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2,220
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Piano solo
3,732
Easy Piano
1,477
Piano, Voice
1,344
Piano, Vocal and Guitar
1,056
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164
Piano Trio: piano, violin, cello
88
1 Piano, 4 hands
80
Piano Accompaniment
48
C Instruments
46
Big Note Piano
40
2 Pianos, 4 hands
25
Organ
24
Harpsichord
16
Piano Quartet: piano, violin, viola, cello
9
Piano Quartet: piano, 2 violins, cello
7
Piano Quintet: piano, 2 violins, viola, cello
7
Accordion
5
Organ, Piano (duet)
5
Organ, Trumpet (duet)
2
1 Piano, 6 hands
2
2 Pianos, 8 hands
1
Fake Book
1
+ 17 instrumentations
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129
Guitar
22
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17
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14
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5
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Guitar (band part)
2
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1
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1
4 Guitars (Quartet)
1
Dulcimer
1
+ 7 instrumentations
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681
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312
Choral 2-part
171
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90
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63
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62
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57
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45
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20
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20
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16
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16
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10
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10
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5
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5
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4
Choral SSAB, Piano
4
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2
Soprano voice
2
Voice solo
1
Choral SSATB
1
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1
+ 18 instrumentations
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320
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256
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88
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75
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39
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35
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33
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18
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14
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13
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13
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9
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9
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7
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7
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7
Alto Saxophone
6
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6
Flute, Clarinet, Piano (trio)
5
Flute (band part)
5
2 Oboes (duet)
5
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5
3 Saxophones (trio)
5
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5
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4
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4
5 Recorders
3
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3
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3
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3
Saxophone ensemble
3
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3
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Recorder
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2
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2
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2
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
Oboe
1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
Pennywhistle
1
Bass Clarinet
1
Treble (Alto) Recorder
1
Clarinet, Organ
1
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254
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184
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100
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82
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36
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23
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22
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19
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16
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16
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15
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14
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12
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10
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4
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4
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3
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3
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3
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1
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1
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1
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1
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391
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72
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13
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1
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1
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Mark Piano
Tenor voice
Sheetmusic to print
2 sheet music found
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1
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
#
Tenor voice
#
ADVANCED
#
Gregory Sullivan Isaacs
#
Gregory Sullivan Isaacs: Songs
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik...
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
Back To Black
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Tenor voice
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INTERMEDIATE/ADVANCED
#
Film/TV
#
Amy Winehouse
#
Takumi Motokawa and Takumi Mot
#
Back To Black
#
Takumi Motokawa
#
SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.904787 By Amy Winehouse. By Amy Winehouse and Mark Ronson. Arranged by Takumi Motokawa and Ta...
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Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.904787 By Amy Winehouse. By Amy Winehouse and Mark Ronson. Arranged by Takumi Motokawa and Takumi Motokawa. Film/TV. 8 pages. Takumi Motokawa #3876685. Published by Takumi Motokawa (A0.904787). Amy Winehouse's title track from her album Back To Black, arranged for the piano and voice.This arrangement can be played as a solo piano piece without voice or sung with the piano part.In the original key of Dm.
$4.99
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