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You've selected:
Clarinet Green
Tenor Saxophone and Piano
Sheetmusic to print
2 sheet music found
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The Water is Wide (Trio for Clarinet, Tenor Sax and Piano)
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Tenor Saxophone and Piano
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INTERMEDIATE
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Celtic/Irish
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Traditional Celtic Melody
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John A
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The Water is Wide
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John A. Dempsey
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SheetMusicPlus
Small ensemble B-Flat Clarinet,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.522744 Composed by Traditional Celtic Melody. Arranged by John ...
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Small ensemble B-Flat Clarinet,Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.522744 Composed by Traditional Celtic Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Multicultural,Spiritual,Wedding,World. 13 pages. John A. Dempsey #2885191. Published by John A. Dempsey (A0.522744). Give me a boat that can carry two and both shall row - my love and I. From a rich, vibrant Celtic tradition comes the classic tune The Water is Wide, lovingly crafted to evoke misty Scottish landscapes with rolling green hills (you can almost smell the heather). This unabashedly romantic trio for Bb clarinet, tenor sax and piano is perfect for weddings, ceilidhs (or any Celtic-themed music event) as well as concerts and recitals. For weddings, this arrangement stirs the heart as a prelude, unity candle music, a bridal march or a bridesmaid processional. The Water is Wide also makes a touching prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music for traditional church services and other worship events, as the melody has been used in multiple hymn settings, including The Gift of Love Though I May Speak with Bravest Fire and as an alternate melody for When I Survey the Wondrous Cross. Concert Key (Piano): F major. Tenor Sax Key: G major. Clarinet Key: G major.
$11.99
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructio...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499759. Published by jmsgu3 (A0.549469). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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