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+ 8 instrumentations
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57
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19
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Accident
Tenor Saxophone and Piano
Sheetmusic to print
4 sheet music found
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1
Accidentally In Love
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Tenor Saxophone and Piano
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INTERMEDIATE
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Pop music
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Counting Crows
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James M
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Accidentally In Love
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548114 By Counting Crows. By Adam F. Duritz, Dan Vickrey, David Bryson, David Immergluck, and ...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548114 By Counting Crows. By Adam F. Duritz, Dan Vickrey, David Bryson, David Immergluck, and Matthew Malley. Arranged by James M. Guthrie. Pop. Score and part. 10 pages. Jmsgu3 #3133553. Published by jmsgu3 (A0.548114). Score: 8 pages.
$52.95
Jingle Bells for Tenor Sax & Piano
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Tenor Saxophone and Piano
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BEGINNER
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Christmas
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James Pierpont
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James M
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piano
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Jingle Bells for Tenor Sax & P
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548667 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and p...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548667 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3409337. Published by jmsgu3 (A0.548667). Jingle Bells arranged for tenor sax & piano. Score: 4 pg. piano part: 3 pg. sax part: 1 pg. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Rose-Noskowski- Tenor Saxophone-Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Z Noskowski
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Phil Beaman
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Rose-Noskowski- Tenor Saxophon
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Phil Beaman
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.845330 Composed by Z Noskowski. Arranged by Phil Beaman. Concert,Romantic Period,Wedding. Scor...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.845330 Composed by Z Noskowski. Arranged by Phil Beaman. Concert,Romantic Period,Wedding. Score and part. 7 pages. Phil Beaman #6759837. Published by Phil Beaman (A0.845330). In 1897 the great Polish composer Zygmund Noskowski composed four characteristic pieces for piano, each piece evoking a different spring flower. This duet between an Instrumental Solo and piano is my arrangement of Rose from Fleurs du Printemps, Op 48 (Rose, from Flowers of Spring).It is expressive, portraying the beauty of the Rose. I have added considerable markings of articulation and dynamics and phrasing to bring out this expressiveness. I have also changed the tempos to create more emotional variety between the thematic sections and I wrote a new ending with an Instrumental cadenza. The solo instrument plays the various melodic themes while I created a new piano part based on the original chords. The melody contains many accidentals as is typical in the Romantic period. Accessible for the average player yet with enough markings and nuances to satisfy expert players with the results. Definitely a concert or audition piece to show musicianship. Also well suited for Wedding music.Solo range - nearly 2 octaves (14th)5 page score, 2 page part2:35 minutes
$5.99
Bridal March, "Here Comes The Bride", for Solo Tenor Saxophone and Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Richard Wagner
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David McKeown
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Bridal March, "Here Comes The
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.587573 Composed by Richard Wagner. Arranged by David McKeown. Concert,Instructional,Romantic P...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.587573 Composed by Richard Wagner. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards,Wedding. Score and part. 5 pages. David McKeown #4365468. Published by David McKeown (A0.587573). The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since. This version is arranged as a solo for Tenor Saxophone and Piano.Musicians at an intermediate level and above will find this ideal for formal and informal performances, especially at weddings. The melody is mainly in the solo part. The performance time is a little more than one minute. The short sample here and the full length version on the youtube link are from the Clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to help with phrasing and expressive playing. The rhythms are straightforward though there are unexpected accidentals in the middle section which might pose a challenge for finger coordination and reading. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
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