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You've selected:
Converse
Alto Saxophone and Piano
Sheetmusic to print
15 sheet music found
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1
Gary Lanier: 3 INSPIRATIONAL HYMNS, Set III (Duets for Alto Sax & Piano)
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Alto Saxophone and Piano
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Gospel/Spiritual
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Sacred music
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CHARLES C
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Gary Lanier
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Gary Lanier: 3 INSPIRATIONAL H
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The Lanier Company
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SheetMusicPlus
Composed by CHARLES C. CONVERSE, ROBERT LOWRY, SCHLESISCHE VOLKSLIEDER. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Praise & Worship, Ge...
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Composed by CHARLES C. CONVERSE, ROBERT LOWRY, SCHLESISCHE VOLKSLIEDER. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Praise & Worship, General Worship. Score, Solo Part. 22 pages. Published by The Lanier Company (S0.83655). - Score,Solo Part - Christian,Contemporary Christian,Gospel,Praise & Worship,General Worship - The Lanier Company
$14.99
What A Friend We Have In Jesus, Gospel Hymn for Alto Saxophone and Piano
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Alto Saxophone and Piano
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EASY
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Sacred music
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Gospel/Spiritual
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J M Scriven, C C Converse
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David McKeown
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What A Friend We Have In Jesus
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.593450 Composed by J M Scriven, C C Converse. Arranged by David McKeown. Christian,Gospel,Prais...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.593450 Composed by J M Scriven, C C Converse. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 4 pages. David McKeown #6421061. Published by David McKeown (A0.593450). What a Friend We Have in Jesus is a beautiful gospel song arranged here for Solo Alto Saxophone and Piano.What a Friend We Have in Jesus was written by Joseph Scrivens in 1855 to comfort his Irish mother after he emigrated to Canada. In recent times the song has proved immensely popular in translation in Japan, Indonesia, India and Korea.
$2.49
What a friend we have in Jesus (piano & alto sax)
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Alto Saxophone and Piano
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INTERMEDIATE
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Charles Crozat Converse
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David Kocijan
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alto saxophone transcription
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What a friend we have in Jesus
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David Kocijan
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.772497 Composed by Charles Crozat Converse. Arranged by David Kocijan. Sacred,Spiritual. Score ...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.772497 Composed by Charles Crozat Converse. Arranged by David Kocijan. Sacred,Spiritual. Score and part. 4 pages. David Kocijan #5022047. Published by David Kocijan (A0.772497). Piano & alto saxophone transcription.Backup music available!
$9.99
What a friend we have in Jesus - TRIO (piano & 2 alto saxophones)
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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David Kocijan
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David Kocijan
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What a friend we have in Jesus
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David Kocijan
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1111356 By David Kocijan. By Charles C. Converse. Arr...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1111356 By David Kocijan. By Charles C. Converse. Arranged by David Kocijan. Chamber,Christian,Praise & Worship,Religious,Sacred. 7 pages. David Kocijan #713642. Published by David Kocijan (A0.1111356). What a friend we have in Jesus arranged for two Alto Saxophones with Piano accompaniment. Available for Violin, Viola, Flute, Clarinet, Soprano, Alto and Tenor Saxophone with Piano accompaniment. Backing track available! https://www.facebook.com/davidkocijan.
$15.00
What a Friend We Have in Jesus (Alto Sax Solo with Piano Accompaniment)
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Alto Saxophone and Piano
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EASY
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Charles C
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B
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What a Friend We Have in Jesus
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Ben Dockery
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1086700 Composed by Charles C. Converse. Arranged by B. C. Dockery. Sacred,Spiritual,Traditiona...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1086700 Composed by Charles C. Converse. Arranged by B. C. Dockery. Sacred,Spiritual,Traditional. Score and part. 2 pages. Ben Dockery #690908. Published by Ben Dockery (A0.1086700). Arranged for alto sax solo with piano accompaniment. Great for preludes, offertories, postludes, and recitals. Easy intermediate level.
$3.99
What a friend we have in Jesus - EASY (piano & alto sax)
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Charles C
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David Kocijan
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What a friend we have in Jesus
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David Kocijan
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SheetMusicPlus
Composed by Charles C. Converse. Arranged by David Kocijan. Christian, Christmas, Contemporary, Gospel, Sacred. Score and part. 4 pages. David Kocijan...
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Composed by Charles C. Converse. Arranged by David Kocijan. Christian, Christmas, Contemporary, Gospel, Sacred. Score and part. 4 pages. David Kocijan #6320425. Published by David Kocijan
$9.99
Saint-Saëns: The Swan for Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Alt
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Con...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1314328 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903072. Published by jmsgu3 (A0.1314328). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Alto Saxophone and Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. In...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Handel: Largo from Xerxes for Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Classical
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549383 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549383 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492297. Published by jmsgu3 (A0.549383). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
WHAT A FRIEND WE HAVE IN JESUS (Alto Sax/Piano and Sax Part)
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Alto Saxophone and Piano
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EASY
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Gospel/Spiritual
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Sacred music
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CHARLES C
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Gary Lanier
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Worship,General Worship
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WHAT A FRIEND WE HAVE IN JESUS
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The Lanier Company
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SheetMusicPlus
Composed by CHARLES C. CONVERSE. Arranged by Gary Lanier. For Piano,Alto Sax. Christian,Contemporary Christian,Gospel,Praise & Worship,General Worship. Earl...
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Composed by CHARLES C. CONVERSE. Arranged by Gary Lanier. For Piano,Alto Sax. Christian,Contemporary Christian,Gospel,Praise & Worship,General Worship. Early Intermediate. Individual Part,Score. Published by The Lanier Company
$6.99
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