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4 sheet music found
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1
Invention No. 1 in A minor for two voices
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Piano solo
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INTERMEDIATE
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Robert W
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Invention No. 1 in A minor for
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Padgett Music Llc
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1140562 Composed by Robert W. Padgett. Baroque,Classical,Contest,Early Music,Festival. Score. 2 pages. Pa...
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Piano Solo - Level 3 - Digital Download SKU: A0.1140562 Composed by Robert W. Padgett. Baroque,Classical,Contest,Early Music,Festival. Score. 2 pages. Padgett Music Llc #740799. Published by Padgett Music Llc (A0.1140562). This two-part invention was composed by Robert W. Padgett in 1990 as a private exercise in invertible counterpoint. The upper voice announces the motive in the tonic key of A minor that quickly overlaps itself at the octave as a brief stretto. An episode consisting of a modulation sequence arrives at a half cadence in bar 4 in E major. The motive is then inverted in bar 5 by the upper voice followed by a partial restatement of the original motive by the lower voice in bar 6. This interplay between the motive’s inversion and its original form continues through bar 10 before a new episode modulates sequentially to a cadence in bar 13 with a statement by the lower voice of the original motive in the relative key of C major. An inversion of the original episodic sequence from bar 2 follows with slight alterations that cycle through a series of contrasting keys. A second interplay begins in bar 17 between the motive’s inversion in the lower voice followed by its partial restatement in the upper voice. The exchange of motive and countermotive by the upper and lower voices is an example of invertible counterpoint. In bar 27, an extended version of the motive begins in F minor before morphing back into A minor with the same modulation formula from bar 2 that redirects to a perfect cadence in the tonic key with a final Picardi third in A major.
$2.00
Invention No. 2 in D minor for three voices
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Piano solo
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INTERMEDIATE
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Robert W
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Invention No. 2 in D minor for
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Padgett Music Llc
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1141383 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional,Traditional. Scor...
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Piano Solo - Level 3 - Digital Download SKU: A0.1141383 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional,Traditional. Score. 3 pages. Padgett Music Llc #741707. Published by Padgett Music Llc (A0.1141383). This three-part Invention No. 2 in D minor was composed in the summer of 1991. I shared it with my modal and tonal counterpoint instructor, Professor Richard Wilson, and he responded favorably to my venturesome modulations and use of the Neapolitan chord. Similar to my first invention in A minor, the motive is announced by the upper voice before it is restated an octave lower by the lower voice in bar 2 to form a stretto. In bar 3, the middle voice states the motive in the dominant key of A minor with the lower and upper voices playing the first and second countermotives respectively. An episode ensues and arrives at a half cadence in bar 8. The opening fragment of the motive is exploited in conjunction with a pedal tone and a variant of the second countermotive to navigate through a series of contrasting keys. At bar 14, the motive is reasserted in F-sharp minor layered over itself in stretto with a C-sharp pedal tone in bar 15. The voices from the episode in bars 5-8 are reshuffled in bars 18-21 as another exercise in invertible counterpoint. In measure 16, the motive and two countermotives are reprised in C-sharp minor, a half step below the tonic key. Starting in bar 18, the episode from bars 6-8 is reprised in F-sharp minor with the first and second countermotives exchanging positions. This is followed in bars 16-27 by a varied restatement of the episodic sequence from bars 8-17 that cadences in bar 27 before a restatement of the subject in bar 28 in G minor with slightly embellished countermotives. Bars 32-35 present a restatement of the episode from bars 5-8 with the motive relocated to the lower voice and the two countermotives in intimate proximity in the two upper voices. An unexpected descending scale in a series of compound harmonic 10ths forms an inversion of the second half of the motive and sets the stage for a perfect cadence to a Picardy Third in D major. After so many years, I remain especially pleased with the effect of that ending.
$3.99
Invention No. 3 in C minor for two voices
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Piano solo
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INTERMEDIATE
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Robert W
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Invention No. 3 in C minor for
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Padgett Music Llc
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1141386 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional. Score. 2 pages. ...
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Piano Solo - Level 3 - Digital Download SKU: A0.1141386 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional. Score. 2 pages. Padgett Music Llc #741710. Published by Padgett Music Llc (A0.1141386). I composed my Invention No. 3 in C minor for two voices during the Spring of 2012. The motive is intriguing as the first twelve notes are immediately followed by their inversion after a drop of a seventh to form a contrapuntal palindrome. This inversion is followed by an octave leap upwards to D that circles back to the starting note C. In bar 3, the lower voice introduces the motive a fourth lower at the dominant as the upper voice states the countermotive which concludes in bar 4 with an augmented tonal version of the descending scale run from the original motive. The ensuing episode in bars 5-8 is constructed from fragments of the motive in the upper voice accompanied by an embellished form of the countermotive in the lower voice. A series of ascending broken thirds accompanied by a rising scale run cadences in the tonic key of C minor in bar 10 before abruptly redirecting to G minor in bar 11. At this juncture, the motive and countermotive are restated in their inversions. The episodic sequence from bars 5-9 is also stated in an inverted form in bars 13-17. In bar 18, the motive is stated by the upper voice in G minor with the countermotive now in the lower voice. This formula is repeated a whole step lower in F minor in bars 20-21 followed by the modulation sequence from bars 5-8 reprised with the voices exchanging places. In bar 27, a cadence in F minor redirects back to C major in bar 28 followed by a modulation sequence culminating in C minor in bar 30 that cadences to a final Picardy Third in bar 32.
$3.99
Lo, How a Rose E'er Blooming (from Winterludes)
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Piano solo
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INTERMEDIATE/ADVANCED
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Kevin Robison
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Lo, How a Rose E'er Blooming
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Kevin Robison Music
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.891566 Arranged by Kevin Robison. Christmas,Jazz,New Age,Pop. Score. 6 pages. Kevin Robison Music #595577...
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Piano Solo - Level 4 - Digital Download SKU: A0.891566 Arranged by Kevin Robison. Christmas,Jazz,New Age,Pop. Score. 6 pages. Kevin Robison Music #5955779. Published by Kevin Robison Music (A0.891566). From choral arranger Kevin Robison (Silver Bells, Not My Father's Son, Coffee in a Cardboard Cup) comes Winterludes, an innovative collection of holiday favorites for piano that you're sure to love. Progressive harmonies blend with elements of Broadway and new age in this contemporary arrangement of Lo, How a Rose E'er Blooming. The left hand alternates between tonic bass tones and parts of the melody in this challenging and rewarding treatment of the beloved Christmas tune. Perfect for holiday recitals, church services and cocktail piano gigs. A must-have for the professional and student pianist. Look for the new recording by Kevin Robison, just in time for the holidays. More information at kevinrobisonmusic.com
$2.99
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