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James H
Tenor Saxophone and Piano
Sheetmusic to print
10 sheet music found
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James Bond Theme
Tenor Saxophone and Piano
Composed by Monty Norman. Arranged by Lawrence H Underwood. 20th Century, Film/TV, J…
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Composed by Monty Norman. Arranged by Lawrence H Underwood. 20th Century, Film/TV, Jazz. Score and part. 5 pages. Lawrence H Underwood #695287. Published by Lawrence H Underwood
$5.99
5.6 €
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Tenor Saxophone and Piano
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Monty Norman
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James Bond Theme
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Lawrence H Underwood
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SheetMusicPlus
Gary Lanier: I AM RESOLVED (Duet – Tenor Sax & Piano with Parts)
Tenor Saxophone and Piano
Composed by JAMES H. FILLMORE. Arranged by Gary Lanier. Christian, Contemporary Christian,…
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Composed by JAMES H. FILLMORE. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Praise & Worship, General Worship. Score, Solo Part. 8 pages. Published by The Lanier Company (S0.95361). - Score,Solo Part - Christian,Contemporary Christian,Gospel,Praise & Worship,General Worship - The Lanier Company
$6.99
6.54 €
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Tenor Saxophone and Piano
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JAMES H
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Gary Lanier: I AM RESOLVED
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The Lanier Company
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SheetMusicPlus
Jingle Bells
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.969931 Composed by James…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.969931 Composed by James Pierpont. Arranged by P.H. Damasceno. Contemporary. Score and part. 3 pages. P.h. Damasceno #6569605. Published by P.h. Damasceno (A0.969931). Easy-to-play music for both instruments. Christmas music.
$12.99
12.15 €
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Tenor Saxophone and Piano
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James Pierpont
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Jingle Bells
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P.h. Damasceno
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SheetMusicPlus
Jingle Bells for Solo Tenor Saxophone
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.967675 Composed by James…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.967675 Composed by James Pierpont. Arranged by Lawrence H. Underwood. Children,Christmas,Pop,Ragtime. Score and part. 9 pages. Lawrence H Underwood #6189275. Published by Lawrence H Underwood (A0.967675). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fifth installment in his A Christmas Portfolio series, this brand new setting of Jingle Bells is destined to be a new favorite! This Jingle Bells has been given the ragtime treatment. . .opening in standard 2/4 ragtime, moving into a ragtime waltz in the middle of the piece, before once again revisiting 2/4 - but with the piano part covering the melody and the soloist playing countermelody lines until final reclaiming the theme for the final rousing statement of the chorus. Suitable as a showpiece or encore in any winter or holiday setting!
$5.99
5.6 €
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Tenor Saxophone and Piano
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James Pierpont
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Jingle Bells for Solo Tenor Saxophone
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Lawrence H Underwood
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SheetMusicPlus
Mr. Blue Sky
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1091664 By Electric Ligh…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1091664 By Electric Light Orchestra. By Jeff Lynne. Arranged by Lawrence H Underwood. 20th Century,Film/TV,Pop,Rock. Score and part. 12 pages. Lawrence H Underwood #695818. Published by Lawrence H Underwood (A0.1091664). This classic track from the Electric Light Orchestra found a whole new audience when director James Gunn used it to great effect in the hit film “Guardians of the Galaxy, Vol. 2.†A favorite with audiences – both young and old – and now playable as an instrumental solo with piano accompaniment. Sure to be an audience – and performer – favorite! This arrangement from veteran performer and music educator Lawrence Underwood is available in versions for solo flute, oboe, bassoon, clarinet, bass clarinet, alto sax, tenor sax, bari sax, horn in F, trumpet, trombone, baritone/euphonium, tuba, mallet percussion, violin, viola, cello, or double bass (with piano accompaniment). Be sure to check out the other titles in this series!
$5.99
5.6 €
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Tenor Saxophone and Piano
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Electric Light Orchestra
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Mr. Blue Sky
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Lawrence H Underwood
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SheetMusicPlus
Away in a Manger for Solo Tenor Saxophone
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.967625 Composed by James…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.967625 Composed by James R. Murray. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 10 pages. Lawrence H Underwood #6188895. Published by Lawrence H Underwood (A0.967625). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the first installment in his A Christmas Portfolio series, this beautiful new setting of Away in a Manger is as enjoyable to play as it is for the audience to hear! Suitable for use in church or as occasional music in any holiday setting, this piece is sure to make your winter performance a rousing success!
$5.99
5.6 €
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Tenor Saxophone and Piano
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James R
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Away in a Manger for Solo Tenor Saxophone
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Lawrence H Underwood
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SheetMusicPlus
Jingle Bells
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.969928 Composed by James…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.969928 Composed by James Pierpont. Arranged by P.H. Damasceno. Contemporary. Score and part. 3 pages. P.h. Damasceno #6565379. Published by P.h. Damasceno (A0.969928). Formation: Accompaniment Piano and Tenor Saxophone Duet. Easy to play music. Christmas music.
$12.99
12.15 €
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Tenor Saxophone and Piano
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James Pierpont
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Jingle Bells
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P.h. Damasceno
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SheetMusicPlus
Sullivan: The Lost Chord for Tenor Sax & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549447 Composed by Sir A…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549447 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497143. Published by jmsgu3 (A0.549447). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
25.22 €
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Tenor Saxophone and Piano
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Sir Arthur Seymour Sullivan
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dynamic control
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Sullivan: The Lost Chord for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Tenor Sax & Piano
Tenor Saxophone and Piano
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johan…
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
23.34 €
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Tenor Saxophone and Piano
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Johann Sebastian Bach
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Bach: Wachet auf for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
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