whirlwind is more concerned with what the whirlwind itself represents: the control lust and desire held on these souls, both while living and in the afterlife. The central theme is a twelve-tone row, but the work is not truly serialist in construction or conception: It rather represents the winding, ranging, unsettled nature of passion itself, and of the whirlwind.The piece lasts about 5 minutes, and is for an advanced player. In the beginning it requires use of all three pedals (una corda, sostenuto, sustain). Perhaps the main influence is Liszt, and one could find useful a Lisztian approach to performance. .
$8.95
Childhood Scenes: Christmas
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Piano solo
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INTERMEDIATE/ADVANCED
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Christmas
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Dalva R
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Childhood Scenes: Christmas
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Dalva Regina Ribeiro Barbosa
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1142434 Composed by Dalva R. R. Barbosa. Christmas,Classical,Film/TV. Score. 6 pages. Dalva Regina Ribeir...
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Piano Solo - Level 4 - Digital Download SKU: A0.1142434 Composed by Dalva R. R. Barbosa. Christmas,Classical,Film/TV. Score. 6 pages. Dalva Regina Ribeiro Barbosa #742808. Published by Dalva Regina Ribeiro Barbosa (A0.1142434). This solo piano piece was composed in 2011. It has recently undergone a little review. The piece is a three-part rondó: Part one: In A flat. It presents the fun of preparing the food that will be served and decorating the tree from the point of view of children. There are two small episodes in there, the first being more festive as a dance and the second sweeter almost cantabile. Part two: In f minor. Here we have the point of view of an adult immersing in their childhood imaginary. Although this adult may be surrounded by children, grandchildren, and aggregates, in this moment of abstraction, they feel lonely, longing for memories. A more melodic theme is presented twice, but there is a filling with little tension marked by internal conflict. Part three: Return to the themes in A flat (part 1) showing the moment of delivery of gifts and family moments.
$3.00
Three Nature Scenes
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Piano solo
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INTERMEDIATE/ADVANCED
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Elizabeth Borowsky
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Three Nature Scenes
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Piano Prodigies
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1215863 Composed by Elizabeth Borowsky. 20th Century,Classical,Contemporary. Score. 7 pages. Piano Prodig...
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Piano Solo - Level 4 - Digital Download SKU: A0.1215863 Composed by Elizabeth Borowsky. 20th Century,Classical,Contemporary. Score. 7 pages. Piano Prodigies #812556. Published by Piano Prodigies (A0.1215863). When we arrive at a scenic viewpoint and look at the extensive landscape from afar, the natural world seems peaceful and perhaps even simple. But the closer we look the more we see: complex systems of flora and fauna, delicate balances of predator and prey, and the drama of animals fighting to survive. This set of modern miniatures might seem abstract but when you put a story to the music, it comes alive and ignites the imagination!
$7.00
Sonata Hymnica No. 5
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Piano solo
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INTERMEDIATE
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James Siddons
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Sonata Hymnica No. 5
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.972672 Composed by James Siddons. Christian,Concert,Contemporary,Easter. Score. 17 pages. James Siddons M...
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Piano Solo - Level 3 - Digital Download SKU: A0.972672 Composed by James Siddons. Christian,Concert,Contemporary,Easter. Score. 17 pages. James Siddons Music and Writings #6671707. Published by James Siddons Music and Writings (A0.972672). Sonata Hymnica No. 5 has the subtitle Scenes of Calvary. Landscape paintings and printed illustrations of the Cross of Calvary were ubiquitous in Christian literature in the late 19th century, so it not surprising that allusions to such art are found in the texts of hymns. The three hymns heard in Sonata Hymnica No. 5 all evoke some sense of seeing, in a spiritual way, the scene of the Crucifixion. Sonata Hymnica No. 5 opens with a sturdy and rugged statement of When I Survey the Wond’rous Cross, written by Isaac Watts in 1707. This poem continues: On which the Prince of Glory dy’d, . . . See from His Head, his Hands, his Feet, Sorrow and Love flow mingled down! In the United States, music educator Lowell Mason (1792-1872) composed a tune in 1824 for singing Watts’ hymn. Named HAMBURG tune, it was an adapted form of some Gregorian chant in Church Mode I. This combination of poem and tune became very popular; so much so, that by the 1880s, elaborations of it appeared in print. The most enduring is the pairing of Watts’ poem and Mason’s tune with a simple camp meeting song, At the Cross, to be a refrain. It has the phrases, At the cross, where I first saw the light . . . It was there by faith I received my sight. The centerpiece of Sonata Hymnica No. 5 is the tune TOPLADY, the usual tune for singing Rock of Ages. This tune was composed in 1830 by Thomas Hastings (1784-1872), an associate of Lowell Mason in New York. He wrote hymns and hymn tunes, published hymnals, and worked tirelessly to elevate choral singing in churches. Hastings indicated that he intended his tune for singing Rock of Ages by naming it after the author of the hymn-poem, the English pastor Augustus Toplady (1740-1778). The Rev. A. B. Grosart wrote in a memorial that Toplady was no poet or inspired singer, but an impulsive, rash-spoken, reckless preacher who could nonetheless picture vanishing gleams of imaginative light in his hymnic verses. A better impression was gained by poet A. C. Benson (1862-1925), who, upon hearing Rock of Ages sung at William Gladstone’s funeral at Westminster Abbey in 1898 --- a rare State funeral attended by several members of the British Royal family --- wrote, To have written such words which should come home to people in moments of high, deep, and passionate emotion . . . there can hardly be anything worth doing better than that. This high compliment came from the poet who, a few years later, would write the words of Elgar’s Coronation Ode for King Edward VII and Queen Alexandra. A camp meeting song, a rash-spoken English pastor, two American music educators, a State funeral at Westminster Abbey --- such is the wide world of influence and inspiration of these three Scenes of Calvary.
$9.50
New York Story
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Piano solo
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ADVANCED
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Contemporary
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Jazz
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Maiko Mori
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New York Story
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Maiko Sebata
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.910899 Composed by Maiko Mori. Contemporary,Jazz. Score. 15 pages. Maiko Sebata #5892697. Published by Ma...
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Piano Solo - Level 5 - Digital Download SKU: A0.910899 Composed by Maiko Mori. Contemporary,Jazz. Score. 15 pages. Maiko Sebata #5892697. Published by Maiko Sebata (A0.910899). New York Story is a set of three pieces in jazz style, written in 1992. Each one depicting three different scenes from New York City.In terms of student ability, it is of advanced level.
$9.99
Toccata for piano solo
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Piano solo
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ADVANCED
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Panagiotis Theodossiou
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Toccata for piano solo
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Panagiotis Theodossiou
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.886668 Composed by Panagiotis Theodossiou. Concert,Contemporary,Graduation,Standards. Score. 7 pages. Pan...
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Piano Solo - Level 5 - Digital Download SKU: A0.886668 Composed by Panagiotis Theodossiou. Concert,Contemporary,Graduation,Standards. Score. 7 pages. Panagiotis Theodossiou #3068297. Published by Panagiotis Theodossiou (A0.886668). Toccata for piano solo (2010) is an excerpt by composer's three part piano solo suite Scenes from Ancient Greece (2010).Pyrrihios is an ancient Greek war dance originated from Pontos.Premier in Faculty Recital at Philips Autograph Library of West Chester University of Pennsylvania in 2010 by Konstantinos Papadakis to whom is dedicated.https://www.youtube.com/watch?v=5t_kWkL8dOU
$10.00
Lares: Dança de roda Casal à luz da Lua Quixote, o boneco aventureiro
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Filipe Bernardo
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Lares: Dança de roda Casal Ã
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Filipe Bernardo
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1143765 By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 12 pages. Filipe Bernardo #744083. Publ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1143765 By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 12 pages. Filipe Bernardo #744083. Published by Filipe Bernardo (A0.1143765). Lares is a brief suite of three pieces that present scenes common in Brazilian homes: 1.Dança de roda (Circle dance) 2.Casal àluz da Lua (Couple in the moonlight) 3.Quixote, o boneco aventureiro (Quixote, the adventurous doll).The scores are elegantly and accurately typed. The notation, from the positioning of the notes, passing through the direction of the stems, and reaching legatos that do not cross staves and barlines, seeks to be clear and intuitive. The form is evidenced by the bar numbering placed at the beginning of the main phrases. And the use of double barlines is restricted to section changes, not tonal changes, as in older notations. Dynamics are not structuring and therefore are not prefixed.
$5.00
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