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--INSTRUMENTS--
ACCORDION
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BAGPIPE
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VIOLIN - FIDDL…
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XYLOPHONE
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Contrastes
Not classified
667
Piano & keyboards
Piano solo
505
Easy Piano
109
Organ
74
Piano, Voice
26
Piano Accompaniment
21
1 Piano, 4 hands
15
Piano Trio: piano, violin, cello
9
Piano, Vocal and Guitar
6
C Instruments
6
2 Pianos, 4 hands
5
Piano (band part)
5
Organ, Piano (duet)
3
Piano Quintet: piano, 2 violins, viola, cello
1
Accordion ensemble
1
Organ, Trumpet (duet)
1
Harpsichord
1
+ 11 instrumentations
-
Retract
Guitars
Guitar
39
Guitar (band part)
6
Guitar notes and tablatures
6
2 Guitars (duet)
3
Piano, Guitar (duet)
3
Bass guitar
2
Banjo
2
4 Guitars (Quartet)
2
Mandolin, Piano (duet)
1
3 Guitars (trio)
1
+ 5 instrumentations
-
Retract
Voice
Choral SATB
380
Choral 3-part
133
Choral 2-part
73
Choral Unison
49
Choral TTBB
26
Choral SSAA
17
Baritone voice, Piano
8
High voice
6
Alto voice, Piano
6
Choral SSATB
5
Tenor voice, Piano
4
Soprano voice, Piano
3
Voice solo
3
Vocal duet, Piano
3
Vocal duet
3
Low voice, Piano
3
Tenor voice
1
Choral SSAATTBB
1
Soprano voice
1
Medium voice, Piano
1
Mezzo-Soprano voice, Piano
1
+ 16 instrumentations
-
Retract
Woodwind
Flute and Piano
56
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
47
Clarinet and Piano
40
2 Saxophones (duet)
31
Saxophone Quartet: 4 saxophones
29
Saxophone (band part)
28
Alto Saxophone and Piano
24
Oboe, Piano (duet)
24
Flute
22
Clarinet
20
Clarinet Quartet: 4 clarinets
19
2 Clarinets (duet)
18
Tenor Saxophone and Piano
18
Clarinet (band part)
15
Flute, Oboe, Clarinet, Bassoon
14
2 Flutes (duet)
13
Flute Quartet: 4 flutes
12
Flute ensemble
11
Clarinet Ensemble
11
3 Saxophones (trio)
11
Soprano Saxophone and Piano
10
Oboe (band part)
7
Flute, Clarinet (duet)
7
Flute, Oboe, Clarinet (trio)
6
Baritone Saxophone, Piano
6
Flute (band part)
6
Bass Clarinet, Piano
6
Saxophone ensemble
5
English horn, Piano
5
Oboe, Bassoon (duet)
5
Oboe
5
Flute and Guitar
4
Alto Saxophone
4
3 Clarinets (trio)
4
Flute, Clarinet, Piano (trio)
4
Clarinet, Violin (duet)
3
Flute, Oboe, Bassoon
3
Oboe, Flute
3
Flute, Violin
3
Descant (Soprano) Recorder
3
Saxophone, Clarinet (duet)
3
Saxophone Quintet: 5 Saxophones
3
Flute Trio: 3 flutes
3
Clarinet Quintet: 5 clarinets
2
Oboe, Harp
2
2 Recorders (duet)
2
2 Oboes (duet)
2
Recorder Quartet
2
Piccolo, Piano
2
Tenor Recorder
2
Clarinet, Cello, Piano (trio)
2
3 Recorders (trio)
2
Flute, Bassoon, and Piano
2
Flute, Saxophone (duet)
2
Clarinet, Trumpet (duet)
2
Oboe, Clarinet (duet)
1
Clarinet, Bassoon (duet)
1
Clarinette, Viola and Piano (trio)
1
2 Saxophones, Piano
1
Flute, Violoncello
1
Oboe, Bassoon and Piano
1
Flute, Viola and Piano
1
3 Oboes
1
Oboe, Cello
1
Flute, Clarinet and Bassoon.
1
Recorder
1
Saxophone
1
Treble (Alto) Recorder
1
Tenor Saxophone
1
Oboe, Clarinet, Bassoon (trio)
1
2 English horns and Pianoforte
1
5 Recorders
1
Clarinet, Cello (duet)
1
Flute, Violin and Violoncello
1
Clarinet, Organ
1
Clarinet, Harp (duet)
1
Clarinet and Viola
1
Soprano Saxophone
1
Piccolo
1
Flute, Violin, Piano
1
Flute, Trombone (duet)
1
Bass Clarinet
1
Flute, Oboe, Piano (trio)
1
Flute Quintet : 5 flutes
1
Flute, Organ (duet)
1
+ 80 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
52
Trombone and Piano
30
Trombone (band part)
25
Trumpet, Piano
21
French Horn and Piano
21
Brass quartet : 2 trumpets, trombone, tuba
18
Trumpet (band part)
15
Trumpet
10
Trombone
10
Euphonium, Piano (duet)
9
Tuba and Piano
9
Brass Quartet: 4 trombones
7
French horn
7
Tuba
7
Tuba (band part)
6
2 Trumpets (duet)
6
French horn (band part)
6
Brass Quartet
5
Trumpet, Trombone (duet)
5
English horn, Piano
5
Trombone ensemble
4
Trumpet ensemble
4
Brass Quartet: 4 horns
4
Brass Quartet: 2 trumpets, horn, trombone
4
2 French horns (duet)
3
Bass Trombone
2
Horn Ensemble
2
Trumpet, Saxophone (duet)
2
2 Tubas (duet)
2
2 Trombones (duet)
2
Brass Quartet: 4 trumpets
2
French horn and Basson (duet)
1
2 Euphoniums and 2 Tubas
1
Trombone and Orchestra
1
2 English horns and Pianoforte
1
4 Tubas
1
Clarinet, Horn (duet)
1
Euphonium, Tuba (duet)
1
3 French horns (trio)
1
+ 34 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
102
Violin and Piano
65
Cello, Piano
45
Viola, Piano
39
Violin (band part)
31
Violin
28
Doublebass (band part)
17
2 Violins (duet)
17
String Trio: violin, viola, cello
17
Viola
13
Harp
13
Cello
12
Viola (band part)
12
2 Violas (duet)
9
Violin, Cello (duet)
9
Violin, Viola (duet)
8
Cello (band part)
6
2 Cellos (duet)
3
Viola, Cello (duet)
3
Double bass, Piano (duet)
3
String Quartet : 4 violas
2
Double Bass
2
String Trio: 3 cellos
2
String Trio: 2 violins, viola
2
Violin, Guitar (duet)
2
Harp, Flute (duet)
2
String Trio: 3 violas
2
Cello, Orchestra
2
String quartet: 4 violins
1
Violin, Bassoon (duet)
1
String Quintet: 2 violins, viola, cello, bass
1
String Trio: 3 violins
1
String Quintet: 2 violins, 2 violas, cello
1
Violin, Organ
1
4 Cellos
1
4 Double Basses
1
+ 31 instrumentations
-
Retract
Orchestra & Percussion
Concert band
987
String Orchestra
169
Handbells
111
Orchestra
74
Brass ensemble
42
Chamber Orchestra
32
Jazz Ensemble
21
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10
Jazz combo
9
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7
School Ensemble
5
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4
Marching band
3
Vibraphone
3
Xylophone
2
Xylophone, Piano
2
Marimba
1
2 Xylophones
1
Piano and Orchestra
1
Marimba, Piano (duet)
1
Brass Quintet: other combinaisons
1
Drums
1
2 Marimbas
1
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Alto Saxophone and Piano
Sheetmusic to print
24 sheet music found
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1
Dramatica (Alto Saxophone and Piano)
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Alto Saxophone and Piano
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INTERMEDIATE
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Paul Barker Music
#
Dramatica
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Paul Barker Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1405274 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Fe...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1405274 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festival,Instructional. Score and part. 12 pages. Paul Barker Music #988320. Published by Paul Barker Music (A0.1405274). Dramatica is a symphony of emotions meticulously crafted through impassioned harmony, dynamic contrast and melodic lines that resonate with raw musical feeling. This engaging concert work wonderfully showcases both performers to leave your audience profoundly moved. Performance Recording and Piano Accompaniment MP3s are also available from www.paulbarkermusic.com and here.Duration: 3:00 Level: Intermediate (UK Grade 5+ & US 2+)Occasion: Concert – Competitions - Recital Orchestration: Alto Saxophone - Piano.
$5.95
Clouded Glass
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Alto Saxophone and Piano
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INTERMEDIATE
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Lawrence H
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Clouded Glass
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Lawrence H Underwood
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1373561 Composed by Lawrence H. Underwood. 21st Century,Classical,Contemporary,Contest,Festival...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1373561 Composed by Lawrence H. Underwood. 21st Century,Classical,Contemporary,Contest,Festival. Score and part. 8 pages. Lawrence H Underwood #957929. Published by Lawrence H Underwood (A0.1373561). This original composition by veteran performer and music educator, Lawrence Underwood, is the first installment in a new 2024 series of pieces for solo instrument with piano accompaniment. Â Clouded Glass takes the performer and listener on a journey through contrasting styles, moods, and meters, before reaching its satisfying conclusion. Suitable for use as a recital, festival, or contest piece - as well as special music in church - this new arrangement is sure to be a favorite of performers and listeners alike!
$6.99
Saint-Saëns: The Swan for Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Alt
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Con...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Paul-Agricole Génin: Introdcution et Polacca, Opus 15, no. 2 for alto saxophone and piano
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Alto Saxophone and Piano
#
INTERMEDIATE
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Paul-Agricole Génin
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Paul-Agricole Génin: Introdcu
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.534641 Composed by Paul-Agricole Génin. Concert,Standards. Score and part. 18 pages. Musik F...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.534641 Composed by Paul-Agricole Génin. Concert,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #4850967. Published by Musik Fabrik Music Publishing (A0.534641). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century.Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThe six works in the set of Opus 15 are among the first works ever written for the saxophone. They are in the form of charactor pieces; The Introduction is in the style of a florid bel-canto récitative with a lively polonnaise in several contrasting sections.
$10.35
Czardas No. 1 - Monti - Alto Sax and Piano.
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Monti, Vittorio
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Anne L Christopherson GRSM ARC
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Czardas No. 1 - Monti - Alto S
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Music-Scores.com
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.722096 Composed by Monti, Vittorio. Arranged by Anne L Christopherson GRSM ARCM. Concert,Holida...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.722096 Composed by Monti, Vittorio. Arranged by Anne L Christopherson GRSM ARCM. Concert,Holiday,Wedding,World. Score and part. 9 pages. Music-Scores.com #5771869. Published by Music-Scores.com (A0.722096). Czardas No.1: Gypsy dance arranged for Alto Sax and Piano. Contrast between slow and passionate, fast and light, makes this showpiece great fun to play and always a huge success with an audience.Duration: about 5 minutes.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$7.95
My Saxophone and Me (E flat version)
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Alto Saxophone and Piano
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BEGINNER
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Colin Kirkpatrick
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Lazy Days
(No 4)
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My Saxophone and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin ...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3134129. Published by Colin Kirkpatrick Publications (A0.522194). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679821The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Nice ‘n Easy (No 2); Lazy Days (No 4); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has writte.
$5.95
Sonata for Alto Saxophone and Piano
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Alto Saxophone and Piano
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ADVANCED
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Alexander Liebermann
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Sonata for Alto Saxophone and
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Abundant Silence
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1259267 Composed by Alexander Liebermann. 21st Century,Chamber,Classical,Contemporary. Score an...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1259267 Composed by Alexander Liebermann. 21st Century,Chamber,Classical,Contemporary. Score and part. 19 pages. Abundant Silence #852539. Published by Abundant Silence (A0.1259267). SONATA FOR ALTO SAXOPHONE AND PIANO, BY ALEXANDER LIEBERMANNFOR ALTO SAXOPHONE AND PIANO, ADVANCED, 12 PAGES“The Saxophone Sonata by Alexander Liebermann is a good example for subtle storytelling in contemporary music. In a unique style that, to my ears, perfectly reflects his Paris, Berlin, and New York background, Alexander gives the performers the opportunity to unfold their full potential by letting them express a broad variety of moods and colors. Thus, the listeners are taken into an eclectic ‘short story’ – a story that is remembered for a long time.â€â”€ Johannes Ernst, Saxophonist“Alexander Liebermann’s Sonata for Alto Saxophone and Piano is a great new addition to the saxophone’s recital repertoire. Idiomatically written – both in terms of style and technique – it is kept in a concise rhapsodic one-movement form and offers a well-balanced and contrasting display of drama, lyricism, and virtuosity. In the best sense of the word, it is a cool piece with big city flair. It is modern, but accessible. It has hints of jazz, but explores such colors with class and refinement. It is fun to play and thrilling to listen to.â€â”€ Henning Schröder, Saxophonist.
$24.75
Children's Intermezzo by Samuel Coleridge-Taylor for Alto Sax and Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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S
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Marcus Martin
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Children's Intermezzo by Samue
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Cornelius Edition
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.805646 Composed by S. Coleridge-Taylor. Arranged by Marcus Martin. 20th Century,Concert,Standar...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.805646 Composed by S. Coleridge-Taylor. Arranged by Marcus Martin. 20th Century,Concert,Standards. Score and part. 9 pages. Cornelius Edition (uk) #6632247. Published by Cornelius Edition (uk) (A0.805646). Samuel Coleridge-Taylor (1875 – 1912) was an English composer whose music was very popular during the Edwardian period and also in the USA. His incidental music to Othello was published in 1911. The Children's intermezzo is an attractive 3-4 minute piece in ternary form with a lyrical melody ideally suited to the Alto Saxophone and a faster, contrasted middle section. Suitable for recitals and general repertoire.
$4.99
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructi...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Symphony No. 7 by Beethoven for Alto Sax
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Alto Saxophone and Piano
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BEGINNER
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Classical
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1158459 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Ro...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1158459 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #758745. Published by Woods Only, Arrangements (A0.1158459). This arrangement adapted for alto saxophone e piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
Goodbye Yellow Brick Road
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Alto Saxophone and Piano
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INTERMEDIATE
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Rock
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Elton John
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James M
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Goodbye Yellow Brick Road
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.547875 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.547875 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 11 pages. Jmsgu3 #3073385. Published by jmsgu3 (A0.547875). ALTO SAX & PIANOScore: 6 pages, solo part: 2 pages, piano part: 3 pages., Duration 3' 11 at half note = 60. Length: 51 measures. One of Elton John's greatest songs, this mega-hit is suitable for performance in church, nightclub, or recital hall. This song contains many advanced songwriting techniques and shows a complete mastery of advanced tonal harmony and voice leading. The verses are syllabic and arranged in 8 regular phrases. The last phrase is elided with a contrasting melismatic bridge that suddenly modulates to the lowered mediant, causing a foreign chromatic mediant relation. (F major to Ab major). Further drama is evoked by the voice-leading where an ascending leap of a minor 9th signals the beginning of the bridge. The bridge then modulates back to the original key for the refrain, which, like the verses is arranged in 8 regular phrases and elides once again into a final version of the bridge which functions this time as a coda.Â
$53.95
Trumpet Tune and Air, by Purcell; for solo Alto Saxophone and Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Henry Purcell
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David McKeown
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Trumpet Tune and Air, by Purce
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587650 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Stan...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587650 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4728535. Published by David McKeown (A0.587650). The Trumpet Tune and Air was in fact written for organ, with the melody played on the trumpet stop. Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite. This full version is arranged as a solo for Alto Saxophone and Piano and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in the downloaded file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Richard Faith : Pastorales for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Richard Faith
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Richard Faith : Pastorales for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.533061 Composed by Richard Faith. 20th Century,Concert,Cont...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.533061 Composed by Richard Faith. 20th Century,Concert,Contemporary,Standards. Score and parts. 31 pages. Musik Fabrik Music Publishing #441215. Published by Musik Fabrik Music Publishing (A0.533061). A suite of four lyrical pieces in contrasting styles. Suitable for recitals and for competitions.
$15.95
Sarabanda and Gavotta for Alto Saxophone & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Classical
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Arcangelo Corelli
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Daniel Leeman
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Sarabanda and Gavotta for Alto
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Daniel Leeman
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.870679 Composed by Arcangelo Corelli. Arranged by Daniel Leeman. Baroque. Score and part. 5 pag...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.870679 Composed by Arcangelo Corelli. Arranged by Daniel Leeman. Baroque. Score and part. 5 pages. Daniel Leeman #2961147. Published by Daniel Leeman (A0.870679). Two starkly contrasting movements, Arcangelo Corelli's Sarabanda and Gavotta presents an enjoyable insight into the Baroque. The opening largo movement is a great opportunity for players to work on sustained tone control while the Gavotta playfully dances between the solo and piano accompaniment.
$4.99
Sullivan: The Lost Chord for Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructio...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549443 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494751. Published by jmsgu3 (A0.549443). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord Winds The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
The Promise (Alto Saxophone & Piano)
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Alto Saxophone and Piano
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EASY
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Paul Barker Music
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The Promise
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Paul Barker Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.725240 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Fes...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.725240 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festival. Score and part. 16 pages. Paul Barker Music #6414021. Published by Paul Barker Music (A0.725240). The Promise is a powerful emotional journey full of warmth, passion and positivity for Alto Saxophone & Piano. The work brilliantly showcases both soloists using rich harmony, a dramatic melodic range and colourful thematic contrast. Accompaniment MP3 available from www.paulbarkermusic.com                                                                                 Level: Intermediate (Grade 4 UK/Grade 2 USA)
$5.95
Nocturne Op. 9, No. 1 for Alto Saxophone and Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Classical
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Frederic Chopin
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Diego Marani
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Nocturne Op. 9, No. 1 for Alto
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Diego Marani
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1281227 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Instructional,Romantic...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1281227 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 10 pages. Diego Marani #872571. Published by Diego Marani (A0.1281227). One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Frédéric Chopin's later work. The piece is 85 measures long and in 6/4 meter is written in ternary form; after the primary theme, the secondary theme starts in measure 19, followed by a modified version of the primary theme in measure 70. The opening section moves into a contrasting middle section in the same key signature, which flows back to the opening material in a transitional passage. The reprise of the first section grows out of this, followed by a Picardy third ending.This arrangement for alto sax with piano accompaniment reflects faithfully the original and is suitable for any purpose and occasion.
$8.99
8 Swinging Xmas Carols for Eb Alto Saxophone & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Various
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Keith Terrett
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Piano
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8 Swinging Xmas Carols for Eb
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Keith Terrett
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314701 Composed by Various. Arranged by Keith Terrett. 20th Century,Christmas,Praise & Worship...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314701 Composed by Various. Arranged by Keith Terrett. 20th Century,Christmas,Praise & Worship. Score and part. 34 pages. Keith Terrett #903452. Published by Keith Terrett (A0.1314701). An exciting arrangement of eight popular swinging xmas carols arranged for Eb Alto Saxophone & Piano; in an up-beat and somewhat jazzy manner. This challenging set of carols, offers players in general, something very different for those Christmas concerts and recitals, give them a go, and I am sure that you won’t be disappointed!The set includes: Ding Dong Merrily On High, Silent Night,We Three Kings,Away in a Manger, Joy to the World, God Rest Ye Merry Gentlemen, Deck the Halls & Good King Wenceslas.The part is all written out with jazz inflections and articulation included. The Piano part is all written out, but also includes the jazz chords for players who wish to comp. These Carols are playable by moderately advanced performers and are perfect for parties, church services, busking & recitals. Range is very moderate, nothing high at all.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible!Reviewer Chet Heflin Date 29th Sep 2006Bluesy Xmas! Keith Terrett has done an outstanding job of injecting jazz and blues into these holiday favorites. The writing beginning in measure 13 of Ding Dong Merrily On High is outstanding. Check out the wonderful contrast in movement between the flute and bass. This arrangement of Xmas carols would be a wonderful addition to any future holiday program. Well done Keith! Have fun! Caroling (singing carols in the street) is one of the oldest customs in Great Britain, going back to the Middle Ages when beggars, seeking food, money, or drink, would wander the streets singing holiday songs.
$15.99
Fly Me To The Moon (in Other Words)
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Jazz
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Tony Bennett
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Nick Raspa
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Fly Me To The Moon
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NJR Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.754611 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Nick Raspa. Jazz,Stan...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.754611 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Nick Raspa. Jazz,Standards,Wedding. Score and part. 10 pages. NJR Music #6454901. Published by NJR Music (A0.754611). The saxophone begins shortly after the short piano opening of this classic jazz standard. The first part is a slow, romantic version of the song. The second, with its uptempo swing beat, is a nice contrast to the first section. The full score and a complete set of parts is included. This arrangement is for the advanced intermediate to advanced level saxophonist.
$10.95
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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1871, Mayeur was also named Sa
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Louis Adolphe Mayeur
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Paul Wehage
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Louis Mayeur: Grande Fantaisie
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534135 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Concert,Opera,Romantic Period...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534135 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 29 pages. Musik Fabrik Music Publishing #3133401. Published by Musik Fabrik Music Publishing (A0.534135). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. Versions are available from Musik Fabrik for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$16.95
Gabriel's Anthem [Alto Saxophone & Piano]
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Alto Saxophone and Piano
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INTERMEDIATE
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Paul Barker
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Gabriel's Anthem [Alto Saxopho
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Paul Barker Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1139710 By Paul Barker. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festival...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1139710 By Paul Barker. By Paul Barker. 20th Century,21st Century,Contemporary,Contest,Festival,Standards. Score and part. 11 pages. Paul Barker Music #739981. Published by Paul Barker Music (A0.1139710). Gabriel's Anthem is wonderfully stoic and ideal for recitals, concerts and formal occasions of all kinds. Performers and Audiences alike will love the rich harmonic pallet and inspiring thematic contrast to the very last poignant ritardando. Piano Accompaniment MP3 available from both this site and the publishers at www.paulbarkermusic.com Level: Intermediate (Grade 5 UK/Grade 2+ USA) Duration: 2:20 Occasion: Concert - Formal/Informal - Recitals - Competitions Instrumentation: Alto Saxophone - Piano
$5.95
O Mio Babbino Caro - G.Puccini - Alto Sax and Piano
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Alto Saxophone and Piano
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EASY
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G
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Raymond Fenech
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O Mio Babbino Caro - G.Puccini
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Raymond Fenech
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1060195 Composed by G.Puccini. Arranged by Raymond Fenech. Christmas,Easter,Opera,Romantic Peri...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1060195 Composed by G.Puccini. Arranged by Raymond Fenech. Christmas,Easter,Opera,Romantic Period,Wedding. Score and part. 12 pages. Raymond Fenech #664519. Published by Raymond Fenech (A0.1060195). O mio babbino caro (Oh my dear Papaâ€) is an aria from the opera Gianni Schicchi (1918) by Giacomo Puccini to a libretto by Giovacchino Forzano. It is sung by Lauretta after tensions between her father Schicchi and the family of Rinuccio, the boy she loves, have reached a breaking point that threatens to separate her from Rinuccio. It provides an interlude expressing lyrical simplicity and love in contrast with the atmosphere of hypocrisy, jealousy, double-dealing, and feuding in medieval Florence. It provides the only set-piece in the through-composed opera. This Aria is arranged by Raymond Fenech The duration is 3.21 minutes and it is an Intermediate level piece.
$3.99
Ali Ben Sou Alle: Adieu, Valse de Concert for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Adieu, Valse
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533505 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 21 page...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533505 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 21 pages. Musik Fabrik Music Publishing #3001087. Published by Musik Fabrik Music Publishing (A0.533505). The concert waltz Adieu begins with an introduction in the style of a Bel Canto aria. The Valse which follows is divided into several sections of contrasting styles and tonalites. The coda brings the piece to a calm and quiet close which is broken by a final fortissimo outburst.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$12.95
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