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You've selected:
The Scale
Tenor Saxophone and Piano
Sheetmusic to print
8 sheet music found
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1
The First Noel for Tenor Sax & Piano
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Tenor Saxophone and Piano
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BEGINNER
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Christmas
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Traditional
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James M
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The First Noel for Tenor Sax &
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548504 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Scor...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548504 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387401. Published by jmsgu3 (A0.548504). The First Noel arranged for Tenor Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Alto Sax Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Forever Autumn
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Tenor Saxophone and Piano
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INTERMEDIATE
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Rock
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The Moody Blues
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Kevin P Holdgate
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Forever Autumn
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Kevin P Holdgate
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.791175 By The Moody Blues. By Jeff Wayne. Arranged by Kevin P Holdgate. Rock. Score and part. ...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.791175 By The Moody Blues. By Jeff Wayne. Arranged by Kevin P Holdgate. Rock. Score and part. 10 pages. Kevin P Holdgate #5337319. Published by Kevin P Holdgate (A0.791175). KPHMS 'Solo' CollectionI did this arrangement originally for a 'Sci-Fi' inspired proms concert in Derbyshire. The organisers had hired two full-sized Daleks which stood on the sides of the stage through the performance and never moved, but pointed their 'exterminate' weapons in my direction throughout the performance. An experience that many conductors may feel they have experienced.The music is from the original 'War of the Worlds' film and was recorded by Justin Heyward and the band 'Moody Blues'.There are solo versions with piano accompaniment of this song available for a variety of instruments in suitable keys. The difficulty level ranges between grade 3 to 5 based on the ABRSM/Trinity scale requirements.A 10 piece version and various solo versions with piano accompaniment are available for this work together with a full brass band version. There are also vocal versions for a male and/or female voice with a standard 3 horn 'Cruise ship' format backing.
$4.99
Beethoven: Adagio from Sonata Pathetique for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instruct...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549642 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516585. Published by jmsgu3 (A0.549642). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages.One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program.Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Rock Solid - for Tenor (or Soprano) Saxophone and Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Kate Agioritis
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Rock Solid - for Tenor
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Musika Publishing Australia
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SheetMusicPlus
Instrumental Duet,Piano Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.567167 Composed by Kate Agioritis. Blues,Instructional,Standards. Scor...
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Instrumental Duet,Piano Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.567167 Composed by Kate Agioritis. Blues,Instructional,Standards. Score and part. 9 pages. Musika Publishing Australia #5971363. Published by Musika Publishing Australia (A0.567167). Looking for a groovy solo for Bb Tenor (or Soprano) Saxophone? Look no further..Rock solid is a great repertoire choice for intermediate saxophonists, based around a blues scale and providing opportunities to focus and develop tone, intonation and technical facility in the upper register.Visit our website: www.musikapublishing.com(Video shows Eb Arrangement)
$4.99
Blues For Emily
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Tenor Saxophone and Piano
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INTERMEDIATE
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Anna Coughlan
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Blues For Emily
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Anna Coughlan Music
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1337079 Composed by Anna Coughlan. Blues,Contemporary,Instructional,Jazz. Score and part. 6 pa...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1337079 Composed by Anna Coughlan. Blues,Contemporary,Instructional,Jazz. Score and part. 6 pages. Anna Coughlan Music #922885. Published by Anna Coughlan Music (A0.1337079). An early intermediate Bb saxophone solo with piano accompaniment, introducing the foundations of jazz improvisation and the 12 bar blues. Over two repetitions of the standard 12 bar blues pattern, the solo uses the American blues scale in G, swung quavers and jazz triplets to illustrate some easy riffs and ideas players can build on in their improvisations.Please note the audio sample features flute with piano in order to demonstrate the tune.
$4.99
Pachelbel: Canon for Tenor Sax & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Johann Pachelbel
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James M
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Pachelbel: Canon for Tenor Sax
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jmsgu3
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructiona...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.548470 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3386301. Published by jmsgu3 (A0.548470). The famous Pachelbel Canon arranged for Tenor Sax & Piano. Great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
Habanera from Carmen for Tenor Saxophone & Piano
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Tenor Saxophone and Piano
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INTERMEDIATE
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Classical
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Georges Bizet
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Daniel Leeman
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Habanera from Carmen for Tenor
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Daniel Leeman
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.870693 Composed by Georges Bizet. Arranged by Daniel Leeman. Romantic Period. Score and part. ...
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.870693 Composed by Georges Bizet. Arranged by Daniel Leeman. Romantic Period. Score and part. 6 pages. Daniel Leeman #2964169. Published by Daniel Leeman (A0.870693). One of the most recognizable pieces from the Romantic era, this sultry aria from Bizet's opera Carmen playfully dances around the chromatic scale. It's great choice for intermediate level players as the piece rhythmically explores triple-duple rhythms as well as sixteenth note subdivisions, but while maintaining a moderate tempo.
$4.99
La Candeur for Tenor Saxophone
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Tenor Saxophone and Piano
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BEGINNER
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Classical
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Johann Friedrich Burgmuller
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Doniell Cushman
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La Candeur for Tenor Saxophone
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Doniell C Cushman
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SheetMusicPlus
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.947902 Composed by Johann Friedrich Burgmuller. Arranged by Doniell Cushman. Classical,Instruc...
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.947902 Composed by Johann Friedrich Burgmuller. Arranged by Doniell Cushman. Classical,Instructional,Romantic Period,Standards. Score and part. 6 pages. Doniell C Cushman #3210517. Published by Doniell C Cushman (A0.947902). Based off of Burgmüller's original piano piece La Candeur (French for honesty), this arrangement is true to the original including articulations, dynamic shading, and general tempo. This piece is perfect for players at an beginning through intermediate level. Showcases scale motion and long legato phrases. Sounds wonderful with the timbre different than the piano original. Quick tempo, eighth note passages, and dynamic shading are all important mechanisms in this piece.Original arranged material, all rights reserved.
$3.99
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