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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
When There
Not classified
840
Piano & keyboards
Piano solo
427
Piano, Voice
204
Piano, Vocal and Guitar
118
Easy Piano
96
Big Note Piano
48
C Instruments
46
Organ
37
2 Pianos, 4 hands
29
Piano Accompaniment
20
1 Piano, 4 hands
17
Piano Trio: piano, violin, cello
8
Accordion
3
Piano Quartet: piano, violin, viola, cello
3
Piano (band part)
2
Piano Quintet: piano, 2 violins, viola, cello
2
Accordion ensemble
1
Organ, Piano (duet)
1
2 Pianos, 8 hands
1
+ 13 instrumentations
-
Retract
Guitars
Guitar
45
Guitar notes and tablatures
42
Ukulele
8
Melody line, (Lyrics) and Chords
7
Bass guitar
6
Lyrics and Chords
4
Banjo
3
2 Guitars (duet)
3
4 Guitars (Quartet)
3
3 Guitars (trio)
3
Guitar (band part)
2
Piano, Guitar (duet)
2
Mandolin
2
Guitar Ensemble
1
Dulcimer
1
+ 10 instrumentations
-
Retract
Voice
Choral SATB
293
Choral 3-part
78
Alto voice, Piano
65
Soprano voice, Piano
56
Choral 2-part
54
Tenor voice, Piano
52
Choral TTBB
25
Choral Unison
24
Vocal duet, Piano
17
Choral SSAA
15
Voice solo
7
Vocal duet
5
Baritone voice, Piano
3
High voice
3
Soprano voice
2
Choral SSATTB
1
Choral SSAB, Piano
1
Medium voice, Piano
1
Low voice, Piano
1
Mezzo-Soprano voice, Piano
1
+ 15 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
123
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
75
2 Flutes (duet)
68
Saxophone, Clarinet (duet)
64
Saxophone Quintet: 5 Saxophones
58
2 Clarinets (duet)
54
Flute and Piano
49
Clarinet, Violin (duet)
44
Saxophone Quartet: 4 saxophones
36
Clarinet and Piano
36
Clarinet, Trumpet (duet)
33
Flute, Clarinet (duet)
30
Oboe, Piano (duet)
29
Alto Saxophone and Piano
28
Oboe, Bassoon (duet)
28
Clarinet and Viola
26
Clarinet
25
Flute, Viola (duet)
24
2 Oboes (duet)
23
Flute, Violin
22
Oboe, Clarinet (duet)
22
Tenor Saxophone and Piano
21
Oboe, Flute
21
Clarinet Quartet: 4 clarinets
21
English horn, Piano
20
Flute, Saxophone (duet)
19
Oboe (band part)
18
Flute Quartet: 4 flutes
17
Soprano Saxophone and Piano
17
Flute, Trumpet (duet)
17
Alto Saxophone
15
Flute, Oboe, Clarinet, Bassoon
15
Flute
15
Saxophone (band part)
13
Baritone Saxophone, Piano
12
Tenor Saxophone
11
Flute ensemble
11
Clarinet Ensemble
10
Bass Clarinet, Piano
9
3 Saxophones (trio)
8
Harmonica
8
3 Clarinets (trio)
6
Recorder Quartet
6
Flute, Violoncello
6
Flute Quintet : 5 flutes
5
Flute, Clarinet, Piano (trio)
5
Descent (Soprano) Recorder, Piano
4
Clarinet Quintet: 5 clarinets
4
Clarinet, Cello (duet)
4
Clarinet, Bassoon (duet)
4
2 Recorders (duet)
4
Descant (Soprano) Recorder
4
Recorder
3
Flute (band part)
3
Saxophone ensemble
3
Flute Trio: 3 flutes
2
Oboe, Clarinet, Bassoon (trio)
2
Pennywhistle
2
Clarinet, Guitar (duet)
2
Flute, Violin, Piano
2
Flute and Guitar
2
Tenor Recorder
2
Treble (Alto) Recorder
1
Oboe, Violin (duet)
1
Oboe, Guitar (duet)
1
Saxophone and Guitar
1
2 Flutes, Piano
1
3 Recorders (trio)
1
Oboe, Harp
1
Flute, Oboe, Clarinet (trio)
1
Oboe, Cello
1
Treble (Alto) Recorder, Piano
1
Saxophone and Organ
1
Flute, Bassoon, and Piano
1
2 Saxophones, Piano
1
Flute, Clarinet and Bassoon.
1
Eb Instruments
1
Flute, Oboe (duet)
1
Clarinet, Trombone (duet)
1
5 Recorders
1
Oboe and viola (duet)
1
Saxophone
1
+ 77 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
54
Trumpet, Saxophone (duet)
46
Brass quartet : 2 trumpets, trombone, tuba
36
Trumpet
32
Trumpet, Trombone (duet)
28
2 Trombones (duet)
25
2 Trumpets (duet)
23
Trombone and Piano
22
English horn, Piano
20
French Horn and Piano
14
Trumpet, Piano
13
Trombone
11
Euphonium, Piano (duet)
9
Trombone ensemble
6
Brass Quartet: 2 trumpets, horn, trombone
6
Tuba
5
Trumpet ensemble
5
Tuba and Piano
5
Brass Quintet: 2 trumpets, horn, 2 trombones
5
Trombone (band part)
5
French horn
5
Brass Quartet: 4 trombones
4
2 French horns (duet)
3
Trumpet (band part)
3
Brass Quartet
3
2 Trumpets, Keyboard (piano or organ)
3
4 Tubas
2
3 Trombones (trio)
2
2 Tubas (duet)
2
Bb Instruments
1
Bass Clef Instruments
1
French horn (band part)
1
Brass Quartet: 4 trumpets
1
2 Euphoniums and 2 Tubas
1
Trombone, Tuba (duet)
1
Trumpet, Euphonium (duet)
1
Horn Ensemble
1
Trumpet, Trombone, Piano
1
Tuba (band part)
1
Brass Quartet: 4 horns
1
3 French horns (trio)
1
+ 36 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
93
Violin and Piano
53
Harp
48
Violin, Cello (duet)
45
2 Violins (duet)
42
Violin, Viola (duet)
38
Violin
34
Viola, Piano
31
2 Violas (duet)
29
2 Cellos (duet)
26
Cello, Piano
25
Cello
23
2 Harps (duet)
18
Viola
10
String Trio: violin, viola, cello
7
Cello, String Bass (duet)
7
String Quintet: 2 violins, viola, cello, bass
6
Harp, Voice
6
Viola ensemble
5
Violin ensemble
5
String Trio: 2 violins, cello
5
Flute, Doublebass (duet)
5
Viola, Cello (duet)
5
String quartet: 4 violins
4
String Trio: 3 violins
4
String Trio: 3 violas
3
4 Cellos
3
Double bass, Piano (duet)
3
Viola (band part)
3
Double Bass
3
2 Violins, Piano
2
Violin, Guitar (duet)
2
Doublebass (band part)
2
String Quartet : 4 violas
2
String Trio: 2 violins, viola
1
Piano Trio: Violin, Viola, Piano
1
4 Double Basses
1
Violin, Bassoon (duet)
1
String Quintet: 2 violins, 2 violas, cello
1
String Trio: 3 cellos
1
Cello, Guitar (duet)
1
Harp, Flute (duet)
1
+ 37 instrumentations
-
Retract
Orchestra & Percussion
Concert band
131
String Orchestra
85
Orchestra
57
Brass ensemble
33
Chamber Orchestra
27
Handbells
26
Jazz Ensemble
23
Percussion Ensemble
11
Jazz combo
9
Marching band
3
Marimba
3
Drums
2
School Ensemble
1
Xylophone, Piano
1
Brass Quintet: other combinaisons
1
Orchestra, Violin
1
Drum (band part)
1
+ 12 instrumentations
-
Retract
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When There
Alto Saxophone and Piano
Sheetmusic to print
28 sheet music found
<
1
26
When There Are Nine (Alto Saxophone and Piano)
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Alto Saxophone and Piano
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INTERMEDIATE
#
Amy Dunker
#
3:15.
#
When There Are Nine
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Amy Dunker
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.969872 Composed by Amy Dunker. Concert,Contemporary. Score and part. 9 pages. Amy Dunker #60833...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.969872 Composed by Amy Dunker. Concert,Contemporary. Score and part. 9 pages. Amy Dunker #6083303. Published by Amy Dunker (A0.969872). When There Are Nine is a fanfare of hope for the kind of equality that Justice Ruth Bader Ginsberg worked so diligently towards. When I'm sometimes asked when will there be enough [women on the Supreme Court] and I say, 'When there are nine,' people are shocked. But there'd been nine men, and nobody's ever raised a question about that. ― Ruth Bader GinsburgDuration: 3:15.
$8.00
When I Get There
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Pink
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Samuel Sequeira
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When I Get There
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Samuel Sequeira
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1199211 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwri...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1199211 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Score and part. 18 pages. Samuel Sequeira #798280. Published by Samuel Sequeira (A0.1199211). When I Get There - Pink - Alto SaxophonePlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.Experience the emotional depth and beauty of Pink's When I Get There in a whole new way with this expertly crafted arrangement for alto saxophone and piano in the key of Eb Major.The alto saxophone part has been carefully crafted to include the vocal melody, while the piano accompaniment provides a rich harmonic texture and enhances the emotional impact of the piece. Suitable for intermediate and advanced players, this arrangement offers a challenge while still remaining accessible and enjoyable to play. Whether you're an alto saxophonist looking to perform the song with a pianist or a fan of Pink's music, this arrangement is sure to captivate and inspire.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99
When I Get There
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Alto Saxophone and Piano
#
INTERMEDIATE/ADVANCED
#
Pink
#
Samuel Sequeira
#
When I Get There
#
Samuel Sequeira
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1199209 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwri...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1199209 By Pink. By Amy Wadge and David Hodges. Arranged by Samuel Sequeira. Pop,Singer/Songwriter. Score and part. 18 pages. Samuel Sequeira #798278. Published by Samuel Sequeira (A0.1199209). When I Get There - Pink - Alto SaxophonePlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.Experience the emotional depth and beauty of Pink's When I Get There in a whole new way with this expertly crafted arrangement for alto saxophone and piano in the key of Eb Major.The alto saxophone part has been carefully crafted to include the vocal melody, while the piano accompaniment provides a rich harmonic texture and enhances the emotional impact of the piece. The chords are also included in the sheet music, giving the pianist the option to play them as written or to improvise their own accompaniment.Suitable for intermediate and advanced players, this arrangement offers a challenge while still remaining accessible and enjoyable to play. Whether you're an alto saxophonist looking to perform the song with a pianist or a fan of Pink's music, this arrangement is sure to captivate and inspire.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$4.99
When Evening Falls - Alto Sax & Piano
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Alto Saxophone and Piano
#
INTERMEDIATE
#
James Michael Stevens
#
James Michael Stevens
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When Evening Falls - Alto Sax
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James M Stevens Music ASCAP
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.574019 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Conte...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.574019 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Easter,Sacred. Score and part. 8 pages. James M Stevens Music ASCAP #6234079. Published by James M Stevens Music ASCAP (A0.574019). Written January 15, 2021, this an original alto sax and piano composition in an introspective style with a lyrical melody above a bed of subtly changing chords in the key of C minor. There is a separate alto sax part in the score and the accompaniment track as heard is available under When Evening Falls Piano Track.
$6.99
When the Swans of Spring Return - Alto Sax & Piano
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Alto Saxophone and Piano
#
INTERMEDIATE
#
James Michael Stevens
#
James Michael Stevens
#
When the Swans of Spring Retur
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James M Stevens Music ASCAP
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.574211 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Conte...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.574211 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #6348281. Published by James M Stevens Music ASCAP (A0.574211). Written April 3, 2021, this is an original alto sax and piano composition in a romantic and nostalgic style in the key of E flat major. There is a separate sax part in the score and the accompaniment track as heard can be found under When the Swans of Spring Return Piano Track.
$6.99
Were You There (with "When I Survey The Wondrous Cross") (Alto Saxophone and Piano)
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Alto Saxophone and Piano
#
EASY
#
Sacred music
#
Spiritual, Lowell Mason
#
Stephen DeCesare
#
Were You There
#
Exultet Music
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.629364 Composed by Spiritual, Lowell Mason. Arranged by Stephen DeCesare. Christian,Easter,Prai...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.629364 Composed by Spiritual, Lowell Mason. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Religious,Sacred. Score and part. 11 pages. Exultet Music #6328875. Published by Exultet Music (A0.629364). Two of the most played hymns during Lent and Holy Week have now been freshly arranged and joined together and arranged for an Alto Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99
Fauré: Élégie Op. 24 for Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
#
Classical
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Gabriel Faure
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James M
#
Fauré: Élégie Op. 24 for Al
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549727 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultur...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.549727 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531403. Published by jmsgu3 (A0.549727). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
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Alto Saxophone and Piano
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EASY
#
Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,S...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468804. Published by jmsgu3 (A0.549235). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Schubert: Moment Musicaux for Alto Sax & Piano
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Alto Saxophone and Piano
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EASY
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Classical
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447439. Published by jmsgu3 (A0.549015). Alto Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
16 Favourite Easter Hymns for Solo Alto Saxophone and Piano
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Alto Saxophone and Piano
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EASY
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Sacred music
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Various
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David McKeown
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16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.587889 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part....
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.587889 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeown #5037729. Published by David McKeown (A0.587889). 16 Favourite Easter Hymns for Solo Alto Saxophone and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Alto Saxophone part are included in the single PDF file.16 Favourite Easter Hymns for Solo Alto Saxophone and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Alto Saxophone and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
50 Greatest Hymns for Alto Sax Solo with Piano Accompaniment
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Alto Saxophone and Piano
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EASY
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Various
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B
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50 Greatest Hymns for Alto Sax
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Ben Dockery
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1510447 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred....
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1510447 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. Score and part. 207 pages. Ben Dockery #1085642. Published by Ben Dockery (A0.1510447). These fifty classic hymns have been arranged for alto saxophone solo with piano accompaniment. They are easy enough for early intermediate students to learn or for more advanced players to sight-read. Great for preludes, offertories, postludes, recitals, and lessons. Includes both scores and individual parts.A Mighty Fortress Is Our GodAbide with MeAll Creatures of Our God and KingAll Hail the Power of Jesus’ NameAlleluia! Alleluia! (Ode to Joy)Amazing GraceAre You Washed in the Blood?At the CrossBe Thou My VisionBlessed AssuranceChrist Arose (Low in the Grave He Lay)Christ the Lord is Risen TodayCome, Christians, Join to SingCome, Thou Fount of Every BlessingCome, Thou Long-Expected JesusCrown Him with Many Crowns Down at the CrossFairest Lord JesusHe Leadeth MeHe Lives (I Know That My Redeemer Lives!)Holy, Holy, HolyHow Great Thou ArtI Stand Amazed in the Presence (How Marvelous)In the GardenIt Is Well with My SoulJesus Loves MeJesus Paid It AllJesus SavesJust as I AmLove Divine, All Loves ExcellingMy Hope Is Built On Nothing LessNear the CrossNearer, My God, to TheeNothing but the BloodO For A Thousand Tongues To SingO Sacred Head, Now WoundedO the Blood of JesusO Worship the KingOnward, Christian SoldiersRock Of AgesShall We Gather at the RiverTell Me the Story of JesusThe Old Rugged CrossThere is a FountainTo God Be the GloryWe Gather TogetherWere You ThereWhat A Friend We Have in JesusWhat Wondrous Love Is ThisWhen I Survey the Wondrous CrossBecause this is a single bound book, photocopies are permitted for performance purposes.
$24.99
20 Easter Hymn Solos for Alto Sax and Piano: Vols. 1 & 2
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Alto Saxophone and Piano
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EASY
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Sacred music
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Various
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B
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20 Easter Hymn Solos for Alto
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Ben Dockery
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1168596 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Holiday,Religious,Sacr...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.1168596 Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Holiday,Religious,Sacred. Score and part. 83 pages. Ben Dockery #768932. Published by Ben Dockery (A0.1168596). These twenty classic Easter hymns have been arranged for alto sax solo with optional piano accompaniment. Great for preludes, offertories, postludes, recitals, and lessons. Easy enough for early-intermediate students to learn and for more advanced players to sight-read. Includes scores and individual parts.Alleluia! Alleluia! (Ode to Joy) * Are You Washed in the Blood? * At the Cross * Christ Arose (Low in the Grave He Lay) * Christ the Lord is Risen Today * Crown Him With Many Crowns * Down at the Cross * He Lives (I know That My Redeemer Lives!) * I Stand Amazed in the Presence (How Marvelous) * Jesus Paid It All * Jesus Saves * Near the Cross * Nothing But the Blood * O Sacred Head, Now Wounded * O the Blood of Jesus * Tell Me the Story of Jesus * The Old Rugged Cross * There is a Fountain * Were You There * When I Survey the Wondrous Cross.
$12.99
Beethoven: Adagio from Sonata Pathetique for Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructi...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549639 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516567. Published by jmsgu3 (A0.549639). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.co.
$24.95
Onward Christian Soldiers, Gospel Hymn for Alto Saxophone and Piano
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Alto Saxophone and Piano
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EASY
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Sacred music
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Gospel/Spiritual
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Sabine Baring-Gould
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David McKeown
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Onward Christian Soldiers, Gos
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.593150 Composed by Sabine Baring-Gould. Arranged by David McKeown. Christian,Gospel,Praise & Wo...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.593150 Composed by Sabine Baring-Gould. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6416489. Published by David McKeown (A0.593150). Onward Christian Soldiers is a beautiful gospel song arranged here for Solo Alto Saxophone and Piano.Onward Christian Soldiers was written by Sabine Baring-Gould in 1865 and set to music by Arthur Sullivan in 1871. Churchill later chose the hymn to be sung at a wartime service when he met Roosevelt in 1941. In more recent times there have been attempts, some successful, some not, to alter the military flavor of the lyrics.
$2.49
Alto Sax - "And Can It Be?" Theme and Variations
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be?" Th
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and publishe...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Alto Saxophone and Piano
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Alto Saxophone and Piano
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EASY
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G F Handel
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David McKeown
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Handel's Largo from Xerxes, Om
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.587913 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,St...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.587913 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042587. Published by David McKeown (A0.587913). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Alto Saxophone and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Pancho, the Parrot - alto sax/piano
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Alto Saxophone and Piano
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BEGINNER
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Folk
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Phil Beaman
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Pancho, the Parrot - alto sax/
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Phil Beaman
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.844397 Composed by Folk. Arranged by Phil Beaman. 20th Century,Folk,Instructional. Score and pa...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.844397 Composed by Folk. Arranged by Phil Beaman. 20th Century,Folk,Instructional. Score and part. 3 pages. Phil Beaman #3015657. Published by Phil Beaman (A0.844397). This is a setting of a Guatemalan folk song designed to be the first 'recital piece' after just a few weeks of learning. Solo part covers the range of 1 octave of the first learned notes of that instrument. Beginning students will appreciate the repeated notes before you have to find the next one. There is a lilting piano accompaniment with fresh descriptive harmony, especially those occasionally dissonant chords when the parrot squawks! A short piece of just 20 bars (but has a full repeat), it comes with the full score plus instrument solo part. Also available for many other basic instruments. Great fun piece for lessons or the classroom to mark those first successful notes.
$2.99
Ruby and Steel (for alto saxophone and piano)
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Jeffrey Hoover
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Ruby and Steel
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Musicart Publications
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.971650 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 25 pages. Musicar...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.971650 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 25 pages. Musicart Publications #4628067. Published by Musicart Publications (A0.971650). Ruby and Steel (duration 7 min.) is a fantasy work for alto saxophone and piano, reflecting on the physical qualities and contrasts between an unlikely pairing of materials – nature's precious gemstone ruby and the manmade material steel. The ideas of the red glow of molten steel and the red light of ruby are held in common. Establishing a modern yet Romantic atmosphere, an extended piano solo opens the work. The music is developed through a thematic transformation process: gestures of earlier music reappears as transformations of its previous selves. The interaction (both musical dialogue and subsequent agreement) between piano and saxophone is a prominent characteristic, along with ebb-and-flow of tempo. As with several other compositions by Jeffrey Hoover, there is an abstract painting–Ruby and Steel–created by Hoover as a visual interpretation of the musicJeffrey Hoover's work– music ranging from soloist to symphony orchestra –has received recognition through the prestigious Trieste prize, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.
$19.95
Wedding March by Mendelssohn, for Solo Alto Saxophone and Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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David McKeown
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Wedding March by Mendelssohn,
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587605 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Ro...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587605 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Standards,Wedding. Score and part. 9 pages. David McKeown #4403646. Published by David McKeown (A0.587605). Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.This version is arranged for Solo Alto Saxophone and Piano and the performance time is around three and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Both the full length youtube performance and the short audio sample are from the Clarinet version off this arrangement.The solo part is intermediate level, while the piano accompaniment suits an advanced intermediate player.Both will find this ideal for formal and informal performances, with both parts enjoying melodic interest.Teachers will enjoy using this arrangement as a fun way to help with building dynamic range and stamina.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Roadside Inn - Schumann- Alto Sax-Piano
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Alto Saxophone and Piano
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EASY
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Alto
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Phil Beaman
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.844502 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Per...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.844502 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3485691. Published by Phil Beaman (A0.844502). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free
$4.99
Do You Hear What I Hear
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Alto Saxophone and Piano
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INTERMEDIATE
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Carrie Underwood
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Sandra Zylstra
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Do You Hear What I Hear
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sandra dee zylstra
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.712331 By Carrie Underwood. By Gloria Shayne and Noel...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.712331 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Sandra Zylstra. Christian,Christmas,Contemporary,Holiday,Sacred. Score and parts. 8 pages. Sandra dee zylstra #4776823. Published by sandra dee zylstra (A0.712331). Do You Hear What I Hear was written by Noel Regney and Gloria Shayne during a time when peace was as desperately needed as it is today. This piece is beautifully arranged as an intermediate treble Eb instrument duet with piano accompaniment and separate instrument parts. There are duets available on SMP for Treble C, Bass C, Treble and Bass C, Bb, E, and F instruments. (Approximately 3 minutes, 7 pages) You can look at other arrangements by Sandra Zylstra on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/Sandra-Zylstra-sheet-music/3001855?aff_id=584183 and at Piano Pronto: Composers Community https://pianopronto.com/composers-community/sandra-zylstra
$6.00
Windmills - Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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James Michael Stevens
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James Michael Stevens
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Windmills - Alto Sax & Piano
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James M Stevens Music ASCAP
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.574373 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easte...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.574373 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,New Age,Sacred. Score and part. 8 pages. James M Stevens Music ASCAP #6438317. Published by James M Stevens Music ASCAP (A0.574373). Written June 13, 2021, this is an original alto sax and piano composition in an introspective and a bit of a hypnotic style in the key of F Dorian. When we drove from Nashville to Colorado and back on our recent vacation throughout the state of Kansas in fields there seemed to be thousands of windmills turning gently in the breeze like those in the picture. Hope you enjoy.
$6.99
Fuse
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Marcos Fernandez-Barrero
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Marcos Fernandez-Barrero
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Fuse
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Marcos Fernandez-Barrero
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1456619 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. Arranged by Marcos Fernandez-...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.1456619 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. Arranged by Marcos Fernandez-Barrero. 20th Century,21st Century,Chamber,Classical,Contemporary. Score and part. 33 pages. Marcos Fernandez-Barrero #1035694. Published by Marcos Fernandez-Barrero (A0.1456619). Work commissioned by the Rose-Gibbs Duo (Benita Rose and Tony Gibbs) – Prescott (Arizona, USA). This is a work ideal for both, professional performers as well as students of the year before College level (ie. 17 years old)In the past, I had the chance to experience how performing with a musician who is also your personal partner (wife, girlfriend, etc.) can ease the process of merging together, enhancing the performance as if it were by a single musician rather than two separate individuals. So, when I was asked to write a piece for a duo in such circumstances, like the Rose-Gibbs Duo, I saw it as a great opportunity to explore the possibilities of blending, fusing, and merging musical content, sound, and other parameters into a cohesive whole.Therefore, this work explores the concept of musical discourse produced by the interaction of both instruments, which often have to align their accents, timbre, or dynamics to become one entity; as if melting together, as if two solids became liquid and fused to form a new alloy. The form and structure of the work are also influenced by this constant idea of blending, integrating the various sections into a single, unified movement.Written in Barcelona on July 2023______________________________________Obra encargada por el Rose-Gibbs Duo (Benita Rose y Tony Gibbs) – Prescott (Arizona, EE. UU.). Ideal para tanto músicos profesionales así como tamién para alumnos del curso antes del nivel Universitario de Superior (17 años aproximadamente)En el pasado, tuve la oportunidad de experimentar cómo el hecho de tocar con un músico que también es tu pareja personal (esposa, novia, etc.) puede facilitar el proceso de fusionarse, mejorando la actuación como si fuera realizada por un solo músico en lugar de dos individuos. Así que, cuando me pidieron componer para un dúo en tales circunstancias, como el Rose-Gibbs Duo, lo vi como una gran oportunidad para explorar las posibilidades de mezclar, fusionar e integrar el contenido musical, el sonido y otros parámetros en un todo cohesivo.Por lo tanto, esta obra explora el concepto del discurso musical producido por la interacción de ambos instrumentos, que a menudo deben alinear sus acentos, timbre o dinámicas para convertirse en una sola entidad; como si se fundieran juntos, como si dos sólidos se convirtieran en líquido y se fusionaran para formar una nueva aleación. La forma y la estructura de la obra también están influenciadas por esta idea constante de mezcla, integrando las diversas secciones en un solo movimiento unificado.Escrita en Barcelona en Julio 2023
$17.95
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Alto Saxophone and Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. In...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
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