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duration ca
Not classified
562
Piano & keyboards
Piano solo
86
Organ
29
Piano Quartet: piano, violin, viola, cello
13
Piano Trio: piano, violin, cello
11
Piano, Voice
8
Easy Piano
7
1 Piano, 4 hands
4
Harpsichord
2
Organ, Piano (duet)
1
Organ, Trumpet (duet)
1
Piano, Vocal and Guitar
1
Piano Quintet: piano, 2 violins, viola, cello
1
2 Pianos, 4 hands
1
C Instruments
1
+ 9 instrumentations
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5
Piano, Guitar (duet)
5
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3
Bass guitar
1
Voice
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86
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21
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15
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13
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3
Vocal duet, Piano
1
Baritone voice, Piano
1
High voice
1
Choral 2-part
1
Choral SATBB
1
+ 7 instrumentations
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Retract
Woodwind
Flute and Piano
112
Clarinet and Piano
80
2 Saxophones (duet)
65
Oboe, Piano (duet)
65
Alto Saxophone and Piano
62
Soprano Saxophone and Piano
60
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
59
Tenor Saxophone and Piano
59
Baritone Saxophone, Piano
55
2 Flutes (duet)
52
2 Clarinets (duet)
44
Bass Clarinet, Piano
36
English horn, Piano
31
Saxophone Quartet: 4 saxophones
25
Clarinet
24
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18
2 Oboes (duet)
17
Flute ensemble
13
Saxophone (band part)
12
3 Clarinets (trio)
11
Tenor Saxophone
8
2 English horns and Pianoforte
7
3 Saxophones (trio)
7
Alto Saxophone
7
Clarinet Ensemble
6
Flute Trio: 3 flutes
5
Flute Quartet: 4 flutes
5
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4
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4
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4
Flute
4
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4
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3
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3
Oboe, Bassoon (duet)
3
Clarinet, Bassoon (duet)
2
Saxophone and cello
2
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2
Saxophone Quintet: 5 Saxophones
2
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2
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1
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1
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1
3 Oboes
1
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1
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1
Oboe, Harp
1
Flute and Guitar
1
English horn, Harp (duet)
1
Saxophone, Bassoon (duet)
1
Flute, Clarinet (duet)
1
+ 46 instrumentations
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Brass Quartet: 4 horns
176
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152
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81
Euphonium, Piano (duet)
58
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44
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42
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31
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27
2 French horns (duet)
16
Trumpet
14
2 Trombones (duet)
11
2 Trumpets (duet)
10
2 Euphoniums (duet)
10
Tuba and Piano
8
2 English horns and Pianoforte
7
Brass Quartet
4
Trumpet, Trombone (duet)
4
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4
French horn
4
Trombone
4
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3
Trombone ensemble
3
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3
Horn, Cello (duet)
2
3 Trombones (trio)
1
Trombone, Tuba (duet)
1
Brass Quartet: 2 trumpets, horn, trombone
1
English horn, Harp (duet)
1
Bass Trombone and Piano
1
+ 24 instrumentations
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String Quartet: 2 violins, viola, cello
73
Violin and Piano
65
Viola, Piano
53
Cello, Piano
53
String Trio: violin, viola, cello
21
2 Cellos (duet)
20
2 Violas (duet)
19
2 Violins (duet)
17
Violin
11
Cello
11
Violin, Viola (duet)
9
Viola, Cello (duet)
9
Harp
8
Violin, Cello (duet)
6
Double Bass
4
String Quintet: 2 violins, viola, cello, bass
3
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3
Harp, Flute (duet)
3
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2
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2
Violin, Organ
1
String Trio: 3 cellos
1
String Trio: 2 violins, cello
1
String Quintet: 2 violins, 2 violas, cello
1
Cello (band part)
1
Violin, Guitar (duet)
1
Viola (band part)
1
Double bass, Piano (duet)
1
+ 23 instrumentations
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Retract
Orchestra & Percussion
Orchestra
49
Concert band
27
Brass ensemble
19
Chamber Orchestra
16
String Orchestra
9
Marimba
3
Percussion Ensemble
3
Drums
3
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Clarinet Ensemble
Sheetmusic to print
6 sheet music found
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1
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Clarinet Ensemble
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Mouton: Christmas Motet for Clarinet Choir
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Clarinet Ensemble
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EASY
#
Christmas
#
Jean Mouton
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James M
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Mouton: Christmas Motet for Cl
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.550373 Composed by Jean Mouton. Arranged by James M. Guthrie. Christmas,Concert,Renaissan...
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Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.550373 Composed by Jean Mouton. Arranged by James M. Guthrie. Christmas,Concert,Renaissance,Sacred,Standards. 25 pages. Jmsgu3 #4616085. Published by jmsgu3 (A0.550373). Nesciens mater virgo virum. A quadruple canon at the fifth. Duration: ca. 3:00. Score: 7 pages, parts 2 pagegs each. Instrumentation: 6 Bb clarinets, 1 alto clarinet, 1 bass clarinet, 1 contrabass clarinet (optional).
$49.95
Scarlatti: Andante mosso for Clarinet Choir
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Clarinet Ensemble
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INTERMEDIATE
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Domenico Scarlatti
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James M
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Scarlatti: Andante mosso for C
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.550386 Composed by Domenico Scarlatti. Arranged by James M. Guthrie. Baroque,Concert,Easter,Sacred...
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.550386 Composed by Domenico Scarlatti. Arranged by James M. Guthrie. Baroque,Concert,Easter,Sacred,Standards. 14 pages. Jmsgu3 #4626789. Published by jmsgu3 (A0.550386). Sonata 33 for Clarinet Choir - an unusually expressive, intricate, serious and meditative piece. Perfect for weddings, receptions, meditations, recitals or recital encores.Score: 7 pages. Duration: ca 6:38. Instrumentation: 4 Bb Clarinets, 2 Alto Clarinets, 1 Bass Clarinet.
$29.95
arioso, for Clarinet Octet
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Clarinet Ensemble
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Ken'ichi Masakado
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arioso, for Clarinet Octet
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in-Just-music
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Digital Download SKU: A0.1012763 Composed by Ken'ichi Masakado. 20th Century,Contemporary,Standards. 34 pages. In-Just-music...
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Woodwind Ensemble Clarinet - Digital Download SKU: A0.1012763 Composed by Ken'ichi Masakado. 20th Century,Contemporary,Standards. 34 pages. In-Just-music #5713485. Published by in-Just-music (A0.1012763). Es Clarinet / Bb Clarinet 1-4 / Alto Clarinet / Bass Clarinet / Contrabass(Contralto) Clarinet - Grade 5Score and parts. Composed by Ken'ichi Masakado. Duration ca.4:30. Published by in-Just-music.com.
$29.99
arioso, for Clarinet Octet (Score)
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Clarinet Ensemble
#
Ken'ichi Masakado
#
arioso, for Clarinet Octet
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in-Just-music
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Digital Download SKU: A0.1012761 Composed by Ken'ichi Masakado. 20th Century,Contemporary,Standards. 16 pages. In-Just-music...
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Woodwind Ensemble Clarinet - Digital Download SKU: A0.1012761 Composed by Ken'ichi Masakado. 20th Century,Contemporary,Standards. 16 pages. In-Just-music #5713479. Published by in-Just-music (A0.1012761). Es Clarinet / Bb Clarinet 1-4 / Alto Clarinet / Bass Clarinet / Contrabass(Contralto) Clarinet - Grade 5Score only.Composed by Ken'ichi Masakado. Duration ca.4:30. Published by in-Just-music.com.
$8.49
Beethoven: Three Equali WoO 30 for Clarinet Choir
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Clarinet Ensemble
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EASY
#
Classical
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Ludwig van Beethoven
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James Guthrie, ASCAP
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Beethoven: Three Equali WoO 30
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.551800 Composed by Ludwig van Beethoven. Arranged by James Guthrie, ASCAP. Christian,Clas...
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Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.551800 Composed by Ludwig van Beethoven. Arranged by James Guthrie, ASCAP. Christian,Classical,Concert,Contemporary,Standards. 19 pages. Jmsgu3 #5722107. Published by jmsgu3 (A0.551800). Three Equali, WoO 30. Score: 9 pages, duration: ca. 4:15Commissioned in 1812 by Franz Xaver Glöggl, Stadtkapellmeister of Linz. Intended as tower music for All Souls' Day, they were first performed at the Old Linz Cathedral on 2 November 1812. Equals 1 & 3 were performed at Beethoven's funeral on 29 March 1827.Originally scored for trombone quartet
$29.95
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