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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Long Long Time
Not classified
1,712
Piano & keyboards
Piano solo
1,035
Piano, Vocal and Guitar
523
Piano, Voice
521
Easy Piano
354
C Instruments
106
Piano Accompaniment
74
Organ
33
1 Piano, 4 hands
26
Piano Trio: piano, violin, cello
23
2 Pianos, 4 hands
20
Accordion
14
Big Note Piano
7
Piano (band part)
5
Piano Quartet: piano, violin, viola, cello
4
Piano Quintet: piano, 2 violins, viola, cello
3
Organ, Trumpet (duet)
1
2 Pianos, 8 hands
1
Piano Quartet: piano, 2 violins, cello
1
1 Piano, 6 hands
1
+ 14 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
129
Guitar
115
Melody line, (Lyrics) and Chords
55
Ukulele
41
Bass guitar
40
Lyrics and Chords
15
Mandolin
13
2 Guitars (duet)
10
Guitar (band part)
8
Piano, Guitar (duet)
4
Mandolin, Guitar (duet)
4
Banjo
4
Dulcimer
3
4 Guitars (Quartet)
2
3 Guitars (trio)
1
Guitar Ensemble
1
Dobro
1
Baritone Ukulele
1
+ 13 instrumentations
-
Retract
Voice
Choral SATB
386
Choral 3-part
116
Choral 2-part
93
Choral TTBB
83
Soprano voice, Piano
41
Choral Unison
37
Alto voice, Piano
34
Choral SSAA
34
Tenor voice, Piano
32
Baritone voice, Piano
27
Vocal duet, Piano
26
Voice solo
23
Vocal duet
10
Choral
6
Medium voice, Piano
3
High voice
2
Choral SSAATTBB
1
Choral SSAB, Piano
1
Low voice, Piano
1
Choral SSATB
1
Choral SSAB a cappella
1
Soli, Mixted choir and accompaniment
1
+ 17 instrumentations
-
Retract
Woodwind
Flute and Piano
196
Clarinet and Piano
148
Oboe, Piano (duet)
106
Saxophone Quartet: 4 saxophones
99
Alto Saxophone and Piano
94
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
92
2 Saxophones (duet)
91
Flute, Oboe, Clarinet, Bassoon
85
Flute
69
Clarinet
65
2 Flutes (duet)
58
Soprano Saxophone and Piano
56
Clarinet Quartet: 4 clarinets
55
Saxophone Quintet: 5 Saxophones
54
Saxophone
49
Alto Saxophone
45
2 Clarinets (duet)
42
Tenor Saxophone and Piano
42
Saxophone (band part)
38
Saxophone, Clarinet (duet)
36
Saxophone ensemble
36
Oboe (band part)
29
Clarinet, Trumpet (duet)
28
Tenor Saxophone
27
Baritone Saxophone, Piano
26
Flute Quartet: 4 flutes
26
Clarinet, Violin (duet)
25
English horn, Piano
21
Flute ensemble
21
2 Oboes (duet)
19
Flute, Clarinet (duet)
19
Clarinet Ensemble
19
Clarinet Quintet: 5 clarinets
16
3 Saxophones (trio)
15
Flute Quintet : 5 flutes
14
Flute, Saxophone (duet)
13
Clarinet and Viola
13
Oboe, Bassoon (duet)
12
Flute, Violin
12
Oboe, Flute
12
Oboe
11
Oboe, Clarinet (duet)
11
Flute and Guitar
10
Descant (Soprano) Recorder
10
Flute, Viola (duet)
9
Soprano Saxophone
8
3 Clarinets (trio)
8
Flute, Cello, Piano (trio)
8
Flute, Trumpet (duet)
8
Clarinet, Bassoon (duet)
7
Flute (band part)
7
Recorder
7
Flute Trio: 3 flutes
6
Bass Clarinet, Piano
6
Clarinet (band part)
5
English Horn
5
Clarinet, Cello (duet)
4
Flute, Violin, Piano
4
Flute, Bassoon, and Piano
4
Flute, Violoncello
4
Recorder Quartet
3
Flute, Oboe, Clarinet (trio)
3
Bass Clarinet
3
Wind ensemble
2
Treble (Alto) Recorder, Piano
2
Baritone Saxophone
2
2 Recorders (duet)
2
5 Recorders
2
Flute, Trombone (duet)
2
Flute, Basso continuo
2
Oboe, Cello
2
Treble (Alto) Recorder
2
Clarinet, Trombone (duet)
2
Clarinet, Guitar (duet)
2
Descent (Soprano) Recorder, Piano
2
Oboe, Cello and Piano
1
Flute, Oboe, Bassoon
1
Flute, Clarinet, Piano (trio)
1
Oboe, Clarinet and Piano (Trio)
1
Saxophone and Guitar
1
2 English horns and Pianoforte
1
Clarinet, Harp (duet)
1
Oboe, Bassoon and Piano
1
Clarinette, Viola and Piano (trio)
1
Clarinet, Bassoon, Piano (trio)
1
2 Clarinets, Piano
1
Oboe, Guitar (duet)
1
Clarinet, Cello, Piano (trio)
1
Flute, Clarinet and Bassoon.
1
Flute, Oboe (duet)
1
3 Recorders (trio)
1
Piccolo, Piano
1
Oboe, Violin, Piano
1
Oboe ensemble
1
+ 89 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
134
Trumpet, Piano
87
Trombone and Piano
86
Trumpet
65
French Horn and Piano
63
Brass quartet : 2 trumpets, trombone, tuba
51
Trombone
44
Tuba and Piano
43
French horn
29
Brass Quartet
27
Tuba
26
Trumpet, Saxophone (duet)
26
Brass Quartet: 2 trumpets, horn, trombone
23
Trumpet (band part)
21
English horn, Piano
21
Trombone (band part)
21
Trumpet, Trombone (duet)
21
2 Trumpets (duet)
20
2 Trombones (duet)
19
Euphonium, Piano (duet)
18
Trombone ensemble
12
Trumpet ensemble
11
Tuba (band part)
7
French horn (band part)
7
2 French horns (duet)
7
Brass Quartet: 4 trombones
7
2 Tubas (duet)
6
Brass Quartet: 4 horns
6
English Horn
5
Horn Ensemble
5
2 Euphoniums and 2 Tubas
5
Euphonium
4
Tuba and Organ
4
Horn, Cello (duet)
2
Trumpet, Trombone, Piano
1
Trumpet, Horn (duert)
1
3 Trombones (trio)
1
Brass Quartet: 4 trumpets
1
2 English horns and Pianoforte
1
4 Tubas
1
Bass Clef Instruments
1
French horn and Basson (duet)
1
Tuba ensemble
1
Brass Trio
1
Euphonium, Tuba (duet)
1
+ 40 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
252
Violin and Piano
222
Viola, Piano
154
Cello, Piano
148
Violin
100
Violin, Cello (duet)
71
Cello
70
String Trio: violin, viola, cello
58
2 Violins (duet)
44
Viola
42
Double bass, Piano (duet)
39
String Trio: 2 violins, cello
34
Harp
33
2 Cellos (duet)
23
Violin, Viola (duet)
22
Double Bass
21
2 Violas (duet)
18
Violin (band part)
16
String Quintet: 2 violins, viola, cello, bass
15
Viola (band part)
15
Doublebass (band part)
9
Viola, Cello (duet)
8
4 Cellos
6
Piano Trio: Violin, Viola, Piano
4
Violin, Bassoon (duet)
3
String Trio: 3 cellos
3
Violin, Guitar (duet)
3
2 Double basses (duet)
3
2 Harps (duet)
3
Harp, Voice
2
Violin, Clarinet, Piano (trio)
2
Viola and Bassoon
2
String Trio: 2 violins, viola
2
String Quartet : 4 violas
2
Harp, Violin (duet)
2
String quartet: 4 violins
2
String Quintet: 2 violins, 2 violas, cello
2
Cello Ensemble
2
String Quintet: 2 violins, viola, 2 cellos
2
Viola and Harp
2
Harp, Violin, Violoncello
2
Cello, Orchestra
1
Viola, Guitar (duet)
1
String Trio: 3 violas
1
Cello, Guitar (duet)
1
String Trio: 3 violins
1
Cello, String Bass (duet)
1
Autoharp
1
Violoncello, Basso continuo
1
Cello (band part)
1
+ 45 instrumentations
-
Retract
Orchestra & Percussion
Drums
5,867
Concert band
310
String Orchestra
106
Orchestra
97
Jazz Ensemble
83
Brass ensemble
52
Handbells
51
Chamber Orchestra
33
Jazz combo
24
Marching band
18
Percussion Ensemble
14
Marimba
12
Xylophone, Piano
6
Xylophone
5
Drum (band part)
4
Percussion (band part)
3
Snare drums
1
Piano and Orchestra
1
Bodhran
1
+ 14 instrumentations
-
Retract
Others
Instruments
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GUITAR
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HARMONICA
HARP
HARPSICHORD
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LUTE, THEOR…
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MARCHING BA…
MARIMBA
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ORGAN - ORG…
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Long Long Time
Tenor Saxophone and Piano
Sheetmusic to print
42 sheet music found
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1
26
It's Been A Long, Long Time
#
Tenor Saxophone and Piano
#
INTERMEDIATE
#
Contemporary
#
Jule Styne
#
David McKeown
#
It's Been A Long, Long Time
#
David McKeown
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.592552 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 page...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.592552 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366363. Published by David McKeown (A0.592552). It’s Been a Long Long Time is arranged as a solo for one Tenor Saxophone with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Long Long Time
#
Tenor Saxophone and Piano
#
EASY
#
Linda Ronstadt
#
SMMUS
#
Long Long Time
#
João Reis
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1176134 By Linda Ronstadt. By Gary B. White. Arranged by SMMUS. Country,Film/TV,Pop,Singer/Son...
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1176134 By Linda Ronstadt. By Gary B. White. Arranged by SMMUS. Country,Film/TV,Pop,Singer/Songwriter,Wedding. Score and part. 4 pages. João Reis #776262. Published by João Reis (A0.1176134). A tenor sax arrangement for the song Long long time - Mindy Mccready, Linda Ronstadt, from the TV show The Last of Us, HBO. With piano and chords.
$6.99
Long Long Time
#
Tenor Saxophone and Piano
#
EASY
#
Linda Ronstadt
#
SMMUS
#
Long Long Time
#
João Reis
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1176108 By Linda Ronstadt. By Gary B. White. Arranged by SMMUS. Country,Film/TV,Pop,Singer/Son...
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1176108 By Linda Ronstadt. By Gary B. White. Arranged by SMMUS. Country,Film/TV,Pop,Singer/Songwriter,Wedding. Score and part. 4 pages. João Reis #776238. Published by João Reis (A0.1176108). A tenor sax arrangement for the song Long long time - Mindy Mccready, Linda Ronstadt, from the TV show The Last of Us, HBO. With piano.
$6.99
Rocket Man (i Think It's Gonna Be A Long Long Time)
#
Tenor Saxophone and Piano
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Piano Tribute Players
#
Gary D
#
Rocket Man
#
DR GARY D BELSHAW
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.796748 By Piano Tribute Players. By Bernie Taupin and Elton John. Arranged by Gary D. Belshaw ...
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.796748 By Piano Tribute Players. By Bernie Taupin and Elton John. Arranged by Gary D. Belshaw (ASCAP). Contemporary. Score and part. 13 pages. DR GARY D BELSHAW #4631205. Published by DR GARY D BELSHAW (A0.796748). For the advanced intermediate saxophonist. Three-and-a-half minutes. 13 pages. This enormously popular tune translates so naturally for the solo saxophone with a more classical (serious concert music) feel. Not only is this a solid recital closer, it is an excellent choice for social obligations and for recruiting. Free improvisations are welcome. Reward your advanced pupils with a gift of this arrangement. Thank you for considering my music. Your reviews are really important to me and are deeply appreciated. Follow me on Facebook (Gary D. Belshaw Music) or Twitter @GaryDBelshawMus. Please like this title on your Sheet Music Plus page.
$6.99
Rocket Man (I Think It's Gonna Be A Long Long Time)
#
Tenor Saxophone and Piano
#
INTERMEDIATE
#
Rock
#
Elton John
#
James M
#
Rocket Man
#
jmsgu3
#
SheetMusicPlus
By Elton John. By Elton John and Bernie Taupin. Arranged by James M. Guthrie, ASCAP. Pop, Rock. Score and part. 47 pages. Jmsgu3 #3214145. Published b...
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By Elton John. By Elton John and Bernie Taupin. Arranged by James M. Guthrie, ASCAP. Pop, Rock. Score and part. 47 pages. Jmsgu3 #3214145. Published by jmsgu3
$53.95
In A Sentimental Mood
#
Tenor Saxophone and Piano
#
INTERMEDIATE/ADVANCED
#
Jazz
#
Duke Ellington
#
Debra E
#
In A Sentimental Mood
#
Standard Time
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.761696 By Duke Ellington. By Duke Ellington, Irving Mills, and Manny Kurtz. Arranged by Debra ...
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.761696 By Duke Ellington. By Duke Ellington, Irving Mills, and Manny Kurtz. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Standards. Score and part. 4 pages. Standard Time #6082777. Published by Standard Time (A0.761696). This beautiful ballad, arranged for B-flat tenor sax solo with piano accompaniment, is a fine example of Duke Ellington's use of lush harmonies with upper extensions. Â In this arrangement, the bridge is re-harmonized using the relative minors of the original chords. Â The difficulty rating of Advanced Intermediate pertains to the necessary sensitivity in musical interpretation. Â Please note that the recording is of the soprano sax version of this arrangement. Â Play along with the accompaniment at the link provided!
$7.99
Long Time Gone
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Tenor Saxophone and Piano
#
EASY
#
Jazz
#
Crosby Stills and Nash
#
Helios D'Andrea
#
Long Time Gone
#
D'Andrea Helios
#
SheetMusicPlus
Small Ensemble Double Bass,Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1167424 By Crosby Stills and Nash. By David Crosby. Arranged by Hel...
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Small Ensemble Double Bass,Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1167424 By Crosby Stills and Nash. By David Crosby. Arranged by Helios D'Andrea. Jazz. Score and parts. 5 pages. D'Andrea Helios #767804. Published by D'Andrea Helios (A0.1167424). Arranged for Tenor Sax, piano and Double Bass.
$13.00
O Come All Ye Faithful for Tenor Sax & Piano
#
Tenor Saxophone and Piano
#
BEGINNER
#
Wade
#
James M
#
O Come All Ye Faithful for Ten
#
jmsgu3
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548516 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and p...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548516 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388133. Published by jmsgu3 (A0.548516). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it. One theory holds that King John IV of Portugal (1604–1656) wrote it. Another theory says John F. Wade or John Reading wrote it. Nowadays, we usually attribute it to John Wade. Seems like Stonyhurst College in Lancashire owns the oldest manuscript. It is from the year 1751. Lyrics Frederick Oakeley, a Catholic priest in 1841 wrote the English translation. This translation is probably the most common in the English-speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Music directors often cut various verses because otherwise, the song goes too long. Some believe that St. Bonaventure wrote the first Latin lyrics. Others hold that King John IV of Portugal is responsible. Yet even others think the Cistercian monks wrote them. King John IV His subjects called King John IV of Portugal The Musician King. He became king in 1640. In addition to performing the duties of a king, he composed and wrote as a music journalist. King John built a very large music library. Unfortunately, the massive earthquake of Lisbon ruined the library in 1755. In addition to building his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context Verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
A Mighty Fortress is Our God by Luther for Tenor Sax and Piano
#
Tenor Saxophone and Piano
#
BEGINNER
#
Martin Luther
#
Ander
#
A Mighty Fortress is Our God b
#
Woods Only, Arrangements
#
SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1076836 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Tradit...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1076836 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. Score and part. 4 pages. Woods Only, Arrangements #680951. Published by Woods Only, Arrangements (A0.1076836). This easy arrangement for tenor sax and piano has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$1.99
Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano
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Tenor Saxophone and Piano
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EASY
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert...
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.550935 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Concert,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888767. Published by jmsgu3 (A0.550935). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
Bach: Bist du bei mir BWV 508 for Tenor Sax & Piano
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Tenor Saxophone and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,...
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549236 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3468806. Published by jmsgu3 (A0.549236). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Bach: Wachet auf for Tenor Sax & Piano
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Tenor Saxophone and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Tenor Sax
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert...
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549845 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554837. Published by jmsgu3 (A0.549845). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Wichita Lineman
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Tenor Saxophone and Piano
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INTERMEDIATE
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Glen Campbell
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James M
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Wichita Lineman
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1078283 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standa...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1078283 By Glen Campbell. By Jimmy Webb. Arranged by James M. Guthrie. Country,Jazz,Pop,Standards,Wedding. Score and part. 12 pages. Jmsgu3 #682490. Published by jmsgu3 (A0.1078283). Score: 7 pages. Duration: 2:34Wichita Lineman is a 1968 song by the American singer-songwriter Jimmy Webb. The song has since been praised as one of the most influential and greatest recordings in popular music history. The song has been widely praised by critics, and has been called a masterpiece of American music. In 2004, it was ranked number 201 on Rolling Stone's list of The 500 Greatest Songs of All Time. The song has also been praised for its poetic lyrics, as well as its use of electric guitar and strings to create a unique sound. The song has been covered by numerous artists, including Glen Campbell, who recorded a version that reached the top of the US Billboard Hot Country Songs chart in 1968. The song has also been featured in numerous films and television shows, and has been referenced in popular culture. Wichita Lineman has been praised for its universal appeal, and its ability to connect with listeners.Wichita Lineman is a timeless classic that has become synonymous with loneliness. The song is about a telephone lineman who is alone in his work and in his life, looking out at the vast landscape in search of something he cannot find. The melancholy and longing of the song is evocative of the loneliness that many people feel, especially in a society that can often feel disconnected and isolated. Webb's lyrics and Campbell's vocals combine to create a song that is as beautiful as it is heartbreaking. It is a timeless song that captures the loneliness of many, and its enduring popularity over the years is a testament to its power.
$149.95
Fauré: Élégie Op. 24 for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Te
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549730 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultu...
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.549730 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531411. Published by jmsgu3 (A0.549730). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
Have You Ever Seen The Rain?
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Tenor Saxophone and Piano
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BEGINNER
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Creedence Clearwater Revival
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Josiel Oliveira
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Have You Ever Seen The Rain?
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M das Melodias
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1096081 By Creedence Clearwater Revival. By John Fogerty. Arranged by Josiel Oliveira. Multicu...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1096081 By Creedence Clearwater Revival. By John Fogerty. Arranged by Josiel Oliveira. Multicultural,Pop,World. Score and part. 1 pages. M das Melodias #700032. Published by M das Melodias (A0.1096081). Play this beautiful song with your favorite instrument. Sheet music of the song Have You Ever Seen The Rain by Creedence Clearwater Revival for Tenor Saxophone. Easy level. Someone told me long ago There's a calm before the storm I know It's been coming for some time When it's over so they say It'll rain a sunny day I know Shining down like water I want to know Have you ever seen the rain I want to know Have you ever seen the rain Coming down on a sunny day Yesterday and days before Sun is cold and rain is hard I know Been that way for all my time 'Til forever on it goes Through the circle, fast and slow I know It can't stop, I wonder I want to know Have you ever seen the rain I want to know Have you ever seen the rain Coming down on a sunny day (Yeeaahh) I want to know Have you ever seen the rain I want to know Have you ever, ever seen the rain Coming down on a sunny day.
$4.99
O Holy Night for Tenor Sax & Piano
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Tenor Saxophone and Piano
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BEGINNER
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Christmas
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Adam
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James M
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O Holy Night for Tenor Sax & P
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and p...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548677 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410441. Published by jmsgu3 (A0.548677). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Amazing Grace, Concert Solo for Tenor Saxophone and Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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John Newton
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David McKeown
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Amazing Grace, Concert Solo fo
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.587636 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,S...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.587636 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pages. David McKeown #4611369. Published by David McKeown (A0.587636). Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.This version is arranged as a solo for Tenor Saxophone with Piano accompaniment. The melody is played four times, each verse in a different style. The thirty second sample recording is from the Alto Saxophone version; if you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mcMusicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Bach-Gounod: Ave Maria for Tenor Sax & Piano
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Tenor Saxophone and Piano
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EASY
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Ten
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Ea...
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Piano,Tenor Saxophone - Level 2 - Digital Download SKU: A0.549367 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3490159. Published by jmsgu3 (A0.549367). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Tenor Sax & Piano - S0.662027. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Blackbird
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Tenor Saxophone and Piano
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INTERMEDIATE
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Rock
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The Beatles
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Rodrigo Faleiros
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Blackbird
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1306262 By The Beatles. By John Lennon and Paul McCartney. Arranged by Rodrigo Faleiros. Chamb...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1306262 By The Beatles. By John Lennon and Paul McCartney. Arranged by Rodrigo Faleiros. Chamber,Folk,Pop,Rock,Wedding. Score and part. 5 pages. Rodrigo Faleiros #895654. Published by Rodrigo Faleiros (A0.1306262). Elevate your music collection with our beautiful tenor sax solo arrangement of The Beatles' timeless classic, Blackbird. This arrangement is tailored for tenor sax players looking to showcase their artistry while being supported by a piano accompaniment featuring chord symbols.Key Features: Soulful Solo: Immerse yourself in the hauntingly beautiful melody of Blackbird with our specially crafted solo arrangement. Piano Accompaniment with Chord Symbols: The piano part provides a perfect backdrop, creating a mesmerizing duet, allowing you to harmonize and play along with the chords. Perfect for Recitals: Ideal for recitals, performances, or personal enjoyment, this arrangement captures the essence of this iconic song. Blackbird is a piece that transcends time, and now you can make it your own with this arrangement. Whether you're a student, teacher, or performer, the emotional depth of this song will captivate your audience.Check out more arrangements for this and other songs by clicking here!
$5.99
Beethoven: Adagio from Sonata Pathetique for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instruct...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516585. Published by jmsgu3 (A0.549642). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
ONLY TRUST HIM (Duet – Tenor Sax & Piano with Parts)
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Tenor Saxophone and Piano
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INTERMEDIATE
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Sacred music
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John H
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Gary Lanier
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ONLY TRUST HIM
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The Lanier Company
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.614777 Composed by John H. Stockton. Arranged by Gary Lanier. Praise & Worship,Sacred. Score a...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.614777 Composed by John H. Stockton. Arranged by Gary Lanier. Praise & Worship,Sacred. Score and part. 9 pages. The Lanier Company #2075959. Published by The Lanier Company (A0.614777). ONLY TRUST HIM is a duet arrangement for Tenor Sax & Piano of one of our most cherished Christian Hymns. The score, including cover and Tenor Sax part is 9 pages long. This arrangement is perfect for any Church or gathering where Christian inspirational music is desired. It works great for times of commitment to Christ. A mp3 Piano Accompaniment (aka Rehearsal Track) is also available, listed as: ONLY TRUST HIM (Piano Accompaniment for Tenor Sax).
$6.99
The Wedding Album, for Solo Tenor Saxophone and Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Walt Disney
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Various
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David McKeown
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The Wedding Album, for Solo Te
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.587623 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standar...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.587623 Composed by Various. Arranged by David McKeown. Baroque,Concert,Romantic Period,Standards,Wedding. Score and part. 24 pages. David McKeown #4594681. Published by David McKeown (A0.587623). The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Tenor Saxophone with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end. Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy. The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as Here Comes the Bride. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on thetrumpet stop. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard. Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.These four arrangements are also available as single titles for $3.99 each. You can find these along with many more top quality arrangements and compositions by David McKeown at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Gymnopedie No. 1
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Contemporary
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Erik Satie
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Samuel Sequeira
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Gymnopedie No. 1
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Samuel Sequeira
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1245347 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1245347 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel Sequeira #840224. Published by Samuel Sequeira (A0.1245347). Gymnopedie No. 1 - Erik Satie - Tenor Saxophone/PianoPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you a captivating arrangement for Tenor Saxophone and piano of Gymnopédie No. 1 by Erik Satie, with a Youtube PlayAlong VideoIn this arrangement, the tenor saxophone takes on the haunting melodies of Satie's iconic composition, while the piano provides a delicate and supportive accompaniment. The combination of these two instruments creates a unique and enchanting musical experience.The arrangement begins with the gentle and sparse opening chords on the piano, creating a serene atmosphere. As the tenor saxophone enters, it carries the iconic melody, infusing it with its rich and soulful tones. The tenor saxophone's warm and expressive qualities add an extra layer of emotion to the music, enhancing its introspective and contemplative nature.Throughout the arrangement, the tenor saxophone and piano engage in a musical dialogue, blending their sounds in perfect harmony. The piano provides a nuanced and sensitive backdrop, supporting the tenor saxophone's melodic lines and adding depth to the arrangement. The tenor saxophone, in turn, soars above the piano, capturing the listener's imagination and conveying the emotional depth of Satie's composition.The arrangement maintains the simplicity and elegance of Satie's original work while allowing for subtle interpretations and expressive phrasing from both the tenor saxophone and piano. Together, they create a captivating rendition that invites the listener on a reflective and introspective journey.Gymnopédie No. 1 is a timeless piece that has touched the hearts of many. This arrangement for tenor saxophone and piano allows the beauty of Satie's music to shine through in a new and captivating way, showcasing the expressive capabilities of both instruments.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing!
$5.99
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