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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
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UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
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HEY THERE
Not classified
398
Piano & keyboards
Piano solo
150
Piano, Voice
73
Piano, Vocal and Guitar
22
Organ
11
Easy Piano
5
Piano Trio: piano, violin, cello
4
1 Piano, 4 hands
2
2 Pianos, 4 hands
2
Piano Quintet: piano, 2 violins, viola, cello
2
Piano Accompaniment
2
Organ, Trumpet (duet)
1
Piano (band part)
1
C Instruments
1
+ 8 instrumentations
-
Retract
Guitars
Guitar
19
Guitar notes and tablatures
13
Melody line, (Lyrics) and Chords
8
Lyrics and Chords
4
Bass guitar
3
Piano, Guitar (duet)
2
Mandolin
2
2 Guitars (duet)
2
4 Guitars (Quartet)
2
Ukulele
1
3 Guitars (trio)
1
Banjo
1
Guitar Ensemble
1
+ 8 instrumentations
-
Retract
Voice
Choral SATB
75
Alto voice, Piano
26
Choral 3-part
26
Tenor voice
25
Soprano voice
24
Baritone voice, Piano
21
Choral TTBB
14
Choral 2-part
9
Vocal duet, Piano
5
Choral SSAA
3
Medium voice, Piano
1
Vocal duet
1
Low voice, Piano
1
Soprano voice, Piano
1
Choral
1
+ 10 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
41
2 Flutes (duet)
40
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
32
Clarinet and Piano
30
Flute and Piano
28
2 Clarinets (duet)
25
Oboe, Piano (duet)
23
Saxophone, Clarinet (duet)
23
Flute, Oboe, Clarinet, Bassoon
20
Saxophone Quintet: 5 Saxophones
18
Clarinet, Violin (duet)
16
Flute
15
Clarinet
15
Flute, Clarinet (duet)
13
2 Oboes (duet)
12
Flute, Violin
12
Clarinet, Trumpet (duet)
12
Alto Saxophone and Piano
11
Tenor Saxophone and Piano
11
Soprano Saxophone and Piano
11
Flute ensemble
11
Oboe, Bassoon (duet)
10
Baritone Saxophone, Piano
10
Oboe, Clarinet (duet)
9
Clarinet Ensemble
9
Bass Clarinet, Piano
8
Oboe
8
Oboe, Flute
8
Flute Quartet: 4 flutes
8
Clarinet and Viola
7
Flute, Viola (duet)
7
English horn, Piano
7
Flute, Saxophone (duet)
7
Flute, Trumpet (duet)
6
Clarinet Quartet: 4 clarinets
5
Saxophone Quartet: 4 saxophones
4
Saxophone ensemble
4
Flute Quintet : 5 flutes
4
Flute, Violin, Piano
3
2 Clarinets, Piano
3
Flute, Oboe, Clarinet (trio)
3
Alto Saxophone
3
2 Oboes, Piano
3
2 Flutes, Piano
3
Oboe (band part)
2
Flute, Oboe (duet)
2
Flute, Clarinet and Bassoon.
2
Flute and Guitar
2
Descant (Soprano) Recorder
1
Flute, Oboe, Bassoon
1
Flute, Cello, Piano (trio)
1
3 Saxophones (trio)
1
2 Recorders (duet)
1
Oboe, Violin (duet)
1
Clarinet Quintet: 5 clarinets
1
+ 50 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
59
Trumpet ensemble
36
Trombone and Piano
20
French Horn and Piano
19
Brass quartet : 2 trumpets, trombone, tuba
18
Trumpet
17
2 Trumpets (duet)
14
Trumpet, Saxophone (duet)
14
Trumpet, Piano
14
Euphonium, Piano (duet)
12
2 Trombones (duet)
12
Trumpet, Trombone (duet)
12
Trombone
11
French horn
10
English horn, Piano
7
Brass Quartet: 2 trumpets, horn, trombone
7
Tuba and Piano
6
Tuba
5
2 French horns (duet)
4
Trombone ensemble
4
2 French horns, Piano
3
Brass Quartet: 4 trumpets
3
2 Trumpets, Keyboard (piano or organ)
2
3 Trumpets (trio)
2
Brass Quartet
2
Brass Quartet: 4 trombones
1
4 Tubas
1
Brass Trio
1
Trumpet, Tuba (duet)
1
Bass Trombone
1
Brass Quartet: 4 horns
1
Brass Quartet: 2 trumpets, 2 trombones
1
+ 27 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
161
Violin, Cello (duet)
124
Violin
114
String Trio: violin, viola, cello
107
String Quintet: 2 violins, viola, cello, bass
32
Violin and Piano
25
Cello, Piano
24
Viola, Piano
23
2 Violins (duet)
21
2 Violas (duet)
18
Violin, Viola (duet)
18
Cello
15
Harp
15
2 Cellos (duet)
14
Viola
12
String Trio: 2 violins, cello
10
2 Harps (duet)
8
String Trio: 2 violins, viola
3
4 Cellos
3
Double Bass
3
Viola ensemble
3
String Trio: 3 cellos
3
Violin ensemble
3
2 Violins, Piano
2
Violin, Guitar (duet)
2
2 Violas, Piano
2
2 Cellos, Piano
2
String Quintet: 2 violins, viola, 2 cellos
2
Cello, Guitar (duet)
1
String Quartet : 4 violas
1
4 Double Basses
1
+ 26 instrumentations
-
Retract
Orchestra & Percussion
String Orchestra
100
Concert band
23
Brass ensemble
12
Jazz combo
11
Jazz Ensemble
11
Orchestra
11
Handbells
10
Marching band
2
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Drums
2
Vibraphone
1
Percussion Ensemble
1
+ 7 instrumentations
-
Retract
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Clarinet Ensemble
Sheetmusic to print
9 sheet music found
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1
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Clarinet Ensemble
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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Clarinet Ensemble
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Silent Night (Bb) (Clarinet Quintet)
#
Clarinet Ensemble
#
INTERMEDIATE
#
Christmas
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.813963 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructiona...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.813963 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6632975. Published by Regis Bookshar (A0.813963). Clarinet Quintet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Clarinet Quinet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Silent Night (Bb) (Clarinet Octet)
#
Clarinet Ensemble
#
INTERMEDIATE
#
Christmas
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.813985 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructiona...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.813985 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 12 pages. Regis Bookshar #6636625. Published by Regis Bookshar (A0.813985). Clarinet Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Clarinet Octet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
"The Hunky Punks" for Clarinet Choir.
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Clarinet Ensemble
#
INTERMEDIATE
#
Halloween
#
Grant Horsley
#
"The Hunky Punks" for Clarinet
#
Grant Horsley
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1428951 Composed by Grant Horsley. Classical,Comedy,C...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1428951 Composed by Grant Horsley. Classical,Comedy,Contemporary,Contest,Festival,Halloween. 47 pages. Grant Horsley #1009768. Published by Grant Horsley (A0.1428951). A Hunky punk is a grotesque carving on the side of a building, typically found on Mid/ Late medieval churches in the UK. They are plentiful in Somerset in the West Country of England Though similar in appearance to a gargoyle, a hunky punk is purely decorative and has no other functional purpose whatsoever!! Unlike the gargoyle, which serves to drain water off the roof through its mouth.The theory behind hunky punks and grotesques in general, was that churches were designed to reflect the balance between good and evil, reminding worshippers of the narrow path leading through life. As a result, for every saint or animal that was intended to signify purity and ‘goodness’, there was also an ugly creature to signify evil and ‘badness’.Scored for E flat Clarinet, 4 B flat Clarinets, Alto, Bass and Contrabass Clarinet. This piece is in concert G minor and begins with a medieval type of fanfare which occurs throughout. What follows is a haunting theme with lots of flattened 5ths and several discords to represent the uncomfortable nature of this statue. The staccato and accent direction in most of the piece gives the impression of walking on eggshells not knowing what lies around the corner! Then a brief legato section of the fanfare appears to provide a calmer atmosphere before eventually returning to the main theme and big ending. Set at intermediate level but on the youtube link there is the full score for you to assess suitability. It is nearly 5 mins in length and would be a great addition to a repertoire.Price is for the full score and all parts.
$14.50
Jupiter (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets) (Bb) (Clarinet Qu
#
Clarinet Ensemble
#
INTERMEDIATE
#
Gustav Holst
#
Regis Bookshar
#
Jupiter
#
Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.813707 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,St...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.813707 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Standards,Wedding. 9 pages. Regis Bookshar #6474529. Published by Regis Bookshar (A0.813707). Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets) (Clarinet Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for concerts and recitals but if you are considering using this selection for church services in which a congregation may sing along, I would suggest that you look for the arrangements of either I Vow to Thee, My Country, O God, Beyond All Praising, O Spirit All Embracing or Thaxted, also by Regis Bookshar. They are all based on the same excerpt from Jupiter, the Bringer of Jollity from The Planets. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of Jupiter based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gusta.
$12.00
O Christmas Tree (G) (Clarinet Quintet)
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Clarinet Ensemble
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INTERMEDIATE
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Christmas
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German Folk Song
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Regis Bookshar
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O Christmas Tree
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.813941 Composed by German Folk Song. Arranged by Regis Bookshar. Christmas,Instructional,...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.813941 Composed by German Folk Song. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 8 pages. Regis Bookshar #6631143. Published by Regis Bookshar (A0.813941). Clarinet Quintet - Intermediate - Digital Download. This arrangement of O Christmas Tree, or in German, O Tannenbaum, would be a fabulous addition to any music library and could be performed for Christmas concerts and recitals, and, perhaps, even church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of part (8 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.O Christmas Tree is a German Christmas song based on a traditional folk song which was unrelated to Christmas. The custom of the Christmas tree developed in the course of the 19th century, and the song came to be seen as a Christmas carol. The modern lyrics were written in 1824 by the Leipzig organist, teacher and composer, Ernst Anschutz. A tannenbaum is a fir tree. The lyrics do not actually refer to Christmas or describe a decorated tree. Instead, they refer to the fir's evergreen quality as a symbol of constancy and faithfulness.In this arrangement of O Christmas Tree, Regis Bookshar has kept the basic outline of this familiar song, but has inserted a short interlude, which brings to mind the sound of alphorns, or alpenhorns, instruments which may be made from red pine, or fir trees. and are used by mountain dwellers in the Bavarian Alps. I think that students will enjoy this imitative section in the song. In addition to this version for a Clarinet Quintet, there are also other arrangements of O Christmas Tree available for a variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of O Christmas Tree will continue to entertain both performers ands audiences alike for years to come.
$5.00
Burgundian Air/March of the Three Kings (F min) (Clarinet Quintet)
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Clarinet Ensemble
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INTERMEDIATE
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Traditional French Melodies
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Regis Bookshar
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Burgundian Air/March of the Th
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.813065 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Cla...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.813065 Composed by Traditional French Melodies. Arranged by Regis Bookshar. Christmas,Classical,Instructional,Multicultural,Standards,World. 22 pages. Regis Bookshar #6096679. Published by Regis Bookshar (A0.813065). Clarinet Quintet - Intermediate - Digital Download. This selection, Burgundian Air/March of the Three Kings, has been arranged for 5 Clarinets by Regis Bookshar. It incorporates two Traditional French melodies into one exciting arrangement, which, I'm certain, will entertain both performers and audiences alike. It is suitable for high school and college students and is perfect for Christmas concerts and church services but could be performed anytime and anywhere. Included are a score and a complete set of parts (22 pages). It begins with a Burgundian Air, played by a solo instrument. The melody is then played by two instruments in harmony before the rest of the ensemble joins in. This is followed by the March of the Three Kings, a Provencal melody (La Marche Des Rois Mages) which dates from the 13th century and recalls the Three Kings of the Christmas story. The peasants probably sang and danced to this tune, even perhaps honoring their own folk heroes, the French dukes, dressed in their shining armor and carrying brilliant banners, as they marched off to the Crusades. Georges Bizet utilized this tune as a farandole, or stately dance, in his incidental music for Alphonse Daudet's play L'Arlesienne (The Girl from Arles). There is a fugal section in which each instrument enters, playing an embellished version of the tune before concluding the arrangement. Also available are other settings of these two Traditional French melodies for a variety of instrumental ensemble as well as numerous other arrangements in a variety of styles. Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that students will enjoy playing this arrangement.
$18.00
Donna Diana Overture for clarinet choir
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Clarinet Ensemble
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INTERMEDIATE
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Emil von Resnicek
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Bill Malcolm
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Donna Diana Overture for clari
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Bill Malcolm
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.786293 Composed by Emil von Resnicek. Arranged by Bill Malcolm. Romantic Period,Standards...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.786293 Composed by Emil von Resnicek. Arranged by Bill Malcolm. Romantic Period,Standards. 101 pages. Bill Malcolm #6404705. Published by Bill Malcolm (A0.786293). This overture was used as theme music for Sergeant Preston of the Royal Canadian Mounted Police, a radio drama I used to listen to as a kid. It might have been used in the television adaptation too. Some of you old-timers will remember it as an exciting late romantic overture.Although there are a contralto and a contrabass part, they are virtually identical and one could be omitted.
$15.00
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