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Sonata No. 3 G minor
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Sonata No. 3 G minor
SheetMusicPlus
Tenor Saxophone and Piano
Sheetmusic to print
2 sheet music found
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J. S. Bach: Sonata no. 3 in g minor, bwv 1029, - tenor saxophone and keyboard by Paul Weh
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Tenor Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach: Sonata no. 3 in g
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.533440 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. ...
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.533440 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. Score and part. 35 pages. Musik Fabrik Music Publishing #2914077. Published by Musik Fabrik Music Publishing (A0.533440). In 1720 J. S. Bach was in the service of Prince Leopold of Anhalt-Cöthen, serving as his Kapellmeister. Since the court of Anhalt-Cöthen was Calvinist, Church music was limited to congregational psalms and hymns. Bach’s work during this period consisted of writing chamber music for the Prince, who was an accomplished violinist, gambist and harpsichordist. Other works from this period include the Cello Suites, the violin and keyboard sonatas,, the Flute sonatas and the partita for solo flute and the Orchestral SuitesThe Sonata no. III in g minor is written in a three-movement Concerto form. The first movement uses a main theme close to that of the first theme of the Third Brandeburg concerto. The slow movement is static and very sparce, but very expressive. The third movement is in the form of a gigue in the Italian style..
$16.95
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructio...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499759. Published by jmsgu3 (A0.549469). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
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