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3. Sonata C Minor
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You've selected:
3. Sonata C Minor
Tenor Saxophone and Piano
Sheetmusic to print
7 sheet music found
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1
J. S. Bach: Sonata no. 3 in g minor, bwv 1029, - tenor saxophone and keyboard by Paul Weh
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach: Sonata no. 3 in g
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.533440 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. ...
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.533440 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. Score and part. 35 pages. Musik Fabrik Music Publishing #2914077. Published by Musik Fabrik Music Publishing (A0.533440). In 1720 J. S. Bach was in the service of Prince Leopold of Anhalt-Cöthen, serving as his Kapellmeister. Since the court of Anhalt-Cöthen was Calvinist, Church music was limited to congregational psalms and hymns. Bach’s work during this period consisted of writing chamber music for the Prince, who was an accomplished violinist, gambist and harpsichordist. Other works from this period include the Cello Suites, the violin and keyboard sonatas,, the Flute sonatas and the partita for solo flute and the Orchestral SuitesThe Sonata no. III in g minor is written in a three-movement Concerto form. The first movement uses a main theme close to that of the first theme of the Third Brandeburg concerto. The slow movement is static and very sparce, but very expressive. The third movement is in the form of a gigue in the Italian style..
$16.95
Telemann: Four Sonatas for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Georg Philipp Telemann
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James Guthrie, ASCAP
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Telemann: Four Sonatas for Ten
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.551683 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,I...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.551683 Composed by Georg Philipp Telemann. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards. Score and part. 130 pages. Jmsgu3 #5330597. Published by jmsgu3 (A0.551683). I. Sonata in G Major. Duration: 6:45, Score: 19 pages. In four movements:1. Cantabile 2. Allegro 3. Affettuoso 4. AllegroII. Sonata in C Minor. Duration: 11:47, Score: 22 pages. 209 measures. In five movements: 1. Allegro 2. Adagio 3. Allegro assai 4. Ondeggiando, ma non adagio 5. AllegroIII. Sonata in F Major. Score: 8 pages, Duration: 5:40. In three movements:1. Vivace 2. Largo 3. AllegroIV. Sonata in Bb Major. Score: 17 pages, duration: ca. 9:30. In five movements:1. Largo 2. Allegro 3. Allegretto 4. Vivace 5. Allegro.
$49.95
Moonlight Sonata
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Tenor Saxophone and Piano
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BEGINNER
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Classical
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Ludwig van Beethoven
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Rodrigo Faleiros
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Moonlight Sonata
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1086922 Composed by Ludwig van Beethoven. Arranged by Rodrigo Faleiros. Classical,Romantic Per...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1086922 Composed by Ludwig van Beethoven. Arranged by Rodrigo Faleiros. Classical,Romantic Period. Score and part. 7 pages. Rodrigo Faleiros #691112. Published by Rodrigo Faleiros (A0.1086922). A simplified and shorter version of the world famous Moonlight Sonata, composed by Ludwig van Beethoven. Just the theme of the 1st movement of the Sonata #14, op. 27, no. 2 in C# minor - here transposed to D minor, half step up, to an easier comprehension. The tuplets and the piece were converted to a 3/4 time to make it easier for students and amateurs to read and play - 1 bar of the original were transformed into 4 in this arragement. Here the melody is played by the tenor sax and the accompainment by the piano.
$4.99
Sonata "Funtasies" for Tenor Saxophone and Piano
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sy Brandon
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Sonata "Funtasies" for Tenor S
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Sy Brandon
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.754959 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon...
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.754959 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3225729. Published by Sy Brandon (A0.754959). This composition was composed for Jeffrey Kyle Hutchins, saxophone and EunHye Grace Choi, piano. It is in four movements. The first movement Boisterous is not in the classical sonata form, however, it does reflect sonata-like qualities with contrasting themes. It is very rhythmic and uses the interval of the fourth for its melodic and harmonic material. The second movement Whimsical’ is in a moderate tempo with five beats per measure. It is very playful as it alternates diatonic with chromatic passages with outbursts of musical laughter. Movement 3 Witty is in a scherzo style. The melody and harmony are based on thirds but are not in any clear key because the thirds will freely vary between major and minor creating an atonal quality. Contrast between staccato and legato is another way the movement is witty. The last movement is called Teasing and is in a modified Rondo form ABACBA. The teasing occurs in many different ways. The first appearance is the way the movement seems to stop and start as if promising a longer line, but not delivering. In the B section, the left hand of the piano plays a syncopated idea consisting of wide intervals and frequent rests. The right hand inserts a jeering four-note motive. The saxophone plays a melodic idea centered around a descending minor third, the universal teasing chant interval. The C section is in 7/8 and acts as a chase scene, as if a game of tag is being played. The ending continues the teasing by avoiding a strong cadence with deceptive chords and melodic lines of vague tonality/modality.
$14.99
CPE BACH: Sonata in E Minor WQ124 for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Carl Philipp Emanuel Bach
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James Guthrie, ASCAP
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CPE BACH: Sonata in E Minor WQ
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.551522 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Cl...
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.551522 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5308653. Published by jmsgu3 (A0.551522). Sonata in E Minor, Score: 11 pages, Duration: 7:151. Adagio2. Allegro3. Menuett & 2 VariationsCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a time of transition between the Baroque and Classical styles of music. His personal approach, known as empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered to be some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from the style of his father, Johann Sebastian Bach.
$24.95
Funeral March (Alto and Tenor Sax Duet with Piano Accompaniment)
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Frederic Chopin
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B
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Funeral March
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Ben Dockery
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1250235 Composed by Frederic Chopin. ...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1250235 Composed by Frederic Chopin. Arranged by B. C. Dockery. 19th Century,Classical,Romantic Period. 7 pages. Ben Dockery #844570. Published by Ben Dockery (A0.1250235). From the third movement of Chopin's Sonata No. 2 in B-flat Minor, this is the Funeral March arranged for alto and tenor sax duet with optional piano accompaniment. Great for lessons, recitals, somber occasions, or even as a practical joke on someone's birthday. Intermediate level. Includes score and parts.
$4.99
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructio...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499759. Published by jmsgu3 (A0.549469). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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