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--INSTRUMENTS--
ACCORDION
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CHORAL - VOCAL…
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When There
Not classified
840
Piano & keyboards
Piano solo
427
Piano, Voice
204
Piano, Vocal and Guitar
118
Easy Piano
96
Big Note Piano
48
C Instruments
46
Organ
37
2 Pianos, 4 hands
29
Piano Accompaniment
20
1 Piano, 4 hands
17
Piano Trio: piano, violin, cello
8
Accordion
3
Piano Quartet: piano, violin, viola, cello
3
Piano (band part)
2
Piano Quintet: piano, 2 violins, viola, cello
2
Accordion ensemble
1
Organ, Piano (duet)
1
2 Pianos, 8 hands
1
+ 13 instrumentations
-
Retract
Guitars
Guitar
45
Guitar notes and tablatures
42
Ukulele
8
Melody line, (Lyrics) and Chords
7
Bass guitar
6
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4
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3
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3 Guitars (trio)
3
Guitar (band part)
2
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2
Mandolin
2
Guitar Ensemble
1
Dulcimer
1
+ 10 instrumentations
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Retract
Voice
Choral SATB
293
Choral 3-part
78
Alto voice, Piano
65
Soprano voice, Piano
56
Choral 2-part
54
Tenor voice, Piano
52
Choral TTBB
25
Choral Unison
24
Vocal duet, Piano
17
Choral SSAA
15
Voice solo
7
Vocal duet
5
Baritone voice, Piano
3
High voice
3
Soprano voice
2
Choral SSATTB
1
Choral SSAB, Piano
1
Medium voice, Piano
1
Low voice, Piano
1
Mezzo-Soprano voice, Piano
1
+ 15 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
123
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
75
2 Flutes (duet)
68
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64
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58
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54
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49
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44
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36
Clarinet and Piano
36
Clarinet, Trumpet (duet)
33
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30
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29
Alto Saxophone and Piano
28
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28
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26
Clarinet
25
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24
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23
Flute, Violin
22
Oboe, Clarinet (duet)
22
Tenor Saxophone and Piano
21
Oboe, Flute
21
Clarinet Quartet: 4 clarinets
21
English horn, Piano
20
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19
Oboe (band part)
18
Flute Quartet: 4 flutes
17
Soprano Saxophone and Piano
17
Flute, Trumpet (duet)
17
Alto Saxophone
15
Flute, Oboe, Clarinet, Bassoon
15
Flute
15
Saxophone (band part)
13
Baritone Saxophone, Piano
12
Tenor Saxophone
11
Flute ensemble
11
Clarinet Ensemble
10
Bass Clarinet, Piano
9
3 Saxophones (trio)
8
Harmonica
8
3 Clarinets (trio)
6
Recorder Quartet
6
Flute, Violoncello
6
Flute Quintet : 5 flutes
5
Flute, Clarinet, Piano (trio)
5
Descent (Soprano) Recorder, Piano
4
Clarinet Quintet: 5 clarinets
4
Clarinet, Cello (duet)
4
Clarinet, Bassoon (duet)
4
2 Recorders (duet)
4
Descant (Soprano) Recorder
4
Recorder
3
Flute (band part)
3
Saxophone ensemble
3
Flute Trio: 3 flutes
2
Oboe, Clarinet, Bassoon (trio)
2
Pennywhistle
2
Clarinet, Guitar (duet)
2
Flute, Violin, Piano
2
Flute and Guitar
2
Tenor Recorder
2
Treble (Alto) Recorder
1
Oboe, Violin (duet)
1
Oboe, Guitar (duet)
1
Saxophone and Guitar
1
2 Flutes, Piano
1
3 Recorders (trio)
1
Oboe, Harp
1
Flute, Oboe, Clarinet (trio)
1
Oboe, Cello
1
Treble (Alto) Recorder, Piano
1
Saxophone and Organ
1
Flute, Bassoon, and Piano
1
2 Saxophones, Piano
1
Flute, Clarinet and Bassoon.
1
Eb Instruments
1
Flute, Oboe (duet)
1
Clarinet, Trombone (duet)
1
5 Recorders
1
Oboe and viola (duet)
1
Saxophone
1
+ 77 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
54
Trumpet, Saxophone (duet)
46
Brass quartet : 2 trumpets, trombone, tuba
36
Trumpet
32
Trumpet, Trombone (duet)
28
2 Trombones (duet)
25
2 Trumpets (duet)
23
Trombone and Piano
22
English horn, Piano
20
French Horn and Piano
14
Trumpet, Piano
13
Trombone
11
Euphonium, Piano (duet)
9
Trombone ensemble
6
Brass Quartet: 2 trumpets, horn, trombone
6
Tuba
5
Trumpet ensemble
5
Tuba and Piano
5
Brass Quintet: 2 trumpets, horn, 2 trombones
5
Trombone (band part)
5
French horn
5
Brass Quartet: 4 trombones
4
2 French horns (duet)
3
Trumpet (band part)
3
Brass Quartet
3
2 Trumpets, Keyboard (piano or organ)
3
4 Tubas
2
3 Trombones (trio)
2
2 Tubas (duet)
2
Bb Instruments
1
Bass Clef Instruments
1
French horn (band part)
1
Brass Quartet: 4 trumpets
1
2 Euphoniums and 2 Tubas
1
Trombone, Tuba (duet)
1
Trumpet, Euphonium (duet)
1
Horn Ensemble
1
Trumpet, Trombone, Piano
1
Tuba (band part)
1
Brass Quartet: 4 horns
1
3 French horns (trio)
1
+ 36 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
93
Violin and Piano
53
Harp
48
Violin, Cello (duet)
45
2 Violins (duet)
42
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38
Violin
34
Viola, Piano
31
2 Violas (duet)
29
2 Cellos (duet)
26
Cello, Piano
25
Cello
23
2 Harps (duet)
18
Viola
10
String Trio: violin, viola, cello
7
Cello, String Bass (duet)
7
String Quintet: 2 violins, viola, cello, bass
6
Harp, Voice
6
Viola ensemble
5
Violin ensemble
5
String Trio: 2 violins, cello
5
Flute, Doublebass (duet)
5
Viola, Cello (duet)
5
String quartet: 4 violins
4
String Trio: 3 violins
4
String Trio: 3 violas
3
4 Cellos
3
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3
Viola (band part)
3
Double Bass
3
2 Violins, Piano
2
Violin, Guitar (duet)
2
Doublebass (band part)
2
String Quartet : 4 violas
2
String Trio: 2 violins, viola
1
Piano Trio: Violin, Viola, Piano
1
4 Double Basses
1
Violin, Bassoon (duet)
1
String Quintet: 2 violins, 2 violas, cello
1
String Trio: 3 cellos
1
Cello, Guitar (duet)
1
Harp, Flute (duet)
1
+ 37 instrumentations
-
Retract
Orchestra & Percussion
Concert band
131
String Orchestra
85
Orchestra
57
Brass ensemble
33
Chamber Orchestra
27
Handbells
26
Jazz Ensemble
23
Percussion Ensemble
11
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9
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3
Marimba
3
Drums
2
School Ensemble
1
Xylophone, Piano
1
Brass Quintet: other combinaisons
1
Orchestra, Violin
1
Drum (band part)
1
+ 12 instrumentations
-
Retract
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When There
Soprano Saxophone and Piano
Sheetmusic to print
17 sheet music found
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1
Were You There (with "When I Survey The Wondrous Cross") (Duet for Soprano & Alto Saxophone)
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Soprano Saxophone and Piano
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EASY
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Sacred music
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Spiritual, Lowell Mason
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Stephen DeCesare
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Were You There
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.620512 Composed by Spiritual, Lowel...
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Instrumental Duet,Piano Alto Saxophone,Instrumental Duet,Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.620512 Composed by Spiritual, Lowell Mason. Arranged by Stephen DeCesare. Christian,Easter,Religious,Sacred,Spiritual. 13 pages. Exultet Music #3383753. Published by Exultet Music (A0.620512). Two of the most played hymns during Lent and Holy Week have now been freshly arranged and joined together and arranged as a duet for Soprano and Alto Saxophone with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99
Were You There (with "When I Survey The Wondrous Cross") (Soprano Saxophone and Piano)
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Soprano Saxophone and Piano
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EASY
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Sacred music
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Spiritual, Lowell Mason
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Stephen DeCesare
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Were You There
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Exultet Music
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.629362 Composed by Spiritual, Lowell Mason. Arranged by Stephen DeCesare. Christian,Easter,P...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.629362 Composed by Spiritual, Lowell Mason. Arranged by Stephen DeCesare. Christian,Easter,Praise & Worship,Religious,Sacred. Score and part. 11 pages. Exultet Music #6328865. Published by Exultet Music (A0.629362). Two of the most played hymns during Lent and Holy Week have now been freshly arranged and joined together and arranged for a Soprano Saxophone solo with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99
Bach: Bist du bei mir BWV 508 for Soprano Sax & Piano
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Soprano Saxophone and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easte...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468788. Published by jmsgu3 (A0.549234). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
18 Gospel Hymns Vol.2 for Solo Soprano Saxophone and Piano
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Soprano Saxophone and Piano
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EASY
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Sacred music
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Gospel/Spiritual
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Various
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David McKeown
#
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18 Gospel Hymns Vol.2 for Solo
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.592602 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sac...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.592602 Composed by Various. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 49 pages. David McKeown #6404413. Published by David McKeown (A0.592602). 18 Easy Gospel Hymns Vol.2 for Solo Soprano Saxophone and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal. The hymns are in alphabetical order and are as follows· O Mary Don’t You Weep, · O When the Saints, · Old Time Religion, · Onward Christian Soldiers, · Rock of Ages, · Shall We Gather at the River, · Stand Up, Stand Up for Jesus, · Standing in the Need of Prayer, · Swing Low Sweet Chariot, · Steal Away, · There is a Fountain Filled with Blood, · There is Power in the Blood, · This Little Light of Mine, · Wade in the Water, · Were You There? · What a Friend We Have in Jesus, · When the Roll Is Called Up Yonder, · When We All Get to Heaven. If you like these Gospel Hymns, then there are another eighteen just like them in Volume 1. To find them copy and paste 18 Easy Gospel Hymns Vol.1 for Solo Soprano Saxophone and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.49
16 Favourite Easter Hymns for Solo Soprano Saxophone and Piano
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Soprano Saxophone and Piano
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EASY
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Sacred music
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Various
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David McKeown
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#
16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.587894 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and pa...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.587894 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. Score and part. 26 pages. David McKeown #5037739. Published by David McKeown (A0.587894). 16 Favourite Easter Hymns for Solo Soprano Saxophone and Piano is a beautiful collection of well-known traditional Easter hymns. Both the Piano score and separate Soprano Saxophone part are included in the single PDF file.16 Favourite Easter Hymns for Solo Soprano Saxophone and Piano are simply arranged in easy keys and are fun to play for soloists with a year or two’s experience and above. The piano part is a little more difficult. Teachers and students alike will find 16 Favourite Easter Hymns for Solo Soprano Saxophone and Piano useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60
Ad Ventum
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Soprano Saxophone and Piano
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INTERMEDIATE
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Christopher Hernandez
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Ad Ventum
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Christopher Alexis Hernandez
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.911315 Composed by Christopher Hernandez. 20th Century,Contemporary,Film/TV. Score and part....
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.911315 Composed by Christopher Hernandez. 20th Century,Contemporary,Film/TV. Score and part. 12 pages. Christopher Alexis Hernandez #517357. Published by Christopher Alexis Hernandez (A0.911315). This piece features an ethereal, crystalline piano as the soprano saxophone calls out to the open wind with ornate quintuplet ostinatos and soaring melodic lines. The soundscape captivates the listener in a verdant chant before bursting into life when the leaves begin to dance in the fall.
$15.00
Roadside Inn-Schumann-Soprano Saxophone and piano
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Soprano Saxophone and Piano
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EASY
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Robert Schumann
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Phil Beaman
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Roadside Inn-Schumann-Soprano
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Phil Beaman
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.845147 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Scor...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.845147 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #6213721. Published by Phil Beaman (A0.845147). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn.
$4.99
A Night In Tunisia
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Soprano Saxophone and Piano
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INTERMEDIATE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.747021 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899013. Published by Keith Terrett (A0.747021). A great sounding arrangement of A Night in Tunisia arranged for Bb Soprano Saxophone & Piano, Saxophonists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
Onward Christian Soldiers, Gospel Hymn for Soprano Saxophone and Piano
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Soprano Saxophone and Piano
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EASY
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Sacred music
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Gospel/Spiritual
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Sabine Baring-Gould
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David McKeown
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Onward Christian Soldiers, Gos
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.593152 Composed by Sabine Baring-Gould. Arranged by David McKeown. Christian,Gospel,Praise &...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.593152 Composed by Sabine Baring-Gould. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6416493. Published by David McKeown (A0.593152). Onward Christian Soldiers is a beautiful gospel song arranged here for Solo Soprano Saxophone and Piano.Onward Christian Soldiers was written by Sabine Baring-Gould in 1865 and set to music by Arthur Sullivan in 1871. Churchill later chose the hymn to be sung at a wartime service when he met Roosevelt in 1941. In more recent times there have been attempts, some successful, some not, to alter the military flavor of the lyrics.
$2.49
Have You Ever Seen The Rain?
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Soprano Saxophone and Piano
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BEGINNER
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Creedence Clearwater Revival
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Josiel Oliveira
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Have You Ever Seen The Rain?
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M das Melodias
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SheetMusicPlus
Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1096080 By Creedence Clearwater Revival. By John Fogerty. Arranged by Josiel Oliveira. Multi...
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Piano,Soprano Saxophone - Level 1 - Digital Download SKU: A0.1096080 By Creedence Clearwater Revival. By John Fogerty. Arranged by Josiel Oliveira. Multicultural,Pop,World. Score and part. 1 pages. M das Melodias #700030. Published by M das Melodias (A0.1096080). Play this beautiful song with your favorite instrument. Sheet music of the song Have You Ever Seen The Rain by Creedence Clearwater Revival for Soprano Saxophone. Easy level. Someone told me long ago There's a calm before the storm I know It's been coming for some time When it's over so they say It'll rain a sunny day I know Shining down like water I want to know Have you ever seen the rain I want to know Have you ever seen the rain Coming down on a sunny day Yesterday and days before Sun is cold and rain is hard I know Been that way for all my time 'Til forever on it goes Through the circle, fast and slow I know It can't stop, I wonder I want to know Have you ever seen the rain I want to know Have you ever seen the rain Coming down on a sunny day (Yeeaahh) I want to know Have you ever seen the rain I want to know Have you ever, ever seen the rain Coming down on a sunny day.
$4.99
Handel's Largo from Xerxes, Ombra Mai Fù, for solo Soprano Saxophone and Piano
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Soprano Saxophone and Piano
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EASY
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G F Handel
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David McKeown
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Handel's Largo from Xerxes, Om
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.587901 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.587901 Composed by G F Handel. Arranged by David McKeown. Baroque,Concert,Contemporary,Opera,Standards. Score and part. 5 pages. David McKeown #5042563. Published by David McKeown (A0.587901). Ombra Mai Fù is the beautiful opening aria from Handel’s Opera Serse, (Xerxes). The opera was not well received when it premiered in London in 1736 and sank into immediate obscurity, only to re-emerged as one of Handel’s best-loved works nearly two hundred years later. Ombra Mai Fù is often referred to as Handel’s Largo. In 1906 Ombra Mai Fù gained the distinction of being the first piece of music ever broadcast on radio. This full version of Ombra Mai Fù is arranged as a Solo for Soprano Saxophone and Piano and both parts are reasonably simple; the performance time is around three minutes. The pdf file contains both the piano score and a separate solo part. You can listen to a full performance of this arrangement on Alto Saxophone via the YouTube link above.Musicians at an early intermediate level and above will find Ombra Mai Fù ideal for formal and informal performances, with both the solo and accompaniment enjoying melodic interest. Teachers will enjoy using this arrangement as a fun way to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Wedding March by Mendelssohn, for Solo Soprano Saxophone and Piano
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Soprano Saxophone and Piano
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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David McKeown
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Wedding March by Mendelssohn,
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David McKeown
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587602 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert...
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587602 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Standards,Wedding. Score and part. 9 pages. David McKeown #4403640. Published by David McKeown (A0.587602). Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.This version is arranged for Solo Soprano Saxophone and Piano and the performance time is around three and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Both the full length youtube performance and the short audio sample are from the Clarinet version off this arrangement.The solo part is intermediate level, while the piano accompaniment suits an advanced intermediate player.Both will find this ideal for formal and informal performances, with both parts enjoying melodic interest.Teachers will enjoy using this arrangement as a fun way to help with building dynamic range and stamina.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Soprano Saxophone and Piano
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ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP....
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Bach: Wachet auf for Soprano Sax & Piano
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Soprano Saxophone and Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Soprano S
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Conce...
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Piano,Soprano Saxophone - Level 2 - Digital Download SKU: A0.549844 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554833. Published by jmsgu3 (A0.549844). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
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