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249
Piano & keyboards
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173
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30
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28
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25
Organ
15
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10
Piano, Vocal and Guitar
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4
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Piano Quartet: piano, violin, viola, cello
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Piano Accompaniment
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Accordion
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2 Pianos, 4 hands
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+ 8 instrumentations
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2 Guitars (duet)
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3 Guitars (trio)
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Tenor voice, Piano
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High voice
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Choral SSAATTBB
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Baritone voice, Piano
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Choral 2-part
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Choral
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14
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Alto Saxophone
6
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5
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5
Flute Trio: 3 flutes
5
Oboe
5
3 Clarinets (trio)
5
Flute and Guitar
4
Flute, Oboe, Clarinet, Bassoon
4
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
4
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3
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Flute, Clarinet and Bassoon.
2
Flute, Oboe, Bassoon
2
English horn, Piano
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1
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1
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1
Flute (band part)
1
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1
3 Recorders (trio)
1
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1
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1
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1
Tenor Saxophone
1
Clarinet, Harp (duet)
1
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1
2 Recorders (duet)
1
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1
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1
English horn, Harp (duet)
1
Clarinet and Viola
1
Flute, Clarinet (duet)
1
Soprano Saxophone
1
2 Clarinets, Piano
1
Recorder
1
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40
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11
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10
Trombone and Piano
10
Trumpet
9
French horn
8
French Horn and Piano
8
Brass quartet : 2 trumpets, trombone, tuba
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6
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5
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4
2 Trumpets (duet)
3
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3
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2
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2
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1
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1
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1
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1
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1
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1
Trumpet, Harp
1
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1
English horn, Harp (duet)
1
Tuba (band part)
1
Brass Quartet: 4 trombones
1
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46
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43
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28
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18
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1
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1
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1
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You've selected:
Centuries
Tenor Saxophone and Piano
Sheetmusic to print
3 sheet music found
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1
Mozart: Eine Kleine Nachtmusik (K.525) - Terno Sax Solo w/ Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
#
Wolfgang Amadeus Mozart
#
Ygor Nunes
#
Mozart: Eine Kleine Nachtmusik
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Ygor Nunes
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1494187 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Ygor Nunes. Childr...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1494187 By Wolfgang Amadeus Mozart. By Wolfgang Amadeus Mozart. Arranged by Ygor Nunes. Children,Classical,Film/TV,Multicultural,Wedding,World. Score and part. 6 pages. Ygor Nunes #1070799. Published by Ygor Nunes (A0.1494187). **Experience the Elegance of Eine Kleine Nachtmusik by Mozart**Have you heard Mozart's Eine Kleine Nachtmusik? This masterpiece of classical music, brimming with elegance and charm, has delighted listeners for centuries.Each note, each phrase, takes on a fresh brilliance and energy. Rediscover the beauty of Eine Kleine Nachtmusik through the unique sound of the tenor sax.Don't miss out on this timeless musical experience. Let the elegance of Eine Kleine Nachtmusik enchant you all over again.
$5.99
Mendelssohn: Wedding March for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
#
Classical
#
Felix Bartholdy Mendelssohn
#
James M
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Mendelssohn: Wedding March for
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jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic ...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549894 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603417. Published by jmsgu3 (A0.549894). Score: 12 pages, piano part: 6 pages, tenor sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's.
$32.95
Pachelbel: Canon for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
#
Classical
#
Johann Pachelbel
#
James M
#
Pachelbel: Canon for Tenor Sax
#
jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructiona...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3386301. Published by jmsgu3 (A0.548470). The famous Pachelbel Canon arranged for Tenor Sax & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
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