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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
It Baroque
Not classified
492
Piano & keyboards
Piano solo
278
Piano, Voice
195
Organ
30
C Instruments
7
Organ, Trumpet (duet)
7
Harpsichord
7
Easy Piano
7
Piano Trio: piano, violin, cello
6
Piano, Vocal and Guitar
5
Piano Quintet: piano, 2 violins, viola, cello
5
1 Piano, 4 hands
5
Piano Quartet: piano, violin, viola, cello
4
Organ, Piano (duet)
3
Fake Book
1
2 Pianos, 4 hands
1
+ 10 instrumentations
-
Retract
Guitars
Guitar
28
Guitar notes and tablatures
17
2 Guitars (duet)
10
Piano, Guitar (duet)
7
Ukulele
3
3 Guitars (trio)
2
4 Guitars (Quartet)
2
Mandolin, Guitar (duet)
1
+ 3 instrumentations
-
Retract
Voice
Choral SATB
40
High voice
19
Choral 3-part
16
Soprano voice, Piano
8
Choral SSAA
7
Medium voice, Piano
7
Alto voice, Piano
7
Choral TTBB
5
Vocal duet, Piano
5
Choral 2-part
5
Low voice
2
Choral SSAB, Piano
1
Vocal duet
1
Baritone voice, Piano
1
Voice solo
1
+ 10 instrumentations
-
Retract
Woodwind
Flute and Piano
76
Flute, Oboe, Clarinet, Bassoon
59
Clarinet and Piano
58
2 Flutes (duet)
53
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
40
Oboe, Piano (duet)
40
Clarinet Quartet: 4 clarinets
38
Alto Saxophone and Piano
33
Saxophone Quartet: 4 saxophones
31
2 Saxophones (duet)
25
Soprano Saxophone and Piano
25
Recorder Ensemble
21
Clarinet
21
2 Clarinets (duet)
20
Saxophone Quintet: 5 Saxophones
18
3 Saxophones (trio)
15
Flute
15
English horn, Piano
14
Tenor Saxophone and Piano
14
3 Clarinets (trio)
13
Flute Quartet: 4 flutes
13
Clarinet Quintet: 5 clarinets
12
Flute, Oboe, Bassoon
12
Baritone Saxophone, Piano
11
Clarinet Ensemble
10
Flute, Clarinet (duet)
10
2 Recorders (duet)
9
Oboe, Bassoon (duet)
9
Flute ensemble
9
Flute Trio: 3 flutes
9
Oboe, Clarinet, Bassoon (trio)
8
Flute, Clarinet and Bassoon.
8
2 Oboes (duet)
7
Flute, Oboe, Clarinet (trio)
7
Flute, Violin
6
Saxophone ensemble
6
Alto Saxophone
6
Bass Clarinet, Piano
6
Flute and Guitar
5
Pennywhistle
5
Clarinet, Harp (duet)
5
Clarinet, Bassoon (duet)
5
Oboe
5
2 Clarinets, Bassoon
5
Flute, Violin, Piano
4
Oboe, Clarinet (duet)
4
Oboe, Harp
4
Recorder Quartet
4
Flute, Violoncello
4
Oboe (band part)
4
Flute Quintet : 5 flutes
4
Flute, Saxophone (duet)
4
2 Flutes, Piano
3
Clarinet, Trumpet (duet)
3
Flute, Trombone (duet)
3
Flute, Violin and Violoncello
3
Saxophone, Clarinet (duet)
3
Recorder
3
Saxophone and Harp
3
Flute, Viola (duet)
3
Oboe, Flute
2
Flute, French horn (duet)
2
Flute, Trumpet (duet)
2
Clarinet, Guitar (duet)
2
Clarinet, Violin (duet)
2
Descant (Soprano) Recorder
2
Tenor Saxophone
2
Saxophone (band part)
2
Piccolo, Piano
2
5 Recorders
2
Flute, Oboe (duet)
2
Recorder, Guitar (duet)
2
Clarinet, Trombone (duet)
2
2 Clarinets, Piano
2
Treble (Alto) Recorder
1
Tenor Recorder
1
Flute (band part)
1
English Horn
1
Descent (Soprano) Recorder, Piano
1
Flute, Organ (duet)
1
Flute, Clarinet, Piano (trio)
1
Clarinet and Viola
1
English Horn, Guitar (duet)
1
Saxophone and Guitar
1
Ocarina
1
Flute, Oboe, Piano (trio)
1
Piccolo
1
Clarinet, Cello (duet)
1
2 Oboes, Piano
1
2 Oboes and Basson
1
+ 85 instrumentations
-
Retract
Woodbrass
Trumpet, Piano
42
Brass Quintet: 2 trumpets, horn, trombone, tuba
36
French Horn and Piano
31
Trombone and Piano
27
Brass quartet : 2 trumpets, trombone, tuba
22
Trumpet
17
Trumpet ensemble
15
Euphonium, Piano (duet)
15
Tuba and Piano
14
English horn, Piano
14
Brass Quartet: 2 trumpets, horn, trombone
10
Trombone
9
2 Trombones (duet)
9
2 French horns (duet)
9
French horn
7
Tuba
6
2 Trumpets (duet)
6
Brass Quartet: 4 trombones
5
Horn Ensemble
5
Brass Quartet
4
Trumpet, Saxophone (duet)
3
Brass Quartet: 4 horns
3
Trumpet, Trombone (duet)
3
2 Euphoniums (duet)
2
French Horn and Harp
2
Trumpet, Harp
2
Horn and Organ
1
Trombone ensemble
1
3 Trumpets (trio)
1
English Horn
1
English Horn, Guitar (duet)
1
2 French horns, Piano
1
Bass Trombone and Piano
1
+ 28 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
168
Violin, Cello (duet)
75
Violin and Piano
72
Cello, Piano
60
Viola, Piano
60
String Trio: violin, viola, cello
52
Violin
44
Cello
24
2 Violins (duet)
23
2 Harps (duet)
22
Harp
20
Violin, Viola (duet)
18
String Trio: 2 violins, cello
12
Double bass, Piano (duet)
11
String Quintet: 2 violins, viola, cello, bass
11
2 Cellos (duet)
11
2 Violas (duet)
9
Viola
9
Harp, Flute (duet)
5
4 Cellos
5
Harp, Violin (duet)
4
Violin, Guitar (duet)
4
String Trio: 3 violins
4
Viola (band part)
3
Viola, Guitar (duet)
3
String Trio: 3 cellos
3
Violin, Organ
3
String Trio: 3 violas
3
Double Bass
2
Harp, Cello (duet)
2
Viola and Harp
2
String Quartet : 4 violas
2
String quartet: 4 violins
2
2 Violas, Piano
2
Harp, Violin, Violoncello
2
Cello, Organ
2
Viola ensemble
1
Violin ensemble
1
Viola, Cello (duet)
1
Cello, Guitar (duet)
1
Violin, Bassoon (duet)
1
Harp, Trombone (duet)
1
Cello Ensemble
1
+ 38 instrumentations
-
Retract
Orchestra & Percussion
String Orchestra
67
Chamber Orchestra
28
Brass ensemble
27
Concert band
21
Handbells
9
Orchestra
7
Jazz Ensemble
4
Percussion Ensemble
3
Xylophone
2
Xylophone, Piano
1
2 Xylophones
1
Vibraphone
1
Brass Quintet: other combinaisons
1
+ 8 instrumentations
-
Retract
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Clarinet Ensemble
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10 sheet music found
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1
Arrival of the Queen of Sheba for Clarinet Quintet +
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Clarinet Ensemble
#
INTERMEDIATE
#
Classical
#
George Frideric Handel
#
Keith Terrett
#
Arrival of the Queen of Sheba
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Keith Terrett
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.746890 Composed by George Frideric Handel. Arranged by Keith Terrett. Baroque,World. 20 p...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.746890 Composed by George Frideric Handel. Arranged by Keith Terrett. Baroque,World. 20 pages. Keith Terrett #4849009. Published by Keith Terrett (A0.746890). Handel's Arrival from the Queen of Sheba come from Solomon (HWV 67), an oratorio by George Frideric Handel; arranged for Clarinet Quintet, plus extra parts if you need them!The Arrival of the Queen of Sheba, sinfonia for two oboes and strings by George Frideric Handel that premiered in London on March 17, 1749, as the first scene of Act III in the oratorio Solomon. One of the last of Handel’s many oratorios, Solomon is rarely performed in its entirety, but Handel’s bright and lively The Arrival of the Queen of Sheba interlude is a widely appreciated processional set piece. It often was (and it continues to be) played during wedding ceremonies. A noted public performance of the piece occurred during the opening ceremonies of the London 2012 Olympic Games.Its libretto is based on the biblical stories of wise king Solomon and is attributed to Newburgh Hamilton. The music was composed between May 5 and June 13, 1748 and the first performance took place in London on March 17, 1749.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$7.99
Crucifixus a10 for Clarinet Ensemble
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Clarinet Ensemble
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INTERMEDIATE
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Antonio Lotti
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James Haynor
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Crucifixus a10 for Clarinet En
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James Haynor
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.782168 Composed by Antonio Lotti. Arranged by James Haynor. Baroque,Sacred. 1 pages. Jame...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.782168 Composed by Antonio Lotti. Arranged by James Haynor. Baroque,Sacred. 1 pages. James Haynor #3089235. Published by James Haynor (A0.782168). Antonio Lotti (5 January 1667 – 5 January 1740) was an Italian Baroque Composer who wrote several settings of The CruciFixus, the 8 voice being the most popular. The blend of Clarinets of 10 is equality conducive to this piece written for voice. It is very playable for moderatly experienced players and would be a great addition to any concert, recital or as a contest piece. The setting of this piece as typical of Lottis’s work build harmonically throughout, beautifully resolving on the last note. Duration: ( 2:50 )
$15.00
Six Sonatas No.1 for three Clarinets, Op.7-1
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Clarinet Ensemble
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INTERMEDIATE
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Classical
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Boismortier, Joseph Bodin de
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Kamada, Mikio
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Six Sonatas No.1 for three Cla
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ACORDO Sheet Music
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1169917 Composed by Boismortier, Joseph Bodin de (1689-1755) Arranger Kamada, Mikio. Arra...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1169917 Composed by Boismortier, Joseph Bodin de (1689-1755) Arranger Kamada, Mikio. Arranged by Kamada, Mikio. Baroque. 24 pages. ACORDO Sheet Music #770282. Published by ACORDO Sheet Music (A0.1169917). Joseph Bodin de Boismortier (1689-1755) was a French baroque composer. This piece is one of six sonatas Op.7 originally written for three flutes. It consists of five movements, 1. Gravement, 2. Allemande/Gayment, 3. Lentement, 4. Gavotte en Rondeau, and 5. Gayment. Simple and tightly-contained interaction between three parts. Enjoyable to play with not so high skill in technique.The part notes include both for A and Bâ™ clarinets.
$10.00
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Clarinet Ensemble
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INTERMEDIATE
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Gabrieli
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James M
#
Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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Clarinet Ensemble
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Comfort Ye My People & Every Valley from The Messiah for Clarinet Choir
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Clarinet Ensemble
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INTERMEDIATE
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Classical
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George Frideric Handel
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Lisa Ochoco
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Comfort Ye My People & Every V
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.559498 Composed by George Frideric Handel. Arranged b...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.559498 Composed by George Frideric Handel. Arranged by Lisa Ochoco. Baroque,Christmas. 40 pages. Lisa L Ochoco #3092915. Published by Lisa L Ochoco (A0.559498). Comfort Ye My People is a recitative and Every Valley Shall be Exalted is an air from The Messiah for the Tenor voice, but this clarinet arrangement puts the solo into the soprano range. The 1st Clarinet part can be played as a solo or as a section, as long as it can be heard far above the other parts.
$14.00
Bist Du Bei Mir (Clarinet Quartet)
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Clarinet Ensemble
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Regis Bookshar
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Bist Du Bei Mir
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Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.812952 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Contemporar...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.812952 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Contemporary,Multicultural,Standards,World. 7 pages. Regis Bookshar #5794755. Published by Regis Bookshar (A0.812952). Clarinet Quartet - Intermediate - Digital Download. This beautiful melody by Johann Sebastian Bach has been arranged for 4 Bb Clarinets by Regis Bookshar. It would be appropriate for high school and college students and could be performed for recitals and church services. Included is a score and a complete set of parts (7 pages). Please feel free to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain students will enjoy playing this selection.
$7.00
Sonata No.3 Op.3
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Clarinet Ensemble
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INTERMEDIATE
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Spence Bundy
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Spence Bundy
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Sonata No.3 Op.3
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Spencer Bundy
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1173953 By Spence Bundy. By Arcangelo Corelli. Arranged by Spence Bundy. Baroque,Chamber....
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1173953 By Spence Bundy. By Arcangelo Corelli. Arranged by Spence Bundy. Baroque,Chamber. 19 pages. Spencer Bundy #774110. Published by Spencer Bundy (A0.1173953). This lovely piece is from Corelli's third set of twelve sonatas and was originally published in 1689. It would be ideal for any concert but equally, could be enjoyed by a group of friends playing for fun.
$4.50
Sonata No.3 Op.3
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Clarinet Ensemble
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INTERMEDIATE
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Spence Bundy
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Spence Bundy
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Sonata No.3 Op.3
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Spencer Bundy
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1175311 By Spence Bundy. By Arcangelo Corelli. Arranged by Spence Bundy. Baroque,Chamber....
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1175311 By Spence Bundy. By Arcangelo Corelli. Arranged by Spence Bundy. Baroque,Chamber. 19 pages. Spencer Bundy #775465. Published by Spencer Bundy (A0.1175311). This lovely piece is from Corelli's third set of twelve sonatas, first published in 1689. It would be an ideal concert item or equally could be enjoyed by any group of friends playing for fun.
$4.50
Still Still Still - Christmas song - Clarinet Choir - Ab
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Clarinet Ensemble
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INTERMEDIATE
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Christmas
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Thomas Graf
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Thomas Graf
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Still Still Still - Christmas
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1285574 By Thomas Graf. By Traditional. Arranged by T...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1285574 By Thomas Graf. By Traditional. Arranged by Thomas Graf. Baroque,Christmas,Classical,Holiday. 31 pages. Thomas Graf - the-hit-factory.com #876679. Published by Thomas Graf - the-hit-factory.com (A0.1285574). Polyphonic arrangement of the famous Austrian Christmas Carol and lullaby. The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Suess (1802-1868); founder of the Salzburg Museum; it has changed slightly over the years but remains attributed to G. Goetsch. As played by the ORIGINAL DRACHENFELSERMUSIKANTEN. Big fun to play! Not difficult.About this arrangement:Â Composed by: traditionalArranged by: Thomas H. Graf for Clarinet ChoirInstrumentation:Â Full Score and Parts as listed below:Part I Clarinet in EbPart I Clarinet in BbPart II Clarinet in BbPart III Clarinet in BbPart IV Alto Clarinet in EbPart V Alto Clarinet in EbPart VI Alto Clarinet in EbPart VII Bass Clarinet in BbPart VII Contrabass Clarinet in BbPart V Clarinet in BbPart VI Clarinet in BbPart V Basset HornPart VI Basset HornPart IV Clarinet in BbAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987 Â E-Mail: info@the-hit-factory.com. Â www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$25.00
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