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His Grace
avanced
Tenor Saxophone and Piano
Sheetmusic to print
3 sheet music found
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1
River
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Bishop Briggs
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Anna Coughlan
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River
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Anna Coughlan Music
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1329390 By Bishop Briggs. By Ian Brendon Scott, Mark A. Jackson, and Sarah McLaughlin. Arrange...
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1329390 By Bishop Briggs. By Ian Brendon Scott, Mark A. Jackson, and Sarah McLaughlin. Arranged by Anna Coughlan. 21st Century,Pop,Rock,Singer/Songwriter. Score and part. 21 pages. Anna Coughlan Music #917373. Published by Anna Coughlan Music (A0.1329390). River was released by Sarah Grace Mclaughlin (stage name Bishop Briggs) in 2016, becoming the second single from her debut album Church of Scars. Discussing the meaning of the song's lyrics, Bishop Briggs said my hope with that song is it makes people feel empowered to take things into their own hands.This is a late intermediate level arrangement for Bb saxophone with piano accompaniment.
$4.99
Mack The Knife
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Jazz
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Bobby Darin
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Nick Raspa
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Mack The Knife
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NJR Music
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.754550 By Bobby Darin. By Kurt Weill. Arranged by Nick Raspa. Jazz,Standards. Score and part. ...
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.754550 By Bobby Darin. By Kurt Weill. Arranged by Nick Raspa. Jazz,Standards. Score and part. 9 pages. NJR Music #6294653. Published by NJR Music (A0.754550). Arranged for intermediate to advanced intermediate B Flat Tenor Sax and Piano, this arrangement of Mack The Knife incorporates a large portion of the tenor sax range and includes a written out improvisational section. The key of the arrangement is concert C and the piano accompaniment has punched chords over a walking bass style left hand. The Saxophone part spans the written range of low C# to high E and includes some single and double grace notes. Included is the full score and parts. The score has the piano at full size grand staff and a staff reduction for the saxophone. I've included a separate piano part without the saxophone staff so the pianist can choose to play from the score or the piano part as they see fit.
$9.95
Sonata "Funtasies" for Tenor Saxophone and Piano
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sy Brandon
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Sonata "Funtasies" for Tenor S
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Sy Brandon
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.754959 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon...
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.754959 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3225729. Published by Sy Brandon (A0.754959). This composition was composed for Jeffrey Kyle Hutchins, saxophone and EunHye Grace Choi, piano. It is in four movements. The first movement Boisterous is not in the classical sonata form, however, it does reflect sonata-like qualities with contrasting themes. It is very rhythmic and uses the interval of the fourth for its melodic and harmonic material. The second movement Whimsical’ is in a moderate tempo with five beats per measure. It is very playful as it alternates diatonic with chromatic passages with outbursts of musical laughter. Movement 3 Witty is in a scherzo style. The melody and harmony are based on thirds but are not in any clear key because the thirds will freely vary between major and minor creating an atonal quality. Contrast between staccato and legato is another way the movement is witty. The last movement is called Teasing and is in a modified Rondo form ABACBA. The teasing occurs in many different ways. The first appearance is the way the movement seems to stop and start as if promising a longer line, but not delivering. In the B section, the left hand of the piano plays a syncopated idea consisting of wide intervals and frequent rests. The right hand inserts a jeering four-note motive. The saxophone plays a melodic idea centered around a descending minor third, the universal teasing chant interval. The C section is in 7/8 and acts as a chase scene, as if a game of tag is being played. The ending continues the teasing by avoiding a strong cadence with deceptive chords and melodic lines of vague tonality/modality.
$14.99
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