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CORNET
DIDGERIDOO
DJ GEAR
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ENGLISH HORN
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FLUTE
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GUITAR
HANDBELLS
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Prelude No.2
Not classified
188
Piano & keyboards
Piano solo
556
Organ
66
Easy Piano
49
Piano, Voice
6
2 Pianos, 4 hands
5
Piano Trio: piano, violin, cello
3
Piano, Vocal and Guitar
3
1 Piano, 4 hands
3
Piano Quartet: piano, 2 violins, cello
2
Piano Quintet: piano, 2 violins, viola, cello
2
Piano (band part)
1
C Instruments
1
Keyboard
1
Organ, Piano (duet)
1
+ 9 instrumentations
-
Retract
Guitars
Guitar
38
Guitar notes and tablatures
25
2 Guitars (duet)
12
Banjo
5
Ukulele
4
Piano, Guitar (duet)
2
4 Guitars (Quartet)
2
Bass guitar
1
Guitar (band part)
1
+ 4 instrumentations
-
Retract
Voice
Choral SATB
4
Voice solo
1
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
20
Flute and Piano
20
Saxophone Quartet: 4 saxophones
16
Clarinet Quartet: 4 clarinets
15
Clarinet and Piano
15
Saxophone Quintet: 5 Saxophones
15
Oboe, Piano (duet)
12
Alto Saxophone and Piano
10
2 Flutes (duet)
10
Clarinet Quintet: 5 clarinets
10
Clarinet
9
Tenor Saxophone and Piano
9
2 Saxophones (duet)
9
Soprano Saxophone and Piano
8
Flute Quintet : 5 flutes
7
Flute, Oboe, Clarinet, Bassoon
7
Saxophone (band part)
7
2 Clarinets (duet)
6
Clarinet (band part)
5
3 Clarinets (trio)
5
Flute and Guitar
4
English horn, Piano
4
Flute, Violoncello
3
2 Flutes, Piano
3
Baritone Saxophone, Piano
3
Oboe (band part)
3
Bass Clarinet, Piano
3
2 Oboes (duet)
3
Flute Quartet: 4 flutes
3
Flute
3
Oboe, Bassoon (duet)
3
Flute, trombone and piano
2
3 Saxophones (trio)
2
Clarinet, Cello (duet)
2
Oboe, Clarinet, Bassoon (trio)
2
Oboe, Cello
2
Piccolo, Piano
2
Oboe and viola (duet)
2
Flute Trio: 3 flutes
2
Clarinet, Bassoon (duet)
2
Flute, Tuba (duet)
2
Alto Saxophone
2
Flute, Viola (duet)
2
2 Saxophones, Piano
2
Oboe, Clarinet (duet)
2
Flute, Clarinet (duet)
2
Clarinet, Violin (duet)
2
2 Recorders (duet)
1
Clarinet Ensemble
1
2 Clarinets, Bassoon
1
Bass Clarinet
1
Tenor Saxophone
1
Flute, Clarinet and Bassoon.
1
Clarinet and Viola
1
Flute (band part)
1
Flute, Trombone (duet)
1
Flute, Clarinet, Piano (trio)
1
Saxophone ensemble
1
+ 53 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
46
Brass quartet : 2 trumpets, trombone, tuba
26
2 French horns (duet)
16
Trumpet, Piano
16
Euphonium, Piano (duet)
10
Trombone and Piano
8
Trombone (band part)
8
2 Euphoniums and 2 Tubas
7
French Horn and Piano
6
Trumpet
5
2 Trombones (duet)
4
Trumpet (band part)
4
2 Trumpets (duet)
4
English horn, Piano
4
Trombone ensemble
3
Brass Quartet: 2 trumpets, horn, trombone
3
Brass Quartet: 4 trombones
3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
Trombone
3
French horn (band part)
2
French horn
2
2 Euphoniums (duet)
2
Tuba
1
Euphonium, Tuba (duet)
1
Tuba (band part)
1
2 Tubas (duet)
1
4 Tubas
1
Brass Trio
1
Tuba and Piano
1
Trumpet, Cello, Piano
1
Brass Quartet: 4 horns
1
Trombone, Violin (duet)
1
Trombone, Tuba (duet)
1
Brass Quartet: 4 trumpets
1
Trumpet, Tuba (duet)
1
Trumpet, Trombone (duet)
1
+ 31 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
119
Violin and Piano
25
Cello, Piano
18
Cello
18
2 Cellos (duet)
13
Harp
11
Viola, Piano
11
Violin
10
2 Violins (duet)
7
String Trio: violin, viola, cello
7
String Trio: 2 violins, cello
5
Viola
5
Violin, Cello (duet)
5
Violin, Viola (duet)
4
Violin (band part)
3
String Quintet: 2 violins, viola, cello, bass
3
2 Violas (duet)
2
4 Double Basses
2
Double Bass
2
Violin, Bassoon (duet)
2
Doublebass (band part)
2
String Quintet: 2 violins, 2 violas, cello
2
4 Cellos
2
String Trio: 3 violins
2
Double bass, Piano (duet)
2
Cello (band part)
1
Violin, Guitar (duet)
1
2 Violins, Piano
1
2 Cellos, Piano
1
Viola (band part)
1
String quartet: 4 violins
1
+ 26 instrumentations
-
Retract
Orchestra & Percussion
Concert band
44
Orchestra
12
String Orchestra
6
Handbells
6
Brass ensemble
3
Percussion Ensemble
3
Woodwind Quartet: any 4 woodwinds
2
Drum (band part)
1
Marimba
1
Woodwind Quintet
1
Chamber Orchestra
1
Timpani (band part)
1
+ 7 instrumentations
-
Retract
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Prelude No.2
Alto Saxophone and Piano
Sheetmusic to print
10 sheet music found
<
1
Prelude No. 11 from 13 Preludes - Opus 32
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Alto Saxophone and Piano
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ADVANCED
#
Classical
#
Sergei Rachmaninoff
#
Gary Bricault
#
Prelude No. 11 from 13 Prelude
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Gary Bricault
#
SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1381050 Composed by Sergei Rachmaninoff. Arranged by Gary Bricault. Romantic Period. Score and ...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1381050 Composed by Sergei Rachmaninoff. Arranged by Gary Bricault. Romantic Period. Score and part. 5 pages. Gary Bricault #965766. Published by Gary Bricault (A0.1381050). Arrangement for Solo Alto Saxophone and Piano. Performance time 2'15.
$5.99
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
#
Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier àlumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
6 Salon Pieces, Op.120, No.4 ‘Dream’ for Alto Saxophone & Piano
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Alto Saxophone and Piano
#
INTERMEDIATE
#
Classical
#
Nölck, August
#
Mikio Kamada
#
6 Salon Pieces, Op.120, No.4 â
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ACORDO Sheet Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.777911 Composed by Nölck, August (1862-1928). Arranged by Mikio Kamada. Romantic Period. Sco...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.777911 Composed by Nölck, August (1862-1928). Arranged by Mikio Kamada. Romantic Period. Score and part. 4 pages. ACORDO Sheet Music #2098285. Published by ACORDO Sheet Music (A0.777911). August Nölck (1862-1928) was a composer, cellist, and pianist. He composed many small pieces for cello and Piano. 6 Salon Pieces, Op. 120, were originally composed for Violoncello and Piano, which consist of No. 1. 'Gypsy Maiden', No. 2. 'Aria', No. 3. 'A Dream', No. 4. 'Prelude', No. 5. 'Mazurka', and No. 6. 'Ring Dance'. No.3 'A Dream' is a small but very pretty piece.
$4.50
Prelude
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Alto Saxophone and Piano
#
INTERMEDIATE/ADVANCED
#
Classical
#
Frederic Chopin
#
Timofei Dokshitser
#
Prelude
#
Editions Marc Reift - Digital
#
SheetMusicPlus
Alto Saxophone & Piano - Grade 4 - Digital Download SKU: R0.39994 Op. 28 No. 24. Composed by Frederic Chopin. Arranged by Timofei Dokshitser. Alto...
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Alto Saxophone & Piano - Grade 4 - Digital Download SKU: R0.39994 Op. 28 No. 24. Composed by Frederic Chopin. Arranged by Timofei Dokshitser. Alto Saxophone & Piano. Score and parts. 7 pages. Duration 2'19. Editions Marc Reift - Digital #39994. Published by Editions Marc Reift - Digital (R0.39994).
$11.95
Bach-Gounod: Ave Maria for Alto Sax & Piano
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Alto Saxophone and Piano
#
EASY
#
Bach-Gounod
#
James M
#
Piano, S0
#
Bach-Gounod: Ave Maria for Alt
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Eas...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549364 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490139. Published by jmsgu3 (A0.549364). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano, S0.661763. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. ÂÂ
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano
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Alto Saxophone and Piano
#
EASY
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contempo...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888291. Published by jmsgu3 (A0.550919). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. ÂÂ
$32.95
Like a River Glorious (Alto Sax and Piano)
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Sacred music
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Christian contemporary
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James Mountain and Claude Debu
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John A
#
Like a River Glorious
#
John A. Dempsey
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.524101 Composed by James Mountain and Claude Debussy. Arranged by John A. Dempsey. Christian,Co...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.524101 Composed by James Mountain and Claude Debussy. Arranged by John A. Dempsey. Christian,Contemporary,Praise & Worship,Sacred,Traditional. Score and part. 13 pages. John A. Dempsey #4764197. Published by John A. Dempsey (A0.524101). A hymn that celebrates God's perfect peace and love, Like a River Glorious is arranged here as a duet for alto sax and piano.  The incidental music winding its way through the hymn is Claude Debussy's Arabesque, No. 2.  Recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, interlude or special music.  9 pages of music (that includes a separate two-page alto sax part).  Concert Key (Piano): Bb major.  Alto Sax Key: G major.
$6.99
Bach: Wachet auf for Alto Sax & Piano
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Alto Saxophone and Piano
#
EASY
#
Classical
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Alto Sax
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554821. Published by jmsgu3 (A0.549842). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Were You There (Trio for Two Alto Saxes and Piano)
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Alto Saxophone and Piano
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INTERMEDIATE
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Gospel/Spiritual
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Traditional Spiritual, Frederi
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John A
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Were You There
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John A. Dempsey
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.522888 Composed by Traditional Spiritual, Frederic Ch...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.522888 Composed by Traditional Spiritual, Frederic Chopin. Arranged by John A. Dempsey. Christian,Easter,Sacred,Spiritual,Traditional. Score and parts. 12 pages. John A. Dempsey #3001327. Published by John A. Dempsey (A0.522888). This Easter trio for two alto saxes and piano weaves the moving spiritual Were You There? into the rich tapestry of a beautiful Chopin etude (Tristesse, Op. 10, No. 3). Recommended for traditional Easter church services and other worship events, including Good Friday services, Easter sunrise worship and Communion. Suggested worship uses: a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music. Appropriate year round! 8 pages of music (that includes separate parts for alto sax 1 and alto sax 2). Concert Key (Piano): Bb major. Alto Sax Key: G major. Sax Level: Intermediate. Piano Level: Late Intermediate .
$11.99
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