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--INSTRUMENTS--
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Not classified
615
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324
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311
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257
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93
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39
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10
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8
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5
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2
Piano ensembles
1
Harpsichord
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Piano Quartet: piano, violin, viola, cello
1
Organ, Trumpet (duet)
1
+ 11 instrumentations
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Retract
Guitars
Guitar notes and tablatures
68
Guitar
61
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9
2 Guitars (duet)
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3 Guitars (trio)
2
Mandolin
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Band Scores
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Dulcimer
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4 Guitars (Quartet)
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+ 9 instrumentations
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Choral SATB
138
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70
Choral 3-part
49
Choral TTBB
43
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29
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15
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14
Vocal duet, Piano
12
Choral
7
Choral SSATB
4
Soprano voice, Piano
4
Low voice, Piano
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Alto voice, Piano
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High voice
2
Choral Unison
2
Low voice
1
Medium voice, Piano
1
Tenor voice
1
Baritone voice, Piano
1
Choral SSAB a cappella
1
+ 15 instrumentations
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Saxophone
82
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61
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44
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33
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33
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31
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29
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29
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26
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25
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24
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22
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22
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18
2 Clarinets (duet)
17
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17
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15
Soprano Saxophone and Piano
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14
3 Saxophones (trio)
13
Oboe
12
2 Recorders (duet)
8
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8
2 Oboes (duet)
8
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7
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7
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3 Clarinets (trio)
6
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6
Baritone Saxophone, Piano
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5
Oboe, Clarinet (duet)
5
Flute ensemble
5
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5
Clarinet Quintet: 5 clarinets
5
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4
Clarinet, Violin (duet)
4
English horn, Piano
3
Flute Trio: 3 flutes
3
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3
2 English horns and Pianoforte
3
Flute, Oboe, Violin
2
English Horn
2
Saxophone, Clarinet (duet)
2
Flute, Violin, Guitar
2
2 Clarinets, Bassoon
2
Flute, Violin and Violoncello
2
Flute, Clarinet, Piano (trio)
2
Clarinet and Viola
2
Flute, Violin
2
Flute, Clarinet and Bassoon.
2
Saxophone ensemble
2
Tenor Recorder
1
Baritone Saxophone
1
Flute, Oboe (duet)
1
Bass Clarinet, Piano
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Flute, Violin, Violoncello and Piano
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Flute, Clarinet, Violin (trio)
1
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1
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Clarinet, Trumpet (duet)
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1
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1
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1
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1
2 Flutes, Piano
1
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1
Flute, Violoncello
1
Flute, Violin, Piano
1
Clarinet, Harp (duet)
1
+ 71 instrumentations
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Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
139
Trumpet
56
Trombone
50
Brass quartet : 2 trumpets, trombone, tuba
29
French horn
25
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24
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22
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20
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18
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15
2 Trombones (duet)
10
Euphonium
10
2 Trumpets (duet)
9
Tuba and Piano
9
2 French horns (duet)
8
Brass Quartet: 4 trumpets
8
Brass Quartet
7
Trumpet, Trombone (duet)
6
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5
4 Tubas
4
English horn, Piano
3
2 English horns and Pianoforte
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3
2 Tubas (duet)
2
Trumpet, Saxophone (duet)
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2
Brass Quartet: 2 trumpets, 2 trombones
2
3 Trombones (trio)
1
Trombone ensemble
1
2 Euphoniums and 2 Tubas
1
Trumpet, Cello, Piano
1
Trumpet ensemble
1
+ 30 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
103
Violin
72
Viola
61
Cello
52
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37
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31
String Quintet: 2 violins, viola, cello, bass
29
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26
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18
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17
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15
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11
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10
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10
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10
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8
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8
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6
4 Cellos
6
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5
String Trio: 3 violins
4
2 Double basses (duet)
3
Violin, Guitar (duet)
2
String trio
2
String Quintet: 2 violins, viola, 2 cellos
2
Viola, Cello (duet)
2
Violin, Clarinet, Piano (trio)
1
String Quartet : 4 violas
1
String Trio: 3 violas
1
Harp, Violin, Violoncello
1
Harp, Flute (duet)
1
Viola, Guitar (duet)
1
+ 29 instrumentations
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Retract
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Concert band
67
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61
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45
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35
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22
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Handbells
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For Andrea
Clarinet Ensemble
Sheetmusic to print
8 sheet music found
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1
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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Clarinet Ensemble
#
INTERMEDIATE
#
Gabrieli
#
James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Clarinet Ensemble
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
"Little" Fugue in g minor, BWV 578
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Clarinet Ensemble
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INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Andrea Toven
#
"Little" Fugue in g minor, BWV
#
High Plains Music
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1242589 Composed by Johann Sebastian Bach....
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1242589 Composed by Johann Sebastian Bach. Arranged by Andrea Toven. Baroque,Chamber,Historic,Sacred,Standards. 46 pages. High Plains Music #837759. Published by High Plains Music (A0.1242589). This Bach organ fugue was arranged for clarinet choir by Andrea Toven in 1994. This arrangement was premiered by the St. Olaf Clarinet Choir in daily chapel in April 1994, and the preview audio sample is from that performance. The arranger was the contrabass clarinetist.This arrangement is scored for Eb clarinet, 3 Bb clarinets, F basset horn, bass clarinet, and Bb contrabass clarinet.
$24.98
Time To Say Goodbye
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Clarinet Ensemble
#
INTERMEDIATE
#
Andrea Bocelli & Sarah Brightm
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John A
#
Time To Say Goodbye
#
John A. Dempsey
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.523795 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by John A. Dem...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.523795 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by John A. Dempsey. Classical,Contemporary,Film/TV,Multicultural,Opera,World. 20 pages. John A. Dempsey #3907787. Published by John A. Dempsey (A0.523795). This sublime song, full of emotion coupled with a majestic melody that shines in both beauty and brilliance, is arranged here as a woodwind quartet for Bb clarinet.  Also known as Con Te Partiró, this music will undoubtedly appeal to lovers of Puccini, Donizetti, Delibes and Verdi, but pop fans will also find much to love.  Recommended for concerts, recitals and other multiple venues. 16 pages of music (that includes the score and separate two-page parts for clarinet 1, clarinet 2, clarinet 3 and clarinet 4).
$12.99
Time To Say Goodbye
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Clarinet Ensemble
#
EASY
#
Opera
#
Classical
#
Andrea Bocelli & Sarah Brightm
#
Stephen DeCesare
#
Time To Say Goodbye
#
Exultet Music
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.620484 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by Stephen DeC...
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Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.620484 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by Stephen DeCesare. Opera. 13 pages. Exultet Music #3379191. Published by Exultet Music (A0.620484). Also known as Con Te Partirò, this romantic Italian ballad which has become one of the best-selling singles of all time, has now been freshly arranged for Clarinet Choir (Bb-Clarinet (3), Bass Clarinet) with Piano accompaniment. Accessible and appropriate for any concert setting. .
$12.99
Cinema Paradiso
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Clarinet Ensemble
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EASY
#
Film/TV
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Andrea Morricone and Ennio Mor
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Catherine Quinlan
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Cinema Paradiso
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Catherine Quinlan
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.1158708 Composed by Andrea Morricone and Ennio Morricone. Arranged by Catherine Quinlan. ...
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Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.1158708 Composed by Andrea Morricone and Ennio Morricone. Arranged by Catherine Quinlan. Film/TV. 6 pages. Catherine Quinlan #758944. Published by Catherine Quinlan (A0.1158708). A simple but effective arrangement for 3 clarinets.
$12.99
I Want It That Way
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Clarinet Ensemble
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EASY
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Pop music
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The Backstreet Boys
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Stephen DeCesare
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I Want It That Way
#
Exultet Music
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.624784 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arra...
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Woodwind Ensemble Clarinet - Level 2 - Digital Download SKU: A0.624784 By The Backstreet Boys. By Andreas Carlsson, Martin Sandberg, and Max Martin. Arranged by Stephen DeCesare. Pop. 19 pages. Exultet Music #4806505. Published by Exultet Music (A0.624784). The popular song by the American boy band the Backstreet Boys, has been freshly arranged for a Clarinet Choir (Bb-Clarinet (3), Bass Clarinet) with Piano accompaniment. Accessible and appropriate for any school or concert setting.
$12.99
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