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9 sheet music found
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1
Toccata In B Flat Minor For Piano
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Piano solo
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ADVANCED
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Thomas R
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Toccata In B Flat Minor For Pi
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Thomas R. Schadl
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.912497 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 9 pages. Thomas...
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Piano Solo - Level 5 - Digital Download SKU: A0.912497 Composed by Thomas R. Schadl. Concert,Contemporary,Instructional,Standards. Score. 9 pages. Thomas R. Schadl #3916053. Published by Thomas R. Schadl (A0.912497). Toccata In B Flat Minor, by Thomas R. Schadl, explores rhythmic energy and lyricism. The exposition (bars 1-18) consists of the static rhythm, where the the first beat is accented. The melodic part of the exposition is lyrical and has syncopation that provide contrast to the driving rhythm. The transition exists from bar 19 to 56, but unlike the traditional sonata form where the transition moves on to the second theme in the exposition, the main theme re-appears briefly from bar 57 to 64 and then it moves on to the second theme (bars 65-100). Sonata form includes the development section that involves the working of a theme or themes that were stated in the exposition, but this work does not have a development part; so in its place is the transition that spans from bar 101 to 114, leading to the recapitulation (restatement of the first theme in the exposition). Following the restatement, the second theme comes in at bars 133 to 140 and is restated at bars 157 to 176; transition is inserted at bars 141 to 156. As the piece progresses toward the end, the fragmented portion of the second theme repeats with diminishing sound intensity, followed by a brief transition stated in the first few bars after measure 19. The piece ends with a loud B Flat, after a one bar rest. Anyone planning to analyse this composition will come to realize that since the development section does not exist, one may conclude that the work is composed in a modified sonata form. Toccata In B Flat Minor requires steady rhythmic sense, quick left-hand jump between bass notes to eighth-note passages in the second theme, and a good sense of rhythm when executing four eighth notes against triplets. Slow practice speed is advised in order to master the technical challenges. The piece is suitable for education and concert purposes, and may be performed in silent movies or stage shows.
$9.99
Toccata occitane for Piano
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Piano solo
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INTERMEDIATE/ADVANCED
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Hans-Andre Stamm
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Toccata occitane for Piano
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Hans-Andre Stamm
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.853167 Composed by Hans-Andre Stamm. 20th Century,Celtic. Score. 8 pages. Hans-Andre Stamm #3499543. Publ...
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Piano Solo - Level 4 - Digital Download SKU: A0.853167 Composed by Hans-Andre Stamm. 20th Century,Celtic. Score. 8 pages. Hans-Andre Stamm #3499543. Published by Hans-Andre Stamm (A0.853167). The piece mainly consists of two elements, a repeated theme with a simple motif in 7/8 metre which lead to the title toccata and flowing passages in wide arpeggios suggesting a musical landscape. Those two themes alternate and a crescendo and accelerando leads to a final climax.Duration: ca 3.12 min. Listen on Youtube: www.youtube.com/watch?v=oxb74qi3qjc
$5.95
Variations and Toccata on a Theme by Paganini
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Piano solo
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ADVANCED
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James Sclater
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Variations and Toccata on a Th
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James S Sclater
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.961287 Composed by James Sclater. 20th Century,Concert,Contemporary. Score. 47 pages. James S Sclater #59...
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Piano Solo - Level 5 - Digital Download SKU: A0.961287 Composed by James Sclater. 20th Century,Concert,Contemporary. Score. 47 pages. James S Sclater #5999665. Published by James S Sclater (A0.961287). This is a big, virtuosic set of variations for an adventurous pianist. Duration is ca. 26 - 27 minutes. This work presents lots of opportunity to show a variety of emotions - jovial, sensitive, muscular, forceful, angry. etc. This is a challenge for the pianist and a treat for the listener. Written for Angela Willoughby, it was commissioned by the Mississippi Music Teachers Association and was a winner of the 2003 Music Prize from the Mississippi Institute of Arts and Letters. Smaller groups of selected variations have been successfully used as recital material in instances where the complete set might prove too long.
$15.00
Hommage an Ursula [piano solo]
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Piano solo
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ADVANCED
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Juan MarÃa Solare
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thus, there are 25 sections
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Hommage an Ursula [piano solo]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festiv...
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Piano Solo - Level 5 - Digital Download SKU: A0.1335536 Composed by Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pages. Juan Maria Solare #921371. Published by Juan Maria Solare (A0.1335536). Hommage to Ursula is a piano piece in memory of Ursula Görsch (1932-2023). The piece is based on the six sounding letters of her last name (GERSCH, where the O is omitted, the R represents RE - the D note in Spanish, Italian, or Turkish - and the S represents the E flat, 'Es' in German), as well as on the remaining six notes of the total chromatic scale (C#, F, F#, Ab, A, B). Both Pitch Class Sets are identical from an intervallic perspective - transposed by a tritone. Such coincidences confirm to me that I am on the right path, at least musically.The reference to Turkey is not coincidental, as Ursula taught in Istanbul for many years.The initial texture of the piece - a kind of toccata with many repeated notes - is a purely musical homage to Ursula: she used this texture in some passages of her compositions. Besides that, this piece contains no direct quotation from Ursula's music.The work Hommage an Ursula is based on a series of 12 notes. The original version (Prime) and the inverted version (Inversed) alternate. From these 24 versions of the series, 24 sections result. I add a final section based on the original series ('Das Ende im Anfange'*); thus, there are 25 sections.To order the 5 motivic elements, I generate a Latin square. The 5 elements do not rotate, but, in each of the 5 main sections, the initial motive is always the same (A), and the order of the other four (BCDE) changes, permutating according to the following Latin square:A BCDEA CEBDA DBECA EDCBA BCDEThis work can then be considered as a derivation of the 'theme and variations' structure, with the peculiarity that there are five sub-themes that are rearranged in each of the variations.This piece lasts about 11 minutes. The premiere, performed by the composer (that is, by myself), took place on November 26, 2023, at the Konzertsaal of the Hochschule für Künste in Bremen, during the concert 'Gedenkkonzert Ursula Görsch und Harald Kruse', as part of the 73rd Hausmusikwoche, organized by the DTKV (German Association of Sound Artists) in cooperation with the ABK (Circle of Composers in Bremen).This is not an easy piece to listen to. It is absolutely consistent but perhaps monotonous. During the premiere, the yawns of someone in the audience prompted me to briefly interrupt the performance to inform them that the end was near. After the concert, one of the organizers suggested to me that the piece was too 'anstrengend' (demanding, exhausting). It is up to the gentle pianists to risk experiencing the same as me.* 'Das Ende im Anfange' reads the legend that can be read in the circle of tonalities reproduced by Johann Friedrich Michael Wiedeburg in his treatise Der sich selbst informirende Clavierspieler (Leipzig and Halle, 1765-1775, Verlag der Buchhandlung des Waisenhauses).Juan MarÃa SolareBremen, September & December 2023.
$4.00
Suite for Piano
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Piano solo
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ADVANCED
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Contemporary
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Francis Kayali
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Suite for Piano
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Francis Kayali
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #57...
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Piano Solo - Level 5 - Digital Download SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published by Francis Kayali (A0.973026). Composed between January and March 2003, the Suite for Piano was written for a recital by pianist Qi Liu (1976-2017), at Stony Brook University, in March of 2003.The opening of the first movement evokes bells, not unlike those in Rachmaninoff’s RusÂsian Easter (the finale of his First Suite for Two Pianos). This is contrasted with a short and murky rising gesture. The middle section incorporates pianistic patterns (some reminiscent of Debussy), a yearning IbeÂrian melody, and a barely-recognizÂable snippet of Chopin used for a climax. The murky gesture eventually returns, introducing a triumphant stateÂment of the opening bells.Early on, I had decided the piece should include references to the other pieces on the reÂcital’s program: Beethoven’s Piano Sonata No. 18 (op. 31, No. 3) and Brahms’s F minor SoÂnata (op. 5). As soon as I had word from Qi that she was going to play the Beethoven, I immediÂately wanted to hear it. I wasn’t familiar with the piece, and since I didn’t have a score or a reÂcording of it at home, I decided to download it in MIDI format from the internet. Unbeknownst to me, the computer’s rendition transformed the lively secÂond movement scherzo into a slow-moving hymn which reminded me of the Ode to Joy. I was quite surÂprised the next mornÂing when I went to the muÂsic library and listened to a reÂcording played by a human. Nonetheless, I was drawn to the melody, and I found the slow effect interesting, so I deÂcided to base my middle movement (the slow movement) around the theme of BeethoÂven’s scherzo, making it the hidÂden theme for a short set of variations. The end of the movement also contains less direct referÂences to the music of Brahms (very short alluÂsions to the Sonata and to the Variations on a Theme by Haydn).The last movement explores fast and light fingerwork, in a sort of toccata or capriccio, proÂviding a flashy ending to the piece. As in the first movement, the form is A-B-A. Before the return of the first section, a little dance evokes the opening of the piece. (The murky gesture from the first movement also finds its way into this last movement).Each of the three movements experiments at one point with using the sustain pedal in order to create a wash of sound. This effect is used most prominently in the second movement.Movement I: https://www.youtube.com/watch?v=n-NKcs076UIMovement II: https://www.youtube.com/watch?v=XSxkOcdlpiYMovement III: https://www.youtube.com/watch?v=CntmWYdOA9Y
$12.00
Seven Sketches
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Piano solo
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INTERMEDIATE
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Robert A
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Seven Sketches
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Robert A. Howard
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1089752 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional....
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Piano Solo - Level 3 - Digital Download SKU: A0.1089752 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 21 pages. Robert A. Howard #693959. Published by Robert A. Howard (A0.1089752). This is the complete set of Sketches I-VII, that each elaborate upon ideas previously left dormant in sketch form. The first piece has a slow introductory feel, with a rising added-note chord sequence alongside a descending bass line, in crescendo. The second piece is based on a 7-bar ground bass (rising a minor third each time), that features considerable textural variation on each cycle, and culminates in a 3-part canon. The third piece explores the whole range of the piano in varied statements of a 10-bar semiquaver toccata theme, featuring canons and a superimposed scotch-snap theme. The fourth piece is cumulative, in four sections, and gradually descends in pitch by alternating hands in a minimalist build up of motifs, each followed by a chordal refrain. The fifth piece gradually builds up a right hand melody over various syncopated harmonies and appoggiaturas, before inverting the role of the hands. The sixth piece is a simple cycle of ascending repetitions of a 10-bar added-note chord sequence, with octave bass line, that rise by a perfect fifth each time. The seventh piece is a varied repetition of the opening movement (thus framing the cycle), with the initial chord sequence now arpeggiated, and with a fuller texture. The cycle is highly accessible and is appropriate for most standards of pianist, including students and more advanced players. Individual pieces from this Sketch cycle are also available separately, via Sheet Music Plus. Duration: 18 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$11.99
Piano Suite #3 (Gothic)
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Piano solo
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ADVANCED
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Contemporary
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James Domine
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Piano Suite #3
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Earth Music, Ltd.
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.976509 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 53 pages. Earth Music, Ltd. #2...
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Piano Solo - Level 5 - Digital Download SKU: A0.976509 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 53 pages. Earth Music, Ltd. #2081771. Published by Earth Music, Ltd. (A0.976509). Composed in 2011 from earlier sketches, the Piano Suite #3 (Gothic) is comprised of three movements: Toccata, Passacaglia & Thema Fugatum that reflect a Baroque concept of form and performance practice combined with a modern sense of tonality and harmonic language. All three movements are based on a single enigmatically chromatic theme that is loosely centered on the tonality of B minor. This single theme is used in various permutations throughout the suite and has a gravitas reminiscent of Gothic architecture.
$14.99
Apex of Aspiration, Op. 20
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Piano solo
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ADVANCED
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Contemporary
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Randy Kim
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Apex of Aspiration, Op. 20
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Randy Kim
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1031485 Composed by Randy Kim. Contemporary. Score. 13 pages. Randy Kim #3550425. Published by Randy Kim ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1031485 Composed by Randy Kim. Contemporary. Score. 13 pages. Randy Kim #3550425. Published by Randy Kim (A0.1031485). An original composition, this difficult toccata goes beyond just mere show; it expresses outspoken passion and vibrancy while training the performer with quick jumps, polyrhythms, and dynamic shaping. Beginning in a light and quick G Major key and ending in a triumphant and impactful Eb Major, the piece transitions themes from perpetual motion to watery ripples to finally an outspoken and ferocious intensity. This rhapsodic toccata is not for the faint of heart but is very rewarding in its execution of expression. Composed on May 6, 2018.
$3.99
Due Valzer Lenti (Two slow Valzer)
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Piano solo
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EASY
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Contemporary
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Aldo Finzi
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Due Valzer Lenti
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Preludio s.r.l.
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.808934 Composed by Aldo Finzi. 20th Century. Score. 16 pages. Preludio s.r.l. #5213937. Published by Prel...
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Piano Solo - Level 2 - Digital Download SKU: A0.808934 Composed by Aldo Finzi. 20th Century. Score. 16 pages. Preludio s.r.l. #5213937. Published by Preludio s.r.l. (A0.808934). Aldo Finzi's Due valzer lenti for piano that have been performed in a world première by Simonetta Heger in Vico Equense (near Naples) on October 2001 were written, together with the lyric Catharine and another piano piece Tempo di fox-trot, when the composer was hoping to move shortly to the United States. Unfortunately, this never happened although Finzi already had a contract with a music school in Chicago. In both waltzes a short introduction precedes the dance theme and the pleasant piano style, certainly nearer to the Pavana's noble simplicity than to the complex writing of the Toccata, vaguely suggests thoughts of George Gershwin.
$12.99
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