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1,226
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2 Pianos, 4 hands
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1 Piano, 6 hands
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High voice
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1
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1
5 Recorders
1
+ 100 instrumentations
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Retract
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76
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54
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45
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40
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37
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9
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3
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the variations
Alto Saxophone and Piano
Sheetmusic to print
65 sheet music found
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1
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51
Alto Sax - "And Can It Be?" Theme and Variations
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Lyrics: Charles Wesley, Music:
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Dan Cutchen
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Alto Sax - "And Can It Be?" Th
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Dan Cutchen Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and publishe...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
$7.00
Variations sur "Marlborough s'en va en Guerre"
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Alto Saxophone and Piano
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INTERMEDIATE
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Paul-Agricole Génin
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Paul Wehage (édition)
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Variations sur "Marlborough s'
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1491891 Composed by Paul-Agricole Génin. Arranged by Paul Wehage (édition). 19th Century,Cont...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1491891 Composed by Paul-Agricole Génin. Arranged by Paul Wehage (édition). 19th Century,Contest,Festival,Romantic Period. Score and part. 20 pages. Musik Fabrik Music Publishing #1068574. Published by Musik Fabrik Music Publishing (A0.1491891). Paul-Agricole Génin was born on 14th February 1832, in Avignon; died 22nd December 1903, in Paris, France. His is often confused with Pierre Génin, who was a flutist who performed mainly in England during the early 20th century. Génin was the Principal flute of the Theatre Italien in Paris, and of the Colonne Orchestra. In addition to writing many works for the flute (he wrote over 60 works for this instrument, he was also one of the first composers to write for the saxophone. He was an Officier de l’Académie des Beaux-ArtsThe six works in the set of Opus 15 are among the first works ever written for the saxophone. They are in the form of charactor pieces; The theme of this work was one of Napoléon Bonaparte's favorite songs.
$9.95
Nimrod, from the Enigma Variations by Elgar, for Alto Saxophone and Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Classical
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Edward Elgar
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David McKeown
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Nimrod, from the Enigma Variat
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587739 Composed by Edward Elgar. Arranged by David McKeown. Concert,Contemporary,Romantic Perio...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587739 Composed by Edward Elgar. Arranged by David McKeown. Concert,Contemporary,Romantic Period,Standards,Wedding. Score and part. 5 pages. David McKeown #4833263. Published by David McKeown (A0.587739). Nimrod, is the ninth of the Enigma Variations composed by Edward Elgar in 1899. Here, the music is arranged for solo Alto Saxophone and Piano, directly from the orchestral score. Elgar wrote fourteen variations on a theme, each one depicting close friends and family. Nimrod represents his publisher and friend Augustus Jaeger. The biblical character of Nimrod is described as a mighty hunter, and jaeger means hunter in German.The single pdf file contains both the piano score and a separate solo instrumental part.Musicians at an intermediate level and above will find this ideal for formal and informal performances. Both parts require dramatic dynamic contrasts and lyrical legato playing. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
O Come All Ye Faithful (Adeste Fidelis) - Theme and Variation for Alto Sax and Piano - Advanced Leve
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Alto Saxophone and Piano
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ADVANCED
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FRANCIS WADE
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Raymond Fenech
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O Come All Ye Faithful
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Raymond Fenech
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.760669 Composed by FRANCIS WADE. Arranged by Raymond Fenech. 20th Century,Christmas,Holiday,Pra...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.760669 Composed by FRANCIS WADE. Arranged by Raymond Fenech. 20th Century,Christmas,Holiday,Praise & Worship,Traditional. Score and part. 10 pages. Raymond Fenech #5771299. Published by Raymond Fenech (A0.760669). O Come, All Ye Faithful (originally written in Latin as Adeste Fideles) is a Christmas carol that has been attributed to various authors, including John Francis Wade (1711–1786). This carol was arranged as a Theme and Variations, in fact there are two variations. The Duration is approx. 3.40 minutes and the level is Advanced. NB: I can send you backing mp3 with proof of buying any solo/duet piece with piano. Please contact me on rfenech58@gmail.com
$4.50
Variations Eternelles (Alto Saxophone & Piano)
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Alto Saxophone and Piano
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INTERMEDIATE
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Paul Barker Muaic
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Variations Eternelles
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Paul Barker Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1307287 By Paul Barker Muaic. By Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Co...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1307287 By Paul Barker Muaic. By Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. Score and part. 9 pages. Paul Barker Music #896562. Published by Paul Barker Music (A0.1307287). Prepare to be captivated by the passionate sound of Variations Eternelles. This emotionally charged showcase for Alto Saxophone and Piano is perfect for enthralling audiences at concerts, festivals, and recitals with its compelling melodic theme and rich harmony.Piano Accompaniment MP3 is available from www.paulbarkermusic.com and here.Level: Intermediate (UK Grade 5+ and USA 2+)Duration: 2:10Occasion: Main Concerts - Festivals - Recitals - CompetitionsInstrumentation: Alto Saxophone & PianoAlso available for other woodwind, brass, strings, guitars and piano solo.
$5.95
Carson Cooman: Fantasy Variations (2005) for alto saxophone and piano
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Alto Saxophone and Piano
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ADVANCED
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Carson Cooman
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Carson Cooman: Fantasy Variati
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.533621 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and part. 18 pages. Mus...
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.533621 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and part. 18 pages. Musik Fabrik Music Publishing #3033373. Published by Musik Fabrik Music Publishing (A0.533621). Fantasy Variations (2005) for alto saxophone and piano was written for saxophonist PaulWehage and is dedicated to him and to American composer George Perle (on his 90thbirthday).The work is cast as two presentations of the theme surrounding five free variations -- allplayed without break. The theme serves as the basis of the musical material for the entirework as well as the structural template for each variation. Also, each variation containsmaterial referring back specifically to the previous variation.The opening theme is declamatory and massive. The first variation is fast and limber. Thesecond variation is introspective and stratified. The third variation is fleeting. The fourthvariation is distant and spare. The fifth variation is fast and driving, and the final themebegins whispered and slowly regains its declamatory nature before an intensely hammeredcoda.Carson
$14.95
Fantasie Variations on Mazurek Dabrowskiego
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sy Brandon
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Fantasie Variations on Mazurek
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Sy Brandon
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.755042 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 23 pages. Sy Brandon ...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.755042 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 23 pages. Sy Brandon #3249479. Published by Sy Brandon (A0.755042). Fantasie Variation on Mazurek Dabrowskiego was commissioned in 2010 by David Wozniak. Wozniak suggested using the Polish National Anthem as the basis of a composition that can serve as a fiery opener to a concert. After a short introduction, the anthem is stated using a repetitive rhythmic motif in the piano. Variation one is a minor variant that has a chromatic obligato in the saxophone on the repeat. After a two measure interlude in 4/4 that breaks up the 3/4 meter of the mazurka, Variation two begins. This variation uses motives from the anthem to create a new saxophone melody. Variation three changes meter often and is more technical and angular. A repeat of the minor variant brings the first fast section to a close. After a transition to a slower tempo, a mysterious variation with sudden outbursts occurs. It uses a lot of feminine endings that are characteristic of some Polish music. The tempo slows once again before variation seven which is a lyrical and romantic treatment of motives from the anthem. The final fast section begins with a rhythmic 5/8 variation that changes to 6/8 for the second part of the anthem’s structure. An ornamental version of the anthem with the mazurka rhythm returns at the end before a rousing coda brings the work to a close. This composition is recorded by David Wozniak and Krista Wallace-Boaz on the Emeritus label American Fusion CD.
$9.99
Pop Goes the Weasel - Theme and Variations For Alto Saxophone and Piano
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Traditional
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Raymond Fenech
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Pop Goes the Weasel - Theme an
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Raymond Fenech
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.759931 Composed by Traditional. Arranged by Raymond Fenech. 20th Century,Children,Instructional...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.759931 Composed by Traditional. Arranged by Raymond Fenech. 20th Century,Children,Instructional,Multicultural,Traditional,World. Score and part. 17 pages. Raymond Fenech #3457073. Published by Raymond Fenech (A0.759931). Pop! Goes the Weasel is an English nursery rhyme and singing game. It has a Roud Folk Song Index number of 5249. The jack-in-the-box children’s toy often plays the melody. In this nursery rhyme two variations have been added to compliment the theme. Pop Goes the Weasel is arranged for Alto Saxophone and Piano. The level is Advanced Intermediate and the duration is 1.36 minutes.
$3.95
Variations Eternelles (Alto Saxophone & Piano Performance Recording)
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Alto Saxophone and Piano
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INTERMEDIATE
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Paul Barker Music
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Variations Eternelles
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Paul Barker Music
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1307297 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Co...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1307297 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Chamber,Contemporary,Contest,Festival. Full Performance. Duration 119. Paul Barker Music #896574. Published by Paul Barker Music (A0.1307297). Performance Recording MP3 for Variations Eternelles - Alto Saxophone & Piano.Prepare to be captivated by the passionate sound of Variations Eternelles. This emotionally charged showcase for Alto Saxophone and Piano is perfect for enthralling audiences at concerts, festivals, and recitals with its compelling melodic theme and rich harmony.Score and Parts are available here.Piano Accompaniment MP3 is available here.
$4.95
Ten Green Bottles and Variations for Alto Saxophone and Piano
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Alto Saxophone and Piano
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BEGINNER
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Traditional
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Tim Curd
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Ten Green Bottles and Variatio
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Tim Curd
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.717139 Composed by Traditional. Arranged by Tim Curd. Children,Folk. Score and part. 4 pages. T...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.717139 Composed by Traditional. Arranged by Tim Curd. Children,Folk. Score and part. 4 pages. Tim Curd #5806703. Published by Tim Curd (A0.717139). Ten Green Bottles and Variations for Alto Saxophone and Piano.This popular children's song has been arranged with its theme followed by a simply decorated variation.Piano and solo part included.A piano accompaniment/backing track is available here:https://www.sheetmusicplus.com/title/ten-green-bottles-and-variation-for-alto-saxophone-and-piano-pi...
$3.99
Theme with Variations No. 4
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Jean Baptiste Charles Dancla
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Mourey
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Theme with Variations No. 4
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Editions Marc Reift - Digital
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SheetMusicPlus
Alto Saxophone & Piano - Grade 4 - Digital Download SKU: R0.24385 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arran...
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Alto Saxophone & Piano - Grade 4 - Digital Download SKU: R0.24385 Donizettian Theme Opus 89 No. 4. Composed by Jean Baptiste Charles Dancla. Arranged by Mourey. Alto Saxophone & Piano. Score and parts. 8 pages. Duration 5'00. Editions Marc Reift - Digital #24385. Published by Editions Marc Reift - Digital (R0.24385).
$6.95
Theme with Variations No. 6
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Charles Dancla
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Colette Mourey
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Theme with Variations No. 6
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Editions Marc Reift - Digital
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SheetMusicPlus
Alto Saxophone & Piano - Grade 4 - Digital Download SKU: R0.24410 Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette ...
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Alto Saxophone & Piano - Grade 4 - Digital Download SKU: R0.24410 Mercadante Theme Opus 89 No. 5. Composed by Charles Dancla. Arranged by Colette Mourey. Alto Saxophone & Piano. Score and parts. 9 pages. Duration 13'30. Editions Marc Reift - Digital #24410. Published by Editions Marc Reift - Digital (R0.24410).
$8.95
Beethoven: 12 Variations Op. 66 for Alto Sax & Piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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James M
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Beethoven: 12 Variations Op. 6
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.551970 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.551970 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Holiday,Instructional,Love. Score and part. 49 pages. Jmsgu3 #6024761. Published by jmsgu3 (A0.551970). Variations on Ein Mädchen oder Weibschen from Mozart's The Magic Flute
$21.95
Christmas and Carols to download for alto saxophone & piano
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Alto Saxophone and Piano
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ADVANCED
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Christmas
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Christmas and Carols to downlo
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Virtualsheetmusic
This is an exclusive arrangements for alto saxophone & piano of HIGH skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: christmas carols, jingle bells, o come all ye faithful, the first nowell, joy to the world, we wish ...
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This is an exclusive arrangements for alto saxophone & piano of HIGH skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: christmas carols, jingle bells, o come all ye faithful, the first nowell, joy to the world, we wish you a merry christmas, the coventry carol, deck the halls, what child is this, o christmas tree, silent night, Greensleeves, greensleaves, carol of the bells, twinkle twinkle little star, jesu joy of man desiring, jesu joy of man desiring, green sleeves, greensleves, the first noel,adeste fedelis,adeste fidelis,adeste fideles,adeste fedeles,douce nuit, sainte nuit / christmas,winter,holiday,christian,inspirational,traditional,hymn,sacred,advent,carol,festival
$13.99
Air ('On the G srings') Alto Saxophone (with chords)
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Alto Saxophone and Piano
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BEGINNER
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Classical
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Johann Sebastian Bach
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Alex Nunes Rodrigues
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Air
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Alex Rodrigues
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1176139 Composed by Johann Sebastian Bach. Arranged by Alex Nunes Rodrigues. Classical. Score a...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1176139 Composed by Johann Sebastian Bach. Arranged by Alex Nunes Rodrigues. Classical. Score and part. 3 pages. Alex Rodrigues #776268. Published by Alex Rodrigues (A0.1176139). Air ('on the G string') is one of the most well-known variations of Johann Sebastian Bach's piece Air. It is a soft and melancholic music, known for its beautiful bass line. This sheet music offers an interpretation of Air, perfect for solo performances or personal practice.
$1.99
Air ('On the G srings') Alto Saxophone
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Alto Saxophone and Piano
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BEGINNER
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Classical
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Johann Sebastian Bach
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Alex Nunes Rodrigues
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Air
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Alex Rodrigues
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SheetMusicPlus
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1176145 Composed by Johann Sebastian Bach. Arranged by Alex Nunes Rodrigues. Classical. Score a...
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.1176145 Composed by Johann Sebastian Bach. Arranged by Alex Nunes Rodrigues. Classical. Score and part. 3 pages. Alex Rodrigues #776274. Published by Alex Rodrigues (A0.1176145). Air ('on the G string') is one of the most well-known variations of Johann Sebastian Bach's piece Air. It is a soft and melancholic music, known for its beautiful bass line. This sheet music offers an interpretation of Air, perfect for solo performances or personal practice.
$1.99
Bach: Bist du bei mir BWV 508 for Alto Sax & Piano
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Alto Saxophone and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,S...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549235 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468804. Published by jmsgu3 (A0.549235). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
TAKE MY LIFE AND LET IT BE Hymn Sonata (for Alto Sax and Piano with Score/Part)
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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HENRI A
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Gary Lanier
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TAKE MY LIFE AND LET IT BE Hym
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The Lanier Company
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.617686 Composed by HENRI A. C. MALAN, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and p...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.617686 Composed by HENRI A. C. MALAN, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 11 pages. The Lanier Company #6009083. Published by The Lanier Company (A0.617686). TAKE MY LIFE AND LET IT BE Hymn Sonata (one movement) is a musical work by Gary Lanier for Alto Sax and Piano of one of our most cherished Hymns. The theme is one of total love and devotion to the Lord Jesus in all aspects of life. Gary uses the term hymn sonata, because of the many uses of the hymn tune such as: motifs, secondary themes, variations, recapitulation and other compositional devices. TAKE MY LIFE AND LET IT BE Hymn Sonata is perfect for Church or any gathering where hymns of love and devotion for the Lord is desired. The score, including cover and instrumental part is 11 pages long.
$8.99
AMAZING GRACE Hymn Sonata (for Alto Sax and Piano with Score/Part)
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Alto Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Traditional Folk Melody, GARY
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Gary Lanier
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AMAZING GRACE Hymn Sonata
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The Lanier Company
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.617700 Composed by Traditional Folk Melody, GARY LANIER. Arranged by Gary Lanier. Sacred. Score...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.617700 Composed by Traditional Folk Melody, GARY LANIER. Arranged by Gary Lanier. Sacred. Score and part. 15 pages. The Lanier Company #6016603. Published by The Lanier Company (A0.617700). AMAZING GRACE Hymn Sonata (one movement) is a musical work by Gary Lanier for Alto Sax and Piano of one of our most cherished Hymns. The theme is one of God's grace in all aspects of life. Gary uses the term hymn sonata, because of the many uses of the hymn tune, such as: motifs, secondary themes, variations, recapitulation and other compositional devices. AMAZING GRACE Hymn Sonata is perfect for Church services, recitals or any gathering where hymns of the grace and love of God is desired. The score, including instrumental part and cover is 15 pages long.
$8.99
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE
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Ali Ben Sou Alle, Wolfgang Ama
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,...
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
Bach-Gounod: Ave Maria, Schwencke version for Alto Sax & Piano
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Alto Saxophone and Piano
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EASY
#
J
#
James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contempo...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.550919 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #4888291. Published by jmsgu3 (A0.550919). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
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Alto Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle, Gioachino Ro
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,...
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2363209. Published by Musik Fabrik Music Publishing (A0.533354). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Fantaisie sur Le Barbier de Séville begins with the Count's 1st act cavatina Ecco ridente in cielà This is followed by a seriesof variations sur Rosina's Cabaletta Io sono docile. The second act finale Fredda ed immobile is then presented in a number of variations. Finally, the second part of the Count and Figaros first act duo (Ah che d'amore) brings the work to a brilliant finish.
$19.95
Bach: Wachet auf for Alto Sax & Piano
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Alto Saxophone and Piano
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EASY
#
Classical
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Alto Sax
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549842 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554821. Published by jmsgu3 (A0.549842). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. .
$24.95
Bach: Sheep May Safely Graze for Alto Sax & Piano
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Alto Saxophone and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Sheep May Safely Graze f
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,...
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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.548976 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444569. Published by jmsgu3 (A0.548976). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Variations (Alto Sax)
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Alto Saxophone and Piano
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INTERMEDIATE
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Anne McKennon
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Variations
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Anne E. McKennon
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1433606 Composed by Anne McKennon. Chamber. Score and part. 5 pages. Anne E. McKennon #1013838....
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.1433606 Composed by Anne McKennon. Chamber. Score and part. 5 pages. Anne E. McKennon #1013838. Published by Anne E. McKennon (A0.1433606). Variations is a short piece for Alto Saxophone and Piano. It opens with a dramatic fanfare in 4 then leads into a 6/8 dance followed by another section in 4. It is ideal for intermediate students with a basic understanding of compound meter. (Also available for Trumpet and Piano) Duration: Approx 2:15.
$7.50
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