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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
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Que Opera
Not classified
1,139
Piano & keyboards
Piano, Voice
848
Piano solo
307
Easy Piano
114
C Instruments
22
Piano, Vocal and Guitar
21
Organ
18
Accordion
14
Piano Trio: piano, violin, cello
13
2 Pianos, 4 hands
9
1 Piano, 4 hands
8
Piano Quintet: piano, 2 violins, viola, cello
5
Piano Accompaniment
5
Piano Quartet: piano, violin, viola, cello
4
Harpsichord
4
Piano Quartet: piano, 2 violins, cello
1
2 Pianos, 8 hands
1
Solo instrument and Organ
1
1 Piano, 6 hands
1
+ 13 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
35
Guitar
28
Melody line, (Lyrics) and Chords
18
2 Guitars (duet)
12
Ukulele
11
Bass guitar
9
3 Guitars (trio)
2
Plectrum Orchestra
1
Mandolin, Guitar (duet)
1
4 Guitars (Quartet)
1
+ 5 instrumentations
-
Retract
Voice
Voice solo
77
Choral SATB
71
Soprano voice, Piano
61
Alto voice, Piano
28
Choral 3-part
27
Choral TTBB
23
High voice
19
Baritone voice
16
Tenor voice, Piano
15
Vocal duet, Piano
12
Low voice, Piano
11
Baritone voice, Piano
10
Choral SSAA
9
Medium voice, Piano
8
Choral 2-part
8
Vocal duet
5
Mezzo-Soprano voice, Piano
4
Soprano voice
3
Tenor voice
2
Choral Unison
2
Low voice
1
Voice, Guitar
1
Soli, Mixted choir and accompaniment
1
+ 18 instrumentations
-
Retract
Woodwind
Flute and Piano
156
Clarinet and Piano
141
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
84
Oboe, Piano (duet)
83
Alto Saxophone and Piano
82
Flute, Oboe, Clarinet, Bassoon
71
Saxophone Quartet: 4 saxophones
68
Soprano Saxophone and Piano
60
Clarinet Quartet: 4 clarinets
48
Clarinet
45
2 Saxophones (duet)
40
Alto Saxophone
38
English horn, Piano
36
2 Flutes (duet)
35
Flute Quartet: 4 flutes
33
Flute
33
Tenor Saxophone and Piano
32
Clarinet Ensemble
28
Tenor Saxophone
22
2 Clarinets (duet)
19
Saxophone Quintet: 5 Saxophones
19
Saxophone ensemble
15
Flute ensemble
12
Clarinet Quintet: 5 clarinets
12
3 Saxophones (trio)
12
2 Recorders (duet)
11
Recorder
10
Saxophone (band part)
9
Baritone Saxophone, Piano
9
Oboe (band part)
9
Flute, Clarinet and Bassoon.
9
2 Oboes (duet)
9
Saxophone
8
Oboe, Clarinet, Bassoon (trio)
8
Flute Quintet : 5 flutes
7
Saxophone, Clarinet (duet)
6
Oboe
6
Descant (Soprano) Recorder
6
Recorder Quartet
6
3 Clarinets (trio)
6
Bass Clarinet, Piano
6
Flute, Cello, Piano (trio)
5
2 Clarinets, Piano
5
Oboe, Bassoon (duet)
5
Flute, Clarinet (duet)
5
Flute and Guitar
4
5 Recorders
4
Oboe, Clarinet (duet)
4
Clarinet, Violin (duet)
4
Clarinet, Cello, Piano (trio)
4
Recorder, Guitar (duet)
3
Flute, Oboe, Bassoon
3
English Horn
3
Flute, Saxophone (duet)
3
Flute Trio: 3 flutes
3
Pennywhistle
2
Flute, Violin and Violoncello
2
3 Recorders (trio)
2
2 Flutes, Piano
2
Clarinet, Trumpet (duet)
2
Clarinet, Cello (duet)
2
Flute, Violin, Piano
2
Clarinet, Bassoon (duet)
2
Flute, Violoncello
2
Flute, Viola (duet)
2
Flute, Violin
2
Tenor Recorder
2
Treble (Alto) Recorder
1
Flute, Clarinet, Piano (trio)
1
Oboe, Flute
1
Soprano Saxophone
1
Harmonica
1
Saxophone and Guitar
1
Eb Instruments
1
Flute, Trumpet (duet)
1
Oboe, Cello
1
2 Recorders, Guitar
1
Flute, Violin, Violoncello and Piano
1
Flute, Organ (duet)
1
English Horn, Guitar (duet)
1
2 Clarinets, Bassoon
1
Clarinet, Guitar (duet)
1
Clarinet, Harp (duet)
1
Pan Flute
1
Flute (band part)
1
Clarinet, Bassoon, Piano (trio)
1
Piccolo, Piano
1
Flute, Oboe, Piano (trio)
1
Descent (Soprano) Recorder, Piano
1
Oboe, Harp
1
Clarinet and Viola
1
+ 86 instrumentations
-
Retract
Woodbrass
Trumpet, Piano
74
Brass Quintet: 2 trumpets, horn, trombone, tuba
70
French Horn and Piano
54
Trombone and Piano
50
Brass quartet : 2 trumpets, trombone, tuba
50
English horn, Piano
36
Trumpet
30
Tuba and Piano
27
Brass Quartet: 2 trumpets, horn, trombone
21
Brass Quartet: 4 trombones
20
Trombone
19
2 Trumpets (duet)
17
Euphonium, Piano (duet)
14
Brass Quartet: 4 horns
14
French horn
13
2 Trombones (duet)
13
Tuba
12
Trumpet, Trombone (duet)
10
2 French horns (duet)
8
Brass Quartet
7
Brass Quartet: 4 trumpets
7
Trumpet (band part)
7
Trumpet ensemble
6
Trombone ensemble
6
Horn Ensemble
6
English Horn
3
4 Tubas
3
2 Tubas (duet)
3
Trumpet, Saxophone (duet)
3
Euphonium
3
Trombone (band part)
3
French horn (band part)
2
Brass Trio
2
2 Euphoniums (duet)
2
Trumpet, Horn (duert)
1
3 Trombones (trio)
1
Tuba and Organ
1
2 Trumpets, Keyboard (piano or organ)
1
Bb Instruments
1
Euphonium, Tuba (duet)
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
English Horn, Guitar (duet)
1
3 Tubas (trio)
1
Trombone, Horn (duet)
1
Bass Clef Instruments
1
Trumpet, Cello, Piano
1
Euphonium or Saxhorn and Piano
1
+ 42 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
193
Violin and Piano
144
Cello, Piano
130
Viola, Piano
128
Violin
51
String Trio: violin, viola, cello
41
Cello
37
Harp
32
Viola
24
Violin, Cello (duet)
24
2 Violins (duet)
24
Double bass, Piano (duet)
22
2 Cellos (duet)
17
2 Violas (duet)
15
Violin, Viola (duet)
13
String Quintet: 2 violins, viola, cello, bass
12
String Trio: 2 violins, cello
12
4 Cellos
12
2 Harps (duet)
11
Double Bass
8
String Quartet : 4 violas
8
Harp, Flute (duet)
7
String Trio: 3 cellos
5
Viola, Guitar (duet)
5
Viola (band part)
5
Viola, Cello (duet)
5
String Quintet: 2 violins, viola, 2 cellos
4
Piano Trio: Violin, Viola, Piano
4
Violin (band part)
3
2 Double basses (duet)
3
String quartet: 4 violins
3
Cello, Guitar (duet)
3
Violin, Guitar (duet)
3
String Trio: 3 violas
2
Harp, Violin, Violoncello
2
Cello Ensemble
2
2 Violins, Piano
2
String Trio: 2 violins, viola
1
String Quintet: 2 violins, 2 violas, cello
1
Cello, String Bass (duet)
1
String Trio: 3 violins
1
Harp, Violin (duet)
1
Flute, Doublebass (duet)
1
String trio
1
Violin, Bassoon (duet)
1
+ 40 instrumentations
-
Retract
Orchestra & Percussion
Orchestra
140
String Orchestra
108
Brass ensemble
88
Concert band
84
Chamber Orchestra
44
Jazz combo
35
Jazz Ensemble
21
Big band
8
Percussion Ensemble
4
Xylophone, Piano
3
Handbells
2
Xylophone
2
Snare drums
1
Piano and Orchestra
1
+ 9 instrumentations
-
Retract
Others
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Que Opera
Alto Saxophone and Piano
Sheetmusic to print
82 sheet music found
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1
26
51
76
Queen of the Night Aria - Alto Sax and Piano (Full Score and Parts)
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Alto Saxophone and Piano
#
INTERMEDIATE
#
Classical
#
Wolfgang Amadeus Mozart
#
César Madeira
#
Queen of the Night Aria - Alto
#
Sheet Music To Play Editions
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1178687 Composed by Wolfgang Amadeus Mozart. Arranged by César Madeira. Children,Classical,F...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1178687 Composed by Wolfgang Amadeus Mozart. Arranged by César Madeira. Children,Classical,Film/TV,Multicultural,Opera,World. Score and part. 13 pages. Sheet Music To Play Editions #778650. Published by Sheet Music To Play Editions (A0.1178687). Queen of the Night from Die Zauberflöte by Mozart for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Wolfgang Amadeus Mozart (1756 - 1791), was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart was among the greatest composers in the history of Western music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Jacques Offenbach: Barcarolle from "The Tales of Hoffmann", - Eb alto saxophone and piano
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Alto Saxophone and Piano
#
INTERMEDIATE
#
Jacques Offenbach
#
Paul Wehage
#
Jacques Offenbach: Barcarolle
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.534103 Composed by Jacques Offenbach. Arranged by Paul Wehage. Concert,Opera,Romantic Period,St...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.534103 Composed by Jacques Offenbach. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 15 pages. Musik Fabrik Music Publishing #3112795. Published by Musik Fabrik Music Publishing (A0.534103). The Prelude to the Venise Act of Offenbach's last opera. Unlike many arrangements, this arrangement begins with the beginning of the scene.
$10.35
Queen of the Night - From the Magic Flute - Alto Sax and Piano
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Alto Saxophone and Piano
#
INTERMEDIATE
#
Classical
#
Wolfgang Amadeus Mozart
#
Raymond Fenech
#
Queen of the Night - From the
#
Raymond Fenech
#
SheetMusicPlus
Chamber Orchestra Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.760269 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Class...
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Chamber Orchestra Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.760269 Composed by Wolfgang Amadeus Mozart. Arranged by Raymond Fenech. Classical,Contest,Festival,Instructional,Multicultural,Opera,World. Score and part. 19 pages. Raymond Fenech #3547257. Published by Raymond Fenech (A0.760269). The Magic Flute (German: Die Zauberflöte), K. 620, is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue.[a] The work premiered on 30 September 1791 at Schikaneder's theatre, the Freihaus-Theater auf der Wieden in Vienna, just two months before the composer's premature death. Queen of the Night is a popular aria from The Magic Flute. The Duration is approx. 2.51 minutes and the level is Intermediate.
$3.99
Song of The Queen of The Night
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Alto Saxophone and Piano
#
INTERMEDIATE
#
Classical
#
Classical
#
Wolfgang Amadeus Mozart
#
John Nicolaus
#
Song of The Queen of The Night
#
John Nicolaus
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1209887 Composed by Wolfgang Amadeus Mozart. Arranged by John Nicolaus. Classical,Opera. Score ...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1209887 Composed by Wolfgang Amadeus Mozart. Arranged by John Nicolaus. Classical,Opera. Score and part. 8 pages. John Nicolaus #807856. Published by John Nicolaus (A0.1209887). Song of The Queen of The NightFrom The Magic FluteArranged for alto saxophone and piano by J. Nicolausduration: ca 3 min.
$12.99
Lascia Ch'io Pianga - From Opera 'Rinaldo' - G.F. Handel ( Alto Sax and Piano)
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Alto Saxophone and Piano
#
INTERMEDIATE/ADVANCED
#
Classical
#
George Frideric Handel
#
Raymond Fenech
#
Lascia Ch'io Pianga - From Ope
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Raymond Fenech
#
SheetMusicPlus
Chamber Orchestra Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.759979 Composed by George Frideric Handel. Arranged by Raymond Fenech. Baroqu...
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Chamber Orchestra Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.759979 Composed by George Frideric Handel. Arranged by Raymond Fenech. Baroque,Christmas,Easter,Praise & Worship,Standards. Score and part. 17 pages. Raymond Fenech #3478117. Published by Raymond Fenech (A0.759979). Lascia ch’io pianga, originally Lascia la spina, cogli la rosa, is an Italian-language soprano aria by composer George Frideric Handel that has become a popular concert piece. Its melody is first found in Act III of Handel’s 1705 opera Almira as a sarabande. This aria is arranged for Alto Sax and Piano . The Duration is approx. 4 minutes and the level is Advanced Intermediate.
$3.50
Nessun Dorma by Puccini - Alto Sax and Piano (Full Score)
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Alto Saxophone and Piano
#
INTERMEDIATE
#
Opera
#
Classical
#
Giacomo Puccini
#
César Madeira
#
Nessun Dorma by Puccini - Alto
#
Sheet Music To Play Editions
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1223337 Composed by Giacomo Puccini. Arranged by César Madeira. 19th Century,20th Century,Cl...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1223337 Composed by Giacomo Puccini. Arranged by César Madeira. 19th Century,20th Century,Classical,Opera,Romantic Period. Score and part. 4 pages. Sheet Music To Play Editions #819546. Published by Sheet Music To Play Editions (A0.1223337). Nessun Dorma from the Opera Turandot by Giacomo Puccini. Arrangement for Alto Sax and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Giacomo Puccini (1858 - 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming to the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera he later developed his work in the realistic verismo style, of which he became one of the leading exponents. His most renowned works are La bohème (1896), Tosca (1900), Madama Butterfly (1904), and Turandot (1924), all of which are among the most frequently performed and recorded of all operas.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
Nessun Dorma by Puccini - Alto Sax and Piano (Individual Parts)
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Alto Saxophone and Piano
#
INTERMEDIATE
#
Giacomo Puccini
#
César Madeira
#
Nessun Dorma by Puccini - Alto
#
Sheet Music To Play Editions
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1223335 Composed by Giacomo Puccini. Arranged by César Madeira. 19th Century,20th Century,Fi...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1223335 Composed by Giacomo Puccini. Arranged by César Madeira. 19th Century,20th Century,Film/TV,Multicultural,Opera,World. Score and part. 4 pages. Sheet Music To Play Editions #819544. Published by Sheet Music To Play Editions (A0.1223335). Nessun Dorma from the Opera Turandot by Giacomo Puccini. Arrangement for Alto Sax and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Giacomo Puccini (1858 - 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming to the late-Baroque era. Though his early work was firmly rooted in traditional late-19th-century Romantic Italian opera he later developed his work in the realistic verismo style, of which he became one of the leading exponents. His most renowned works are La bohème (1896), Tosca (1900), Madama Butterfly (1904), and Turandot (1924), all of which are among the most frequently performed and recorded of all operas.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
O Holy Night for Alto Sax & Piano
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Alto Saxophone and Piano
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BEGINNER
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Christmas
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Adam
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James M
#
piano
#
O Holy Night for Alto Sax & Pi
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548668 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and pa...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548668 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410421. Published by jmsgu3 (A0.548668). O Holy Night arranged for alto sax & piano. Duration: 4:56, 44 ms. Score: 5 pg Part: 2 pg, piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from him poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Ali Ben Sou Alle, Wolfgang Ama
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Alto Saxophone and Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. In...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Ali Ben Sou Alle: Fantaisie sur La Favorita de Donizetti for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Ali Ben Sou Alle, Gaetano Doni
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 23 pages. Musik Fabrik Music Publishing #2348199. Published by Musik Fabrik Music Publishing (A0.533348). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrotesongs while he was in London. His opera fantasies are usually written for the Alto saxophone. This particular fantasy usesthemes from the Third and fourth act sung by the hero et heroine which are marked in the score.
$11.95
Handel: Largo from Xerxes for Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Classical
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549383 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549383 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492297. Published by jmsgu3 (A0.549383). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Lascia ch'io pianga
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Alto Saxophone and Piano
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EASY
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Classical
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George Frideric Handel
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John Nicolaus
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Lascia ch'io pianga
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John Nicolaus
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1269199 Composed by George Frideric Handel. Arranged by John Nicolaus. Baroque,Opera. Score and...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1269199 Composed by George Frideric Handel. Arranged by John Nicolaus. Baroque,Opera. Score and part. 4 pages. John Nicolaus #861735. Published by John Nicolaus (A0.1269199). Lascia ch'io piangafrom the opera RinaldoMusic by Georg Friedrich Händelarranged by John NicolausAlto Saxophone and pianoduration: 3:45 min.
$7.99
Ombra mai fu
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Alto Saxophone and Piano
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EASY
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Classical
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George Frideric Handel
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John Nicolaus
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Ombra mai fu
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John Nicolaus
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1269399 Composed by George Frideric Handel. Arranged by John Nicolaus. Baroque,Opera. Score and...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1269399 Composed by George Frideric Handel. Arranged by John Nicolaus. Baroque,Opera. Score and part. 3 pages. John Nicolaus #861919. Published by John Nicolaus (A0.1269399). Ombra mai fuAria from the opera SerseMusic by Georg Friedrich Händelarranged by John NicolausAlto Saxophone and pianoduration: 2:15 min.
$6.99
Habanera from Carmen by Bizet - Alto Sax and Piano (Full Score and Parts)
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Alto Saxophone and Piano
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INTERMEDIATE
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Classical
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Georges Bizet
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César Madeira
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Habanera from Carmen by Bizet
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1179866 Composed by Georges Bizet. Arranged by César Madeira. 19th Century,20th Century,Mult...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1179866 Composed by Georges Bizet. Arranged by César Madeira. 19th Century,20th Century,Multicultural,Opera,Romantic Period,World. Score and part. 14 pages. Sheet Music To Play Editions #779815. Published by Sheet Music To Play Editions (A0.1179866). Habanera from Carmen by Bizet. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Georges Bizet (1838 - 1875), was a French composer of the Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$7.99
Scarlatti - Già il sole dal Gange - Alto Sax and Piano (Full Score and Parts)
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Alto Saxophone and Piano
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INTERMEDIATE
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Alessandro Scarlatti
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César Madeira
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Scarlatti - Già il sole dal G
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1472204 Composed by Alessandro Scarlatti. Arranged by César Madeira. Baroque,Classical,Early M...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1472204 Composed by Alessandro Scarlatti. Arranged by César Madeira. Baroque,Classical,Early Music,Multicultural,Opera,World. Score and part. 12 pages. Sheet Music To Play Editions #1049905. Published by Sheet Music To Play Editions (A0.1472204). Già il sole dal Gange by Scarlatti. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Pietro Alessandro Gaspare Scarlatti (1660 – 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera.For Tutorials, Play Alongs or request New Arrangements, visit the Youtube Channel: Sheet Music To Play
$8.99
Trumpet Tune and Air, by Purcell; for solo Alto Saxophone and Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Henry Purcell
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David McKeown
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Trumpet Tune and Air, by Purce
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587650 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Stan...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587650 Composed by Henry Purcell. Arranged by David McKeown. Baroque,Concert,Instructional,Standards,Wedding. Score and part. 7 pages. David McKeown #4728535. Published by David McKeown (A0.587650). The Trumpet Tune and Air was in fact written for organ, with the melody played on the trumpet stop. Written around 1700, for many years this piece was attributed to Henry Purcell. But more recently many have questioned whether the composer was in fact Jeremiah Clarke, organist at St Paul’s Cathedral. What is known is that the piece was written for a semi-opera called The Island Princess, and that both men contributed music to the production. In recent years this piece has become a popular wedding favourite. This full version is arranged as a solo for Alto Saxophone and Piano and the performance time is around two and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and the repeat may be ignored. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Musicians at an intermediate level and above will find this ideal for formal and informal performances. There are of course separate piano and instrumental parts included in the downloaded file.Teachers will enjoy using this arrangement as a fun way to help with strict time, full tone and dynamic contrast. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle, Gioachino Ro
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2363209. Published by Musik Fabrik Music Publishing (A0.533354). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Fantaisie sur Le Barbier de Séville begins with the Count's 1st act cavatina Ecco ridente in cielà This is followed by a seriesof variations sur Rosina's Cabaletta Io sono docile. The second act finale Fredda ed immobile is then presented in a number of variations. Finally, the second part of the Count and Figaros first act duo (Ah che d'amore) brings the work to a brilliant finish.
$19.95
Ali Ben Sou Alle: Caprice sur La Prophète de Meyerbeer for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Caprice sur
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 page...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533497 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik Music Publishing #3000441. Published by Musik Fabrik Music Publishing (A0.533497). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt andothers with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$11.95
Ali Ben Sou Alle: Fantaisie sur Robert le Diable for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 page...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533499 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #3000445. Published by Musik Fabrik Music Publishing (A0.533499). Meyerbeer’s Opera Le Prophète was one of the most influential works of the 19th century, inspiring Verdi, Wagner, Liszt and others with its dramatic score. Caprice sur Le Prophète de Meyerbeer begins with an extended Aria with several cadenzas. The work ends with a Polka in Rondo form which has a brillant variation.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
Ali Ben Sou Alle: Grande Fantaisie Variée sur "Lucia di Lammermoor" for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Grande Fanta
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533508 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 35 page...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533508 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 35 pages. Musik Fabrik Music Publishing #3002551. Published by Musik Fabrik Music Publishing (A0.533508). This fantasy uses motifs from Donizetti's opera. After the opening which uses motives from the Overture, the main melody of the famous Sextet is presented. The tenor aria from the last act is presented with several vrariations. Finally, motifs form the fmaous mad scene end the work in a brilliant valse.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle, Vincenzo Bel
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,R...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #2363203. Published by Musik Fabrik Music Publishing (A0.533353). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.This fantasy begins with motifs from the 1st act chorus « Sempre Felc’Amina » ». The Count’s first act aria « Vi ravisso, o loughi ameni » is followed by an extended cadenza and leads to Amina and Elvino’s first act duo « Prendi l’amel ti dono ». Amina’s second act aria « Ah non guige! » is presented with a brilliant variation to bring the work to a close.
$16.95
Largo al Factotum - Alto Sax and Piano (Full Score and Parts)
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Alto Saxophone and Piano
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INTERMEDIATE
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Gioachino Rossini
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César Madeira
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Largo al Factotum - Alto Sax a
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Sheet Music To Play Editions
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1456815 Composed by Gioachino Rossini. Arranged by César Madeira. 19th Century,Classical,Comed...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1456815 Composed by Gioachino Rossini. Arranged by César Madeira. 19th Century,Classical,Comedy,Opera,Romantic Period. Score and part. 33 pages. Sheet Music To Play Editions #1035889. Published by Sheet Music To Play Editions (A0.1456815). Largo al Factotum from Barbieri di Seviglia by Rossini. Arrangement for Alto Sax and Piano. With Full Score and Individual Parts. Enjoy it!Gioachino Antonio Rossini (1792 – 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
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