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More Rhythm
Alto Saxophone and Piano
Sheetmusic to print
42 sheet music found
<
1
26
One More Sleep
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Alto Saxophone and Piano
#
EASY
#
Leona Lewis
#
Phil Thrift
#
One More Sleep
#
Phil Thrift
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1112080 By Leona Lewis. By Brad Ellis, Iain James, Jez Ashurst, Leona Lewis, and Richard Stanna...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1112080 By Leona Lewis. By Brad Ellis, Iain James, Jez Ashurst, Leona Lewis, and Richard Stannard. Arranged by Phil Thrift. Christmas,Pop. Score and part. 9 pages. Phil Thrift #714260. Published by Phil Thrift (A0.1112080). The Leona Lewis hit One More Sleep has all the ingredients that make up a successful song for the holiday season. This is the Eb alto saxophone + keyboard edition of the original recording for trombone and rhythm section, which you can hear on SoundCloud.
$4.99
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
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Alto Saxophone and Piano
#
EASY
#
Classical
#
Johann Sebastian Bach
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James M
#
Bach: Bist du bei mir BWV 508
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,S...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468804. Published by jmsgu3 (A0.549235). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Jingle Bells for Alto Sax & Piano
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Alto Saxophone and Piano
#
BEGINNER
#
Christmas
#
James Pierpont
#
James M
#
piano
#
Jingle Bells for Alto Sax & Pi
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548664 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and pa...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548664 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pages. Jmsgu3 #3408939. Published by jmsgu3 (A0.548664). Jingle Bells arranged for alto sax & piano. Jingle Bells is perhaps the most famous song in American music history. James L. Pierpont published the piece as One Horse Open Sleigh in the late 1850s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school. Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but people began to think of it more as a Christmas song over time. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford, Massachusetts, in 1850. Sleigh races were undoubtedly famous in 19th-century Massachusetts. To this day, a commemorative placard appears in Medford Square, claiming it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gained support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses usually had bell-laden straps to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song, folks would rhythmically jingle the ice in their glasses. A sleigh ride allowed couples to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells accentuate the rhythm during the song's chorus.Â
$24.95
Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano
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Alto Saxophone and Piano
#
EASY
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contempo...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888291. Published by jmsgu3 (A0.550919). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria for Alto Sax & Piano
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Alto Saxophone and Piano
#
EASY
#
Bach-Gounod
#
James M
#
Piano, S0
#
Bach-Gounod: Ave Maria for Alt
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Eas...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490139. Published by jmsgu3 (A0.549364). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano, S0.661763. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach: Wachet auf for Alto Sax & Piano
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Alto Saxophone and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Alto Sax
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554821. Published by jmsgu3 (A0.549842). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Sheep May Safely Graze for Alto Sax & Piano
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Alto Saxophone and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Sheep May Safely Graze f
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444569. Published by jmsgu3 (A0.548976). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Fantasie Variations on Mazurek Dabrowskiego
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sy Brandon
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Fantasie Variations on Mazurek
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Sy Brandon
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.755042 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 23 pages. Sy Brandon ...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.755042 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 23 pages. Sy Brandon #3249479. Published by Sy Brandon (A0.755042). Fantasie Variation on Mazurek Dabrowskiego was commissioned in 2010 by David Wozniak. Wozniak suggested using the Polish National Anthem as the basis of a composition that can serve as a fiery opener to a concert. After a short introduction, the anthem is stated using a repetitive rhythmic motif in the piano. Variation one is a minor variant that has a chromatic obligato in the saxophone on the repeat. After a two measure interlude in 4/4 that breaks up the 3/4 meter of the mazurka, Variation two begins. This variation uses motives from the anthem to create a new saxophone melody. Variation three changes meter often and is more technical and angular. A repeat of the minor variant brings the first fast section to a close. After a transition to a slower tempo, a mysterious variation with sudden outbursts occurs. It uses a lot of feminine endings that are characteristic of some Polish music. The tempo slows once again before variation seven which is a lyrical and romantic treatment of motives from the anthem. The final fast section begins with a rhythmic 5/8 variation that changes to 6/8 for the second part of the anthem’s structure. An ornamental version of the anthem with the mazurka rhythm returns at the end before a rousing coda brings the work to a close. This composition is recorded by David Wozniak and Krista Wallace-Boaz on the Emeritus label American Fusion CD.
$9.99
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Alto Saxophone and Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. In...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
DvoÅ™ák: Largo from the New World Symphony for Alto Sax & Piano
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Alto Saxophone and Piano
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EASY
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Classical
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Antonin Dvorak
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James M
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DvoÅ™ák: Largo from the Ne
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549423 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic ...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549423 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494005. Published by jmsgu3 (A0.549423). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895. Â
$32.95
Toreador March (from the opera Carmen) - easy version
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Alto Saxophone and Piano
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BEGINNER
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1473406 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Rom...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1473406 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050837. Published by Rodrigo Faleiros (A0.1473406). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Alto Saxophone and Piano
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BEGINNER
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1473407 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Rom...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1473407 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050838. Published by Rodrigo Faleiros (A0.1473407). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Alto Saxophone and Piano
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BEGINNER
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1473532 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Rom...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1473532 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050877. Published by Rodrigo Faleiros (A0.1473532). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to C Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Alto Saxophone and Piano
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BEGINNER
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1473978 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Rom...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1473978 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050969. Published by Rodrigo Faleiros (A0.1473978). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to D Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Alto Saxophone and Piano
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BEGINNER
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1473533 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Rom...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1473533 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050878. Published by Rodrigo Faleiros (A0.1473533). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to C Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Alto Saxophone and Piano
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BEGINNER
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1473588 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Rom...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1473588 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050924. Published by Rodrigo Faleiros (A0.1473588). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Piano Part: Includes chord symbols for easier play Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to Bb Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Alto Saxophone and Piano
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BEGINNER
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1473589 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Rom...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1473589 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050926. Published by Rodrigo Faleiros (A0.1473589). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to Bb Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Toreador March (from the opera Carmen) - easy version
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Alto Saxophone and Piano
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BEGINNER
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Georges Bizet
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Rodrigo Faleiros
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Toreador March
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1473977 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Rom...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1473977 Composed by Georges Bizet. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1050967. Published by Rodrigo Faleiros (A0.1473977). ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• This arrangement of the iconic Toreador March from the opera Carmen is crafted for solo alto sax with piano accompaniment. Designed with beginners in mind, the piece simplifies the original rhythm to ensure ease of play while maintaining the essence of the main theme. The challenging dotted 8th note followed by a 16th note rhythm is adapted to a more manageable 3/4 time signature, featuring straightforward half and quarter notes. This arrangement allows novice musicians to experience and perform one of the most recognizable themes in classical music with confidence and enjoyment. Key Features: Rhythm Simplification: Original dotted 8th note followed by a 16th note adapted to a 3/4 time signature using half and quarter notes Essence Retained: Maintains the main theme of the iconic Toreador March from the opera Carmen Performance: Allows novice musicians to confidently perform a recognizable classical piece Transposed to D Major: For a better sight reading and playing. Check out my other arrangements ➡️ clicking here ⬅️ •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••.
$3.99
Fur Elise (for beginners - solo alto sax with piano accompaniment)
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Alto Saxophone and Piano
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BEGINNER
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Classical
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Ludwig van Beethoven
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Rodrigo Faleiros
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Fur Elise
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1428779 Composed by Ludwig van Beethoven. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Ch...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1428779 Composed by Ludwig van Beethoven. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Children,Classical,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1008893. Published by Rodrigo Faleiros (A0.1428779). Discover the enchanting melodies of Beethoven's 'Für Elise' with this solo alto sax with piano accompaniment arrangement, tailored for beginners. The rhythm is simplified for ease of playing, making the main melody sound smoothly even for those starting their way in the saxophone.Key Features: For Solo Alto Saxophone Beginner Level Chord Symbols Piano Accompaniment Easy rhythm, replacing the original 3/8 time signature for an easier 3/4 with quarter notes. Explore more delightful arrangements in our collection
$3.99
Fur Elise (for beginners - solo alto sax with piano accompaniment)
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Alto Saxophone and Piano
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BEGINNER
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Classical
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Ludwig van Beethoven
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Rodrigo Faleiros
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Fur Elise
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Rodrigo Faleiros
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1428778 Composed by Ludwig van Beethoven. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Ch...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1428778 Composed by Ludwig van Beethoven. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Children,Classical,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #1008887. Published by Rodrigo Faleiros (A0.1428778). Discover the enchanting melodies of Beethoven's 'Für Elise' with this solo alto sax with piano accompaniment arrangement, tailored for beginners. The rhythm is simplified for ease of playing, making the main melody sound smoothly even for those starting their way in the saxophone.Key Features: For Solo Alto Saxophone Beginner Level Piano Accompaniment Easy rhythm, replacing the original 3/8 time signature for an easier 3/4 with quarter notes. Explore more delightful arrangements in our collection
$3.99
I Love You Truly-Alto saxophone/piano
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Alto Saxophone and Piano
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EASY
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Phil Beaman
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I Love You Truly-Alto saxophon
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Phil Beaman
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.844635 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pag...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.844635 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4414733. Published by Phil Beaman (A0.844635). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
A Thousand Years
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Alto Saxophone and Piano
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Pop music
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Christina Perri
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Iain Dixon
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A Thousand Years
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Rammy Music
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SheetMusicPlus
Alto Saxophone,Piano - Digital Download SKU: A0.793776 By Christina Perri. By Christina Perri and David Hodges. Arranged by Iain Dixon. Pop. Score and pa...
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Alto Saxophone,Piano - Digital Download SKU: A0.793776 By Christina Perri. By Christina Perri and David Hodges. Arranged by Iain Dixon. Pop. Score and part. 5 pages. Rammy Music #4628275. Published by Rammy Music (A0.793776). This arrangement is for solo alto sax with piano accompaniment. The parts are very clearly laid out with rehearsal marks and written indications of the form - verse / chorus etc. The piano accompaniment is written out with the alto sax line indicated above on a smaller stave for reference. There are also large font chord symbols to facilitate variation or improvisation of the accompaniment. The part could also be used as a rhythm section lead sheet for even more fun.
$4.99
Bridge Over Troubled Water
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Alto Saxophone and Piano
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EASY
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Contemporary
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Simon And Garfunkel
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Daryl McKenzie
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Bridge Over Troubled Water
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Daryl McKenzie
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.718391 By Simon And Garfunkel. By Paul Simon. Arranged by Daryl McKenzie. Contemporary. Score a...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.718391 By Simon And Garfunkel. By Paul Simon. Arranged by Daryl McKenzie. Contemporary. Score and part. 13 pages. Daryl McKenzie #6062165. Published by Daryl McKenzie (A0.718391). Arranged in the style of Josh Groban for Solo Alto Saxophone with Piano accompaniment. Key of CThis arrangement can also be played with a full Rhythm Section available here: https://tinyurl.com/y5zmxsp6Same arrangement for other solo instruments also available on SMP: https://tinyurl.com/y3s6h4thMore arrangements by Daryl McKenzie: https://www.sheetmusicplus.com/publishers/daryl-mckenzie/6128?aff_id=674845www.mckenziemusicproductions.comYoutube Playlist: https://www.youtube.com/playlist?list=PLgP3xAGju1BJ-n99W8ow5xCGRfwTzfwT0
$9.99
Treading Lightly (Alto Sax Solo)
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Alto Saxophone and Piano
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EASY
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P
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P
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Treading Lightly
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P. R. Frederick
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1214751 Composed by P. R. Frederick. Arranged by P. R. Frederick. Contemporary,Latin. Score and...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1214751 Composed by P. R. Frederick. Arranged by P. R. Frederick. Contemporary,Latin. Score and part. 7 pages. P. R. Frederick #811742. Published by P. R. Frederick (A0.1214751). Ntroducing Treading Lightly - a beautiful and mesmerizing Latin alto saxophone solo that will transport you to a world of rhythm, passion, and melody. This exquisite piece has a catchy and lively melody that will immediately capture your heart and soul.This sheet music comes with a separate piano accompaniment part that adds depth and richness to the melody. The distinctive blending of the saxophone and the piano creates a beautiful and harmonious sound that will leave your listeners wanting more.Whether it's for your next performance, teaching or just playing for leisure, Treading Lightly is a wonderful addition to any musician's repertoire. This piece will uplift your spirit and awaken your senses with its sensational, lively, and catchy melody. Order your copy now and get ready to tread lightly towards your next musical journey!
$10.00
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