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Suite for two
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138
2 Clarinets (duet)
102
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69
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2 Flutes, Piano
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Flute and Guitar
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Flute, Oboe, Clarinet (trio)
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English horn, Piano
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Flute
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Oboe ensemble
1
2 Clarinets, Piano
1
Bass Clarinet
1
Treble (Alto) Recorder, Piano
1
Oboe
1
Pennywhistle
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Oboe, Bassoon and Piano
1
Recorder Quartet
1
Descant (Soprano) Recorder, Basso continuo
1
Piccolo, Piano
1
Oboe, Cello
1
2 Flutes, Basso continuo
1
Flute, Oboe (duet)
1
Wind ensemble
1
Tenor Recorder
1
Saxophone and Guitar
1
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2 Trombones (duet)
77
Brass Quintet: 2 trumpets, horn, trombone, tuba
44
2 Trumpets (duet)
37
Brass quartet : 2 trumpets, trombone, tuba
29
Trumpet, Saxophone (duet)
27
Brass Quartet: 2 trumpets, horn, trombone
27
Trumpet, Trombone (duet)
15
Trombone (band part)
11
Trombone and Piano
11
Trumpet, Piano
10
French horn (band part)
10
French Horn and Piano
9
Trumpet (band part)
7
Euphonium, Piano (duet)
6
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5
Tuba
4
Tuba (band part)
4
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4
Brass Quartet
4
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3
Trumpet
3
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3
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Bass Trombone
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Trumpet ensemble
2
English horn, Piano
2
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2
2 Tubas (duet)
1
2 Euphoniums (duet)
1
Euphonium
1
Brass Quartet: 4 trumpets
1
Brass Quartet: 4 horns
1
3 Euphoniums
1
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2 Violas (duet)
78
String Quartet: 2 violins, viola, cello
76
2 Violins (duet)
54
2 Cellos (duet)
46
Violin, Viola (duet)
33
Violin
31
Violin, Cello (duet)
25
Cello, Piano
22
Violin and Piano
21
Viola, Piano
15
Cello
14
Harp
13
String Trio: 2 violins, cello
13
String Trio: violin, viola, cello
8
Violin (band part)
5
Doublebass (band part)
4
Viola (band part)
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3
Harp, Violin (duet)
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String Quintet: 2 violins, viola, cello, bass
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Suite for two
Soprano Saxophone and Piano
Sheetmusic to print
12 sheet music found
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1
Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
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Soprano Saxophone and Piano
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EASY
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easte...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888739. Published by jmsgu3 (A0.550932). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Saint-Saens: The Swan for Soprano Sax & Piano
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Soprano Saxophone and Piano
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EASY
#
Camille Saint-Saëns
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James M
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Saint-Saens: The Swan for Sopr
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
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Soprano Saxophone and Piano
#
INTERMEDIATE
#
Classical
#
Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for Sop
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Debussy: Arabesque 1 for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Claude Debussy
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James Guthrie, ASCAP
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Debussy: Arabesque 1 for Sopra
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.551633 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. In...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.551633 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Instructional,New Age,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5325875. Published by jmsgu3 (A0.551633). Claude Debussy: Arabesque 1, Duration: ca. 3:30. Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement. Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
Debussy: Arabesque 2 for Soprano Sax & Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Claude Debussy
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James Guthrie, ASCAP
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Debussy: Arabesque 2 for Sopra
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jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.551648 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Ho...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.551648 Composed by Claude Debussy (1862 – 1918). Arranged by James Guthrie, ASCAP. Holiday,Instructional,Romantic Period,Standards. Score and part. 22 pages. Jmsgu3 #5330259. Published by jmsgu3 (A0.551648). Claude Debussy: Arabesque No. 2. Score: 12 pages, Duration ca 3:45. Debussy's Arabesques are considered to be one of the earliest expressions of French impressionism. They are a suite of two piano pieces that contain hints of Debussy's developing musical style. Although they did not receive much attention when they were first published, they are now regarded as early impressionist standards. Debussy seems to wander through modes and keys, achieving evocative scenes throughout both pieces. The Arabesques are important in the history of music as they represent a significant development in the impressionist movement.Claude Debussy was a French composer born in 1862 who developed a highly original system of harmony and musical structure that expressed the ideals of the Impressionist and Symbolist painters and writers of his time. He is considered one of the most important and influential composers of the 20th century. Debussy's compositions, including his orchestral poems and piano music, helped establish the musical language for much of the twentieth century. Critics often credited Debussy with pioneering a genre called impressionism, although Debussy consistently rejected the term. Debussy's best-known musical arabesque is his Prélude à l’après-midi d’un faune (1894).
$32.95
Solveig's Song from "Peer Gynt" for Soprano Saxophone and Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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Diego Marani
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Solveig's Song from "Peer Gynt
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Diego Marani
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1134456 Composed by Edvard Grieg. Arranged by Diego Marani. Classical,Instructional,Opera,Ro...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1134456 Composed by Edvard Grieg. Arranged by Diego Marani. Classical,Instructional,Opera,Romantic Period,Standards. Score and part. 6 pages. Diego Marani #734550. Published by Diego Marani (A0.1134456). Peer Gynt, Op. 23, is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. Grieg later created two suites from his Peer Gynt music. Solveig's Song is the last movement of suite No. 2, a marvelous melody full of nostalgic feelings. This arrangement for soprano sax with piano accompaniment is suitable for classroom, repertoire and recital.
$8.99
Berceuse - from Dolly Suite - Opus 56
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Gabriel Faure
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Gary Bricault
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Berceuse - from Dolly Suite -
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Gary Bricault
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SheetMusicPlus
Small Ensemble Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.825005 Composed by Gabriel Faure. Arranged by Gary Bricault. Romantic Period....
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Small Ensemble Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.825005 Composed by Gabriel Faure. Arranged by Gary Bricault. Romantic Period. Score and part. 14 pages. Gary Bricault #4289825. Published by Gary Bricault (A0.825005). Arrangement for Solo Bb and Eb Saxophone and Piano. Performance time 2'21.Two versions included; Alto Sax and Piano and also Soprano/Tenor Sax and Piano.
$8.99
Scheherazade for Soprano Saxophone and Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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Diego Marani
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Scheherazade for Soprano Saxop
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Diego Marani
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1148483 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Diego Marani. Chamber,C...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1148483 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Diego Marani. Chamber,Classical,Instructional,Romantic Period,Standards. Score and part. 13 pages. Diego Marani #748643. Published by Diego Marani (A0.1148483). Scheherazade, also commonly Sheherazade Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 and based on One Thousand and One Nights (also known as The Arabian Nights). This orchestral work combines two features typical of Russian music in general and of Rimsky-Korsakov in particular: dazzling, colorful orchestration and an interest in the East, which figured greatly in the history of Imperial Russia, as well as orientalism in general. The name Scheherazade refers to the main character Scheherazade of the One Thousand and One Nights. It is one of Rimsky-Korsakov's most popular works. This arrangement for soprano sax (or tenor sax) with piano accompaniment of the most famous themes of the suite is suitable for classroom, repertoire and recital.
$9.99
Don't Let The Sun Go Down On Me
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Soprano Saxophone and Piano
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INTERMEDIATE
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Rock
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Elton John
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James M
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Piano
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Don't Let The Sun Go Down On M
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.547811 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. ...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.547811 By Elton John. By Bernie Taupin and Elton John. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 13 pages. Jmsgu3 #3053421. Published by jmsgu3 (A0.547811). Elton John: Don't Let The Sun Go Down On Me arranged for Soprano Sax & Piano. Duration: 5'27 Â Score: 7 pages. Solo part: 2 pages. Piano part: 4 pages. Co-written by Elton John and Bernie Taupin in January of 1974, this song was originally recorded in 1974 for Elton's studio album Caribou. It was released as a single that peaked at number two on the Billboard Hot 100 chart. In the US, the single was certified Gold on 6 September 1974 by the RIAA. Many consider this to be Elton John's greatest song. The melody fits well in the tessitura of the solo instrument and features some challenging rhythms for sight-reading. The arrangement is well suited for performance in church, nightclub or recital stage. Â
$53.95
Anitra's Dance - From Peer Gynt - Soprano & Alto Saxaphones and Piano
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Edvard Grieg
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Raymond Fenech
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Anitra's Dance - From Peer Gyn
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Raymond Fenech
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.760072 Composed by Edvard Grieg. Ar...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.760072 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easter,Festival,Multicultural,Patriotic,Romantic Period,World. Score and parts. 18 pages. Raymond Fenech #3500627. Published by Raymond Fenech (A0.760072). Peer Gynt, Op. 23 is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876 in Christiania (now Oslo). Later, in 1888 and 1891, Grieg extracted eight movements to make two four-movement suites: Suite No. 1, Op. 46, and Suite No. 2, Op. 55. Some of these movements have received coverage in popular culture; see Grieg's music in popular culture. This aria is arranged for Soprano & Alto Saxophones and Piano . The Duration is approx. 3.19 minutes and the level is Advanced Intermediate.
$4.99
Anitra's Dance - From Peer Gynt (Soprano Saxophone and Piano)
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Edvard Grieg
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Raymond Fenech
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Anitra's Dance - From Peer Gyn
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Raymond Fenech
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SheetMusicPlus
Chamber Orchestra Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.760025 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easte...
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Chamber Orchestra Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.760025 Composed by Edvard Grieg. Arranged by Raymond Fenech. Contest,Easter,Festival,Multicultural,Patriotic,Romantic Period,World. Score and part. 14 pages. Raymond Fenech #3482921. Published by Raymond Fenech (A0.760025). Peer Gynt, Op. 23 is the incidental music to Henrik Ibsen's 1867 play of the same name, written by the Norwegian composer Edvard Grieg in 1875. It premiered along with the play on 24 February 1876 in Christiania (now Oslo). Later, in 1888 and 1891, Grieg extracted eight movements to make two four-movement suites: Suite No. 1, Op. 46, and Suite No. 2, Op. 55. Some of these movements have received coverage in popular culture; see Grieg's music in popular culture. This aria is arranged for Soprano Sax and Piano . The Duration is approx. 3.19 minutes and the level is Advanced Intermediate.
$3.99
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