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You've selected:
Sinfonia in Bb
Clarinet Ensemble
Sheetmusic to print
5 sheet music found
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1
W.A. Mozart Le Nozze di Figaro (The Marriage of Figaro) SINFONIA for Clarinet Choir Set of Parts
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Clarinet Ensemble
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Classical
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Wolfgang Amadeus Mozart
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Massimo Mazza
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W.A. Mozart Le Nozze di Figaro
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Jack Tiger
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SheetMusicPlus
Woodwind Ensemble Clarinet - Digital Download SKU: A0.930669 Composed by Wolfgang Amadeus Mozart. Arranged by Massimo Mazza. Classical. 42 pages. Jack Ti...
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Woodwind Ensemble Clarinet - Digital Download SKU: A0.930669 Composed by Wolfgang Amadeus Mozart. Arranged by Massimo Mazza. Classical. 42 pages. Jack Tiger #2618735. Published by Jack Tiger (A0.930669). Arrangement for clarinet choir of the Sinfonia from Mozart's Marriage of Figaro. This is a complete set of parts including Clarinet in Bb 1A-1B, Clarinet in Bb 2A-2B, Clarinet in Bb 3A-3B, Clarinet in Bb 4A-4B, Alto Clarinet and Bass Clarinet.
$20.00
Sinfonia in Re
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Clarinet Ensemble
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Classical
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Federico di Prussia
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Marco Monitto
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Sinfonia in Re
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Marco Monitto
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SheetMusicPlus
Woodwind Ensemble Clarinet - Digital Download SKU: A0.876384 Composed by Federico di Prussia. Arranged by Marco Monitto. Baroque,Classical. 42 pages. Mar...
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Woodwind Ensemble Clarinet - Digital Download SKU: A0.876384 Composed by Federico di Prussia. Arranged by Marco Monitto. Baroque,Classical. 42 pages. Marco Monitto #3583141. Published by Marco Monitto (A0.876384). Very rare Ouverture, composed by the great Emperor Federico II di Prussia. You can play my music from a solo Bb Clarinet Choir, to a Full Clarinet Choir, from Eb Piccolo Clarinet to Double Bass!!!Now you can Listen all mp3 by my arrangements, played by the Clarinet Ensemble CÃ lamus, from the University of the Music of Catania.
$20.00
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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Clarinet Ensemble
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Clarinet Choir
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Clarinet Ensemble
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. ...
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549213 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 45 pages. Jmsgu3 #3464933. Published by jmsgu3 (A0.549213). A musical monument: the first composition to employ dynamics. Minimum Instrumentation:  8 Bb clarinets, 1 alto clarinet, 1 contralto clarinet, 1 contrabass clarinet. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Arrival of the Queen of Sheba, from the oratorio Solomon
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Clarinet Ensemble
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INTERMEDIATE/ADVANCED
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George Frideric Handel
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Mark A
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Arrival of the Queen of Sheba,
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Mark A. Craig
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1473501 Composed by George Fride...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1473501 Composed by George Frideric Handel. Arranged by Mark A. Craig / Craig Music Publishers (ASCAP). Baroque,Chamber,Film/TV,Multicultural,World. 38 pages. Mark A. Craig #1051299. Published by Mark A. Craig (A0.1473501). This clarinet choir arrangement of the sinfonia Arrival of the Queen of Sheba from George F. Handel's oratorio Solomon is a great opener or closer for recitals and is perfect for graduations, weddings, background dinner music gigs, and educational outreach events. College groups and professional ensembles can play this arrangement. I have included alternate Bb clarinet parts in lieu of a missing Eb clarinet or Alto clarinet. I have also included a Contra Alto Clarinet part as an alternate or in addition to the Contrabass Clarinet part. I hope you enjoy this delightful setting of a Handel classic.If you like this arrangement, you might also like my lively and dynamic clarinet choir arrangement of Alexander Borodin's Polovtsian Dances Overture from his opera Prince Igor. It's available on:Sheet Music Direct: https://www.sheetmusicdirect.com/en-US/se/ID_No/1568726/Product.aspxSheet Music Plus: https://www.sheetmusicplus.com/en/product/polovtsian-dances-overture-22795898.htmlFor more info about Mark A. Craig / Craig Music Publishers, here are my social media links. Please like, follow, or subscribe, and feel free to leave questions or comments about my arrangements. Thanks for stopping by! See you soon. FacebookInstagramLinkinBioYouTube
$30.00
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