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266
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6
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1
Piano Quartet: piano, 2 violins, cello
1
Organ, Trumpet (duet)
1
C Instruments
1
Accordion
1
+ 9 instrumentations
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Retract
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Bass guitar
13
Guitar
13
Mandolin
1
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1
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1
Guitar notes and tablatures
1
2 Guitars (duet)
1
+ 2 instrumentations
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Retract
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37
Soprano voice, Piano
7
Choral TTBB
6
Baritone voice, Piano
3
Choral SSAA
3
High voice
2
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1
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1
+ 3 instrumentations
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Retract
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
26
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17
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17
Clarinet
16
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14
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13
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11
Alto Saxophone and Piano
9
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8
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6
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5
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5
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5
Oboe, Piano (duet)
5
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4
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3
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3 Clarinets (trio)
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Baritone Saxophone, Piano
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1
Oboe, Bassoon and Piano
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Saxophone
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Flute, Clarinet and Bassoon.
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Piccolo
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Clarinet, Violin (duet)
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Flute, Oboe, Piano (trio)
1
+ 38 instrumentations
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35
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20
Trombone and Piano
19
French horn
11
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9
Euphonium, Piano (duet)
8
Brass Quartet: 4 trombones
7
Brass Quartet: 4 horns
5
French Horn and Piano
5
2 Trumpets (duet)
4
Tuba
4
Trombone
4
Trumpet ensemble
4
Tuba and Piano
4
Brass Quartet: 2 trumpets, horn, trombone
4
2 Trombones (duet)
4
Trumpet
3
Trumpet, Piano
3
4 Tubas
2
2 Euphoniums and 2 Tubas
2
English Horn
2
3 Trombones (trio)
2
Horn Ensemble
2
Brass Quartet: 4 trumpets
1
3 Euphoniums
1
Trombone (band part)
1
Brass Quartet
1
Trumpet (band part)
1
Bass Trombone and Piano
1
Bass Trombone
1
+ 25 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
51
Violin and Piano
21
Violin
17
Cello
6
String Trio: violin, viola, cello
6
Viola
6
Harp
5
Cello, Piano
4
Violin, Guitar (duet)
3
Double Bass
3
Viola, Piano
3
Violin, Cello (duet)
3
2 Violins (duet)
3
Violin, Viola (duet)
2
Viola ensemble
2
2 Cellos (duet)
2
String Quintet: 2 violins, viola, cello, bass
2
Viola and Harp
1
2 Violas (duet)
1
String Trio: 2 violins, viola
1
String Quartet : 4 violas
1
Violin, Clarinet, Piano (trio)
1
Cello, String Bass (duet)
1
Cello Ensemble
1
Violin ensemble
1
4 Harps
1
Piano Trio: Violin, Viola, Piano
1
String Trio: 3 cellos
1
+ 23 instrumentations
-
Retract
Orchestra & Percussion
Orchestra
82
Concert band
39
Chamber Orchestra
22
String Orchestra
20
Brass ensemble
20
Jazz Ensemble
9
Percussion Ensemble
7
Jazz combo
3
Handbells
3
Marching band
2
Piano and Orchestra
1
Xylophone
1
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Alto Saxophone and Piano
Sheetmusic to print
9 sheet music found
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1
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Alto Saxophone and Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. In...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
O Come All Ye Faithful (Adeste Fidelis) - Theme and Variation for Alto Sax and Piano - Advanced Leve
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Alto Saxophone and Piano
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ADVANCED
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FRANCIS WADE
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Raymond Fenech
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O Come All Ye Faithful
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Raymond Fenech
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.760669 Composed by FRANCIS WADE. Arranged by Raymond Fenech. 20th Century,Christmas,Holiday,Pra...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.760669 Composed by FRANCIS WADE. Arranged by Raymond Fenech. 20th Century,Christmas,Holiday,Praise & Worship,Traditional. Score and part. 10 pages. Raymond Fenech #5771299. Published by Raymond Fenech (A0.760669). O Come, All Ye Faithful (originally written in Latin as Adeste Fideles) is a Christmas carol that has been attributed to various authors, including John Francis Wade (1711–1786). This carol was arranged as a Theme and Variations, in fact there are two variations. The Duration is approx. 3.40 minutes and the level is Advanced. NB: I can send you backing mp3 with proof of buying any solo/duet piece with piano. Please contact me on rfenech58@gmail.com
$4.50
Concertino for Alto Saxophone and Piano
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Alto Saxophone and Piano
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ADVANCED
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Contemporary
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Sy Brandon
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Concertino for Alto Saxophone
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Sy Brandon
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.755072 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon ...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.755072 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3366105. Published by Sy Brandon (A0.755072). Concertino was composed during 2009 at the request of Dr. Andy Wen and premiered by him at the Region 4 NASA Conference in April 2011. This piano reduction of the band parts was completed in 2011. The work is in three movements. The first movement is in an abbreviated sonata form in a spirited Vivace tempo. The first theme group consists more of motives rather than an actual theme and is characterized by interplay between the soloist and the band. The second theme group has a lyrical saxophone line over a staccato bass line. The development begins quietly with the treatment of a syncopated idea from the second theme using a trio of solo saxophone, timpani and euphonium. After further development, a variant of the first theme group returns. The recapitulation consists only of first theme group ideas before ending with a brief coda. The second and third movements are performed with out pause between them. While the first movement was created during 2009, the second and third movements are a reworking of an earlier work by the composer for alto saxophone and piano soloists with orchestra. A rubato Lento theme containing many triplets that is accompanied by lush harmony begins the second movement. It is followed by a more scale-wise melody that is treated contrapuntally. Both these ideas develop during the movement leading to a strong climax before returning to a quiet conclusion. The third movement is an Allegro, once again with a rhythmic opening idea that changes meter often, and a more lyrical second idea with scale-wise passages as counterpoint. The development of these ideas leads to a cadenza for the solo saxophonist, followed by a coda that brings the composition to a rousing conclusion.
$14.99
Guthrie: Toccata Agitato for Alto Saxophone & Piano
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Alto Saxophone and Piano
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ADVANCED
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James M
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Guthrie: Toccata Agitato for A
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1384419 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Weddin...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1384419 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Wedding. Score and part. 26 pages. Jmsgu3 #968693. Published by jmsgu3 (A0.1384419). A concert solo or encore with piano accompaniment. A good encore is essential for a concert as it can be the show's highlight and leave a lasting impression on the audience. While encores were traditionally spontaneous, they have become a customary part of a concert's script, with performers often planning them. Encores allow artists to play fan favorites, respond to audience enthusiasm, and create a memorable conclusion to the show. They can also provide a break for the performers. However, some artists and concertgoers have disapproved of encores becoming a routine part of the show, as they can feel disingenuous when expected rather than spontaneous. Despite this, encores remain an expected and significant element of many live performances.
$32.95
Sonata for Alto Saxophone and Piano
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Alto Saxophone and Piano
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ADVANCED
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Alexander Liebermann
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Sonata for Alto Saxophone and
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Abundant Silence
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1259267 Composed by Alexander Liebermann. 21st Century,Chamber,Classical,Contemporary. Score an...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1259267 Composed by Alexander Liebermann. 21st Century,Chamber,Classical,Contemporary. Score and part. 19 pages. Abundant Silence #852539. Published by Abundant Silence (A0.1259267). SONATA FOR ALTO SAXOPHONE AND PIANO, BY ALEXANDER LIEBERMANNFOR ALTO SAXOPHONE AND PIANO, ADVANCED, 12 PAGES“The Saxophone Sonata by Alexander Liebermann is a good example for subtle storytelling in contemporary music. In a unique style that, to my ears, perfectly reflects his Paris, Berlin, and New York background, Alexander gives the performers the opportunity to unfold their full potential by letting them express a broad variety of moods and colors. Thus, the listeners are taken into an eclectic ‘short story’ – a story that is remembered for a long time.â€â”€ Johannes Ernst, Saxophonist“Alexander Liebermann’s Sonata for Alto Saxophone and Piano is a great new addition to the saxophone’s recital repertoire. Idiomatically written – both in terms of style and technique – it is kept in a concise rhapsodic one-movement form and offers a well-balanced and contrasting display of drama, lyricism, and virtuosity. In the best sense of the word, it is a cool piece with big city flair. It is modern, but accessible. It has hints of jazz, but explores such colors with class and refinement. It is fun to play and thrilling to listen to.â€â”€ Henning Schröder, Saxophonist.
$24.75
Zola (Flute, Alto Saxophone & Piano version)
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Alto Saxophone and Piano
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ADVANCED
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Contemporary
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Luis Cardoso
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Zola
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Luis Cardoso
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.934394 Composed by Luis Cardoso. Contemporary. ...
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Instrumental Duet,Piano Alto Saxophone,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.934394 Composed by Luis Cardoso. Contemporary. Score and parts. 40 pages. Luis Cardoso #6190681. Published by Luis Cardoso (A0.934394). Flute, Alto Saxophone & Piano version of: Zola was composed for Banda Marcial de Fermentelos (Fermentelos Martial Band) for its 150th anniversary celebration. The title refers to the thematic construction of the work, with inspiration in the music of Astor Piazzolla. The work is divided into three movements: 1. Allegro, 2. Adagio, 3. Vivo.
$35.00
Emanuele Krakamp: Fantaisie sur la Traviata de Verdi, - alto saxophone and piano by Paul
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Alto Saxophone and Piano
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ADVANCED
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Emanuele Krakamp
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Paul Wehage
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Emanuele Krakamp: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.533263 Composed by Emanuele Krakamp. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Sta...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.533263 Composed by Emanuele Krakamp. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 32 pages. Musik Fabrik Music Publishing #2151147. Published by Musik Fabrik Music Publishing (A0.533263). Emanuele Krakamp was born in Messina in 1813. He began studying music with his father. In 1841 he was named first flute in the royal orchestra of Naples and was also named flute professor of San Pietro a Majella Conservatory in 1860. Krakamp performed concerts in Europe, America, the Middle East and North Africa. The Fantasy Opus 248 based on themes from Verdi's Opera La Traviata is part of a group of three fantasies called La triade verdiana, first published in 1865. Krakamp died in Naples in 1883.The version for saxophone remains close to the original version for flute, with only a few register changes because of range issues. Some passages in the piano part have been re-enforced harmonically and the ending has been slightly changed, to create a more definitive ending. .
$19.95
Carson Cooman: Fantasy Variations (2005) for alto saxophone and piano
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Alto Saxophone and Piano
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ADVANCED
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Carson Cooman
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Carson Cooman: Fantasy Variati
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.533621 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and part. 18 pages. Mus...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.533621 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #3033373. Published by Musik Fabrik Music Publishing (A0.533621). Fantasy Variations (2005) for alto saxophone and piano was written for saxophonist PaulWehage and is dedicated to him and to American composer George Perle (on his 90thbirthday).The work is cast as two presentations of the theme surrounding five free variations -- allplayed without break. The theme serves as the basis of the musical material for the entirework as well as the structural template for each variation. Also, each variation containsmaterial referring back specifically to the previous variation.The opening theme is declamatory and massive. The first variation is fast and limber. Thesecond variation is introspective and stratified. The third variation is fleeting. The fourthvariation is distant and spare. The fifth variation is fast and driving, and the final themebegins whispered and slowly regains its declamatory nature before an intensely hammeredcoda.Carson
$14.95
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