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You've selected:
Fantaisie
Alto Saxophone and Piano
Sheetmusic to print
21 sheet music found
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1
Hippolyte Escudié: Première Fantaisie Originale for alto saxophone and piano
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Alto Saxophone and Piano
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Hippolyte Escudié
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Hippolyte Escudié: Première
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Digital Download SKU: A0.533230 Composed by Hippolyte Escudié. Concert,Romantic Period,Standards. Score and part. 28 pages. Mus...
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Alto Saxophone,Piano - Digital Download SKU: A0.533230 Composed by Hippolyte Escudié. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #2112289. Published by Musik Fabrik Music Publishing (A0.533230). Hippolyte Escudié was born in 1816 in Castelnaudary, France and died in Paris in 1881. He wrote four fantaisies for saxophone and piano and a number of works for saxophone and organ, including the six Andantes The first Fantasy is in four sections: an opening arioso with a cadenza, a thème and two variations, an expressive Andante et a final brilliant coda.
$12.95
Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle, Gioachino Ro
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2363209. Published by Musik Fabrik Music Publishing (A0.533354). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Fantaisie sur Le Barbier de Séville begins with the Count's 1st act cavatina Ecco ridente in cielà This is followed by a seriesof variations sur Rosina's Cabaletta Io sono docile. The second act finale Fredda ed immobile is then presented in a number of variations. Finally, the second part of the Count and Figaros first act duo (Ah che d'amore) brings the work to a brilliant finish.
$19.95
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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1871, Mayeur was also named Sa
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Louis Adolphe Mayeur
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Paul Wehage
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Louis Mayeur: Grande Fantaisie
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534135 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Concert,Opera,Romantic Period...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534135 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 29 pages. Musik Fabrik Music Publishing #3133401. Published by Musik Fabrik Music Publishing (A0.534135). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. Versions are available from Musik Fabrik for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$16.95
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Ali Ben Sou Alle, Wolfgang Ama
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 page...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #3000445. Published by Musik Fabrik Music Publishing (A0.533499). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt and others with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
Carmen Fantaisie
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Georges Bizet
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Fiona Hickie
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Carmen Fantaisie
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Fiona Alice Hickie
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.738067 Composed by Georges Bizet. Arranged by Fiona Hickie. Classical,Romantic Period. Score an...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.738067 Composed by Georges Bizet. Arranged by Fiona Hickie. Classical,Romantic Period. Score and part. 33 pages. Fiona Alice Hickie #4598405. Published by Fiona Alice Hickie (A0.738067). A medley of pieces by Bizet, from Carmen. Based on the arrangement of Hollman, here it has been arranged for alto saxophone and piano.
$6.99
Fantaisie for Trumpet
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Francois Clement Theodore Dubo
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Gary Bricault
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Fantaisie for Trumpet
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Gary Bricault
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.825198 Composed by Francois Clement Theodore Dubois. Arranged by Gary Bricault. Romantic Period...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.825198 Composed by Francois Clement Theodore Dubois. Arranged by Gary Bricault. Romantic Period. Score and part. 12 pages. Gary Bricault #6075857. Published by Gary Bricault (A0.825198). Arrangement for Eb Saxophone Solo and Piano. Performance time 4'42.
$7.99
Ali Ben Sou Alle: Fantaisie sur La Favorita de Donizetti for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Ali Ben Sou Alle, Gaetano Doni
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 23 pages. Musik Fabrik Music Publishing #2348199. Published by Musik Fabrik Music Publishing (A0.533348). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrotesongs while he was in London. His opera fantasies are usually written for the Alto saxophone. This particular fantasy usesthemes from the Third and fourth act sung by the hero et heroine which are marked in the score.
$11.95
Emanuele Krakamp: Fantaisie sur la Traviata de Verdi, - alto saxophone and piano by Paul
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Alto Saxophone and Piano
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ADVANCED
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Emanuele Krakamp
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Paul Wehage
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Emanuele Krakamp: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.533263 Composed by Emanuele Krakamp. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Sta...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.533263 Composed by Emanuele Krakamp. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 32 pages. Musik Fabrik Music Publishing #2151147. Published by Musik Fabrik Music Publishing (A0.533263). Emanuele Krakamp was born in Messina in 1813. He began studying music with his father. In 1841 he was named first flute in the royal orchestra of Naples and was also named flute professor of San Pietro a Majella Conservatory in 1860. Krakamp performed concerts in Europe, America, the Middle East and North Africa. The Fantasy Opus 248 based on themes from Verdi's Opera La Traviata is part of a group of three fantasies called La triade verdiana, first published in 1865. Krakamp died in Naples in 1883.The version for saxophone remains close to the original version for flute, with only a few register changes because of range issues. Some passages in the piano part have been re-enforced harmonically and the ending has been slightly changed, to create a more definitive ending. .
$19.95
Ali Ben Sou Alle: Grande Fantaisie Variée sur "Lucia di Lammermoor" for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Grande Fanta
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533508 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 35 page...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533508 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 35 pages. Musik Fabrik Music Publishing #3002551. Published by Musik Fabrik Music Publishing (A0.533508). This fantasy uses motifs from Donizetti's opera. After the opening which uses motives from the Overture, the main melody of the famous Sextet is presented. The tenor aria from the last act is presented with several vrariations. Finally, motifs form the fmaous mad scene end the work in a brilliant valse.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
Fantaisie for Trumpet - for Eb Saxophone
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Francois Clement Theodore Dubo
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Gary Bricault
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Fantaisie for Trumpet - for Eb
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Gary Bricault
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.825194 Composed by Francois Clement Theodore Dubois. Arranged by Gary Bricault. Romantic Period...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.825194 Composed by Francois Clement Theodore Dubois. Arranged by Gary Bricault. Romantic Period. Score and part. 12 pages. Gary Bricault #6069373. Published by Gary Bricault (A0.825194). Arrangement for solo Eb Saxophone with piano. P.T. 4'45.
$9.99
Jean-Thierry Boisseau: Fantaisie Révolutionaire for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Jean-Thierry Boisseau
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Jean-Thierry Boisseau: Fantais
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534527 Composed by Jean-Thierry Boisseau. 20th Century,Concert,Contemporary,Standards,World. Sc...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534527 Composed by Jean-Thierry Boisseau. 20th Century,Concert,Contemporary,Standards,World. Score and part. 27 pages. Musik Fabrik Music Publishing #3604007. Published by Musik Fabrik Music Publishing (A0.534527). It was in the process of preparing the publication of the works of Demersseman and of Ali Ben Sou Alle that suggested to me the idea of the typical 19th century practice of the Fantasy and Variations on well-known themes.The saxophone lends itself perfectly for this stylistic exercise. I therefore chose to write for this instrument, which the piano supports seriously.My republican roots (in the French sense) suggested that I set several revolutionary songs from 1789. I therefore chose the emblematic “ Ah ça ira ! â€, after having seen the famous sequence of “Si Versailles l’était conté†where Piaf sings this song hanging of the grill of the Palace of Versailles, in the superbe version by Jean Françaix.I added at the end “ La Carmagnole †and the famous “ Il pleut bergère †a foreshadowing of the destiny of Marie-Antoinette who is said to have enjoyed singing this air. One will find, a bit hidden, a short citation of a work for organ by Bach.This isn’t a pastiche but rather a sort of modern update to this form in respecting its codes, its forms of this type of work which disappeared temporarily due to forced musical austerity.
$16.95
Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle, Vincenzo Bel
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,R...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #2363203. Published by Musik Fabrik Music Publishing (A0.533353). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.This fantasy begins with motifs from the 1st act chorus « Sempre Felc’Amina » ». The Count’s first act aria « Vi ravisso, o loughi ameni » is followed by an extended cadenza and leads to Amina and Elvino’s first act duo « Prendi l’amel ti dono ». Amina’s second act aria « Ah non guige! » is presented with a brilliant variation to bring the work to a close.
$16.95
Fantaisie Mauresque
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Alto Saxophone and Piano
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Francand#796; and ois Combell
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and ois Combelle
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Fantaisie Mauresque
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SheetMusicPlus
Composed by Francand#796; and ois Combelle. Edited by H. Voxman. Classical, Contest. Alto Sax and Piano. 7 pages. Published by Rubank Publications...
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Composed by Francand#796; and ois Combelle. Edited by H. Voxman. Classical, Contest. Alto Sax and Piano. 7 pages. Published by Rubank Publications
$4.99
Fantaisie Op. 79 - Alto Saxophone and Piano
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Alto Saxophone and Piano
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ADVANCED
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Classical
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Gabriel Faure
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Andrew Middleton
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Fantaisie Op. 79 - Alto Saxoph
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Andrew Middleton
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SheetMusicPlus
Composed by Gabriel Faure. Arranged by Andrew Middleton. Romantic Period. 40 pages. Andrew Middleton #935313. Published by Andrew Middleton...
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Composed by Gabriel Faure. Arranged by Andrew Middleton. Romantic Period. 40 pages. Andrew Middleton #935313. Published by Andrew Middleton
$19.99
Fantaisie Brillante sur des Thèmes de Carmen for alto saxophone and piano
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Alto Saxophone and Piano
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Classical
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Francois Borne
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Jean-Thierry Boisseau
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Fantaisie Brillante sur des Th
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Musik Fabrik
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SheetMusicPlus
Composed by Francois Borne. Arranged by Jean-Thierry Boisseau. Romantic Period, Opera, Repertoire, Recital. Score, Solo Part. 40 pages. Published by Musik Fabri...
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Composed by Francois Borne. Arranged by Jean-Thierry Boisseau. Romantic Period, Opera, Repertoire, Recital. Score, Solo Part. 40 pages. Published by Musik Fabrik (S0.109789). - Score,Solo Part - Romantic Period,Opera,Repertoire,Recital - Musik Fabrik
$19.95
Jerome Savari : Fantaisie sur "Le Freischutz" for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Classical
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Jerome Savari
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Paul Wehage
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Jerome Savari : Fantaisie sur
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Musik Fabrik
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SheetMusicPlus
Composed by Jerome Savari. Arranged by Paul Wehage. For Piano,Saxophone. Romantic Period. Intermediate. Score,Solo Part. 18 pages. Published by Musik Fabrik ...
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Composed by Jerome Savari. Arranged by Paul Wehage. For Piano,Saxophone. Romantic Period. Intermediate. Score,Solo Part. 18 pages. Published by Musik Fabrik
$11.65
Jules Demersseman : Fantaisie, opus 32 for alto saxophone and piano
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Alto Saxophone and Piano
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Classical
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Jules Demersseman
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Paul Wehage
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Jules Demersseman : Fantaisie,
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Musik Fabrik
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SheetMusicPlus
Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period, Repertoire. 12 pages. Published by Musik Fabrik (S0.62525). - - Romantic Period,Repert...
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Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period, Repertoire. 12 pages. Published by Musik Fabrik (S0.62525). - - Romantic Period,Repertoire - Musik Fabrik
$10.35
Ali Ben Sou Alle:Fantaisie sur Lucrezia Borgian for alto saxophone and piano
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Alto Saxophone and Piano
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Classical
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Ali Ben Sou Alle
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Ali Ben Sou Alle:Fantaisie sur
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Musik Fabrik
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SheetMusicPlus
Composed by Ali Ben Sou Alle. Romantic Period, Repertoire, Recital. Score, Solo Part. 26 pages. Published by Musik Fabrik (S0.189829). - Score,Solo Part - Roman...
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Composed by Ali Ben Sou Alle. Romantic Period, Repertoire, Recital. Score, Solo Part. 26 pages. Published by Musik Fabrik (S0.189829). - Score,Solo Part - Romantic Period,Repertoire,Recital - Musik Fabrik
$16.95
Ali Ben Sou Alle: Fantaisie sur Il Trovatore de Verdi for alto saxophone and piano
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Alto Saxophone and Piano
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Classical
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik
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SheetMusicPlus
Composed by Ali Ben Sou Alle. Romantic Period, Repertoire, Recital. Score, Solo Part. 20 pages. Published by Musik Fabrik (S0.188787). - Score,Solo Part - Roman...
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Composed by Ali Ben Sou Alle. Romantic Period, Repertoire, Recital. Score, Solo Part. 20 pages. Published by Musik Fabrik (S0.188787). - Score,Solo Part - Romantic Period,Repertoire,Recital - Musik Fabrik
$12.95
Andre Jolivet: Fantaisie-Impromptu - alto saxophone & piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Classical
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Andre Jolivet
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Virtualsheetmusic
Instantly printable sheet music by Andre Jolivet for alto saxophone & piano of MEDIUM skill level. / classical,french
Instantly printable sheet music by Andre Jolivet for alto saxophone & piano of MEDIUM skill level. / classical,french
$6.97
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