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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Accompaniment
Not classified
4,790
Piano & keyboards
Piano, Voice
1,473
Piano solo
1,295
Piano Accompaniment
500
Piano, Vocal and Guitar
277
Piano Trio: piano, violin, cello
152
Easy Piano
110
Organ
82
C Instruments
59
1 Piano, 4 hands
30
Piano Quartet: piano, violin, viola, cello
15
Piano Quartet: piano, 2 violins, cello
14
Piano Quintet: piano, 2 violins, viola, cello
9
2 Pianos, 4 hands
8
Piano (band part)
6
Accordion
2
Harpsichord
2
Organ, Trumpet (duet)
2
Accordion, Piano
1
Organ, Piano (duet)
1
Accordion, String(s)
1
+ 15 instrumentations
-
Retract
Guitars
Guitar
281
Guitar notes and tablatures
129
Dulcimer
53
Ukulele
35
Piano, Guitar (duet)
23
2 Guitars (duet)
22
Melody line, (Lyrics) and Chords
21
Mandolin
17
2 Dulcimers (duet)
12
Bass guitar
11
Guitar Ensemble
7
4 Guitars (Quartet)
7
Banjo
5
3 Guitars (trio)
5
Guitar, Violin, Cello (trio)
3
2 Mandolins (duet)
3
Mandolin, Piano (duet)
1
+ 12 instrumentations
-
Retract
Voice
Choral SATB
2,036
Choral 3-part
1,032
Choral 2-part
466
Choral TTBB
223
Choral Unison
211
Vocal duet, Piano
146
Voice solo
129
Choral SSAA
101
Vocal duet
69
Tenor voice, Piano
48
Alto voice, Piano
45
Soprano voice, Piano
42
High voice
34
Tenor voice
34
Baritone voice, Piano
28
Soprano voice
27
Medium voice, Piano
25
Soli, Mixted choir and accompaniment
23
Choral
17
Low voice, Piano
7
Voix Masculines
2
Choral SSAB, Piano
2
Choral SSATB
2
Voice, Guitar
1
Choral SSAATTBB
1
Mezzo-Soprano voice, Piano
1
Low voice
1
Choral SSATTB
1
+ 23 instrumentations
-
Retract
Woodwind
Flute and Piano
985
Oboe, Piano (duet)
810
Alto Saxophone and Piano
744
Clarinet and Piano
735
Tenor Saxophone and Piano
522
Soprano Saxophone and Piano
244
2 Flutes (duet)
187
2 Saxophones (duet)
184
Baritone Saxophone, Piano
157
English horn, Piano
152
2 Clarinets (duet)
134
Flute
104
Clarinet
102
Saxophone Quartet: 4 saxophones
89
Alto Saxophone
87
Flute, Violin, Piano
79
Tenor Saxophone
79
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
78
3 Saxophones (trio)
72
Flute, Oboe, Clarinet, Bassoon
71
2 Saxophones, Piano
68
Clarinet Quartet: 4 clarinets
59
Saxophone, Clarinet (duet)
57
Flute, Clarinet (duet)
54
Oboe (band part)
51
Flute and Guitar
49
Clarinet, Violin (duet)
48
Saxophone (band part)
47
3 Clarinets (trio)
45
Bass Clarinet, Piano
45
Saxophone Quintet: 5 Saxophones
40
Flute Trio: 3 flutes
38
Descant (Soprano) Recorder
36
2 Clarinets, Piano
35
Clarinet, Trumpet (duet)
34
2 Oboes (duet)
33
Flute Quartet: 4 flutes
32
Flute, Clarinet, Piano (trio)
30
Flute, Violin
26
Oboe, Clarinet (duet)
25
Oboe, Bassoon (duet)
24
2 Flutes, Piano
24
Flute, Oboe, Clarinet (trio)
22
Flute, Clarinet and Bassoon.
21
Flute, Bassoon, and Piano
20
Oboe, Flute
19
Flute, Trumpet (duet)
17
Clarinet, Cello, Piano (trio)
17
Flute, Saxophone (duet)
17
Oboe, Clarinet, Bassoon (trio)
16
Flute, Oboe, Piano (trio)
16
Flute, Cello, Piano (trio)
16
Clarinet and Viola
16
Flute, Violin and Violoncello
15
English Horn
15
Flute, Viola (duet)
14
Flute, trombone and piano
14
Clarinet Ensemble
14
Flute ensemble
13
Clarinet Quintet: 5 clarinets
12
Clarinet, Guitar (duet)
12
Flute, Viola and Piano
12
2 Recorders (duet)
12
Flute, Oboe, Bassoon
11
Recorder
10
Recorder Ensemble
8
Descent (Soprano) Recorder, Piano
8
Harmonica, Piano
7
Flute Quintet : 5 flutes
7
Flute, Violin, Violoncello and Piano
6
Clarinet, Bassoon, Piano (trio)
6
Flute, harp and violin
6
Saxophone and Guitar
6
Treble (Alto) Recorder
6
Clarinet, trumpet and piano
6
Flute, Cello, Guitar
5
Flute (band part)
5
English Horn, Guitar (duet)
5
Saxophone ensemble
5
Clarinet, Bassoon (duet)
4
3 Recorders (trio)
4
Clarinette, Viola and Piano (trio)
4
Flute, Oboe (duet)
4
Oboe
4
Flute, Trombone (duet)
4
Flute, Violoncello
3
2 Oboes, Piano
3
Clarinet, Cello (duet)
3
Piccolo
2
Clarinet (band part)
2
Piccolo, Piano
2
Saxophone and Piano
2
Harmonica
2
Saxophone and Organ
2
Saxophone
2
Recorder Quartet
2
Flute and Strings Trio
2
Tenor Recorder
2
Oboe, Guitar (duet)
2
Oboe, Clarinet and Piano (Trio)
2
Baritone Saxophone
1
Soprano Saxophone
1
Pennywhistle
1
Oboe, Harp
1
Bagpipe
1
Pan Flute
1
Clarinet, Harp (duet)
1
Clarinet, Organ
1
Clarinet, Tuba
1
Flute, Violin, Guitar
1
Bass Clarinet
1
Flute, Organ (duet)
1
Oboe, Violin (duet)
1
Flute, Oboe, Violin
1
Oboe and viola (duet)
1
Saxophone and Harp
1
+ 111 instrumentations
-
Retract
Woodbrass
Trumpet, Piano
618
Trombone and Piano
486
French Horn and Piano
435
Trumpet
187
Tuba and Piano
170
English horn, Piano
152
Brass Quintet: 2 trumpets, horn, trombone, tuba
87
Trumpet, Trombone (duet)
78
Trombone
62
Euphonium, Piano (duet)
57
2 Trumpets (duet)
54
Brass Quartet: 4 trombones
50
2 Trombones (duet)
50
Brass quartet : 2 trumpets, trombone, tuba
45
Brass Quartet: 2 trumpets, horn, trombone
45
French horn
42
Trumpet, Saxophone (duet)
40
2 French horns (duet)
30
Brass Quartet
26
English Horn
15
Brass Quartet: 4 horns
13
Tuba
13
Euphonium
11
Trumpet, Cello, Piano
11
Brass Quartet: 4 trumpets
10
Trumpet (band part)
10
3 Trumpets (trio)
8
Trumpet ensemble
7
Trumpet and Guitar
6
2 Trumpets, Keyboard (piano or organ)
6
Brass Trio
6
Trombone ensemble
6
English Horn, Guitar (duet)
5
3 Trombones (trio)
5
2 French horns, Piano
5
Trumpet, Trombone, Piano
5
Trumpet, Horn (duert)
4
Brass Quartet: 2 trumpets, 2 trombones
4
Bass Trombone and Piano
4
Trombone, Organ
3
Bass Trombone
3
French Horn and Harp
2
Euphonium, Tuba (duet)
2
2 Euphoniums (duet)
2
Trumpet, Harp
2
2 Trombones, Piano
2
2 Tubas (duet)
1
Cornet and Orchestra
1
Horn and Organ
1
French horn (band part)
1
3 French horns (trio)
1
Trombone, Tuba (duet)
1
Tuba (band part)
1
+ 48 instrumentations
-
Retract
Strings
Violin and Piano
1,389
Cello, Piano
785
Viola, Piano
704
String Quartet: 2 violins, viola, cello
280
Violin
201
Double bass, Piano (duet)
151
2 Violins (duet)
130
Harp
101
Cello
98
2 Cellos (duet)
78
String Trio: violin, viola, cello
73
Violin, Guitar (duet)
66
Violin, Cello (duet)
59
String Quintet: 2 violins, viola, cello, bass
56
2 Violas (duet)
54
Viola
54
Violin, Viola (duet)
48
Piano Trio: Violin, Viola, Piano
43
String Trio: 2 violins, cello
42
String Trio: 3 violins
38
Viola (band part)
28
2 Violins, Piano
20
Harp, Flute (duet)
18
Violin (band part)
16
Cello, Guitar (duet)
16
Double Bass
15
4 Cellos
15
String Trio: 3 cellos
14
String quartet: 4 violins
12
2 Harps (duet)
10
String Trio: 2 violins, viola
10
Harp, Voice
8
Violin, Clarinet, Piano (trio)
7
2 Cellos, Piano
6
Viola, Guitar (duet)
5
Viola, Cello (duet)
5
Cello, String Bass (duet)
5
String Trio: 3 violas
5
Cello (band part)
4
String Quintet: 2 violins, 2 violas, cello
4
Violin ensemble
4
Harp, Violin (duet)
4
Violin, Organ
4
Harp, Cello (duet)
3
Cello, Organ
3
2 Violas, Piano
3
Viola, Organ
3
Violin, Bassoon (duet)
2
String Quartet : 4 violas
2
Viola and Harp
2
Viola ensemble
2
Harp and Piano
2
Flute, Doublebass (duet)
2
Violin, Trumpet and Piano
1
Viola and Bassoon
1
Doublebass (band part)
1
Harp, Trombone (duet)
1
Harp, Violin, Violoncello
1
+ 53 instrumentations
-
Retract
Orchestra & Percussion
Handbells
297
Orchestra
144
Concert band
142
String Orchestra
108
Brass ensemble
73
Chamber Orchestra
62
Jazz combo
49
Xylophone, Piano
32
Jazz Ensemble
26
Percussion Ensemble
12
Drums
7
Vibraphone
6
Marimba
5
2 Xylophones
3
Xylophone
2
Flexible Instrumentation
2
Marching band
2
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Percussion (band part)
2
Bodhran
1
Marimba, Piano (duet)
1
Conga
1
Piano and Orchestra
1
Big band
1
+ 19 instrumentations
-
Retract
Others
Instruments
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BASS
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CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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VIOLA DA GA…
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EUPHONIUM
FLUTE
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Clarinet Ensemble
Sheetmusic to print
14 sheet music found
<
1
Australian Calypso - Clarinet Sextet or Choir
#
Clarinet Ensemble
#
INTERMEDIATE
#
Contemporary
#
Brendan James Elliget
#
Brendan James Elliget
#
Australian Calypso - Clarinet
#
BJE Music
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.779709 By Brendan James Elliget. By Brendan James Elliget. Arranged by Brendan James Elli...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.779709 By Brendan James Elliget. By Brendan James Elliget. Arranged by Brendan James Elliget. Contemporary. 12 pages. BJE Music #387204. Published by BJE Music (A0.779709). This catchy little calypso tune was originally written to feature two clarinets with piano accompaniment but has been expanded here to a Clarinet Choir or Sextet arrangement. There are optional parts for Clarinet in Eb (Part 1) and Alto Clarinet (Part 5). There is plenty of interest in each part. There is an optional Piano Accompaniment part included (Not shown on the score). [Updated 26/08/2020] The original tune was written in 1999 but not revised until 2019. If you use this piece, write a review and tell me how it goes. The clarinet duet version is still available as well as a version for Concert Band and Orchestra. [See associated scores.] The MP3 was recorded with NotePerformer 3. Grade = 3.5 Duration = 2:50 mins.
$7.50
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
#
Clarinet Ensemble
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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Clarinet Ensemble
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Nessun Dorma
#
Clarinet Ensemble
#
INTERMEDIATE
#
The Usaf Band
#
Stephen DeCesare
#
Nessun Dorma
#
Exultet Music
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.623208 By The Usaf Band. By Giacomo (Dp) Puccini and Giacomo Puccini. Arranged by Stephen...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.623208 By The Usaf Band. By Giacomo (Dp) Puccini and Giacomo Puccini. Arranged by Stephen DeCesare. Contemporary,Opera. 9 pages. Exultet Music #4299605. Published by Exultet Music (A0.623208). One of the best known tenor arias in all of opera that comes from the final act of Giacomo Puccini's opera Turandot and was popularized by Luciano Pavarotti has now been freshly arranged for a Clarinet Choir (Bb-Clarinet (3), Bass Clarinet) with Piano accompaniment. Accessible and appropriate for any school or concert performance.
$12.99
Can't Help Falling In Love
#
Clarinet Ensemble
#
INTERMEDIATE
#
Jazz
#
Rock
#
Elvis Presley
#
Patrick Glenn Harper
#
Can't Help Falling In Love
#
Patrick Glenn Harper
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.751214 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arrange...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.751214 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Patrick Glenn Harper. Jazz. 11 pages. Patrick Glenn Harper #4840255. Published by Patrick Glenn Harper (A0.751214). This engaging take on the classic song begins with scaled down statement of the melody with minimal accompaniment. The rest of the ensemble joins on the second statement and builds toward a climactic statement of the chorus before tapering back down to a softer ending. The piece was written so that it can be performed without either the contrabass or contra alto clarinet parts if necessary.
$14.75
Just a Closer Walk with Thee (Clarinet Quartet)
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Clarinet Ensemble
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INTERMEDIATE
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Sacred music
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Traditional Hymn Melody, Scott
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John A
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Just a Closer Walk with Thee
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John A. Dempsey
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.524351 Composed by Traditional Hymn Melody, Scott Joplin. Arranged by John A. Dempsey. Ch...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.524351 Composed by Traditional Hymn Melody, Scott Joplin. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Spiritual. 20 pages. John A. Dempsey #5316833. Published by John A. Dempsey (A0.524351). In this Bb clarinet quartet, the reverential mood of Just a Closer Walk with Thee is sustained and enhanced, as it's paired with and in the style of Scott Joplin's Solace, one of his slower, more contemplative rags. Â Recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, silent prayer accompaniment or special music. Â This hymn arrangement is also popular as a performance piece for concerts and recitals. Â Concert Key: Eb major. Â Clarinet Key: F major. Â 16 pages of music (that includes separate two-page parts for clarinet 1, clarinet 2, clarinet 3 and clarinet 4).
$12.99
Ave Maria ICS 18 for Clarinet Choir
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Clarinet Ensemble
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INTERMEDIATE
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Classical
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Camille Saint-Saens
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Lisa Ochoco
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Ave Maria ICS 18 for Clarinet
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.559913 Composed by Camille Saint-Saens. Arranged by L...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.559913 Composed by Camille Saint-Saens. Arranged by Lisa Ochoco. Romantic Period,Sacred. 15 pages. Lisa L Ochoco #5710461. Published by Lisa L Ochoco (A0.559913). Camille Saint-Saëns was a French composer, and wrote beautiful music during the Romantic period. This Ave Maria was originally written for 2 alto singers with organ accompaniment.
$10.00
Silent Night (Bb) (Clarinet Quintet)
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Clarinet Ensemble
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INTERMEDIATE
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Christmas
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.813963 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructiona...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.813963 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6632975. Published by Regis Bookshar (A0.813963). Clarinet Quintet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Clarinet Quinet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Silent Night (Bb) (Clarinet Octet)
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Clarinet Ensemble
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INTERMEDIATE
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Christmas
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.813985 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructiona...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.813985 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 12 pages. Regis Bookshar #6636625. Published by Regis Bookshar (A0.813985). Clarinet Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Clarinet Octet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
Away in a Manger (G) (Clarinet Quintet)
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Clarinet Ensemble
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INTERMEDIATE
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Christmas
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James R
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Regis Bookshar
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Away in a Manger
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.814006 Composed by James R. Murray. Arranged by Regis Bookshar. Christmas,Instructional,S...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.814006 Composed by James R. Murray. Arranged by Regis Bookshar. Christmas,Instructional,Standards. 10 pages. Regis Bookshar #6658467. Published by Regis Bookshar (A0.814006). Clarinet Quintet - Intermediate - Digital Download. This arrangement of Away in a Manger, would be a fine addition to any music library and could be performed for Christmas concerts, recitals and church services. It is equally suitable for junior and senior high school students, and, depending on their ability, even younger students, too. Included are a score and a complete set of parts (10 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Away in a Manger is one of the most popular Christmas carols and there are a number of musical settings of it. The most popular musical setting of it in the United States is the tune commonly known as Mueller. It was composed by James R. Murray and was first published under the name Luther's Cradle Hymn, in his collection Dainty Songs for Little Lads and Lasses, in 1887. It was intended for use in kindergarten, school and home.In this selection, Regis Bookshar has arranged three verses of this popular Christmas carol for a Clarinet Quintet. The first verse is a traditional setting of the tune while the second verse has a more complex accompaniment. The third verse also includes a descant. Between the second and third verses, he has included a short interlude. In addition to this arrangement for a Clarinet Quintet, there are also other Quintet arrangements of Away in a Manger for a variety of instrumental ensembles, as well as quite a few other Christmas selections, readily available for purchase. Please take the time to look for other versions of this composition and other selections. You may find something else that may also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Away in a Manger will continue to entertain both performers and audiences alike for years to come.
$8.00
O Little Town of Bethlehem (Clarinet Quartet)
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Clarinet Ensemble
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INTERMEDIATE
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Christmas
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Lewis H
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John A
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O Little Town of Bethlehem
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John A. Dempsey
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1110867 Composed by Lewis H. Redner and Edward MacDowell. Arranged by John A. Dempsey. Ch...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1110867 Composed by Lewis H. Redner and Edward MacDowell. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. 20 pages. John A. Dempsey #713162. Published by John A. Dempsey (A0.1110867). Above thy deep and dreamless sleep the silent stars go by. Â A favorite Christmas carol with its everlasting light, O Little Town of Bethlehem is arranged here as a Bb clarinet quartet. Â The incidental music, composed by Edward MacDowell, is the beautiful To a Wild Rose from his Woodland Sketches. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture, silent prayer accompaniment and special music. Â 16 pages of music (that includes the score and separate two-page parts for clarinet 1, clarinet 2, clarinet 3 and clarinet 4). Â Concert Key: Eb major. Clarinet Key: F major
$11.99
Carmen: Ouverture - Habanera
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Clarinet Ensemble
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INTERMEDIATE
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Opera
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Classical
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Georges Bizet
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Marco Monitto
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Carmen: Ouverture - Habanera
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Marco Monitto
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.876396 Composed by Georges Bizet. Arranged by Marco Monitto. Opera,Romantic Period. 34 pa...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.876396 Composed by Georges Bizet. Arranged by Marco Monitto. Opera,Romantic Period. 34 pages. Marco Monitto #4719237. Published by Marco Monitto (A0.876396). The very famous Habanera della Carmen, composed by Georges Bizet, accompanied by the Overture.You can play it both in quartet, both in ensemble (more than 30 musicians). Fantastic price!
$20.00
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