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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
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Not classified
5,263
Piano & keyboards
Piano solo
2,866
Easy Piano
665
Piano, Voice
656
Piano, Vocal and Guitar
459
Organ
250
C Instruments
164
Big Note Piano
115
1 Piano, 4 hands
76
Piano Accompaniment
58
Piano Trio: piano, violin, cello
57
Piano Quartet: piano, violin, viola, cello
33
Piano (band part)
32
2 Pianos, 4 hands
26
Accordion
23
Harpsichord
15
Organ, Piano (duet)
10
Piano Quartet: piano, 2 violins, cello
9
Piano Quintet: piano, 2 violins, viola, cello
8
Keyboard
5
2 Pianos, 8 hands
3
Organ, Trumpet (duet)
3
Accordion ensemble
2
1 Piano, 6 hands
1
+ 18 instrumentations
-
Retract
Guitars
Guitar
296
Guitar notes and tablatures
236
Melody line, (Lyrics) and Chords
87
Ukulele
82
Guitar (band part)
67
Bass guitar
56
2 Guitars (duet)
36
4 Guitars (Quartet)
21
Dulcimer
15
Piano, Guitar (duet)
14
Lyrics and Chords
14
Mandolin, Piano (duet)
10
Guitar Ensemble
9
3 Guitars (trio)
9
Banjo
7
Mandolin
7
Mandolin, Guitar (duet)
3
Guitar, Violin, Cello (trio)
3
Ukulele Ensemble
2
2 Mandolins (duet)
2
Electric Bass (band part)
1
Baritone Ukulele
1
+ 17 instrumentations
-
Retract
Voice
Choral SATB
1,316
Choral 3-part
482
Choral 2-part
262
Choral TTBB
243
Choral SSAA
171
Choral Unison
126
Soprano voice, Piano
92
Alto voice, Piano
89
Tenor voice, Piano
77
Vocal duet
41
Vocal duet, Piano
39
Baritone voice, Piano
36
Low voice, Piano
26
High voice
25
Voice solo
9
Medium voice, Piano
8
Tenor voice
6
Choral SSATTB
4
Choral
3
Choral SSATB
2
Choral SSAATTBB
2
Soprano voice
2
Low voice
1
Mezzo-Soprano voice, Piano
1
Choral SSAB a cappella
1
Choral SAATB A Cappella
1
Choral SSAB, Piano
1
+ 22 instrumentations
-
Retract
Woodwind
Saxophone Quartet: 4 saxophones
400
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
398
2 Saxophones (duet)
320
Flute and Piano
265
Clarinet Quartet: 4 clarinets
245
Clarinet and Piano
220
Saxophone Quintet: 5 Saxophones
217
Oboe, Piano (duet)
210
Flute, Oboe, Clarinet, Bassoon
206
Saxophone (band part)
203
Alto Saxophone and Piano
180
3 Saxophones (trio)
168
2 Flutes (duet)
166
2 Clarinets (duet)
152
Flute
149
Tenor Saxophone and Piano
133
Clarinet Ensemble
125
Clarinet
124
Flute Quartet: 4 flutes
117
Saxophone ensemble
116
Soprano Saxophone and Piano
106
Alto Saxophone
104
Pennywhistle
81
Flute ensemble
80
3 Clarinets (trio)
77
Tenor Saxophone
74
Baritone Saxophone, Piano
67
Clarinet Quintet: 5 clarinets
62
2 Oboes (duet)
62
Flute Trio: 3 flutes
59
Flute, Clarinet (duet)
55
Oboe (band part)
49
Saxophone
47
Flute and Guitar
46
Saxophone, Clarinet (duet)
45
English horn, Piano
44
Clarinet, Violin (duet)
36
Flute Quintet : 5 flutes
33
Flute, Oboe, Bassoon
33
Oboe, Bassoon (duet)
31
2 Recorders (duet)
31
Flute, Clarinet and Bassoon.
31
Flute (band part)
29
Bass Clarinet, Piano
28
Clarinet, Trumpet (duet)
28
3 Oboes
27
4 Oboes
26
Oboe, Clarinet (duet)
21
Clarinet, Guitar (duet)
20
Flute, Oboe, Clarinet (trio)
20
Oboe, Clarinet, Bassoon (trio)
19
Soprano Saxophone
18
Clarinet, Bassoon (duet)
18
Flute, Violin
18
Clarinet and Viola
18
Recorder Quartet
18
Descant (Soprano) Recorder
17
Flute, Saxophone (duet)
17
5 Recorders
14
Flute, Violin, Piano
14
Oboe, Flute
13
Clarinet (band part)
12
Flute, Viola (duet)
12
Oboe
12
Flute, Trumpet (duet)
11
Baritone Saxophone
11
Tenor Recorder
10
Piccolo, Piano
10
3 Recorders (trio)
9
Recorder
9
Recorder Ensemble
8
Flute, Violoncello
8
2 Clarinets, Piano
8
Flute, Clarinet, Piano (trio)
8
Oboe, Guitar (duet)
8
Flute, Violin and Violoncello
7
Treble (Alto) Recorder
6
Treble (Alto) Recorder, Piano
6
English Horn, Guitar (duet)
5
Descent (Soprano) Recorder, Piano
5
Flute, Viola and Piano
5
Flute, Cello, Piano (trio)
5
Flute, Oboe, Piano (trio)
5
Clarinet, Cello (duet)
4
Saxophone and Organ
4
Flute and Strings Trio
4
Flute, Oboe (duet)
4
Flute, Violin, Violoncello and Piano
3
Saxophone and Guitar
3
English Horn
3
Clarinet, Cello, Piano (trio)
3
2 Saxophones, Piano
3
Flute, Bassoon, and Piano
3
Clarinet, Harp (duet)
3
Saxophone and Harp
2
Clarinet, Bassoon, Piano (trio)
2
2 Flutes, Piano
2
Clarinet, Trombone (duet)
2
Clarinet, Organ
2
Recorder, Piano
2
Piccolo
2
Bass Clarinet
1
Ocarina
1
Flute, Clarinet, Violin (trio)
1
English horn, Harp (duet)
1
Oboe ensemble
1
Oboe, Cello
1
Flute, Organ (duet)
1
Clarinet Quintet: Clarinet, String Quartet
1
2 Clarinets, Bassoon
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Flute, harp and violin
1
Harmonica
1
Oboe, Harp
1
Oboe, Violin, Piano
1
Flute, trombone and piano
1
2 English horns and Pianoforte
1
+ 113 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
374
Brass quartet : 2 trumpets, trombone, tuba
295
Trombone (band part)
172
Trombone and Piano
163
Trumpet
150
Trumpet, Piano
135
Trumpet (band part)
129
Brass Quartet: 2 trumpets, horn, trombone
119
French Horn and Piano
109
2 Trumpets (duet)
77
Trombone
73
Trumpet, Trombone (duet)
72
2 Trombones (duet)
71
Tuba and Piano
52
Euphonium, Piano (duet)
51
Trombone ensemble
48
French horn
46
English horn, Piano
44
Trumpet ensemble
43
Brass Quartet: 4 trombones
40
Brass Quartet
35
Tuba
34
2 French horns (duet)
34
Trumpet, Saxophone (duet)
30
French horn (band part)
30
Brass Quartet: 4 horns
25
Tuba (band part)
22
Brass Quartet: 4 trumpets
17
2 Tubas (duet)
17
Horn Ensemble
17
Trumpet, Horn (duert)
12
Brass Trio
9
3 Trombones (trio)
9
4 Tubas
9
Trombone, Tuba (duet)
8
3 Trumpets (trio)
7
English Horn, Guitar (duet)
5
Trumpet, Tuba (duet)
5
2 Euphoniums and 2 Tubas
5
Trombone, Horn (duet)
5
Tuba and Organ
4
English Horn
3
Bass Trombone and Piano
3
Euphonium
3
3 Tubas (trio)
3
3 French horns (trio)
3
Horn, Cello (duet)
2
Euphonium, Tuba (duet)
2
Horn, Tuba (duet)
2
Brass Quartet: 2 trumpets, 2 trombones
2
Bass Trombone
2
Trombone, Organ
2
French horn and Basson (duet)
2
Trumpet, Trombone, Piano
2
English horn, Harp (duet)
1
Trumpet, Harp
1
Trumpet, Euphonium (duet)
1
Trombone and Orchestra
1
Horn and Organ
1
French Horn and Harp
1
3 Euphoniums
1
Tuba ensemble
1
Bass Clef Instruments
1
Trombone, Violin (duet)
1
2 English horns and Pianoforte
1
+ 60 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
1,081
Violin
345
Violin, Cello (duet)
340
Violin and Piano
316
String Trio: violin, viola, cello
280
Cello, Piano
227
Viola, Piano
202
Harp
187
Cello
184
2 Violins (duet)
131
String Trio: 2 violins, cello
127
2 Cellos (duet)
94
2 Violas (duet)
76
Violin, Viola (duet)
75
Viola
75
String Quintet: 2 violins, viola, cello, bass
63
String Trio: 3 violins
46
Doublebass (band part)
44
Double bass, Piano (duet)
41
String Trio: 3 cellos
41
Double Bass
40
4 Cellos
27
Violin, Guitar (duet)
23
Violin (band part)
22
Violin ensemble
22
Viola, Cello (duet)
22
Viola ensemble
20
Viola (band part)
19
Piano Trio: Violin, Viola, Piano
19
2 Harps (duet)
17
Cello, Guitar (duet)
15
String Trio: 3 violas
14
String quartet: 4 violins
14
Harp, Flute (duet)
12
String Quartet : 4 violas
11
2 Double basses (duet)
11
Cello, String Bass (duet)
11
Harp and mandolin
9
String Quintet: 2 violins, 2 violas, cello
6
Harp and Piano
5
Harp, Voice
5
String Trio: 2 violins, viola
5
2 Violins, Piano
4
Harp, Violin (duet)
4
Cello (band part)
4
Viola and Bassoon
3
Viola, Guitar (duet)
3
Violoncello, Basso continuo
3
Cello Ensemble
2
Harp, Violin, Violoncello
2
Viola and Harp
2
4 Double Basses
2
Cello, Orchestra
1
Harp, Trombone (duet)
1
3 Harps
1
Harp, Cello (duet)
1
Viola, Organ
1
Violin, Tuba (duet)
1
Cello, Organ
1
Violin, Bassoon (duet)
1
+ 55 instrumentations
-
Retract
Orchestra & Percussion
Concert band
860
String Orchestra
441
Jazz combo
417
Orchestra
383
Jazz Ensemble
361
Brass ensemble
335
Chamber Orchestra
185
Handbells
133
Drums
69
Marching band
53
Percussion Ensemble
51
Drum (band part)
36
Marimba
11
Percussion (band part)
10
Xylophone, Piano
7
Xylophone
7
Vibraphone
7
School Ensemble
6
Piano and Orchestra
5
Orchestra, Violin
3
3 Marimbas
3
Marimba, Piano (duet)
1
Xylophone (band part)
1
Woodwind Quintet
1
3 Percussions
1
Vibraphone and Marimba
1
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
1
Brass Quintet: other combinaisons
1
+ 23 instrumentations
-
Retract
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Soprano Saxophone and Piano
Sheetmusic to print
106 sheet music found
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101
Go Tell It On The Mountain, Gospel Song for Soprano Saxophone and Piano
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Soprano Saxophone and Piano
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EASY
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Sacred music
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Gospel/Spiritual
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Traditional
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David McKeown
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Go Tell It On The Mountain, Go
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.592777 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.592777 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6412459. Published by David McKeown (A0.592777). Go Tell It on The Mountain is a beautiful gospel song arranged here for Solo Soprano Saxophone and Piano.Go Tell It on The Mountain is most often considered a Christmas Carol with the original lyrics,Go tell it on the mountain, over the hills and everywhere; Go tell it on the mountain, that Jesus Christ is born.Nothing is known of its origins, but it first appeared in print in an 1865 collection of Spirituals. More recently, the lyrics have been adapted to support the struggle for human rights, most famously by Peter, Paul and Mary in 1963.
$2.49
And Can It Be? (with "Amazing Grace") (Duet for Soprano & Alto Saxophone)
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Soprano Saxophone and Piano
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EASY
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Sacred music
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Traditional, Thomas Campbell
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Stephen DeCesare
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And Can It Be?
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.622692 Composed by Traditional, Tho...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.622692 Composed by Traditional, Thomas Campbell. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and parts. 14 pages. Exultet Music #3879055. Published by Exultet Music (A0.622692). This hymn combines the two melodies of And Can It Be? with the traditional and uplifting melody of Amazing Grace. Scored as a duet for Soprano and Alto Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting and can be used throughout the liturgical year, but especially during the season of Lent.
$4.99
Just As I Am (with "Jesus Paid It All") (Duet for Soprano & Alto Saxophone)
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Soprano Saxophone and Piano
#
EASY
#
Sacred music
#
Gospel/Spiritual
#
William B
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Stephen DeCesare
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Just As I Am
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Exultet Music
#
SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.622898 Composed by William B. Bradb...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.622898 Composed by William B. Bradbury, John T. Grape. Arranged by Stephen DeCesare. Christian,Easter,Gospel,Sacred. Score and parts. 12 pages. Exultet Music #4102869. Published by Exultet Music (A0.622898). Two of the most celebrated hymns have now been joined together in one anthem that is scored as a duet for Soprano and Alto Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year but especially during the season of Lent.
$4.99
Just As I Am (with "Jesus Paid It All") (Soprano Saxophone)
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Soprano Saxophone and Piano
#
EASY
#
Sacred music
#
William B
#
Stephen DeCesare
#
Just As I Am
#
Exultet Music
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.629693 Composed by William B. Bradbury, John T. Grape. Arranged by Stephen DeCesare. Christi...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.629693 Composed by William B. Bradbury, John T. Grape. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. Score and part. 11 pages. Exultet Music #6366301. Published by Exultet Music (A0.629693). Two of the most celebrated hymns have now been joined together in one anthem that is scored for a Soprano Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year but especially during the season of Lent. An accompaniment track is also available.
$4.99
Last Night
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Soprano Saxophone and Piano
#
EASY
#
Morgan Wallen
#
Rodrigo Faleiros
#
Last Night
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Rodrigo Faleiros
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1276714 By Morgan Wallen. By Morgan Wallen. Arranged by Rodrigo Faleiros. Country,Folk,Pop,W...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1276714 By Morgan Wallen. By Morgan Wallen. Arranged by Rodrigo Faleiros. Country,Folk,Pop,Wedding. Score and part. 5 pages. Rodrigo Faleiros #868269. Published by Rodrigo Faleiros (A0.1276714). This music arrangement is a soprano sax solo version of the song “Last Night†by Morgan Wallen, a country singer and songwriter. The arrangement follows the original melody and chords of the song, but adds some variations and embellishments to make it more interesting and unique. It also has a piano accompaniment with chords. The soprano sax solo is suitable for intermediate players who enjoy playing country music, but it also has a simple approach that can reach beginners too.
$5.99
Last Night
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Soprano Saxophone and Piano
#
EASY
#
Morgan Wallen
#
Rodrigo Faleiros
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Last Night
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1276715 By Morgan Wallen. By Morgan Wallen. Arranged by Rodrigo Faleiros. Country,Folk,Pop,W...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1276715 By Morgan Wallen. By Morgan Wallen. Arranged by Rodrigo Faleiros. Country,Folk,Pop,Wedding. Score and part. 5 pages. Rodrigo Faleiros #868272. Published by Rodrigo Faleiros (A0.1276715). This music arrangement is a soprano sax solo version of the song “Last Night†by Morgan Wallen, a country singer and songwriter. The arrangement follows the original melody and chords of the song, but adds some variations and embellishments to make it more interesting and unique. It also has a piano accompaniment. The soprano sax solo is suitable for intermediate players who enjoy playing country music, but it also has a simple approach that can reach beginners too.
$5.99
DvoÅ™ák: Largo from the New World Symphony for Soprano Sax & Piano
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Soprano Saxophone and Piano
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EASY
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Classical
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Antonin Dvorak
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James M
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dynamic control
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DvoÅ™ák: Largo from the Ne
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romant...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494001. Published by jmsgu3 (A0.549421). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Pie Jesus, from Fauré's Requiem, for Soprano Saxophone and Piano
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Soprano Saxophone and Piano
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EASY
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Classical
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Gabriel Faure
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David McKeown
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Pie Jesus, from Fauré's Requi
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.587704 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.587704 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810591. Published by David McKeown (A0.587704). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Soprano Saxophone with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.Soloists at an early intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good breath and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203.
$4.60
O Sole Mio - Soprano Saxophone; Alto Saxophone and Piano
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Soprano Saxophone and Piano
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EASY
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Eduardo Di Capua
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Raymond Fenech
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O Sole Mio - Soprano Saxophone
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Raymond Fenech
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.760190 Composed by Eduardo Di Capua...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.760190 Composed by Eduardo Di Capua. Arranged by Raymond Fenech. Holiday,Instructional,Multicultural,Standards,Wedding,World. Score and parts. 10 pages. Raymond Fenech #3514499. Published by Raymond Fenech (A0.760190). ’O sole mio is a globally known Neapolitan song written in 1898. The music was composed by Eduardo di Capua.There are other versions of ’O sole mio but it is usually sung in the original Neapolitan language. ’O sole mio is the Neapolitan equivalent of standard Italian Il mio sole and translates literally as my sunshine. It's Now or Never is a ballad recorded by Elvis Presley in 1960. It is one of two popular songs based on the Italian song, the other being There's No Tomorrow The Level is Early Intermediate and the duration is approximately 2.49 minutes. It could be played in any type of recital/concert.
$4.99
O Sole Mio - 2 Soprano Saxophones and Piano
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Soprano Saxophone and Piano
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EASY
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Eduardo Di Capua
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Raymond Fenech
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O Sole Mio - 2 Soprano Saxopho
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Raymond Fenech
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.760183 Composed by Eduardo Di Capua. Arranged by R...
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.760183 Composed by Eduardo Di Capua. Arranged by Raymond Fenech. Holiday,Instructional,Romantic Period,Standards,Wedding. Score and parts. 10 pages. Raymond Fenech #3514461. Published by Raymond Fenech (A0.760183). ’O sole mio is a globally known Neapolitan song written in 1898. The music was composed by Eduardo di Capua.There are other versions of ’O sole mio but it is usually sung in the original Neapolitan language. ’O sole mio is the Neapolitan equivalent of standard Italian Il mio sole and translates literally as my sunshine. It's Now or Never is a ballad recorded by Elvis Presley in 1960. It is one of two popular songs based on the Italian song, the other being There's No Tomorrow The Level is Early Intermediate and the duration is approximately 2.49 minutes. It could be played in any type of recital/concert. Please note that this piece could be played either as a duet or as a Solo Piece with piano accompaniment.
$4.99
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Soprano Saxophone and Piano
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Soprano Saxophone and Piano
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EASY
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G F Handel
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David McKeown
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Lascia Ch'io Pianga, Aria from
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.587926 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. S...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.587926 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044839. Published by David McKeown (A0.587926). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Soprano Saxophone and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Danny Boy (Funeral Version) (Soprano Saxophone and Piano)
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Soprano Saxophone and Piano
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EASY
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Sacred music
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Sacred music
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Frederic Weatherly, Franz Schu
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Stephen DeCesare
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Danny Boy
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Exultet Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.626419 Composed by Frederic Weatherly, Franz Schubert. Arranged by Stephen DeCesare. Celtic,...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.626419 Composed by Frederic Weatherly, Franz Schubert. Arranged by Stephen DeCesare. Celtic,Contemporary,Irish,Multicultural,Praise & Worship,Sacred,World. Score and part. 11 pages. Exultet Music #5718935. Published by Exultet Music (A0.626419). This version not only is the ballad that is most closely associated with Irish communities, but it combines the famous Ave Maria by Franz Schubert. Scored for a Soprano Saxophone solo with Piano accompaniment. Accessible for all levels of playing and can used for a variety of venues. An accompaniment track is available.
$4.99
Desert Carnival
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Soprano Saxophone and Piano
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ADVANCED
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Dave Kenney
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Dave Kenney
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Desert Carnival
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davekenneymusic
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1404030 Composed by Dave Kenney. Arranged by Dave Kenney. 21st Century,Classical,Jazz. Score...
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1404030 Composed by Dave Kenney. Arranged by Dave Kenney. 21st Century,Classical,Jazz. Score and part. 24 pages. Davekenneymusic #987197. Published by davekenneymusic (A0.1404030). Desert Carnival is a challenging work for soprano saxophone and piano and was inspired by 1. Burning Man festival 2. Chick Corea’s exciting piece “Cappuccino†with Joe Farrell on soprano, amazing energy. While I have never been to a Burning Man festival I love the pictures and concepts of it, very visual and expressive. In fact in my work the opening theme on soprano is developed to represent a person walking and experiencing each part of the festival.  Chick’s work is pure passion and I imbued this attribute into Desert Carnival.Also I used the piano and saxophone as equal partners, this is not a piano part in the background supporting the sax but is an intricate part of the work.  This is a dialogue between the two instruments.Finally I am happy to announce that Desert Carnival will be recorded by the amazing soprano saxophonist Nicholas May you should check him out.
$9.95
Saint-Saens: The Swan for Soprano Sax & Piano
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Soprano Saxophone and Piano
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EASY
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Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Sop
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
O Holy Night for Soprano Sax & Piano
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Soprano Saxophone and Piano
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BEGINNER
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Christmas
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Adam
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James M
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O Holy Night for Soprano Sax &
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548675 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and...
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548675 Composed by Adam. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 10 pages. Jmsgu3 #3410437. Published by jmsgu3 (A0.548675). Duration: 4:56. Score 5 pg. 44 ms. Solo part: 2 pg. Piano part: 3 pg.Cantique de Noël The French composer Adolphe Adam was already famous as a composer of many successful ballets and operas. Then, in the 1840’s he wrote his most famous work - O Holy Night. The original song title was Minuit Chretiens or Cantique de Noël. Placide Cappeau provided the original song lyrics. The song was first performed in Roquemaure by the opera singer Emily Laurey at midnight mass in 1847. It became very popular among the French, much the way that Silent Night was famous elsewhere. In the 1850’s John S. Dwight, a Unitarian minister and music teacher translated the song into English. Adolphe Adam In his younger years, Adam studied organ and composition at the Paris Conservatoire. He also played the timpani in the Conservatoire orchestra. Adam used his savings and borrowed money to open a new opera house - the fourth opera house in Paris in 1847. Unfortunately, the Revolution of 1848 forced him to close. He taught composition at the Paris Conservatoire from 1849 until his death in 1856. Placide Cappeau The poet Cappeau was an advocate of the French Enlightenment philosopher Voltaire. Voltaire was renowned for criticizing the Catholic church, religious intolerance, and dogma in general. Consequently, Cappeau made the Redeemer figure in his song a kind of reformer of injustices, in particular, the problem of original sin. To begin with, people recognized Cappeau’s theology as eccentric, probably even doubtful. Theology In the earlier form of Minuit, the Christ figure descends to intervene with His Father’s plan to punish mankind. Traditional doctrine pronounces that Christ came from love, not to intervene. This version also declares that Christ appeared to expunge the original sin of Adam. Cappeau removed this part from his poem years later, because he just didn’t believe it. He preferred to portray Christ as the reformer of disparity and unfairness. Before long, the writer/politician Alphonse de Lamartine referred to the Minuit as the the Marseillaise of religion. Most French churchmen agreed with this idea but certainly did not consider it a tribute. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Handel: Largo from Xerxes for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549382 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacr...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549382 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492289. Published by jmsgu3 (A0.549382). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
A Night In Tunisia
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Soprano Saxophone and Piano
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INTERMEDIATE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
Can't Help Falling In Love
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Soprano Saxophone and Piano
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INTERMEDIATE
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Wedding/Ballad
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Rock
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Elvis Presley
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Phil Beaman
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Can't Help Falling In Love
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Phil Beaman
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.845296 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged b...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.845296 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and part. 4 pages. Phil Beaman #6683861. Published by Phil Beaman (A0.845296). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. solo range 10th solo part, Early Intermediate; piano part, Intermediateavailable for several different instrument solos3 pages score, 1 page part2:00 minutes
$5.99
Pictures at an Exhibition - Promenade - Soprano Sax and Piano (Full Score and Parts)
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Soprano Saxophone and Piano
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INTERMEDIATE
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Modest Petrovich Mussorgsky
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César Madeira
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Pictures at an Exhibition - Pr
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Sheet Music To Play Editions
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1510539 Composed by Modest Petrovich Mussorgsky. Arranged by César Madeira. 19th Century,Cl...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1510539 Composed by Modest Petrovich Mussorgsky. Arranged by César Madeira. 19th Century,Classical,Film/TV,Multicultural,Romantic Period,World. Score and part. 7 pages. Sheet Music To Play Editions #1085737. Published by Sheet Music To Play Editions (A0.1510539). Promenade from Pictures at an Exhibition. Arrangement for Soprano Sax and Piano. With Full Score and Individual Parts. Enjoy it!Modest Petrovitch Mussorgsky (1839 - 1881) was a Russian composer famous for his operas and songs. He discovered new ways of writing for the voice which were very tuneful but which also suited the Russian language. His most famous opera is Boris Godunov. Another very famous piece is called Pictures at an Exhibition. He wrote it for the piano, but many years after his death another composer called Maurice Ravel orchestrated it and this is the version people usually hear today.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99
I Love You Truly-Soprano saxophone/piano
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Soprano Saxophone and Piano
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EASY
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Phil Beaman
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I Love You Truly-Soprano saxop
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Phil Beaman
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.844634 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 ...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.844634 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413831. Published by Phil Beaman (A0.844634). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99
Sonatina (op. 100) for soprano saxophone (or Bb clarinet) and piano
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Antonin Dvorak
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Jeffrey Heisler
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Sonatina
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Jeffrey Heisler
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1253199 Composed by Antonin Dvorak. Arranged by Jeffrey Heisler. 19th Century,Chamber,Classi...
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1253199 Composed by Antonin Dvorak. Arranged by Jeffrey Heisler. 19th Century,Chamber,Classical,Instructional,Multicultural,World. Score and part. 40 pages. Jeffrey Heisler #846950. Published by Jeffrey Heisler (A0.1253199). The Sonatina, Op. 100, (arranged by saxophonist Jeffrey Heisler for soprano saxophone [or Bb clarinet] and piano) was written during Dvořák's stay in the USA in 1893, and is dedicated to his six children. On January 2, 1894, the composer wrote to his publisher Simrock: I am healthy and well, having just completed my 100th work, a sonatina for violin and piano. It is intended for the youth (dedicated to my children), but grown-ups, adults, shall enjoy themselves with it as they see fit.Inspired by the fascinating landscape of North America and by meetings with the native inhabitants, a wealth of impressions has found its way into the movements of this sonatina. And that, accordingly, makes it a part of the teaching canon that is not only useful, but also very attractive.  Designed as a recital or pedagogical piece with great musicial depth, perfect for students and professionals alike.
$9.99
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