Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Time Was
Not classified
3,253
Piano & keyboards
Piano solo
1,697
Piano, Voice
735
Piano, Vocal and Guitar
315
Easy Piano
231
C Instruments
159
Organ
104
Piano Accompaniment
74
Piano Trio: piano, violin, cello
36
1 Piano, 4 hands
30
2 Pianos, 4 hands
23
Piano Quartet: piano, violin, viola, cello
17
Piano Quartet: piano, 2 violins, cello
9
Harpsichord
7
Piano (band part)
4
Piano Quintet: piano, 2 violins, viola, cello
4
Organ, Trumpet (duet)
3
Accordion
3
2 Pianos, 8 hands
2
Big Note Piano
2
Organ, Piano (duet)
1
1 Piano, 6 hands
1
+ 16 instrumentations
-
Retract
Guitars
Guitar
182
Guitar notes and tablatures
129
Melody line, (Lyrics) and Chords
84
Bass guitar
38
Mandolin
38
Ukulele
31
2 Guitars (duet)
29
Lyrics and Chords
12
Piano, Guitar (duet)
11
Guitar (band part)
8
Mandolin, Guitar (duet)
7
Banjo
5
4 Guitars (Quartet)
4
3 Guitars (trio)
3
Guitar, Violin, Cello (trio)
2
Mandolin, Piano (duet)
1
Guitar Ensemble
1
2 Mandolins (duet)
1
Guitar, Orchestra
1
+ 14 instrumentations
-
Retract
Voice
Choral SATB
731
Choral 3-part
208
Choral 2-part
160
Choral TTBB
99
Choral SSAA
80
Choral Unison
73
Vocal duet, Piano
70
Tenor voice, Piano
52
Alto voice, Piano
44
Soprano voice, Piano
43
Baritone voice, Piano
35
Vocal duet
29
Voice solo
25
High voice
9
Medium voice, Piano
9
Tenor voice
6
Choral SSAATTBB
4
Low voice, Piano
3
Choral SSAATB
1
Soprano voice
1
+ 15 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
519
Flute and Piano
338
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
334
Clarinet and Piano
280
Saxophone Quartet: 4 saxophones
260
Saxophone, Clarinet (duet)
249
2 Clarinets (duet)
221
Flute, Oboe, Clarinet, Bassoon
218
Saxophone Quintet: 5 Saxophones
214
Alto Saxophone and Piano
187
Oboe, Piano (duet)
184
2 Flutes (duet)
182
Clarinet, Violin (duet)
164
Clarinet Quartet: 4 clarinets
163
Soprano Saxophone and Piano
144
Clarinet, Trumpet (duet)
138
Tenor Saxophone and Piano
131
Flute
129
Clarinet
120
Flute, Clarinet (duet)
108
Alto Saxophone
106
2 Oboes (duet)
99
Oboe, Bassoon (duet)
87
Flute, Violin
86
Tenor Saxophone
85
Clarinet and Viola
85
Oboe, Clarinet (duet)
84
Saxophone ensemble
84
Flute, Saxophone (duet)
82
English horn, Piano
81
Oboe, Flute
81
Baritone Saxophone, Piano
78
Saxophone (band part)
75
Clarinet Ensemble
69
Flute Quartet: 4 flutes
68
Flute, Trumpet (duet)
65
Flute, Viola (duet)
61
Bass Clarinet, Piano
54
Oboe (band part)
50
Saxophone
45
Flute ensemble
41
Descant (Soprano) Recorder
35
3 Saxophones (trio)
34
Clarinet Quintet: 5 clarinets
30
Flute Quintet : 5 flutes
25
2 Recorders (duet)
24
Flute and Guitar
23
Recorder Ensemble
23
3 Clarinets (trio)
22
Flute Trio: 3 flutes
20
Soprano Saxophone
17
Recorder Quartet
16
Clarinet, Guitar (duet)
15
English Horn
14
Clarinet, Bassoon (duet)
13
Oboe, Clarinet, Bassoon (trio)
10
Flute (band part)
10
Ocarina
9
Flute, Clarinet, Horn and Bassoon (Quartet)
8
Flute, Oboe, Clarinet (trio)
8
Treble (Alto) Recorder
8
Oboe
7
3 Recorders (trio)
7
Flute, Violoncello
7
Clarinet, Cello (duet)
7
Recorder
7
Piccolo, Piano
6
Clarinet, Cello, Piano (trio)
6
5 Recorders
6
Flute, Cello, Piano (trio)
5
Treble (Alto) Recorder, Piano
5
Descent (Soprano) Recorder, Piano
5
Clarinet (band part)
5
Harmonica
5
2 English horns and Pianoforte
4
2 Flutes, Piano
4
Flute, Oboe (duet)
4
Oboe, Guitar (duet)
4
Flute, Viola and Piano
3
Flute, Clarinet and Bassoon.
3
2 Clarinets, Piano
3
Tenor Recorder
3
Flute, Violin, Piano
3
Saxophone and Organ
2
Pennywhistle
2
Flute, Basso continuo
2
Flute, Oboe, Piano (trio)
2
Bass Clarinet
2
Clarinet, Trombone (duet)
2
Flute, Violin, Violoncello and Piano
2
English Horn, Guitar (duet)
2
Saxophone and Guitar
2
Recorder, Piano
2
Oboe ensemble
1
Bagpipe
1
Baritone Saxophone
1
Flute, Oboe, Bassoon
1
Flute, Clarinet, Violin (trio)
1
Oboe, Violin (duet)
1
Saxophone and Piano
1
Piccolo
1
Treble (Alto) Recorder, Basso continuo
1
Recorder, Guitar (duet)
1
Clarinet, Harp (duet)
1
Clarinette, Viola and Piano (trio)
1
Oboe, Cello
1
English horn, Harp (duet)
1
Wind ensemble
1
Flute, Organ (duet)
1
+ 104 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
423
Brass quartet : 2 trumpets, trombone, tuba
221
Trombone and Piano
180
Trumpet, Saxophone (duet)
174
Trumpet, Piano
145
Trumpet
136
2 Trombones (duet)
105
French Horn and Piano
101
Brass Quartet
99
Trumpet, Trombone (duet)
97
2 Trumpets (duet)
95
Trombone
89
Euphonium, Piano (duet)
86
English horn, Piano
81
Brass Quartet: 2 trumpets, horn, trombone
55
Tuba and Piano
45
Trombone ensemble
37
Trumpet ensemble
36
French horn
33
Trumpet (band part)
29
Brass Quartet: 4 trombones
27
Tuba
22
Brass Quartet: 4 horns
20
Trombone (band part)
19
2 French horns (duet)
19
2 Euphoniums and 2 Tubas
16
English Horn
14
Horn Ensemble
14
Brass Trio
9
Euphonium
6
2 Tubas (duet)
5
Trumpet, Horn (duert)
5
Brass Quartet: 4 trumpets
5
4 Tubas
5
2 English horns and Pianoforte
4
Tuba and Organ
4
Tuba (band part)
4
French horn (band part)
4
Bass Trombone and Piano
3
3 Trombones (trio)
3
3 Trumpets (trio)
2
2 Trumpets, Keyboard (piano or organ)
2
3 Tubas (trio)
2
Euphonium, Tuba (duet)
2
Trombone, Horn (duet)
2
2 Euphoniums (duet)
2
English Horn, Guitar (duet)
2
2 French horns, Piano
1
3 French horns (trio)
1
Tuba ensemble
1
Trumpet, Euphonium (duet)
1
Trombone and Orchestra
1
Trumpet, Cello (duet)
1
Brass Quartet: 2 trumpets, 2 trombones
1
Trombone, Tuba (duet)
1
English horn, Harp (duet)
1
Bass Trombone
1
+ 52 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
572
Violin and Piano
341
Viola, Piano
256
Cello, Piano
256
Violin
177
Violin, Cello (duet)
176
Cello
127
2 Violins (duet)
121
2 Violas (duet)
107
2 Cellos (duet)
107
String Trio: violin, viola, cello
106
Violin, Viola (duet)
105
Harp
95
String Trio: 2 violins, cello
82
String Quintet: 2 violins, viola, cello, bass
82
Viola
60
2 Harps (duet)
47
Double bass, Piano (duet)
32
Viola (band part)
21
Violin, Guitar (duet)
18
4 Cellos
16
Double Bass
15
Violin ensemble
15
String Trio: 3 cellos
13
Violin (band part)
13
Viola, Cello (duet)
13
Viola ensemble
13
Cello, Guitar (duet)
11
Harp, Flute (duet)
9
Piano Trio: Violin, Viola, Piano
8
Doublebass (band part)
8
String Trio: 3 violas
6
String Quartet : 4 violas
6
String Quintet: 2 violins, 2 violas, cello
6
String quartet: 4 violins
6
String Trio: 3 violins
6
Viola, Guitar (duet)
5
Cello, Orchestra
4
Violoncello, Basso continuo
3
Harp, Voice
3
Harp, Violin, Violoncello
2
Cello, Organ
2
4 Double Basses
2
2 Double basses (duet)
2
Cello Ensemble
2
Cello (band part)
2
3 Harps
1
Viola, Organ
1
Cello, String Bass (duet)
1
Violin, Clarinet, Piano (trio)
1
Harp and mandolin
1
String Trio: 2 violins, viola
1
Harp, Trombone (duet)
1
Viola and Harp
1
+ 49 instrumentations
-
Retract
Orchestra & Percussion
Concert band
870
String Orchestra
247
Orchestra
228
Brass ensemble
154
Jazz Ensemble
112
Chamber Orchestra
96
Drums
43
Handbells
42
Jazz combo
35
Percussion Ensemble
20
Marching band
19
Drum (band part)
4
Vibraphone
4
Percussion (band part)
4
Marimba
3
Piano and Orchestra
2
Brass Quintet: other combinaisons
2
Orchestra, Violin
1
School Ensemble
1
2 Marimbas
1
Voice Mezzo-Soprano, Orchestra
1
Xylophone
1
+ 17 instrumentations
-
Retract
Others
Free Sheet Music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
2
Digital Sheet Music
144
Sheet Music Books
3
Music Equipment
362
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
Time Was
Soprano Saxophone and Piano
Sheetmusic to print
144 sheet music found
<
1
26
51
....
126
It's Been A Long, Long Time
#
Soprano Saxophone and Piano
#
INTERMEDIATE
#
Contemporary
#
Jule Styne
#
David McKeown
#
It's Been A Long, Long Time
#
David McKeown
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.592559 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pa...
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.592559 Composed by Jule Styne. Arranged by David McKeown. Contemporary. Score and part. 6 pages. David McKeown #6366379. Published by David McKeown (A0.592559). It’s Been a Long Long Time is arranged as a solo for one Soprano Saxophone with Piano accompaniment. It’s Been a Long Long Time is best known to modern audiences as the song at the end of The Avengers, Endgame, where Steve Rogers, after seventy years, finally gets his dance with Peggy Carter. The song of course, is much older. Two versions of It’s Been a Long Long Time topped the charts in late 1945, and as US servicemen returned from Europe and the Pacific, it perfectly caught the mood of the times. One version was by Bing Crosby, and the other by the Harry James Orchestra featuring Kitty Kallen on vocals. It is the latter version that is heard in Endgame and the one that forms the basis of this arrangement.Musicians at an intermediate standard will find It’s Been a Long Long Time ideal for formal and informal concert performances. with both solo instrument and piano enjoying plenty of melodic interest. The separate solo part is included with the piano score in the same pdf file. The overall performance time is just over two and a half minutes. Click the link above to listen to a full performance of the clarinet version on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Five Ragtime Solos by Scott Joplin for Soprano Saxophone and Piano
#
Soprano Saxophone and Piano
#
INTERMEDIATE
#
Ragtime
#
Scott Joplin
#
David McKeown
#
Five Ragtime Solos by Scott Jo
#
David McKeown
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1118292 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Scor...
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1118292 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 33 pages. David McKeown #719810. Published by David McKeown (A0.1118292). Scott Joplin is celebrated as the United States’ first well-known black composer, making his name as a writer of piano rags. His life was a constant struggle with adversity, and Joplin died relatively young in 1917, at the dawn of the recording age. Few remembered Joplin’s music until a revival in the 1970s brought The Entertainer and others to the world’s attention. Nowadays Scott Joplin has taken his rightful place in the gallery of great American composers. The Rags included in this collection are, The Entertainer, The Maple Leaf Rag, The Easy Winners, The Elite Syncopations and The Favorite. They have been arranged as solos for one Soprano Saxophone with piano accompaniment, and include all sections of the original compositions. You will download one pdf file that contains both 22 pages of piano score and the 10 page solo part. These pieces are suitable for players at an intermediate and advanced intermediate level. Musicians will find these Ragtime solos ideal for formal and informal performances, light and fun, yet still a serious and vitally important part of the American musical heritage. The overall performance time for all five is around 25 minutes. Teachers will enjoy using these arrangements as a fun way to help with phrasing, syncopated rhythms and light articulation. Click on the YouTube link to see and hear samples from the collection. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Christmas Time
#
Soprano Saxophone and Piano
#
INTERMEDIATE
#
Christmas
#
Bryan Adams
#
Raymond Fenech
#
Christmas Time
#
Raymond Fenech
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.760047 By Bryan Adams. By Bryan Adams and Jim Vallance. Arranged by Raymond Fenech. Christma...
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.760047 By Bryan Adams. By Bryan Adams and Jim Vallance. Arranged by Raymond Fenech. Christmas,Contemporary,Holiday,Pop,Rock. Score and part. 16 pages. Raymond Fenech #3489223. Published by Raymond Fenech (A0.760047). Christmas Time is a song by Canadian rock singer-songwriter Bryan Adams. It was written by Adams and Jim Vallance and became Adams' most popular Christmas song. It was originally released on clear, green vinyl with a picture sleeve. It was written and recorded in Vancouver, British Columbia, Canada. No music video was shot for the song. Over thirty years after it was first recorded, the song still receives significant radio airplay each year during the Christmas season. This aria is arranged for Soprano Saxophone and Piano . The Duration is approx. 3.56 minutes and the level is Intermediate.
$4.99
Old Time Religion, Gospel Song for Soprano Saxophone and Piano
#
Soprano Saxophone and Piano
#
EASY
#
Sacred music
#
Gospel/Spiritual
#
Traditional
#
David McKeown
#
Old Time Religion, Gospel Song
#
David McKeown
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.593127 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship...
(+)
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.593127 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6416407. Published by David McKeown (A0.593127). Old Time Religion is a beautiful gospel song arranged here for Solo Soprano Saxophone and Piano.Old Time Religion was first published in 1873 but probably dates from many years earlier, with possible roots in English folk song
$2.49
Till There Was You
#
Soprano Saxophone and Piano
#
INTERMEDIATE
#
Rock
#
The Beatles
#
Debra E
#
Till There Was You
#
Standard Time
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.761770 By The Beatles. By Meredith Willson. Arranged by Debra E. Stempien & Gregory H. Turne...
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.761770 By The Beatles. By Meredith Willson. Arranged by Debra E. Stempien & Gregory H. Turner. Broadway,Jazz,Latin,Musical/Show,Pop,Rock. Score and part. 9 pages. Standard Time #6351607. Published by Standard Time (A0.761770). This classic song from the Broadway show, The Music Man, is arranged for soprano sax and piano in a Bossanova style. The piano part features jazz voicings and a composed solo on the melody with soprano sax backgrounds.. Please note that the recording features the alto sax version of this arrangement.
$7.99
A Love Until The End Of Time
#
Soprano Saxophone and Piano
#
EASY
#
Lee Holdridge
#
Stephen DeCesare
#
A Love Until The End Of Time
#
Exultet Music
#
SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.623755 Composed by Lee Holdridge. A...
(+)
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.623755 Composed by Lee Holdridge. Arranged by Stephen DeCesare. Contemporary,Wedding. 9 pages. Exultet Music #4408734. Published by Exultet Music (A0.623755). The romantic love ballad that was recorded by Placido Domingo and Maureen McGovern that has been popular at weddings ever since its release, has been freshly arranged as a duet for Soprano and an Alto Saxophone with Piano accompaniment. Accessible and appropriate for any wedding or concert venue.
$4.99
The Most Wonderful Time Of The Year
#
Soprano Saxophone and Piano
#
EASY
#
Eddie Pola and George Wyle
#
Stephen DeCesare
#
The Most Wonderful Time Of The
#
Exultet Music
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.627745 Composed by Eddie Pola and George Wyle. Arranged by Stephen DeCesare. Christmas,Conte...
(+)
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.627745 Composed by Eddie Pola and George Wyle. Arranged by Stephen DeCesare. Christmas,Contemporary,Standards. Score and part. 14 pages. Exultet Music #6050731. Published by Exultet Music (A0.627745). The popular Christmas song that was made popular by Andy Williams has now been freshly arranged for a Soprano Saxophone solo with Piano accompaniment. Accessible and appropriate for any school or concert setting.
$4.99
The Most Wonderful Time Of The Year
#
Soprano Saxophone and Piano
#
EASY
#
Eddie Pola and George Wyle
#
Stephen DeCesare
#
The Most Wonderful Time Of The
#
Exultet Music
#
SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.619332 Composed by Eddie Pola and G...
(+)
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.619332 Composed by Eddie Pola and George Wyle. Arranged by Stephen DeCesare. Christmas,Film/TV,Standards. 27 pages. Exultet Music #2928307. Published by Exultet Music (A0.619332). The popular Christmas song that was made popular by Andy Williams has now been freshly arranged as a duet for Soprano and Alto Saxophone with Piano accompaniment. Added instrumentation of the Flute and Tubular Bells are also included. Accessible for any level of playing.
$4.99
Lascia Ch'io Pianga, Aria from Rinaldo, by G F Handel, for Soprano Saxophone and Piano
#
Soprano Saxophone and Piano
#
EASY
#
G F Handel
#
David McKeown
#
Lascia Ch'io Pianga, Aria from
#
David McKeown
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.587926 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. S...
(+)
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.587926 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Opera,Standards. Score and part. 4 pages. David McKeown #5044839. Published by David McKeown (A0.587926). Lascia ch’io Pianga is a beautiful aria from Handel’s Opera Rinaldo The opera premiered in London in 1711 and during his lifetime was the most successful of Handel’s operas. However, following his death there were no further productions until a school in London revived it in 1933. Handel used the melody of Lascia ch’io Pianga in two other works, but it is the version from Rinaldo that has achieved a deserved place in the concert hall, and a starring role in films like Farinelli.This version of Lascia ch’io Pianga is arranged as a Solo for Soprano Saxophone and Piano and both parts are reasonably simple; the performance time is around three and a half minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Lascia ch’io Pianga ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Maple Leaf Rag, by Scott Joplin, for Soprano Saxophone and Piano
#
Soprano Saxophone and Piano
#
INTERMEDIATE/ADVANCED
#
Ragtime
#
Scott Joplin
#
David McKeown
#
Maple Leaf Rag, by Scott Jopli
#
David McKeown
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.587782 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. ...
(+)
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.587782 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Jazz,Ragtime. Score and part. 8 pages. David McKeown #4967655. Published by David McKeown (A0.587782). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films.This version for Soprano Saxophone and Piano includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only.Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes.Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. Click the YouTube link to hear a full performance of the clarinet version of this arrangement.  There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203Â
$4.60
Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
#
Soprano Saxophone and Piano
#
EASY
#
Classical
#
Johann Sebastian Bach
#
James M
#
Bach: Bist du bei mir BWV 508
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easte...
(+)
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468788. Published by jmsgu3 (A0.549234). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Saint-Saens: The Swan for Soprano Sax & Piano
#
Soprano Saxophone and Piano
#
EASY
#
Camille Saint-Saëns
#
James M
#
Saint-Saens: The Swan for Sopr
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie...
(+)
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549121 Composed by Camille Saint-Saëns (1835 – 1921). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 9 pages. Jmsgu3 #3452273. Published by jmsgu3 (A0.549121). Saint-Saens: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. Duration: 2:50 Score: 5 pg, 28 ms. Solo part: 1 pg. Piano part: 3 pg. Performance: Level: Early intermediate and up. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saens permitted to be performed in public during his lifetime. This is an excellent recital encore choice to demonstrate melodic playing and strategic phrasing. The Carnival of the Animals The Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is one of the most popular of the fourteen movements. In its entirety, it lasts about 25 minutes. Saint-Saëns Background Charles-Camille Saint-Saëns (1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, including his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), it must be remembered, Carnival of the Animals (1886) to the list. Childhood It is important to realize that Saint-Saëns was certainly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut albeit at ten years old. Another key point to remember is that he expressly studied at the Paris Conservatoire, then in spite of reality conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were after all markedly in demand - not only in Europe but above all in the Americas all in all as well. Youth A point often overlooked is that in his youth, Saint-Saëns was certainly excited about the modern music of the day. He was in essence fond of the music of his contemporaries, in particular, Schumann, Liszt, and for the most part Wagner. In contrast, however, his own compositions seemed in fact largely confined within the conservative classical tradition. Be that as it may, he was at the same time nevertheless, in fact, a scholar of musical history. Criticism On the whole, his conservatism in fact ultimately brought him into frequent conflict in his later years with composers of the impressionist and in particular the dodecaphonic schools of musical thought.  A point often overlooked is that he included neoclassical elements in his music contrary to some critics. Furthermore, in so doing he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly so, as a non-progressive reactionary henceforth around the time of his passing. Legacy To sum up, Saint-Saëns taught for a short time in Paris, where his students included namely Gabriel Fauré. To clarify, Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Saint-Saëns: The Swan for Soprano Sax & Piano
#
Soprano Saxophone and Piano
#
INTERMEDIATE
#
Classical
#
Camille Saint-Saens
#
James M
#
Saint-Saëns: The Swan for Sop
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,...
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1314331 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903074. Published by jmsgu3 (A0.1314331). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95
Mendelssohn: Wedding March for Soprano Sax & Piano
#
Soprano Saxophone and Piano
#
INTERMEDIATE
#
Classical
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Wedding March for
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romanti...
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549895 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603415. Published by jmsgu3 (A0.549895). Score: 12 pages, piano part: 6 pages, soprano sax part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding MarchMendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858Mendelssohn BackgroundFelix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era.Early Family LifeMendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent.Early AdulthoodMendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint.Mature AdulthoodSchumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure.Musical FeaturesIn the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his musi.
$32.95
Three Songs
#
Soprano Saxophone and Piano
#
INTERMEDIATE
#
David Osbon
#
Three Songs
#
Forton Music - Digital
#
SheetMusicPlus
Ssax. Pft - Intermediate - Digital Download SKU: F2.FM422 Composed by David Osbon. Soprano Saxophone and piano. Score and part. 23 pages. Forton Music - ...
(+)
Ssax. Pft - Intermediate - Digital Download SKU: F2.FM422 Composed by David Osbon. Soprano Saxophone and piano. Score and part. 23 pages. Forton Music - Digital #FM422. Published by Forton Music - Digital (F2.FM422). ISBN 9790570483211.Writing for Soprano Saxophone and Piano was a revelation - the dialogue between the instruments was as if they were two voices sharing a converstaion on a subject that only they really knew about. So, I suppose, it was inevitable that I began to think of the pieces as a set of 'songs without words'. However, there was something rather elusive about their characters and it wasn't until they were composed that the titles, and the order in which they should be played, became obvious. These songs have been conceived in a non-standard harmonic language; for this reason the saxophone part intentionally has no key signature. Rhythmically, the songs are comparatively straightforward, although the constantly changing time signatures in Song Of Sorrow require careful counting. The range used is not excessive, with more use made of the higher notes than the lower ones.
$9.95
Jingle Bells for Soprano Sax & Piano
#
Soprano Saxophone and Piano
#
BEGINNER
#
Christmas
#
James Pierpont
#
James M
#
piano
#
Jingle Bells for Soprano Sax &
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548666 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and...
(+)
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548666 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3409331. Published by jmsgu3 (A0.548666). Jingle Bells arranged for soprano sax & piano. Score: 4 pg. piano part: 3 pg. sax part: 1 pg. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
DvoÅ™ák: Largo from the New World Symphony for Soprano Sax & Piano
#
Soprano Saxophone and Piano
#
EASY
#
Classical
#
Antonin Dvorak
#
James M
#
dynamic control
#
DvoÅ™ák: Largo from the Ne
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romant...
(+)
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549421 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3494001. Published by jmsgu3 (A0.549421). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95
Luther: Out of the Depths for Soprano Sax & Piano
#
Soprano Saxophone and Piano
#
BEGINNER
#
Martin Luther
#
James M
#
Luther: Out of the Depths for
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,...
(+)
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.548720 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411755. Published by jmsgu3 (A0.548720). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Ali Ben Sou Alle : Divertissement sur Une Ballade Irlandaise
#
Soprano Saxophone and Piano
#
INTERMEDIATE/ADVANCED
#
Ali Ben Sou Alle
#
Paul Wehage
#
Ali Ben Sou Alle : Divertissem
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533210 Composed by Ali Ben Sou Alle. Arranged by Paul We...
(+)
Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533210 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Folk,Holiday,Romantic Period. Score and parts. 17 pages. Musik Fabrik Music Publishing #1986205. Published by Musik Fabrik Music Publishing (A0.533210). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (c was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time). He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Divertissement sur Une Ballade Irlandaise begins with a lyric introduction in bel canto style. The Irish Ballade is named in the score as « My Lodging is on the Cold Ground », but is sometimes known as « Believe Me If All Those Endearing Young Charms » and is followed by a brilliant variation. After an ornamented modal passage in 6/8, the allemande theme is presented first in a moderate tempo, and then in a more rapid variant which uses « cross string » figerations similar to those used by fiddlers.
$11.95
Für Elise, for Soprano Saxophone and Piano
#
Soprano Saxophone and Piano
#
INTERMEDIATE
#
Classical
#
Ludwig van Beethoven
#
David McKeown
#
Für Elise, for Soprano Saxoph
#
David McKeown
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587569 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instru...
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587569 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 8 pages. David McKeown #4361589. Published by David McKeown (A0.587569). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Solo for Soprano Saxophone with Piano accompaniment. There are five pages of piano accompaniment and a separate two page solo part included.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The piano part is suitable for an intermediate player, easy for the most part, but with two short faster passages. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
#
Soprano Saxophone and Piano
#
INTERMEDIATE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instruct...
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499743. Published by jmsgu3 (A0.549466). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano
#
Soprano Saxophone and Piano
#
EASY
#
J
#
James M
#
Bach-Gounod: Ave Maria, Schwen
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easte...
(+)
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.550932 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888739. Published by jmsgu3 (A0.550932). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Gaúcho (Corta-Jaca) - Soprano Sax and Piano (Full Score and Parts)
#
Soprano Saxophone and Piano
#
INTERMEDIATE
#
Chiquinha Gonzaga
#
César Madeira
#
Gaúcho
#
Sheet Music To Play Editions
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1310928 Composed by Chiquinha Gonzaga. Arranged by César Madeira. Children,Classical,Lati...
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1310928 Composed by Chiquinha Gonzaga. Arranged by César Madeira. Children,Classical,Latin,Ragtime,Romantic Period. Score and part. 9 pages. Sheet Music To Play Editions #899901. Published by Sheet Music To Play Editions (A0.1310928). Gaúcho (Corta-Jaca) - Brazilian Tango by Francisca Gonzaga. Arrangement for Soprano Sax and Piano. With Full Score and Individual Parts. Enjoy it!Francisca Gonzaga, better known as Chiquinha Gonzaga (1847 – 1935) was a Brazilian composer, pianist and the first woman conductor in Brazil. Chiquinha Gonzaga was the first pianist of choro and author of the first carnival march, Ó Abre Alas (1899). Her plays and operettas, such as Forrobodó and JuritÃ, were a great success with the public because they used elements of Brazilian popular culture of the time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$6.99
The Entertainer, by Scott Joplin, for Soprano Saxophone and Piano
#
Soprano Saxophone and Piano
#
INTERMEDIATE
#
Ragtime
#
Scott Joplin
#
David McKeown
#
The Entertainer, by Scott Jopl
#
David McKeown
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1113235 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Scor...
(+)
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.1113235 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score and part. 7 pages. David McKeown #715184. Published by David McKeown (A0.1113235). Probably the best known of Scott Joplin’s piano rags, The Entertainer was written in 1902. It was included on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and an orchestration featured on the soundtrack of the movie The Sting in 1973. This arrangement won an Oscar and reached No.3 on the US single charts. This version for Soprano Saxophone with Piano accompaniment has been arranged to best suit the key and pitch of the solo instrument and includes all four sections of the original composition. The pdf file contains both the piano accompaniment and the separate solo part. The linked full-length youtube performance is the Clarinet version of this arrangement. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around five minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
<
1
26
51
....
126
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
