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Movin
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77
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45
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Movin
Tenor voice, Piano
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5 sheet music found
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1
9. Death be not proud from The Holy Sonnets of John Donne (Downloadable)
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Tenor voice, Piano
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Juliana Hall
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9. Death be not proud from The
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice and piano - Medium - Digital Download SKU: MQ.8578-9E Composed by Juliana Hall. 9 pages. E. C. Schirmer Music Company - Digital #8578-9E. Pub...
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Tenor voice and piano - Medium - Digital Download SKU: MQ.8578-9E Composed by Juliana Hall. 9 pages. E. C. Schirmer Music Company - Digital #8578-9E. Published by E. C. Schirmer Music Company - Digital (MQ.8578-9E). English.A setting of the same nine sonnets set by Benjamin Britten in his cycle of the same name, providing an alternative view of Donne’s deeply moving and thought-provoking texts on the nature of our beings, and on our relationships with those in our lives and with God.Contents:1. Oh my blacke Soule! 2. Batter my heart 3. O might those sighes and teares 4. Oh, to vex me 5. What if this present 6. Since she whom I lov’d 7. At the round earths imagin’d corners8. Thou hast made me 9. Death be not proud.
$3.50
4. Oh, to vex me from The Holy Sonnets of John Donne (Downloadable)
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Tenor voice, Piano
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Juliana Hall
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4. Oh, to vex me from The Holy
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice and piano - Medium - Digital Download SKU: MQ.8578-4E Composed by Juliana Hall. 10 pages. E. C. Schirmer Music Company - Digital #8578-4E. Pu...
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Tenor voice and piano - Medium - Digital Download SKU: MQ.8578-4E Composed by Juliana Hall. 10 pages. E. C. Schirmer Music Company - Digital #8578-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8578-4E). English.A setting of the same nine sonnets set by Benjamin Britten in his cycle of the same name, providing an alternative view of Donne’s deeply moving and thought-provoking texts on the nature of our beings, and on our relationships with those in our lives and with God.Contents:1. Oh my blacke Soule! 2. Batter my heart 3. O might those sighes and teares 4. Oh, to vex me 5. What if this present 6. Since she whom I lov’d 7. At the round earths imagin’d corners8. Thou hast made me 9. Death be not proud.
$4.00
LOOK DOWN, LORD
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Tenor voice, Piano
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EASY
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PAUL LUTHER VINES
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PAUL LUTHER VINES
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LOOK DOWN, LORD
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PAUL Luther VINES
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1169788 By PAUL LUTHER VINES. By PAUL LUTHER VINES. Arranged by PAUL LUTHER VINES. Blues,Chri...
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Tenor Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.1169788 By PAUL LUTHER VINES. By PAUL LUTHER VINES. Arranged by PAUL LUTHER VINES. Blues,Christian,Country,Folk,Religious. 1 pages. PAUL Luther VINES #770152. Published by PAUL Luther VINES (A0.1169788). I wrote this song after moving from home on the farm to a lonely, low cost studio apartment in downtown Seattle where I aspired to be an artist.
$3.00
Watch Me Fly
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Tenor voice, Piano
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INTERMEDIATE/ADVANCED
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Adavion Wayne
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Watch Me Fly
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The WayneCreative Group, LLC
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.977476 Composed by Adavion Wayne. Broadway,Musical/Show,Pop. 6 pages. The WayneCreative Group...
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Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.977476 Composed by Adavion Wayne. Broadway,Musical/Show,Pop. 6 pages. The WayneCreative Group, LLC #4323161. Published by The WayneCreative Group, LLC (A0.977476). ABOUT THE SONGRANGE: D3 - A4From the musical Feels, Thrills, & Trainwrecks, Watch Me Fly showcases the unique and fluid songwriting style of Adavion Wayne, a fresh sound to the musical theater landscape. This song challenges the listener to enjoy the musical ride as a dreamer's ambitions are interpreted with a moving melodic line and lush accompaniment. The musical Feels, Thrills, & Trainwrecks was premiered in Houston, TX in 2019.ABOUT THE COMPOSERAdavion Wayne is a Louisiana native and currently resides in Houston, Texas. He has been a songwriter for more than 15 years with titles that span the Classical, Musical Theater, and Gospel/Christian music genres. He is a former public school music educator and currently is a music instructor at the Humphrey's School of Musical Theater, the professional training academy of Theater Under The Stars, one of the most renowned musical theater companies in the country.
$2.99
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
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Tenor voice, Piano
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ADVANCED
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Contemporary
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Henry
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126...
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
$65.95
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